Behold, the new issue of The Comics Journal, an edition so awesome we made it a flip-book with TWO cover features: Gary Groth's newsmaking interview with the late Maurice Sendak on one side, and Kim Thompson's interview with Jacques Tardi on the other side. (To clarify, there aren't two separate covers; every copy has both covers and which one's the "front" depends on which way you turn it.) And there's a whooole lotta stuff in between. Look for excerpts to be posted on TCJ.com as the release date nears (early February being our current best guess). TCJ sets the agenda for intelligent comics conversation, so pre-order your copy today and don't get left behind.
The first snowflake of Online Commentaries & Diversions:
• Review:Publishers Weekly enjoys Naked Cartoonists, edited by Gary Groth. "The litmus test for any collective work based on the idea of one page per artist is whether the whole is greater than the sum of the individual parts. . . [Naked Cartoonists] no trouble achieving that goal. . . Dan Piraro (Bizarro) deserves kudos for his strategically-located likeness of Garfield . . ."
• Review:Print Magazine (issue 66.3 June 2012) gingerly flips through the pages of Naked Cartoonists. "Does your Sunday morning routine consis of reading The Wizard of Id and thinking, Gosh, I wish it had more nudity? Then Fantagraphics Books has just the thing for you." While out-and-about obscenity is rare, "there are moments of genuine creepiness, as when Jeff Keane, heir to The Family Circus, drops trou along side his fictional self, Jeffy."
• Review: Speaking of nudish things, Slate takes the time to slog through Prison Pit 4 by Johnny Ryan. Noah Bertlasky states, "For those who find filthy, blotchy tactile ink clots, überviolence, or body horror even remotely appealing, you need to buy this and its predecessors immediately."
• Review (audio): The boys on the block (Comics Books are Burning in Hell) review violent comics so naturally Blacklung by Chris Wright is included. The book affected the reviewers since it's "basically Chris Wright drawing terrifying shit" and Wright's drawing style falls in between "Old newspaper comics, like E.C. Segar's Popeye and Roy Crane's Wash Tubbs and Usagi Yojimbo [by Stan Sakai]."
• Review:New York Journal of Books looks at Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks. Mark Squirek writes, "What he was really doing was showing us the absurdity of human behavior. . . This is a book that can be enjoyed by everyone from six to eighty. . . This is classic art and storytelling from a master of the form. Carl Barks ranks right up there with Jack Kirby and Will Eisner. If you love the frustrated, quacking, crazed Donald from the cartoons of the forties, you have to read A Christmas for Shacktown."
• Review:The Christian Science Monitor unwraps Charlie Brown's Christmas Stocking by Charles M. Schulz. Rich Clablaugh takes another sip of cider and says, "The design of the book is marvelous, thick off-white stock printed in two colors – red and green of course. . .Charlie Brown's Christmas Stocking is sure to bring a warm smile to readers young and old. A yearly reading of this little gem can in itself become a new tradition for the Christmas season."
• Review:Westfield Blog looks at archival prints from Fantagraphics. Roger Ash recounts, "Popeye, Pogo, Charlie Brown, Mickey Mouse, and many other classic comic strip characters live on at Fantagraphics in outstanding collections. If you aren't reading any of these, you should be."
• Review:Forbidden Planet International writes about Rich Tommaso's graphic novel, The Cavalier Mr. Thompson. "What the Cavalier does very well is encompass the zeitgeist of an era and people vividly. . . or the most part you’re happy to be led through the rooms and ravines, over train tracks and down corridors as a gentle narration of tales from times gone by ensconces you comfortingly," says Zainab.
• Review: Glen Weldon writes a large article in the New York Times Book Review on our newest anthology on queer comics. "With No Straight Lines [editor Justin Hall] has produced a useful, combative and frequently moving chronicle of a culture in perpetual transition; to read it is to watch as an insular demimonde transforms itself, in painful fits and joyful starts, and steps out into a wider monde."
