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Category >> Jacques Tardi

Daily OCD Extra: this month's Booklist reviews
Written by Mike Baehr | Filed under reviewsPeanutsMickey MouseJacques TardiFloyd GottfredsonDisneyDaily OCDCharles M Schulz 15 Nov 2011 1:00 PM

In this month's issue of Booklist you can find praise for three of our recent releases:

The Complete Peanuts 1981-1982 (Vol. 16)

The Complete Peanuts 1981-1982 by Charles M. Schulz: "These early 1980s episodes see Snoopy reunite with his brother Marbles (who’s baffled by his sibling’s WWI fantasies), Linus and Lucy plant a garden, and Peppermint Patty apply to a school for gifted children (she thinks they’re going to give her presents). But the strip’s fragile heart remains good ol’ Charlie Brown, who faces a crisis when liability issues bar him and his team from their baseball field. In a moving introduction to the volume, cartoonist Lynn Johnston (For Better or For Worse) writes about her close friendship with Schulz." – Gordon Flagg

 The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2: The Mad Scientist and Mummies on Parade

The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 by Jacques Tardi: "The second collection of the Belle Époque exploits of Adèle Blanc-Sec sees the intrepid occult investigator confronting things walking the streets of Paris that shouldn’t be: a prehistoric ape-man revived by a mad scientist and a reanimated mummy from her own collection of artifacts. With their wryly overwrought captions, melodramatic dialogue, and convoluted plotlines, the stories work both as gentle genre parodies and full-out fantasy-detective thrillers, thanks in great part to Tardi’s lithe cartooning, which vividly evokes the period while sporting an entirely contemporary sensibility." – Gordon Flagg

Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island

Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island by Floyd Gottfredson: "For contemporary audiences who know Mickey Mouse only as the bland corporate mascot of the Disney empire, these 1932–33 newspaper comic strips featuring the famous rodent will be a revelation. As in his contemporaneous animated cartoons, this Mickey is a feisty, wisecracking daredevil, who searches tropical lands for buried treasure (encountering stereotyped cannibals that are offensive even by the era’s insensitive standards), treks to the frozen north to recover a stolen orphanage fund, and starts a detective agency with second banana Goofy. Gottfredson’s charmingly old-fashioned drawings accentuate the gags and briskly propel the plotlines." – Gordon Flagg

New Comics Day 11/9/11: Adčle Blanc-Sec Vol. 2
Written by Mike Baehr | Filed under New Comics DayJacques Tardi 9 Nov 2011 2:22 AM

This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators and web-savvy comic shops are saying about it (more to be added as they appear), check out our previews at the link, and contact your local shop to confirm availability.

The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 by Jacques Tardi

The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2: The Mad Scientist and Mummies on Parade
by Jacques Tardi

96 page full-color 9" x 11.75" hardcover • $24.99
ISBN: 978-1-60699-493-1

"Jacques Tardi's deadpan, slightly tongue-in-cheek turn-of-the-previous-century adventure series continues: this volume contains two of the French volumes, rendered here as 'The Mad Scientist' and 'Mummies on Parade.'" – Douglas Wolk, Comics Alliance

"Again, an easy choice for me — the second volume of Jacques Tardi’s Extraordinary Adventures of Adele Blanc-Sec from Fantagraphics. I’m on a big Tardi kick right now, having just recently read the first Adele collection, and am eager to experience more." – Chris Mautner, Robot 6

"On racks tomorrow, wonderful new Adele Blanc-Sec from @fantagraphics" – Forbidden Planet International

"CONFLICT OF INTEREST RESERVOIR: It’s been out for a while on the comics show circuit, but now Diamond-serviced retailers will have The Extraordinary Adventures Of Adele Blanc-Sec Vol. 2: The Mad Scientist and Mummies on Parade, a new pair of albums from Jacques Tardi’s ongoing adventure series, sporting maybe the most bracingly downbeat ending imaginable in this particular installment; $24.99." – Joe McCulloch, The Comics Journal

The Extraordinary Adventures of Adčle Blanc-Sec Vol. 2 by Jacques Tardi - Now in Stock
Written by Mike Baehr | Filed under new releasesJacques Tardi 28 Oct 2011 1:34 AM

Just arrived in our warehouse and ready to ship to our mail-order customers:

The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2 by Jacques Tardi

The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2: The Mad Scientist and Mummies on Parade
by Jacques Tardi

96 page full-color 9" x 11.75" hardcover • $24.99
ISBN: 978-1-60699-493-1

See Previews / Order Now

After establishing the world of the prickly heroine with the first two episodes of this classic series (combined in Fantagraphics’ The Extraordinary Adventures of Adèle Blanc-Sec Volume 1), Jacques Tardi plunges us back into Belle-Époque Paris for another double dosage of heroic derring-do, evil and crazy malefactors, mad actresses (yes, "Clara Benhardt" makes a return appearance) and monsters!

