• Review/Interview: Marc Campbell of Dangerous Minds calls Everything Is an Afterthought: The Life and Writings of Paul Nelson "music book of the year," saying "the thing I really appreciate in reading Paul’s writings is you get to a place where even if you disagree with him you want to really explore why. He challenges you, not outrightly, but through the sheer force of his own enthusiasm and the particulars of why he digs what he digs. That’s what great rock writers do - they send you to the music. Of all the books I’ve read this year, Everything Is an Afterthought is the one that has meant the most to me." Campbell also talks to the book's author/editor, Kevin Avery: "You could tell it was important for him to accurately convey how he heard the work he was writing about; how it made him feel. At the same time, there was often the suggestion that whatever he wrote about was in some way part of his own story. Though it was never overt. There was an ongoing mystery to it."
• Review: "It's fascinating to see the great intentions of good people of liberal Oregon run aground on the slick and complicated story on the ground... Duin and Wheeler spend much of [Oil and Water] showing the kind of cultural imperialism or Liberal Guilt that the Oregonians feel when trying to help their brethren from the South, and the resentment that the Southerners feel back at them. ...Shannon Wheeler's calm, quiet and almost abstract images capture the story in a way that allows the story to stray from straight reportage to a quieter meditation on the events that happen.... The story lives in the present and the past, both itself and something more." – Jason Sacks, Comics Bulletin
• Review: "The Extraordinary Adventures of Adele Blanc-Sec are extraordinary indeed.... The amazing Jacques Tardi creates a fully realized world in the two stories contained in this book, stories in which strange, almost mythological, creatures live right next to the Eiffel Tower, famous French cemeteries and the Louvre.... Tardi delivers an ending to the second half of this book that is thoroughly shocking. Adele and her friends aren't Doctor Who and his companions, gallivanting across space and time and always emerging unscathed. The adventures that occur in this book are real and terrible in their consequences. They may seem a bit outlandish... but they are real in a way that feels oddly intense for American readers." – Jason Sacks, Comics Bulletin
• Review: "This isn't your father's Mickey Mouse (it's more likely your great-grandfather's), and it's a shame we don't see him this way as much anymore. Floyd Gottfredson is one of the most talented artist/gag writers in comics history and it is wonderful to see his talent recognized in a medium and a manner so deserving of preservation. This giant-sized book is only mildly unwieldy, but it is the perfect size to replicate and do justice to every single panel of such a singularly perfect work.... Mickey Mouse is one of the most important and revered characters in pop culture, and no other creator has written him so human, so interestingly, so uniquely fun and vibrant as Floyd Gottfredson has. The cover price is too little to ask, as the stories in this book are a treasury of the highs sequential art can hit." – Rafael Gaitan, Comics Bulletin
• Review: "The Hidden is ridiculously good, silly fun... A great big orgy of schlocky gore and cartoon deaths, the plot is every old horror film rolled into one glorious genre cliché... and Richard Sala’s absurd humour bleeds through the lot like red ink on a crisp white collar.... As ever, the true joy here is seeing Sala in brilliant colour. Layer upon layer of masterfully applied paint creates every shadow, shade and unlikely bright pajama in the cartoon horror. Undead eyes stare from blue and green sunken sockets, blood splashes across the page in spurts of dark crimson. It is, to hammer it home with a bloody mallet, an absolute demented joy." – Hayley Campbell, The Comics Journal
• Interview (Translated): Gerardo Vilches of The Watcher and the Tower says of Joyce Farmer's Special Exits, which was just published in Spain by Astiberri, "I read this comic a few months ago and I think it is not only one of the comics of the year but the last decade" translates Alex Dueben's December 2010 Comic Book Resources interview with Farmer into Spanish, adding "I also wanted to do my bit to raise awareness of an awesome comic I hope has the impact it deserves."
• Profile:CT.com's Alan Bisbort talks to Michael Kupperman in advance of his appearance at Hartford's Mark Twain House tomorrow: "Kupperman, to be clear and fair, is quite fond of Twain, so his own caricatures are done with the affection one has for an eccentric uncle. His portrayals of Twain are interchangeable with his equally affectionate depictions of Albert Einstein — Twain and Einstein have, in fact, regularly appeared together in Kupperman's comic strips over the years — so he was pleasantly surprised by a recent serendipitous Internet purchase. 'I ordered a Twain wig and mustache from the official Twain website,' he says. 'And the label said "Twain/Einstein" so I must be on the right track.'"