• Review:Graphixia looks at Jacques Tardi's It Was the War of the Trenches. Scott Marsden states, "Seeing Tardi’s portrayal of the horrors of trench warfare and his vision of the random senselessness and brutality that accompanies it reminds us to reflect on our (mis)conceptions of history, drawing attention to the fractal realities that are embedded in events that have been experienced internationally. . . it feels far closer to reality than the propagandized historical materials offered by the typical academic publishing industry. . ."
• Review: Rob Clough reposts his review of our Hotwire anthology, this time on High Low. "A book for those who read Ghost World or American Splendor and [want] to know where to go next."
• Review:Chris Ware is profiled on the NY Review of Books on Jimmy Corrigan through Building Stories.
The Seattle-based French cultural organization the Alliance Française is having a Christmas market and you're invited!
Fantagraphics will have a table there selling our French translations (Tardi, Trondheim, David B., etc.) but we will also have a big pile of non-Fantagraphics editions of French and Belgian classics such as Tintin, Asterix, the Smurfs, and Lucky Luke, and several boxes full of french comics IN THE ORIGINAL FRENCH that have not previously been made available in our store.
The Alliance Française is a great organization and this should be a fun time for Francophiles in general even above and beyond Fantagraphics' presence, so we hope to see you there. Francophone Kim Thompson will be manning the table throughout and will answer your questions and banter with you (and take your money) in French, in English, or in Danish if you happen to trek up from Ballard, for that matter. A bientôt!
The Alliance Française is located on the ground floor of Historic Seattle's beautiful Good Shepherd Center at 4649 Sunnyside Avenue North. There are two large free parking lots as well as abundant free on-street parking.
The strongest umbrella in the wind of Online Commentaries & Diversions:
• Review: Paul Constant of The Stranger looks at The Last Vispo: Visual Poetry 1998-2008, edited by Nico Vassilakis and Crag Hill. "As an art book, it demands hours of investigation. . . For those linguistic pioneers looking to find the future of fiction, this could be one of the most informative poetry anthologies to be published in the new millennium."
• Review:NPR's My Guilty Pleasure looks at the Jacques Tardi graphics novels of Adèle Blanc-Sec who is "young writer with the brains of Sherlock Holmes, the body of Angelina Jolie and the stoic fortitude of the Marlboro Man." Rosecrans Baldwin states, "The books are part adventure comic, part hardboiled fiction. They're terrific whodunits that conjure up all the precise atmospheric detail of, say, a Georges Simenon novel, but with twice the plot."
• Review:Blacklung by Chris Wright gets reviewed on Nerds of a Feather. Philippe Duhart says, "Wright’s genius is further evident in his ability to use these aberrant cartoonish characterizations to convey human emotion, particularly terror. Wright’s portrayal of violence is stark and chilling – despite or perhaps because of his singular style. . . Black Lung worked on all counts. Plus, pirates."
• Review (video):Kapow Comics down in Australia reviews Chris Wright's Blacklung. Al states "this is a complicated book with musings on philosophy, literature, mortality and especially, religion has a big focus." Sonya says, "Every single character changes in this story, their journey changes them . . . [Blacklung] prayed on my mind. It lingers with you."
• Review: Glen David Gold looks at Flannery O'Connor: The Cartoons edited by Kelly Gerald in the LA Review of Books. In an attempt to see how the bread is made, Gold, "Cartooning was O'Connor's first artistic passion. . . . An article in the local paper and a pile of rejection slips from The New Yorker indicate how serious she was. . . not an early blush of Flannery the fiction writer at work. But I'd still recommend it to the curious. Come at it without expecting same genius, but look at it because it's an extreme close up of biography."
• Review:Publishers Weekly looks at Jack Jackson's Los Tejanos and Lost Causes. "Comics’ current vogue for nonfiction was pioneered in these two works from the late underground comix founding father Jackson, who died in 2006. Jackson brought an R. Crumb–style crosshatching and love of facial grotesquery to these two densely researched historical graphic novels."