In “The Mad Scientist” the science that brought us revived dinosaurs now results in a pithecanthrope stalking the streets of the City of Light, climaxing in an amazing car chase involving a foe from the previous volume. Will the perpetually inept Inspector Caponi just make things worse? Probably. Then in the second episode, “Mummies on Parade,” the mummy glimpsed in Adèle’s apartment in previous episodes comes alive! The volume concludes with the sudden startling (and delightful) incursion of some characters familiar to Tardi fans, and a shocking climax that leaves the future of both Adèle and this series in doubt as World War I erupts. (It’s the only story in the entire series not to feature an “in our next episode” teaser.)

The Extraordinary Adventure of Adèle Blanc-Sec Volume 2 is the lucky seventh book in Fantagraphics’ acclaimed series of Tardi reprints, showcasing the rich variety of graphic novels from one of France’s greatest living cartoonists.

The Extraordinary Adventures of Adèle Blanc-Sec Vols. 1 + 2

Exclusive Savings: Order The Extraordinary Adventures of Adèle Blanc-Sec Vols. 1 + 2 together and save 20%!

Daily OCD: 10/20/11
Written by Mike Baehr | Filed under Steve DuinShannon WheelerRichard SalareviewsPaul NelsonOil and WaterMickey MouseKrazy KatKevin AveryJoyce FarmerJacques TardiinterviewsGeorge HerrimanFloyd GottfredsonDisneyDaily OCD 21 Oct 2011 1:45 AM

Today's Online Commentary and Diversions:

 Everything Is an Afterthought: The Life and Writings of Paul Nelson

Review/Interview: Marc Campbell of Dangerous Minds calls Everything Is an Afterthought: The Life and Writings of Paul Nelson "music book of the year," saying "the thing I really appreciate in reading Paul’s writings is you get to a place where even if you disagree with him you want to really explore why. He challenges you, not outrightly, but through the sheer force of his own enthusiasm and the particulars of why he digs what he digs. That’s what great rock writers do - they send you to the music. Of all the books I’ve read this year, Everything Is an Afterthought is the one that has meant the most to me." Campbell also talks to the book's author/editor, Kevin Avery: "You could tell it was important for him to accurately convey how he heard the work he was writing about; how it made him feel. At the same time, there was often the suggestion that whatever he wrote about was in some way part of his own story. Though it was never overt. There was an ongoing mystery to it."

Krazy & Ignatz 1919-1921: A Kind, Belevolent and Amiable Brick

Review (Audio): John Byrne (not that one) discusses our Krazy & Ignatz series of Krazy Kat reprints with host Seán Rocks on RTÉ Radio 1's Arena 

Oil and Water

Review: "It's fascinating to see the great intentions of good people of liberal Oregon run aground on the slick and complicated story on the ground... Duin and Wheeler spend much of [Oil and Water] showing the kind of cultural imperialism or Liberal Guilt that the Oregonians feel when trying to help their brethren from the South, and the resentment that the Southerners feel back at them. ...Shannon Wheeler's calm, quiet and almost abstract images capture the story in a way that allows the story to stray from straight reportage to a quieter meditation on the events that happen.... The story lives in the present and the past, both itself and something more." – Jason Sacks, Comics Bulletin

Interview (Audio): Shannon Wheeler talks about his work on Oil and Water and other aspects of his busy career with Inkstuds host Robin McConnell

 The Extraordinary Adventures of Adèle Blanc-Sec Vol. 2: The Mad Scientist and Mummies on Parade

Review: "The Extraordinary Adventures of Adele Blanc-Sec are extraordinary indeed.... The amazing Jacques Tardi creates a fully realized world in the two stories contained in this book, stories in which strange, almost mythological, creatures live right next to the Eiffel Tower, famous French cemeteries and the Louvre.... Tardi delivers an ending to the second half of this book that is thoroughly shocking. Adele and her friends aren't Doctor Who and his companions, gallivanting across space and time and always emerging unscathed. The adventures that occur in this book are real and terrible in their consequences. They may seem a bit outlandish... but they are real in a way that feels oddly intense for American readers." – Jason Sacks, Comics Bulletin

Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley

Review: "This isn't your father's Mickey Mouse (it's more likely your great-grandfather's), and it's a shame we don't see him this way as much anymore. Floyd Gottfredson is one of the most talented artist/gag writers in comics history and it is wonderful to see his talent recognized in a medium and a manner so deserving of preservation. This giant-sized book is only mildly unwieldy, but it is the perfect size to replicate and do justice to every single panel of such a singularly perfect work.... Mickey Mouse is one of the most important and revered characters in pop culture, and no other creator has written him so human, so interestingly, so uniquely fun and vibrant as Floyd Gottfredson has. The cover price is too little to ask, as the stories in this book are a treasury of the highs sequential art can hit." – Rafael Gaitan, Comics Bulletin

The Hidden

Review: "The Hidden is ridiculously good, silly fun... A great big orgy of schlocky gore and cartoon deaths, the plot is every old horror film rolled into one glorious genre cliché... and Richard Sala’s absurd humour bleeds through the lot like red ink on a crisp white collar.... As ever, the true joy here is seeing Sala in brilliant colour. Layer upon layer of masterfully applied paint creates every shadow, shade and unlikely bright pajama in the cartoon horror. Undead eyes stare from blue and green sunken sockets, blood splashes across the page in spurts of dark crimson. It is, to hammer it home with a bloody mallet, an absolute demented joy." – Hayley Campbell, The Comics Journal

Special Exits

Interview (Translated): Gerardo Vilches of The Watcher and the Tower says of Joyce Farmer's Special Exits, which was just published in Spain by Astiberri, "I read this comic a few months ago and I think it is not only one of the comics of the year but the last decade" translates Alex Dueben's December 2010 Comic Book Resources interview with Farmer into Spanish, adding "I also wanted to do my bit to raise awareness of an awesome comic I hope has the impact it deserves."

Daily OCD: 9/30/11
Written by Mike Baehr | Filed under reviewsPaul HornschemeierMichael KuppermanJacques TardiinterviewsDaily OCD 1 Oct 2011 1:24 AM

Today's Online Commentary & Diversions:

Mark Twain's Autobiography 1910-2010

Profile: CT.com's Alan Bisbort talks to Michael Kupperman in advance of his appearance at Hartford's Mark Twain House tomorrow: "Kupperman, to be clear and fair, is quite fond of Twain, so his own caricatures are done with the affection one has for an eccentric uncle. His portrayals of Twain are interchangeable with his equally affectionate depictions of Albert Einstein — Twain and Einstein have, in fact, regularly appeared together in Kupperman's comic strips over the years — so he was pleasantly surprised by a recent serendipitous Internet purchase. 'I ordered a Twain wig and mustache from the official Twain website,' he says. 'And the label said "Twain/Einstein" so I must be on the right track.'"

Paul Hornschemeier

Interview: Paul Hornschemeier has a brief chat with MSN Postbox: "I think both my stories’ trajectories and my [philosophy] degree are both symptoms of a central disease. While I tend to gravitate toward comedy and joking around in a social context, I think that I’ve always been pretty introspective when I’m sitting around by myself. Which you tend to do a lot as a cartoonist — as in all of the time."

The Arctic Marauder

Review: "Fantagraphics keeps the hits rolling throughout 2011 and The Arctic Marauder is the latest in their Jacques Tardi translations line.... The art is wonderful. Tardi has this rounded style that is unique and easily identifiable, all at once his signature. The level of detail is astounding, in the background and mechanical details as rendered faux woodcuts. The 9×11.75″ pages present the art in gloriously large detail: be sure to drink in every inch of this black and white work.... At $17 for a sixty-four page oversized hardcover this is a great value: while the vintage prose was lost on me it stands as a great period work with wonderfully detailed art." – eBabble

Daily OCD: 9/26/11
Written by Mike Baehr | Filed under Richard SalareviewspreviewsMoto HagioMichael KuppermanLove and RocketsLos Bros HernandezJohnny RyanJaime HernandezJacques TardiinterviewsGilbert HernandezDaily OCDCarl Barks 26 Sep 2011 7:12 PM

