• Review: At Boing Boing, as part of their "Mind Blowing Movies" series of guest posts, Amy Crehore examines the Ghost World film: "I knew it was going to be good, but I had no idea that the movie Ghost World (2001) would bathe me in such an uncanny sense of deja vu from start to finish. The characters are so real and familiar that they could have been based on my friends and me."
• Commentary:Ashok Karra has a short but thought-provoking analysis of elements of the Ghost World graphic novel: "A ghost world could be three things. Two of them are types of haunting: either by the past (nostalgia for childhood) or the present (the glow of the television). The third possibility is that you pass through as a ghost."
• Plug: At Flavorwire, Emily Temple includes Ghost World on the list of "30 Books Everyone Should Read Before Turning 30," saying "Clowes writes some of the most essentially realistic teenagers we’ve ever come across, which is important when you are (or have ever been) a realistic teenager yourself."
• Plug/Preview: At The Beat, Jessica Lee posts a 5-page sneak peek of New York Mon Amour by Jacques Tardi et al., saying "This newest Tardi release... is slated for a July release, just in time for Independence Day, where we can all revel in the patriotic depictions of New York that Tardi has provided — oh wait. True to his new realism style, 'Manhattan' retains the same kind of gritty aesthetic as his illustrations of WWI trench warfare as well as Parisian life."
• Review: "The 11 horror stories in [The Furry Trap] showcase Simmons’s possession of a dark and capable imagination, one that has discomfort down to an exact science.... Simmons is at his best in stories like 'Mutant' and 'Demonwood,' where rash decisions and chance encounters lead to nightmarish consequences ... Simmons’s brand of deep unease permeates all of [these stories], even in the opening story, 'In a Land of Magic,' which features a scene of sexual and physical violence that could lead to sleepless nights. The book is also filled with illustrations and short comics that just add to the pile of evidence that Simmons has a wide-ranging talent, with an artistic sense that brings to life his most ghoulish creations. These stories are, hopefully, harbingers of even stronger and more sinister work in the future..." – Publishers Weekly
• Review: "The action [in God and Science] ebbs and flows, but the story remains engaging and exciting. I had to read it all in one afternoon because I just couldn't put it down. I was enjoying it too much to stop reading.... [There]'s another great thing about this comic — there's some subtle philosophical questions nudged in that the characters (and reader) have to answer themselves.... I can't recommend this title enough. I can easily say that I want more Ti-Girls, or at least comic characters like them." – Sheena McNeil, Sequential Tart
• Review: "Prince Valiant Vol. 5 — As the war years draw to a close, the strip finds Valiant settling down — at least a little bit — by finally winning his true heart’s love, Aleta. There’s still enough brigands and evildoers to keep Val busy, but a lot of Vol. 5 is spent with the couple developing their relationship, and Harold Foster deepening and developing Aleta’s character in the process. ...[I]t remains a thrilling, boisterous work." – Chris Mautner, Robot 6
• Review: "Dungeon Quest Book Three — Joe Daly’s faithful D&D fantasy by way of Harold and Kumar proceeds apace, with lots of bloody skirmishes with fierce animals and fiercer bandits and an abundance of jokes about penises, pot, hand-jobs and the like.... His incredibly detailed forest backgrounds are really quite exquisite, and the full panel sequences of his band of adventurers simply trekking along a forest path or walking through a stream were my favorite parts of the book." – Chris Mautner, Robot 6
• Commentary: It's been interesting seeing the evolution of the "hey, they should bring Love and Rockets to the screen" article in the age of the serialized cable drama. Arthur Smith at The Paley Center for Media is the latest to add his voice to the chorus
• Plug: "Got this beautiful Popeye compilation book (Fantagraphics) a couple of days ago. Haven't had a chance to even crack it open, but my son is now running around going 'Arf, arf.' It's a hit." – Ruben Bolling
• Tribute: At The New York Times, Tim Kreider remembers the great Ray Bradbury: "Prescience is not the measure of a science-fiction author’s success — we don’t value the work of H. G. Wells because he foresaw the atomic bomb or Arthur C. Clarke for inventing the communications satellite — but it is worth pausing, on the occasion of Ray Bradbury’s death, to notice how uncannily accurate was his vision of the numb, cruel future we now inhabit."