• Plug:Publishers Weekly and Ada Price show a sneak peak of The Heart of Thomas by Moto Hagio. Enjoy 14 pages of pure genius but don't forget to read each one right to left! We're talking manga here.
• Review: Rob Clough of The Comics Journal enjoys The Hypo by Noah Van Sciver."he’s made a fairly significant leap as both a draftsman and a storyteller in a relatively short period of time . . . Van Sciver’s greatest achievement in this book is his storytelling restraint. He lets his cross-hatching gets across the grime . . He wants to show the reader a different side of the Lincoln we grew up reading about in the history books, but also wants the reader to connect this younger man to the future president."
• Review:Fantasy Literature takes a peek at Castle Waiting Vol. 1 by Linda Medley and Ruth Arnell is in love. "the charming ink illustrations have a piquant charming quality that match the story wonderfully. . . Linda Medley has written a gentle feminist fairy tale comic book that truly deserves to have a wider audience."
• Review: Sonia Harris of Comics Book Resources reads Black Hole by Charles Burns all in one sitting, one evening. "Reading Black Hole all at once in a nice, tidy bundle, it is impossible to experience what Black Hole was for all those years while it was slowly seeping out, issue by issue. . . it is visceral poetry, a true expression of the medium with imagery and words working together to create the most intimate impact. Black Hole is beautiful and terrible, it is a treasure."
The Hollywood Reporter reports that Jean-Patrick Manchette's novel The Prone Gunman, from which Jacques Tardi adapted the graphic novel Like a Sniper Lining Up His Shot (we gave it a different name for our edition), is on the way to a major-motion-picture adaptation with Sean Penn in negotiations to play the lead, ruthless assassin Martin Terrier. No director yet; our own Kim Thompson suggests Nicolas Winding Refn or William Friedkin in French Connection flashback mode, if the producers are listening.
We trust that Jefferey Wright is in talks for the Stanley role.
The blackest ink in the pot of Online Commentaries & Diversions:
• Review:AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciverrenders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."
• Review:Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."
• Review:Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency. . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"
•Review:La Tempestad on Barack Hussein Obamaby Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."
• Review:MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."
• Review:The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."
• Review:The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."
• Review:Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."
• Review:The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."
• Review:BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."
• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.
• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."
• Commentary:SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . . Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."
• Commentary:Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."
• Commentary:Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."
• Interview:The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes.
• Review:Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."
• Review:Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."
• Review:AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."
•Interview:The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."
The furtherest-traveled Bethesda-sent postcard of Online Commentaries & Diversions:
• Review:NPR's Glen Weldon looks at The Hypo by Noah Van Sciver. "Although The Hypo is painstakingly researched, the book is no dry accretion of biographical detail. That's because Van Sciver approach's is so deeply, palpably personal, even idiosyncratic. . . Inspiring? No. But achingly familiar, relatably human and — most of all — profoundly real."
• Interview:Comic Book Resources and Ryan Ingram pulled Noah Van Sciver aside to talk about The Hypo. Van Sciver says, "My reason for spending so much time working on The Hypo was an honest to god interest in the subject of depression and the struggles Lincoln was going through at that time. Probably nobody else would have done this book."
• Review:We Got Reviews looks at Noah Van Sciver's The Hypo. Chad Parenteau closes it beautifully states," In The Hypo, Van Sciver proves in these pages that you can bring an almost mythic figure of the past to modern day terms while still making that figure heroic."
• Plug:Large-Hearted Boy got his mitts on The Hypo by Noah Van Sciver: "I've been looking forward to this book for what feels like two years now. . . It's a side of Lincoln rarely revealed, beautifully illustrated, and wonderfully told."