Today's Online Commentary & Diversions:

The Hidden

Review: "Sala’s work is like a fusion of Hergé and Charles Addams, yielding a simple, cartoon-like style that makes his moments of gothic horror all the more disturbing. ...[The Hidden] is a beautifully pulpy and incredibly imaginative book that gives a fresh spin on a well-used set-up." – Publishers Weekly

Review/Interview: SF Weekly's Casey Burchby, who says "Richard Sala's new full color graphic novel, The Hidden, fuses two classic horror tropes — the story of Frankenstein's monster, and the ever-popular zombie apocalypse — into a new form that is surprisingly free of cliché and enriched with a strange sensitivity, owing far more to the classic horror literature of the 19th and early 20th centuries than it does to more contemporary EC horror comics, slasher flicks, or Stephen King," talks to Sala, who says "...as I began to write the book, elements of it started to seem oddly autobiographical — on some kind of psychological level, that is — and I realized the story had become less about Frankenstein specifically and more about the act of creation and its consequences."

The Arctic Marauder

Review: "This French artist's unabashedly campy tribute to Jules Verne's proto-steampunk adventure yarns [The Arctic Marauder] is all about the art — spectacularly composed black-and-white evocations of arctic landscapes and Victorian contraptions.... Tardi has drawn a tribute to a venerable genre that partakes of its wonders while poking gentle fun at its preposterous twists and turns. The result is pure fun." – Laura Miller, "The Best New Graphic Novels," Salon

Prison Pit Book 3

Review: "Ryan’s line work is at its best in some parts of this volume, showing the ability to continually come up with inventive weird visuals. The first half of the book is nothing but new forms of violence and strange creatures that become different strange creatures. Every page brings a new visual that you will never, ever be able to forget. The second half shows off more minimalist compositions, giving the book an interesting asymmetry. The only bad thing about Prison Pit Book 3 coming out is that it will be another year until Book 4 is released, especially with the cliffhanger that this volume ends on." – Chad Nevett, Comic Book Resources

Review: "Johhny Ryan’s artwork on Prison Pit could be described as cartoonish, but to be honest it’s better described as looking like the insane doodling of a madman, as found etched upon the walls of his padded cell — I would not be surprised to find out that this book was ghost-written by Charles Manson!... Ryan draws gore like no one else, and his creature designs are the stuff of nightmares — one of the monsters in the latter part of the story makes Cthuhlu look like a character from a children’s story!... Prison Pit: Book 3 is a comic unlike anything you’ve ever read before — the plot is outlandish, and the artwork is violent, bloody, gory, and completely unapologetic in its brutality.... Rating: 10 out of 10" – Edward Kaye, Newsarama

Commentary: Robot 6's Sean T. Collins comments on the must-read Comics Journal interview with Johnny Ryan: "I’ve spent years enjoying Ryan’s scabrously offensive humor comics like Angry Youth Comix and Blecky Yuckerella, as well as his extravagantly vicious action comic Prison Pit, and I’ve often wondered where his search-and-destroy ethos originated.... Thanks to Pearson and Ryan’s jawdroppingly candid conversation, I finally feel like I understand..., at least a little."

Love and Rockets: New Stories #4

(Not a) Review (Per Se): "This isn't a formal review, per se, but instead a few gut-reaction thoughts on the remarkable new issue of Love & Rockets: New Stories (#4). I've never bothered to do this before in a review, but the nature of this issue demands that I note that there are spoilers below." – Rob Clough, High-Low

Links: Another comprehensive round of Hernandez Bros.-related links from Love & Maggie (thumbs up for the mug shots)

Analysis: "I really like the formats of both (Beto’s) Love and Rockets: New Stories and (CF‘s) Powr Mastrs. They are really different but somehow very similar. At least to me anyways." – Frank Santoro, The Comics Journal

Walt Disney's Donald Duck: Lost in the Andes

Review (Audio): The Extra Sequential podcast discusses "the whacky and funny Fantagraphics collection of Carl Barks’ much loved 1940s Donald Duck stories," Walt Disney's Donald Duck: Lost in the Andes: "We tell you why creator Carl Barks is loved for his storytelling prowess and surprisingly funny and absurd humour in his Donald, Scrooge, etc. tales..."