• Interview:Paul Hornschemeier has a brief chat with MSN Postbox: "I think both my stories’ trajectories and my [philosophy] degree are both symptoms of a central disease. While I tend to gravitate toward comedy and joking around in a social context, I think that I’ve always been pretty introspective when I’m sitting around by myself. Which you tend to do a lot as a cartoonist — as in all of the time."
• Review: "Fantagraphics keeps the hits rolling throughout 2011 and The Arctic Marauder is the latest in their Jacques Tardi translations line.... The art is wonderful. Tardi has this rounded style that is unique and easily identifiable, all at once his signature. The level of detail is astounding, in the background and mechanical details as rendered faux woodcuts. The 9×11.75″ pages present the art in gloriously large detail: be sure to drink in every inch of this black and white work.... At $17 for a sixty-four page oversized hardcover this is a great value: while the vintage prose was lost on me it stands as a great period work with wonderfully detailed art." – eBabble
• Review: "Sala’s work is like a fusion of Hergé and Charles Addams, yielding a simple, cartoon-like style that makes his moments of gothic horror all the more disturbing. ...[The Hidden] is a beautifully pulpy and incredibly imaginative book that gives a fresh spin on a well-used set-up." – Publishers Weekly
• Review/Interview:SF Weekly's Casey Burchby, who says "Richard Sala's new full color graphic novel, The Hidden, fuses two classic horror tropes — the story of Frankenstein's monster, and the ever-popular zombie apocalypse — into a new form that is surprisingly free of cliché and enriched with a strange sensitivity, owing far more to the classic horror literature of the 19th and early 20th centuries than it does to more contemporary EC horror comics, slasher flicks, or Stephen King," talks to Sala, who says "...as I began to write the book, elements of it started to seem oddly autobiographical — on some kind of psychological level, that is — and I realized the story had become less about Frankenstein specifically and more about the act of creation and its consequences."
• Review: "This French artist's unabashedly campy tribute to Jules Verne's proto-steampunk adventure yarns [The Arctic Marauder] is all about the art — spectacularly composed black-and-white evocations of arctic landscapes and Victorian contraptions.... Tardi has drawn a tribute to a venerable genre that partakes of its wonders while poking gentle fun at its preposterous twists and turns. The result is pure fun." – Laura Miller, "The Best New Graphic Novels," Salon
• Review: "Ryan’s line work is at its best in some parts of this volume, showing the ability to continually come up with inventive weird visuals. The first half of the book is nothing but new forms of violence and strange creatures that become different strange creatures. Every page brings a new visual that you will never, ever be able to forget. The second half shows off more minimalist compositions, giving the book an interesting asymmetry. The only bad thing about Prison Pit Book 3 coming out is that it will be another year until Book 4 is released, especially with the cliffhanger that this volume ends on." – Chad Nevett, Comic Book Resources
• Review: "Johhny Ryan’s artwork on Prison Pit could be described as cartoonish, but to be honest it’s better described as looking like the insane doodling of a madman, as found etched upon the walls of his padded cell — I would not be surprised to find out that this book was ghost-written by Charles Manson!... Ryan draws gore like no one else, and his creature designs are the stuff of nightmares — one of the monsters in the latter part of the story makes Cthuhlu look like a character from a children’s story!... Prison Pit: Book 3 is a comic unlike anything you’ve ever read before — the plot is outlandish, and the artwork is violent, bloody, gory, and completely unapologetic in its brutality.... Rating: 10 out of 10" – Edward Kaye, Newsarama
• Commentary:Robot 6's Sean T. Collins comments on the must-read Comics Journal interview with Johnny Ryan: "I’ve spent years enjoying Ryan’s scabrously offensive humor comics like Angry Youth Comix and Blecky Yuckerella, as well as his extravagantly vicious action comic Prison Pit, and I’ve often wondered where his search-and-destroy ethos originated.... Thanks to Pearson and Ryan’s jawdroppingly candid conversation, I finally feel like I understand..., at least a little."