Wouldn't you like to see a full-length steampunk animated feature designed by Jacques Tardi? Yeah, so would we. Here's a teaser trailer for just such a thing currently in development, from the studio that brought you PERSEPOLIS, called LE MONDE TRUQUÉ (co-written by Tardi's COCKROACH KILLER writer Benjamin Legrand, for good measure). In English, yet. Enjoy!
Things have been hectic around here and they're only going to get hecticer. Here are the advances and sample copies that have arrived at the office since the last sneak-peek update a few weeks ago, some of which have already been spotted out in public making their debuts during our current convention gauntlet and all of which should be available between now and July.
Fantagraphics is heading over to the mighty 2012 MoCCA Fest this weekend, with so much awesomeness in store for you all! Visit us this Saturday, April 28th and Sunday, April 29th at the Lexington Avenue Armory in New York City!
First off, take a look at all the debuts we're bringing! Many of these books won't be in stores for several more months, and copies are limited, so make our table your first stop:
Find all of this, and even more, at the Fantagraphics booth, located at our usual spot at #J1, J2, K1, K2:
And hey! Check out these panels!
Saturday, April 28th
12:15 pm // With Nicolas Mahler and Tom Gauld: Brian Heater interviews two artists; Tom Gauld of Scotland, and Nicolas Mahler of Austria. (Room B)
1:15 pm // Checklist for a New Comic: A Guide to Getting Started: In this brief seminar, Jessica Abel and Matt Madden will walk you through the many considerations you should keep in mind when you embark on a new comic of any kind. Abel and Madden will help you strategize and come up with a working plan for your next project, and will cover: creative block and coming up with ideas; choosing a format and platform that makes sense; setting goals and scheduling your time so that you can reach them; finding an audience and looking for collaborators and/or publishers. So bring some paper and be ready to take notes on your next big (or small) project! (Room B)
3:15 pm // Hans Rickheit in Conversation: Brian Heater takes on Hans Rickheit -- musician, performance artist, cartoonist. (Room B)
3:15 pm // A Nordic Roundtable with Fredrik Strömberg (SE), Peter Madsen (DK), Kaisa Leka (FI), Bendik Kaltenborn (NO) and Mattias Elftorp: The comics culture of northern Europe is brimming with energy, talent and innovation, among other things visible in the new anthology Kolor Klimax from Fantagraphics. Come and meet some of the Nordic artists present at MoCCA. (Room A)
5:15 pm // Carousel with Michael Kupperman, Domitille Collardey, Shannon Wheeler, Leslie Stein, Lauren Weinstein and R. Sikoryak: Live comics brought to life by cartoonists and a team of talented voice actors. With voices by Julie Klausner, Dave Hill, Scott Adsit. (Room A)
Sunday, April 29th
2:00 pm // A Discussion with Josh Neufeld and Shannon Wheeler: These two creators interview one another about their work in comics, especially as it relates to their approaches to documenting tragedy on the Gulf Coast. (Room B)
Be sure to drop by tables #J1, J2, K1, K2 to say hi to Jacq, Kristy, who is making her MoCCA debut, and Jen, the latest addition to the Fantagraphics Marketing team! See you at MoCCA!
• Plug: Leonard Maltin gave a very nice shout-out to Jack Davis: Drawing American Pop Culture on his Movie Crazy blog: "This beautifully produced, oversized volume pays tribute to every aspect of Davis’ wide-ranging career, including his movie art, and should please anyone who’s ever admired his amazing work. Samples of sketches and rarely-seen original art sit side-by-side with finished pieces, as well as a biographical essay by Gary Groth and an overview by William Stout."