Mark Twain's Autobiography 1910-2010

Interview: Comic Book Resources' Tim O'Shea has a funny and informative Q&A with Michael Kupperman: "Actually I’ve been hearing from [Twain] a lot. I thought that one meeting would be it, but since then he keeps reappearing, asking for help dealing with today’s publishing industry. He’s written a new novel called Prairie Rumpus, which I feel is dated in its use of slang and locale. Meanwhile I’ve got a lot of interest in my novel The Fart Vampires, a lotta heat building up."

Plug: "The most excellent Michael Kupperman has begun touring in support of his time-traveling Clemens-as-superhero comic, Mark Twain's Autobiography 1910-2010. This Saturday night, Kupperman will take his “Twain in the Membrane” book tour to the Mark Twain House in Hartford for a reading and signing." – Michael Cavna, The Washington Post

Preview: Graphic Novel Reporter presents a 9-page sneak peek (excerpted from our own PDF excerpt) of Mark Twain's Autobiography 1910-2010 by Michael Kupperman

from Heart of Thomas - Moto Hagio

Commentary: At About.com Manga, Deb Aoki reports on our publishing announcement regarding Moto Hagio's The Heart of Thomas (note that the "The" was initially left off our announcement by mistake), calling it a "very exciting development" and saying "Fans of  A Drunken Dream and Other Stories will also be glad to hear that Matt Thorn, the translator of this critically acclaimed book will also be handling the editing/translation duties on this title as well."

Yes! English-language Tardi for all!
Written by Kim Thompson | Filed under Jacques Tardi 23 Sep 2011 3:45 PM

I am pleased to announce that we have amended our territorial contract with the respective licensors and are now able to sell all of our Jacques Tardi books throughout the world, including in the United Kingdom. Mail order, distribution through wholesalers and retailers, etc.

And in the "my life is better than yours" gloating category, I believe I am the only person in the world who has read both Jason's next book (Athos in America, going to the printer in a week or two) and Tardi's next book (the new Manchette adaptation Ô Dingos! Ô Châteaux!, which we are planning to release in 2013) — both of which are just as unfathomably awesome as you might expect. Bonus: The ruthless killer (who dispatches an unfortunate victim with a sawblade through the heart in the first page of the book, as seen below) is named Thompson!

Ô Dingos! Ô Châteaux! - Jacques Tardi

Daily OCD: 9/21-22/11
Written by Mike Baehr | Filed under Richard SalareviewsMichael KuppermanJohnny RyanJoe KubertJacques TardiDrew WeingDrew FriedmanDavid BDaily OCDBill Schelly 23 Sep 2011 1:17 AM

Yesterday & today's Online Commentary & Diversions:

Review: "This latest in Fantagraphics' line of books featuring Jacques Tardi and the second of those books to feature an adaptation of the work of Jean-Patrick Manchette is lovely-looking, stylish and bleak as hell.... The short third act, where we learn what becomes of the assassin, proves so ruthlessly depressing it's almost a human rights violation. Tardi's artwork is beautiful here, although you probably already knew that. No one in comics does the frowning face better than Tardi, and Like a Sniper [Lining Up His Shot] proves to be an absolute showcase of down-turned mouths and the unhappy people bearing them.... What a show." – Tom Spurgeon, The Comics Reporter

Review: "These are two masters at their best [in Like a Sniper Lining Up His Shot]. Crime novelist Manchette pulls no punches in delivering gritty, violent episodes that still can shock even the most jaded reader. Jacques Tardi’s confident, almost brazen artwork is just as dark, cold and gripping. His beautiful fluid lines juxtaposed with the stark ambivalence Martin Terrier, the contract-killer antihero adapts in applying his brutal trade is something that has to be experienced. Get this book!" – "Horatio Hornblower," The Comic Book Snob

The Hidden

Review: "Undisputable fact: a new full-length Richard Sala book is a literary and comics event that makes you sit up and take notice. It's appointment reading, and ought to demand the attention of any serious enthusiast of the medium.... The newest from Sala is the graphic novel The Hidden... This book is a magic trick, the kind you'll want to share with friends because you can hardly believe what you've witnessed when it's all done.... Around the hundred page mark this book started scaring the living shit out of me. Sala's art is wonderful and holds up to a close analysis.... Like his peers from Fantagraphics' all-star squad, Sala conveys internal truth (fear, pride, jealousy) through body language and a minimum of lines. There's not a jot or gesture wasted on the page, and his color work is loose and instinctive but still pleasing." – R.J. Ryan, Comics Bulletin