• Commentary: Rob Clough of the Comics Journal and High-Low made sure to organize some Noah Van Sciver within the Library of Congress mini-comic collection: "Everything's coming up Noah these days, with an Ignatz nomination for The Death of Elijah Lovejoy and the release of his Abraham Lincoln book The Hypo from Fantagraphics." Clough also comments on Jaime and Gilbert's Ignatz awards, "I dubbed Jaime Hernandez the King of SPX after he took home three extremely well-deserved Ignatz awards. After getting shafted by the other major comics awards shows, it was great to see him relishing this moment."
• Commentary: Tom Spurgeon says a bunch of nice stuff about the Hernandez Brothers, Noah Van Sciver on the Comics Reporter. "Los Bros had a steady line of admirers at the show, which was really encouraging to me. They had good solo panels, too -- Frank Santoro talked to Jaime and got him to choke up a bit, and Sean T. Collins talked to Gilbert and applied to that conversation the benefit of reading the holy shit out of all of Gilbert's work sometime in the last year. . . I enjoyed that Abraham Lincoln book of [Noah's]."
• Commentary:The Beat loves on all creators, great and small including the Hernandez Brothers
• Plug (video): Junot Diaz talks about the Hernandez Brothers in Vol. 1 Brooklyn.
• Commentary (audio): The podcasts Hideous Energy attends not only SPX but the Politics and Prose signing for the Hernandez Brothers . The hosts have a frighteningly good time at SPX despite the trials and tribulations of their hotel room at Red Roof Inn.
• Review: The School Library Journal dissects The Adventures of Venus by Gilbert Hernandez and includes some questions to ask when using it in an English or literature class: ". . . while certainly young readers should appreciate many aspects of the book, some of its content may land as so idiosyncratic (albeit playfully so) as to inaccessible. And that’s actually a good thing."
• Review:The Chicago Reader enjoys Lilli Carré's Heads or Tails. Noah Bertlasky compares,"Eschewing the autobiographical meaning-through-trauma tradition of Maus, the pop art goofiness of Fort Thunder, or the sex and drug spewing of underground artists like R. Crumb, Carré specializes in surreal narratives and exquisite design.. . . Reading this, it's easy to forget there was ever a time comics were viewed as separate from art."
• Plug: Alex Pardee of Juxtapoz picks Johnny Ryan as his dude du jour and demands you read Prison Pit #4 and all previous volumes."I'm pretty sure the words 'Johnny Ryan' mean 'Fuck You' in Elvish or Klingon. . . Lucky for us, Johnny Ryan doesn't give a Russell Brand about pissing anyone off. . . amassing a huge cult following based solely around brilliantly conveyed hemorrhoid jokes, hitler bashing, and 'shit-fucking-shit'. . ."
• Plug: Claire Donnor of comiXology focuses on No Straight Lines, edited by Justin Hall. "Besides offering an exciting array of new and rare talent, this volume presents a very refreshing change from the familiar straight male fantasizing that has traditionally dominated the indie and underground scenes."
• Review:The North Adams Transcript reviews Mattotti and Zentner's The Crackle of the Frost. John Seven writes, "What the words cannot portray, the images do, the real psychological landscape that Samuel's confused analysis grapples with, and a testament to the power that can be born of the collusion between the literary and the illustrative in the best examples of graphic storytelling."
• Review: Carter Scholz returns to The Comics Journal to pen a review of Dal Tokyoby Gary Panter, "So think of it as a comic strip, a periodic commitment. A blog before and after its time, a day book spanning three pitiless decades. Each strip of the first series is time-stamped, by hand, to the minute, testimony to Panter’s living and working and recording in the here-and-now of it."
• Interview: Max Robinson of City Paper interviews Dan Clowes and about the continuing success of Ghost World: "I’m heartened that it seems to live on. It’s about teenage girls from another world, really; [they] don’t text, don’t have cell phones, don’t have computers. It’s really about the olden days and yet it seems like the whole new readership of teenagers seems to take to it every year."