• (Not a) Review (Per Se): "This isn't a formal review, per se, but instead a few gut-reaction thoughts on the remarkable new issue of Love & Rockets: New Stories (#4). I've never bothered to do this before in a review, but the nature of this issue demands that I note that there are spoilers below." – Rob Clough, High-Low
• Review (Audio): The Extra Sequential podcast discusses "the whacky and funny Fantagraphics collection of Carl Barks’ much loved 1940s Donald Duck stories," Walt Disney's Donald Duck: Lost in the Andes: "We tell you why creator Carl Barks is loved for his storytelling prowess and surprisingly funny and absurd humour in his Donald, Scrooge, etc. tales..."
• Interview:Comic Book Resources' Tim O'Shea has a funny and informative Q&A with Michael Kupperman: "Actually I’ve been hearing from [Twain] a lot. I thought that one meeting would be it, but since then he keeps reappearing, asking for help dealing with today’s publishing industry. He’s written a new novel called Prairie Rumpus, which I feel is dated in its use of slang and locale. Meanwhile I’ve got a lot of interest in my novel The Fart Vampires, a lotta heat building up."
• Commentary: At About.com Manga, Deb Aoki reports on our publishing announcement regarding Moto Hagio's The Heart of Thomas (note that the "The" was initially left off our announcement by mistake), calling it a "very exciting development" and saying "Fans of A Drunken Dream and Other Stories will also be glad to hear that Matt Thorn, the translator of this critically acclaimed book will also be handling the editing/translation duties on this title as well."
I am pleased to announce that we have amended our territorial contract with the respective licensors and are now able to sell all of our Jacques Tardi books throughout the world, including in the United Kingdom. Mail order, distribution through wholesalers and retailers, etc.
And in the "my life is better than yours" gloating category, I believe I am the only person in the world who has read both Jason's next book (Athos in America, going to the printer in a week or two) and Tardi's next book (the new Manchette adaptation Ô Dingos! Ô Châteaux!, which we are planning to release in 2013) — both of which are just as unfathomably awesome as you might expect. Bonus: The ruthless killer (who dispatches an unfortunate victim with a sawblade through the heart in the first page of the book, as seen below) is named Thompson!
• Review: "This latest in Fantagraphics' line of books featuring Jacques Tardi and the second of those books to feature an adaptation of the work of Jean-Patrick Manchette is lovely-looking, stylish and bleak as hell.... The short third act, where we learn what becomes of the assassin, proves so ruthlessly depressing it's almost a human rights violation. Tardi's artwork is beautiful here, although you probably already knew that. No one in comics does the frowning face better than Tardi, and Like a Sniper [Lining Up His Shot] proves to be an absolute showcase of down-turned mouths and the unhappy people bearing them.... What a show." – Tom Spurgeon, The Comics Reporter
• Review: "These are two masters at their best [in Like a Sniper Lining Up His Shot]. Crime novelist Manchette pulls no punches in delivering gritty, violent episodes that still can shock even the most jaded reader. Jacques Tardi’s confident, almost brazen artwork is just as dark, cold and gripping. His beautiful fluid lines juxtaposed with the stark ambivalence Martin Terrier, the contract-killer antihero adapts in applying his brutal trade is something that has to be experienced. Get this book!" – "Horatio Hornblower," The Comic Book Snob
• Review: "Undisputable fact: a new full-length Richard Sala book is a literary and comics event that makes you sit up and take notice. It's appointment reading, and ought to demand the attention of any serious enthusiast of the medium.... The newest from Sala is the graphic novel The Hidden... This book is a magic trick, the kind you'll want to share with friends because you can hardly believe what you've witnessed when it's all done.... Around the hundred page mark this book started scaring the living shit out of me. Sala's art is wonderful and holds up to a close analysis.... Like his peers from Fantagraphics' all-star squad, Sala conveys internal truth (fear, pride, jealousy) through body language and a minimum of lines. There's not a jot or gesture wasted on the page, and his color work is loose and instinctive but still pleasing." – R.J. Ryan, Comics Bulletin