Prison Pit Book 3

Review: "...[Johnny Ryan] is easily one of the four or five most vital and important cartoonists working today. Prison Pit is like someone making a comic strip out of Mayhem's Live in Leipzig, played at half speed and double the volume your speakers can safely process. If you've never heard that album, then I'll spell it out for you: this is a brutal fucking comic.... The cosmic brutality of Ryan's story is emphasized by his lingering gaze. He doesn't just draw the big action moments, but the lulls and gaps and silences between them. The pace is non-stop, but that doesn't mean it can't slow down. In fact, it's those slowed-down sections that give the skull-smashing and throat-fisting the impact that they deserve." – Patrick Tobin, Multiversity Comics

Plug: "Prison Pit 2 was TACO’s book of the year in 2010, and Prison Pit 3 is the early frontrunner for 2011. Featuring the series’ characteristic extreme ultra-violence, gore, scatophilia, and brutality, it’s another hit from artist Johnny Ryan." – L.A. TACO

Mark Twain's Autobiography 1910-2010

Review: "Here's the plot of Mark Twain's Autobiography [1910-2010]: Mark Twain, freed from the shackles of mortality, bums around the Twentieth Century doing whatever the hell he feels like and occasionally having untroubling yet far-fetched adventures.... Kupperman maintains a straight face throughout this look into the world that might have been, had Mark Twain roamed the earth, immortal and more than a little strange. This poker-faced treatment of juvenile, abstracted humor pays off in strokes both broad and small." – Patrick Tobin, Multiversity Comics

Set to Sea

Review: "Very few words are needed in Weing's debut graphic novel [Set to Sea] to tell the story of a poet wanna-be who is kidnapped by pirates and learns the ways of the sea through hard labor and even tougher battles. The cross-hatch styling is reminiscent of old engravings and perfectly suits the subject matter. Each page features just one frame, full of detail and atmosphere. With hints of The Odyssey, Moby Dick, Popeye and Treasure Island, Weing has created a modern classic in the pirate genre." – School Library Journal

The Art of Joe Kubert

Plug: "Artist, editor, entrepreneur, publisher and cartooning auteur; in his 70-year career in comics this pioneering creator has done it all. The deluxe full-color coffee table book [The Art of Joe Kubert] traces Kubert’s history of comics spanning career from 1938 to the present with beautifully reproduced artwork alongside critical commentary." – "Horatio Hornblower," The Comic Book Snob

The Armed Garden and Other Stories

Plug: "David B. intertwines history and myth in his carefully crafted tales of magic gods and grand battles. A master storyteller, his bold, timeless artwork and literary senses creates a kind of magic all their own. The Armed Garden and Other Stories collects three epic tales of adventure, faith, power, and love." – "Horatio Hornblower," The Comic Book Snob

Even More Old Jewish Comedians

Scene: Daniel Herbert reports on the Friars Club launch party for Drew Friedman's Even More Old Jewish Comedians for The Paris Review: "The crowd’s spirits were high, which seemed due to more than just the release of Friedman’s book, or even the emergence of more canapés. Guests were happy to meet their idols; the comics were happy to convene for an event that wasn’t a funeral. And the celebration of the comedians’ Jewishness was significant."

Hey, Remember Comic-Con 2011?
Written by Kim Thompson | Filed under Wilfred SantiagoStan SakaiMark KalesnikoLove and RocketsJoyce FarmerJaime HernandezJacques TardiGilbert HernandezFrank StackeventsCCI21 22 Sep 2011 10:54 AM

Somewhat belatedly, a portfolio of candid photographs by roving
photojournalist Lynn Emmert. Captions by her husband (me).

Fantagraphics Booth at San Diego Comic-Con 2011
Now that is one fine lookin' booth.

San Diego Comic-Con 2011
And then I woke up in a cold sweat, as the memories came flooding back.

Fantagraphics Booth at San Diego Comic-Con 2011
Kim Thompson and Frank Stack, separated at birth.

Fantagraphics Booth at San Diego Comic-Con 2011
Natalia Hernandez, more adorable than three Zooey Deschanels, next to one of her daddy's comics.

Fantagraphics Booth at San Diego Comic-Con 2011
Speaking of whom... Partying like it's 1982 (San Diego Comic-Con premiere of Love and Rockets #1, if you'll recall).