• Review:Pop Matters talks about Daniel Clowes. Features editor Josh Indar says, "This is why I love Dan Clowes. He’s the only comic artist I’ve read who can do this to me, to pull me so completely into his world that, just as the old lady said, I start seeing reality through the lens of his work."
• Review: Nick Gazin's Comic Book Love-In #72 on Vice includes Jacques Tardi's New York Mon Amour. "Many of the comics they're publishing have never been translated into English before so it is a big, big deal that they are providing this service to all American lovers of comics. . . The art's great and it captures what New York in the early 80s was."
• Interview:Print Mag interviews the indeliable Roger Langridge on comics, acting and life. It's worth reading yourself for the gorgeous panels full of exquisite details. Langridge says, "It's a fascinating world, theater."
• Interview: Chris Auman of Reglar Wiglar interviews Ed Piskor on his previous book and upcoming Hip Hop Family Tree. "I grew up surrounded by hip hop. I feel like the fact that I even learned to draw was shaped by a hip hop mentality."
Occasionally a finger on the camera slips and reporters or other publishers accidentally take a picture of the people working on publishing the books, rather than our wide array of talented artists and authors. Here are some nice things people said about us and some semi-nice photos of Gary, Kim, Eric, Jacq and Jen: Tom Spurgeon at Comics Reporter, Chris Mautner on Robot 6 and Comic Book Resources, artist Nick Abadzis, Charles Brownstein at CBLDF, Heidi MacDonald at The BEAT.
The cleanest sock you've never lost of Online Commentaries & Diversions:
• Review: The Comics Journal and Tucker Stone hit up two of our books this week. Stone lauds Jacques Tardi's New York Mon Amour, "The later three stories are all excellent installments in the various ways the city can grind you into oblivion. . . " And on the subject of The Furry Trapby Josh Simmons, "There’s been a solid amount of recommendations already for this volume, and there’s not going to be any contrarian tut-tutting to be found here: this is worth reading, owning, and possibly gifting . . . having this much nasty in one hardcover is a reading experience like no other, and one you’d do well to deny not one minute longer."
• Review:The Comics Reporter reviews Lorenzo Mattotti and Jorge Zentner's latest translated collaboration. "The Crackle Of The Frost finds an elegant balance between abstraction and more traditional cartoon rendering. . . it's fully realized, and satisfying, and occasionally beautiful."
• Review:The Library Journal sent us this review of The Hypo by Noah Van Sciver, M. C. says "Perhaps our most beloved president, Abraham Lincoln threatens merely to disappear into sainthood for most of us. Van Sciver has made him real by portraying one of the most difficult times in the future leader’s younger life. . . It’s rather like an American version of Dickens infused into a Jane Austen love story, and Van Sciver’s moody cross-hatching works exceedingly well in showing these lesser-known facets of Lincoln’s nonpolitical life. . . An excellent choice for compelling leisure reading as well as for use in classrooms."
• Review:Comics Bulletin covers what goes on under the covers of Sexytime edited by Jacques Boyreau. Jason Sacks says, "Sexytime is a glorious representation of work that was forgotten shortly after it was created, but is full of joyful reminders of the recent past. . .Oh god! Oh god! Oh god! Yes! Yes! Yes! is this a great book."
The freshest fried-this-morning Online Commentaries & Diversions:
• Review: Tucker Stone on The Comics Journal gives a thumbs-up to Dungeon Quest Vol. 3 by Joe Daly. "Dungeon Quest–the mumbling stoner counterpart to its methed up metal freak cousin, Prison Pit–has a whole new stack of penis-obsessed pages to play with. It’s tempting to single out one part of this volume to label as best, but that temptation dissipates upon the realization that it’s going to be impossible to pick a winner."
• Review:BookGasm raves about Jacques Tardi's New York Mon Amour. JT Lindroos says, "It shuffles in elements from Tardi’s other books, but distills those familiar ingredients into a wholly unique concoction. . . It’s a love letter to an imaginary city bursting with life, depression and death, a city you love to observe from a distance."