• Review: "...[Johnny Ryan] is easily one of the four or five most vital and important cartoonists working today. Prison Pit is like someone making a comic strip out of Mayhem's Live in Leipzig, played at half speed and double the volume your speakers can safely process. If you've never heard that album, then I'll spell it out for you: this is a brutal fucking comic.... The cosmic brutality of Ryan's story is emphasized by his lingering gaze. He doesn't just draw the big action moments, but the lulls and gaps and silences between them. The pace is non-stop, but that doesn't mean it can't slow down. In fact, it's those slowed-down sections that give the skull-smashing and throat-fisting the impact that they deserve." – Patrick Tobin, Multiversity Comics
• Plug: "Prison Pit 2 was TACO’s book of the year in 2010, and Prison Pit 3 is the early frontrunner for 2011. Featuring the series’ characteristic extreme ultra-violence, gore, scatophilia, and brutality, it’s another hit from artist Johnny Ryan." – L.A. TACO
• Review: "Here's the plot of Mark Twain's Autobiography [1910-2010]: Mark Twain, freed from the shackles of mortality, bums around the Twentieth Century doing whatever the hell he feels like and occasionally having untroubling yet far-fetched adventures.... Kupperman maintains a straight face throughout this look into the world that might have been, had Mark Twain roamed the earth, immortal and more than a little strange. This poker-faced treatment of juvenile, abstracted humor pays off in strokes both broad and small." – Patrick Tobin, Multiversity Comics
• Review: "Very few words are needed in Weing's debut graphic novel [Set to Sea] to tell the story of a poet wanna-be who is kidnapped by pirates and learns the ways of the sea through hard labor and even tougher battles. The cross-hatch styling is reminiscent of old engravings and perfectly suits the subject matter. Each page features just one frame, full of detail and atmosphere. With hints of The Odyssey, Moby Dick, Popeye and Treasure Island, Weing has created a modern classic in the pirate genre." – School Library Journal
• Plug: "Artist, editor, entrepreneur, publisher and cartooning auteur; in his 70-year career in comics this pioneering creator has done it all. The deluxe full-color coffee table book [The Art of Joe Kubert] traces Kubert’s history of comics spanning career from 1938 to the present with beautifully reproduced artwork alongside critical commentary." – "Horatio Hornblower," The Comic Book Snob
• Plug: "David B. intertwines history and myth in his carefully crafted tales of magic gods and grand battles. A master storyteller, his bold, timeless artwork and literary senses creates a kind of magic all their own. The Armed Garden and Other Stories collects three epic tales of adventure, faith, power, and love." – "Horatio Hornblower," The Comic Book Snob
• Scene: Daniel Herbert reports on the Friars Club launch party for Drew Friedman's Even More Old Jewish Comedians for The Paris Review: "The crowd’s spirits were high, which seemed due to more than just the release of Friedman’s book, or even the emergence of more canapés. Guests were happy to meet their idols; the comics were happy to convene for an event that wasn’t a funeral. And the celebration of the comedians’ Jewishness was significant."
Natalia Hernandez, more adorable than three Zooey Deschanels, next to one of her daddy's comics.
Speaking of whom... Partying like it's 1982 (San Diego Comic-Con premiere of Love and Rockets #1, if you'll recall).
It's always sad to see older cartoonists who have become so jaded they can't muster up any enthusiasm when meeting their fans.
Mark Kalesniko, happy to be finally off the FREEWAY (notice clever integration of book title into caption). Also visible, right to left, paying customer, Conrad Groth, Mike Baehr, Eric Buckler, Gilbert Hernandez.
"Well, hello there, do you come here often?" Frank Stack hits on Joyce Farmer by (almost literally) showing her his etchings.