Fantagraphics Booth at San Diego Comic-Con 2011
It's always sad to see older cartoonists who have become so jaded they can't muster up any enthusiasm when meeting their fans.

Fantagraphics booth at San Diego Comic-Con 2011
Mark Kalesniko, happy to be finally off the FREEWAY (notice clever integration of book title into caption). Also visible, right to left, paying customer, Conrad Groth, Mike Baehr, Eric Buckler, Gilbert Hernandez.

Fantagraphics booth at San Diego Comic-Con 2011
"Well, hello there, do you come here often?" Frank Stack hits on Joyce Farmer by (almost literally) showing her his etchings.

Fantagraphics booth at San Diego Comic-Con 2011
21 author Wilfred Santiago (rockin' the indoor sunglasses) and Sanlida Cheng.

Fantagraphics booth at San Diego Comic-Con 2011
Eisners, man!

Fantagraphics booth at San Diego Comic-Con 2011
Sometimes in the middle of a convention I like to shave my beard down to a goatee and pretend I'm someone famous.

Fantagraphics booth at San Diego Comic-Con 2011
Eric Buckler, Conrad Groth, and Kristy Valenti, workin' the booth.

Fantagraphics booth at San Diego Comic-Con 2011
Did we mention?... Two Eisners for IT WAS THE WAR OF THE TRENCHES! Janice Headley displays.

Fantagraphics booth at San Diego Comic-Con 2011
And it's not a San Diego convention without Stan and Sharon Sakai!

Fantagraphics booth at San Diego Comic-Con 2011
And in case you missed it...















Daily OCD: 9/20/11
Written by Mike Baehr | Filed under reviewsPopeyePeanutsMomeMaurice TillieuxJacques TardiEC SegarDaily OCDCharles M Schulz 20 Sep 2011 7:36 PM

Today's Online Commentary & Diversions:

The Complete Peanuts 1981-1982 (Vol. 16)

Review: "Into the '80s and no sign of the much-feared and long-rumored decline in quality in Charles Schulz's life's work that was supposed to come about 10 years earlier. The strips in this volume of Fantagraphics' series are stronger than ever. If there's a different quality to them it's because Peanuts is a mature strip now instead of a precocious, sometimes-astonishing one.... Schulz at this point still puts on frequent display his nearly unequaled ability to return to core character elements for a gag without seeming repetitive or didactic. Part of the richness of the characters is their largely unchanging nature is part of the cross each bears." – Tom Spurgeon, The Comics Reporter

Review: "Like a Sniper Lining Up His Shot is an EXCELLENT new hardcover graphic novel written by crime fiction novelist Jean-Patrick Manchette and illustrated by one of the masters of sequential art illustration, Jacques Tardi. The central character of Like a Sniper... is a mercenary turned contract killer, named Martin Terrier, who is forced out of retirement, and the way his return to his line of work unfolds ranks at the top with any hard-boiled crime fiction I've ever read. Anyone who had enjoyed Tardi's adaptation of Manchette's West Coast Blues will definitely love Like a Sniper... and if this is your introduction to Tardi and Manchette, you're in for a treat!" – Ralph Mathieu, Ich Liebe Comics

Gil Jordan, Private Detective: Murder by High Tide

Review: "Fantagraphics has chosen to start with books 3 & 4 in the series, skipping the stories where the reader (and the creator) gets to know the title character, Gil Jordan, and going right for the good stuff. And these books are good stuff, the writing as well as the art.... There is something in this story for every reader: mystery, adventure, humor, bad jokes and a real sense of menace.... This is absolutely the kind of book that I would hand to someone who has expressed an interest in comics." – R.M. Rhodes, Forces of Geek

Popeye Vol. 5:

Review: "Fantagraphics is very nearly finished with their complete reprint of E.C. Segar's run on Popeye, with just one more volume to go after this. It's a breathless, surreal and ridiculous collection of fisticuffs and wonderfully funny violence, and every home should own it....  Highly recommended." – Grant Goggans, The Hipster Dad's Bookshelf

Mome Vol. 22

Review: "I’m using the past tense here because tragically the amazing anthological compendium [Mome] closes with this bonanza-sized final edition after six eye-popping, parameter-expanding years ... [T]he experiment ends but even though gone this superb, bold endeavour mustn’t be forgotten. There are plenty of places to still find back issues and these tomes – especially this double-sized delight – would make captivating Christmas presents." – Win Wiacek, Now Read This!


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