• Plug:Noah Van Sciver finished out the TCJ Comic Diary week with a visit by Gary Groth. Heidi MacDonald of The Beat said nice things about The Hypo: "an extremely well researched look at Abraham Lincoln’s early days as a depressed young lawyer, will be one of the buzz books of the fall."
• Plug:Bleeding Cool and Rich Johnston show off some pages from Today is the Last Day of the Rest of Your Life by Ulli Lust, coming out this fall.
• Plug:Robot 6 and Bridget Alverson are excited for both the upcoming Wilfred Santiago books on Michael Jordan and John Brown. "If the images are any indication, Santiago is busting out from the limited palette he used for the Clemente book to full, brilliant color, applied in a bold, painterly style."
• Plug: The Covered blog continues to highlight new versions of Love and Rockets covers. This time it's L&R #50 drawn by Robert Goodin. Check out Goodin's eerie treatment of a classic.
• Plug: The Love and Rockets Northeast Tour is mentioned on BoingBoing. Thanks, Marc!
• Interview:Casey Burbach interviews editor John Benson on fanzine Squa Tront's issue #13 (forty years after issue #1 came out) and the EC collections that have been published: "I thought that the color in the latest “EC Archives” series was pretty bad, at least in the book that I saw – not appropriate for comics of that era. . . The Fantagraphics series will be produced with quality and taste, I’m sure. Hopefully, with a different distribution set-up, going into bookstores, they may also reach a new audience."
• Review (audio): The Comic Books are Burning in Hell podcast recently chatted up Johnny Gruelle's Mr. Twee-Deedle edited by Rick Marschall. Around the 38 minute mark is where they predict ". . . it'll wind up a real contender for 2012's 'thru the cracks' award for most sadly obscure release. . ." Let's avoid ANY books falling through the cracks, check out this broadsheet-sized wonder today!
• Review:The Australian checks out Flannery O'Connor: The Cartoons, edited by Kelly Gerald. Owen Heitmann says, "Flannery O'Connor: The Cartoons is primarily of historical interest, documenting the early development of the first postwar female writer to merit inclusion in the Library of America series. Editor Kelly Gerald has taken this archival approach to heart, reproducing apparently every extant example of O'Connor's cartooning, even doodles from later handwritten letters."
The fresh-popped Online Commentaries & Diversions:
• Review:Publishers Weekly discusses The Hypo by Noah Van Sciver, "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . .This characterization of Lincoln is thoroughly human and identifiable, tracking a shadowy but formative period in the very uneven life of a man who shows little signs of becoming known as one of the greatest Americans. A thoroughly engaging graphic novel that seamlessly balances investigation and imagination." Wow!
• Plug: Noah Van Sciver's diary comics are showing up at The Comics Journal. Enjoy Day #1, Day #2 and Day #3.
• Plug:Comics Alliance JUMPED at the chance to be the first to comment on Naked Cartoonists. Senior writer Chris Sims comments, "Have you ever wanted to see Dilbert creatorScottAdams naked? Yeah, we haven't either, but apparently [Gary Groth] thought that was a good idea . . . joining artists like Will Eisner, For Better Or For Worsecreator Lynn Johnston, Jeff Smith (feel free to make your own Bone joke here) and . . . legendary MAD artist Sergio Aragones."
• Review:The Mary Sue names Moto Hagio's A Drunken Dream and Other Stories one of the 10 Feminist Manga to Read, that is licensed in the USA. Kellie Foxx-Gonzalez says,"Hagio is not only a storyteller, she is undoubtedly a feminist author, using her manga to explore gender, power, and women’s issues. If extended metaphors in manga as an avenue to explore philosophical questions is as appealing to you as it is to me, please, don’t hesitate to pick up this anthology."