• Review: "Into the '80s and no sign of the much-feared and long-rumored decline in quality in Charles Schulz's life's work that was supposed to come about 10 years earlier. The strips in this volume of Fantagraphics' series are stronger than ever. If there's a different quality to them it's because Peanuts is a mature strip now instead of a precocious, sometimes-astonishing one.... Schulz at this point still puts on frequent display his nearly unequaled ability to return to core character elements for a gag without seeming repetitive or didactic. Part of the richness of the characters is their largely unchanging nature is part of the cross each bears." – Tom Spurgeon, The Comics Reporter
• Review: "Like a Sniper Lining Up His Shot is an EXCELLENT new hardcover graphic novel written by crime fiction novelist Jean-Patrick Manchette and illustrated by one of the masters of sequential art illustration, Jacques Tardi. The central character of Like a Sniper... is a mercenary turned contract killer, named Martin Terrier, who is forced out of retirement, and the way his return to his line of work unfolds ranks at the top with any hard-boiled crime fiction I've ever read. Anyone who had enjoyed Tardi's adaptation of Manchette's West Coast Blues will definitely love Like a Sniper... and if this is your introduction to Tardi and Manchette, you're in for a treat!" – Ralph Mathieu, Ich Liebe Comics
• Review: "Fantagraphics has chosen to start with books 3 & 4 in the series, skipping the stories where the reader (and the creator) gets to know the title character, Gil Jordan, and going right for the good stuff. And these books are good stuff, the writing as well as the art.... There is something in this story for every reader: mystery, adventure, humor, bad jokes and a real sense of menace.... This is absolutely the kind of book that I would hand to someone who has expressed an interest in comics." – R.M. Rhodes, Forces of Geek
• Review: "Fantagraphics is very nearly finished with their complete reprint of E.C. Segar's run on Popeye, with just one more volume to go after this. It's a breathless, surreal and ridiculous collection of fisticuffs and wonderfully funny violence, and every home should own it.... Highly recommended." – Grant Goggans, The Hipster Dad's Bookshelf
• Review: "I’m using the past tense here because tragically the amazing anthological compendium [Mome] closes with this bonanza-sized final edition after six eye-popping, parameter-expanding years ... [T]he experiment ends but even though gone this superb, bold endeavour mustn’t be forgotten. There are plenty of places to still find back issues and these tomes – especially this double-sized delight – would make captivating Christmas presents." – Win Wiacek, Now Read This!
• Review: "As journalist Avery documents in this cohesive biography-cum-first anthology of the onetime Rolling Stone record review editor’s oeuvre [Everything Is an Afterthought: The Life and Writings of Paul Nelson], Nelson was a gifted early practitioner of new journalism and, though a child of the Sixties folk and rock counterculture, one of its most vocal critics.... Reading his inconceivably insightful profiles of Bruce Springsteen, Leonard Cohen, Warren Zevon, and Rod Stewart helps make sense of a needlessly guilt- and disappointment-laden life — here was a hyper-romantic Midwesterner by birth but a New Yorker by necessity who thought he could transcend mundane cruelties by dedicating himself to the popular arts. Seamlessly incorporating the perspectives of Nick Tosches, Robert Christgau, and Jann Wenner, Avery has crafted both a cautionary tale and a celebration of a noir-influenced writer who deserves a place alongside Lester Bangs for his ability to live, always, in the music. Devotees of folk, establishment rock ’n’ roll, and pulp fiction will rue not having discovered Nelson sooner." – Heather McCormack, Library Journal (Starred Review)
• Review: "[Richard Sala's] latest appetising shocker The Hidden returns to the seamy, scary underbelly of un-life with an enigmatic quest tale... Clever, compelling and staggeringly engaging, this fabulous full-colour hardback is a wonderfully nostalgic escape hatch back to those days when unruly children scared themselves silly under the bedcovers at night and will therefore make an ideal gift for the big kid in your life — whether he/she’s just you, imaginary or even relatively real." – Win Wiacek, Now Read This
• Review: "I had the opportunity to do a Q&A panel with Johnny Ryan at SPX last weekend. One of the more interesting parts of discussion was when Ryan said how each volume of Prison Pit had to have a different vibe or theme so that the different books didn’t feel interchangable. That’s certainly true in volume three, as we see the inclusion of a new character, who, while just as violent and vicious as CF, is completely different in attitude and demeanor. Plus, he has one of the most amazing (and utterly grotesque) resurrection scenes I’ve ever seen. There’s also a neat little bit toward the end where it seems like Ryan is heavily drawing upon the Fort Thunder crowd, particularly Mat Brinkman. All in all, it’s another excellent volume." – Chris Mautner, Robot 6