• Review: "All six of the stories in this latest volume [Athos in America] from Europe's eminent purveyor of deadpan, blank-eyed, funny animals are quite good, but two of them especially seem to stand out for me. ...Jason isn't sitting on his laurels and cranking out repetitively quirky stories in his usual style; he's pushing himself to do new things and communicate through his art, and it's wonderful to watch." – Matthew J. Brady, Warren Peace Sings the Blues
• Analysis: At Comic Book Resources, Greg Burgas gives a close critical reading of the first page of Like a Sniper Lining Up His Shot by Jacques Tardi & Jean-Patrick Manchette: "Much like many graphic novels, the first page is less concerned with drawing readers in than getting the story going, and Tardi does that well here. His art remains the main draw of his books, even though the stories are usually quite good. He knows how to lay out a page and get readers to turn the page, and that’s not a bad skill at all."
• Analysis:The Hooded Utilitarian begins a critical roundtable on Jaime Hernandez's "Locas" stories with "A Fan Letter to Jaime Hernandez" by cartoonist and esteemed manga blogger Deb Aoki: "As a comics creator and as a life-long comics reader, I’ve frequently been asked, who are your favorite artists, or which artists are your biggest influences? Time and again, Jaime Hernandez is in my top 10 list. Given that most of my comics life revolves around manga nowadays, my response often surprises people. And it’s true — Jaime’s work isn’t what most people would consider manga at all, although his work is admired by fans and artists around the world for his draftsmanship, dramatic use of black/white, supple line work, and most of all, his storytelling skills. But discovering Love & Rockets when I was in college was a major turning point for me, and one that changed how and why I draw comics."
• Interview (Audio):Bill Griffith dropped by the WNPR studios yesterday for a fun chat on The Colin McEnroe Show about donuts and other topics; in his blog intro McEnroe states "...I already know the answer to the question everybody asks Bill Griffith: Where do you get your ideas? He probably doesn't have to sit there holding his head and feverishly hoping something will jump out. The anomalies and cartoon dissonances of Zippy the Pinhead are really just average days along the byways of America."
• Review (Video): On G4's Fresh Ink Online video podcast, host Blair Butler and guest Sam Humphries look at Is That All There Is? by Joost Swarte; at the 7:50 mark Humphries makes it his #2 pick of the week, saying "I've literally been waiting for this book for 20 years... so my hopes were pretty high and this book does not disappoint at all.... You gotta pick up this book."
• Review: "While [Listen, Whitey! The Sights and Sounds of Black Power 1965-1975] looks like a typical coffee table book, this book does not have the coffee table lightness when it comes to content. It is dense.... The imagery in this book is fantastic with a ton of photos of old album jackets, flyers and magazine advertisements and of course the record itself. I admit, I want to blow up a lot of the posters and frame them. You will too.... You should buy this book. Fantagraphics outdid themselves this time." – David Baker, 410 Media
• Review: "Undead pirates roam the seas. They want to die and find eternal peace. But when that doesn’t work, they pray for a living creature to torment. They find a baby boy amidst the wreckage of a ship and decide to raise him until he’s ten. Then they plan to kill him so they can have a cabin-boy.... David B.’s Epileptic made me a fan of his work. But the cover [of The Littlest Pirate King], featuring ghastly pirates behind a little boy, would have caught my attention anyway.... It’s a kid’s book with an edge." – Gene Ambaum, The Unshelved Book Club
• Review: "Originally published in 1974, ...[The Arctic Marauder] finds social criticism wrapped up in sarcastic satire, but outfitted in some great designs of Victorian science.... Tardi’s story is one thing, but his beautiful renderings give it a depth that brings it far beyond satire. The attention given to the Victoriana -- in technology, fashion and graphic layout -- functions as a love letter to that bygone world, which keeps the book from ever seeming cartoonish, and that [is] its major strength." – John Seven, North Adams Transcript