• Commentary: Shannon O'Leary of Publishers Weekly says,". . . with No Straight Lines , the most definitive collection of queer comics to date, [Justin] Hall and Fantagraphics have made the voluminous but largely hidden history of LBGT (lesbian, bi-sexual, gay, transgender) comics finally visible as well."
• Review:The Awl and Kim O'Connor talk about autobio comics and include such underground greats like Aline Kominsky Crumb, Carol Tyler in addition to Chris Ware and Joe Sacco. While on the subject of Aline: "An important part of her project was to promote self-loathing as normal and even funny in an era when to do so was extremely unfashionable." O'Connor touched on the rawness of Chris Ware's work,"there's this sense of playful geometry that's deeply satisfying, even if it sometimes gives you the impression the artist's memory palace looks a lot like the Container Store. But the central delight in reading Jimmy Corrigan, as in all of Ware's work, is how it's painfully awkward and incredibly cool at the same time."
• Review: Rob Clough on the High-Low reviews Jim Woodring's Congress of the Animals: ". . . is interesting because it's much more linear a narrative than most of his comics.. . .Unlike the typical Frank story, there's a greater sense of urgency to Frank's wanderings, as he encounters many temptations and pitfalls along his journey to a destination unknown to even him."
• Review:The Critcal Mob released their short list of summer reads and a few Fantagraphics titles made the cut. Paul Guie looks at Flannery O'Connor: The Cartoons: "O'Connor's artwork is frequently abstract and raw-looking. . .Nevertheless, her cartoons are always pleasing to look at thanks to the author's strong sense of composition. Panels are rarely cluttered by unnecessary lines, and O'Connor frequently frames her characters with an eye toward visual balance." Peanuts latest volume is also on Guie's radar: ". . . these later comics remain consistently witty and entertaining, and reflect Schulz's continued mastery of comedic timing within a four-panel layout.. . .Consistently subtle yet always timely, after 30 years, Schulz still had a winning formula on his hands." Last but not least, Guie takes Buddy Does Seattle to the beach,"Bagge's artwork [takes] the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos."
• Commentary: Best Cover EVER on Forbidden Planet according to Richard: "The absolute iconic image. The raw power. Jaime’s incredible use of black in his art. The faces of the crowd. The stagediver (in heels) who’s just left the stage. But most of all, it’s the best comic cover ever because I swear that I’ve never looked at this cover and NOT heard the music they’re playing." The next best thing for Richard? Buying the new shirt featuring the cover of Issue 24.
• Plug:Comics Alliance and Caleb Goellner collect the most recent Adventure Time covers. James Hindle PLAYS an homage to Jaime Hernandez's distinctive cover. Check it out!
• Review:io9 recently created a list of the 10 Comic Characters Cooler than Batman. Jaime Hernandez's Maggie (the Mechanic) and Jacques Tardi's Adele Blanc-Sec topped the list. "Maggie is a survivor, who never stops kicking ass even she's dealing with depression and heartbreak." says Charlie Jane Anders and in reference to Adele Blanc-Sec:"She's a writer in pre-World War I Paris, which automatically makes her cool. . . She's not afraid to shoot guns, drink the hard stuff, or smoke like a man. She spent World War I in cryogenic suspension and then rocked the 1920s."
• Plug:The Last Vispo's editor Nico Vassilakis recently curated an online group of visual artists called Ten Turkish Visual Poets at Trickhouse.
• Interview: The powerful and deft Friedman brothers were interviewed about Any Similarity to Persons Living or Dead is Purely Coincidental by William Michael Smith of the Houston Press. Josh Alan Friedman talks about his brother's artwork,"Originally [Drew Friedman] worked with stippling technique, using a rapidograph pen. Bent over a desk like a watchmaker, doing thousands of dots. A technique made famous by 'Sunday in the Park with Georges' Seurat, but strictly shunned by art schools in the 20th century."
• Plug: Ron Regé, Jr. is up to something sneaky! At We Can Do It.
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