• Review: "This [fourth] volume [of Prince Valiant] covers the most of the WWII years, 1943-44, when the paper shortage was at its highest. As Brian Kane notes in the introduction, this meant creator Hal Foster had to format the strip so parts could be cut for papers that had been forced to shrink their page count.... Still, while no doubt hampered by this new situation, it did nothing to harm his storytelling skills, and Valiant remains a hugely enjoyable action strip, as Valiant battles a variety of ne’r do wells on a quest to find his true love, Aleta." – Chris Mautner, Robot 6
• Review: "I’ve talked at length before about how good the Mome anthology has been, and while I’m sad to see it come to a close, it’s nice to see it end on such a high note. Seriously, this is the best volume of Mome yet, with standout contributions by Chuck Forsman, Eleanor Davis, Laura Park, Dash Shaw, Jesse Moynihan and Sara Edward-Corbett. But really, there’s not a bad story in this entire book. It might seem weird recommending the last book of a series, but if you gotta only read one of these things, this would be the one." – Chris Mautner, Robot 6
• Interview: Brian Heater's conversation with Drew Friedman at The Daily Cross Hatch continues: "But a couple of guys claimed that I didn’t get their names right, like Don Rickles. His PR guy contacted us and said, 'he’s really angry. His name is not Archibald, it’s Donald Rickles.' So, we said in the second book 'Don Rickles says his name is not Archibald, so that will be corrected in a future volume.' Sid Caesar was annoyed. He called Fantagraphics and started yelling at Kim Thompson, because he claimed his name is not Isaac. He was on the phone with him for half an hour. He was doing Jewish schtick and German dialect. Kim was amazed."
• Review: "Another brilliant adaptation of a Jean-Patrick Manchette crime novel by Jacques Tardi. If you liked West Coast Blues, well, you absolutely will love [Like a Sniper Lining Up His Shot]. If you are a crime fan and haven’t read that work yet, you really must as for whatever reason, it is something that tends to get overlooked. Yes, Tardi’s art style is completely unique and can take a little adjusting to if you’re only used to conventional American / UK styles, but give it a go because he brings gritty crime to brutal, realistic life — and indeed equally cold, hard unpleasant death — like few others can." – Jonathan Rigby, Page 45
• Review: "There be monsters; monsters of man’s own making. [The Hidden] is Sala’s second book in colour, rich in red and orange, but it’s the first, I believe, to dispense with all hope and humour — apart from the man with the Marty Feldman eyes. He’s taken the Edward out of Gorey and the tongue from his cheek, replacing it there with shovels, hatchets and stakes!" – Stephen L. Holland, Page 45
• Review: "After a rocky start, the regularly updated, online version of The Comics Journalhas become a much more vital outlet for the serious discussion of comics, primarily thanks to the stewardship of online editors Dan Nadel and Tim Hodler. In its new format, the print Comics Journalis a fine companion to that ongoing effort. With the burden of remaining 'current' lifted by the website, the print Journalis free to explore important works with a depth and seriousness rarely found online." – Patrick Markfort, Articulate Nerd
After establishing the world of the prickly heroine with the first two episodes of this classic series (combined in Fantagraphics’ The Extraordinary Adventures of Adèle Blanc-Sec Volume 1), Jacques Tardi plunges us back into Belle-Époque Paris for another double dosage of heroic derring-do, evil and crazy malefactors, mad actresses (yes, "Clara Benhardt" makes a return appearance) and monsters!
In “The Mad Scientist” the science that brought us revived dinosaurs now results in a pithecanthrope stalking the streets of the City of Light, climaxing in an amazing car chase involving a foe from the previous volume. Will the perpetually inept Inspector Caponi just make things worse? Probably. Then in the second episode, “Mummies on Parade,” the mummy glimpsed in Adèle’s apartment in previous episodes comes alive! The volume concludes with the sudden startling (and delightful) incursion of some characters familiar to Tardi fans, and a shocking climax that leaves the future of both Adèle and this series in doubt as World War I erupts. (It’s the only story in the entire series not to feature an “in our next episode” teaser.)
The Extraordinary Adventure of Adèle Blanc-Sec Volume 2 is the lucky seventh book in Fantagraphics’ acclaimed series of Tardi reprints, showcasing the rich variety of graphic novels from one of France’s greatest living cartoonists.
Download an EXCLUSIVE 12-page PDF excerpt (2.1 MB) with the beginning pages of each story.
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