• Tunes:Michael Kupperman is among the cartoonists who put together a playlist of music that inspires their process for Huffington Post columnist Dave Scheidt — a taste: "'Chirpy Chirpy Cheep Cheep,' Middle of the Road: This is just the oddest song. It's upbeat, and bubblegum, and catchy, and sad, and kind of incomprehensible. It was written by a French composer and recorded by a Scottish group, and was one of the highest-selling singles worldwide of all time." (That song's popular with funny cartoonists: Peter Bagge's band Can You Imagine? covers it)
This month's Diamond Previews catalog is out and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in April 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• Review: "Nearly every cover in this collection [Action! Mystery! Thrills! Comic Book Covers of the Golden Age 1933-45] sizzles like a good slice of breakfast bacon. Pop art and the peculiar modernist aesthetic that defined postwar American culture really started here, with the liberation of comics from the funny pages and their metamorphosis into this most dynamic and demented of mediums. As a result, every deli and newsstand in America became its own peculiar gallery exhibit, a nexus of transient mass culture. This magical and immersive communion is now a thing of the past, but flipping through the gory, scary, and often beautiful pages of this discerning and honest anthology is an intoxicating experience." – Publishers Weekly
• Review: "If you think you've seen all the best early comic covers, this'll make you think again.... I have a bias here myself...I helped Greg put parts of this together, with rare and fun covers from my own collection. Here you find the really cool and offbeat stuff... And Greg writes a concise bio of every cover and cover artist, putting each in perspective. I can't wait to show this to my Golden Age collecting buddies, it's a must-have book. You have my word on it." – Bud Plant
• Review: "...[N]o publisher has done more to preserve the Great American Newspaper Strip than the Seattle-based Fantagraphics, which has undertaken an audacious program of reprints in the last decade.... The most recent addition to the Fantagraphics line is the most anticipated: Walt Kelly’s unassailable funny-animal strip about Pogo the possum and his cadre of friends and antagonists in the Okefenokee Swamp. ...[I]f the company can pull off a complete edition of Kelly’s masterpiece — especially a full series as lovely as the first volume promises — ...it will be a publishing masterpiece of its own." – Matthew Everett, MetroPulse
• Review: "Is Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 the coolest book ever published? Yes, it is. Just out from the stellar Seattle publisher Fantagraphics, Listen, Whitey! is a gorgeously designed and smartly written coffee table book... Author Pat Thomas has done major archeological work to unearth albums from the era; for people like me who love classic record designs from the 1960s and ’70s, it’s heaven.... The book is a joy to leaf through.... Black music, art, and culture has been assimilated, and it’s made America a better, stronger place. Listen, Whitey! is an archival project, not a modern one. To which I, a white guy, can only say: Right on!" – Mark Judge, The Daily Caller
• Review: "The page in [The Cabbie Vol. 1] where the cabbie brings his father’s sewage covered remains home and puts them in what’s left of the coffin and then puts the coffin on top of his mother’s recently deceased body tells you everything you need to know. Unless you’re a Prince Valiant dude, this is the best reprint of the year. Impregnable would be the best word, EXCELLENT! will have to do." – Tucker Stone, Savage Critics
• Review: "Prince Valiant Vol. 4: 1943-1944 is not only a great book, I think it could also serve well as a good jumping-on point for those curious about the strip. By this point Foster has gotten a strong grip on his characters and the format of the strip, and with a new storyline beginning so early on in this volume you don’t have to worry about being lost. And while this volume doesn’t end at a conclusion for the last storyline (running a whopping 20 months in all, as it turns out, only the first 7 months are present here), there’s so much meat here that you’ll be eager for Prince Valiant Vol. 5 so you can find out how it ends. I, for one, can’t wait." – Greg McElhatton, Read About Comics
• Review: "Are you a fan of Ghost World? You might not have noticed that Seattle-based Fantagraphics has reduced the price of their Ghost World: Special Edition to a bargain-priced $25.... The Special Edition is packed with goodies sure to thrill the Ghost World geek.... It’s a great item to add to your Ghost World collection — or to get it started." – Gillian Gaar, Examiner.com