The most returned sweater of Online Commentaries & Diversions:
• Interview: Tom Spurgeon of the Comics Reporter interviews cartoonist Carol Tyler about her You'll Never Know series about her father, WWII and family bonds. He starts of the interview right, "You've lived with these books for a very long time. How did it feel to get some closure on this work?". Click here for the answers and more.
• Review:Comics Bulletin looks at You'll Never Know Book 3: Soldier's Heart by Carol Tyler. Jason Sacks states "You'll Never Know is a breathtaking graphic novel because Carol Tyler is honest enough to know that stories are seldom as tidy nor as dysfunctional as they seem on TV…It's a tremendously real story straight from the heart, told by a master cartoonist."
• Plug:Comic Book Resources and Brian Cronin investigate the legend around the FBI examining Pogo comic strips searching for hidden messages.
• Plug: Geekosystem has suggestions for our 20% sale like Pogo by Walt Kelly. "Are you a Calvin and Hobbes fan, dear reader?…If you are a fan, we’d point you towards one of the strip’s inspirations, Walt Kelly’s classic Pogo cartoons. By turns razor-edged political satire and old-fashioned slapstick comedy gold, these strips are being given their due."
• Review:Reality Studio looks and relooks at Observed While Falling and The Lost Art of Ah Pook Is Here by Malcolm McNeill on his collaboration with William S. Burroughs. Jan Herman writes "Observed While Falling brings a fresh analytical eye to the familiar Burroughsian fixations — synchronicity and doppelgangers, control systems, the word as virus, the number 23 — that dominate this memoir, while still offering a straightforward chronicle of the author’s relationship with le maître. Luckily for us, McNeill is an artist who can write. Really write.…the hard work, the exhilaration and, ultimately, the frustration of a project that failed to achieve its original goal — is largely treated with brilliant introspection and loving grace."
• Review:Forbidden Planet International continues their Best of 2012 lists. Douglas Noble places Chris Wright's Blacklung on the list. "Unforgettable, and Wright's beautiful, scratchy art is a treat, like EC Segar working with Yuichi Yokoyama designs."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. On Walt Disney's Mickey Mouse: House of Seven Haunts by Floyd Gottfredson, Chris Sims writes, "They're one of the few things that I get excited about to the point of giddiness, and House of the Seven Haunts! was the best volume yet…It's one wild adventure after another, and they're all done with an incredible skill that still holds up almost 80 years later."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. The Furry Trap by Josh Simmons makes the list "The faux-Batman comic, which details the Bat's horrifically misanthropic ways, might be a reason to check out the contents of this hardcover collection of Simmons stories, but the entire volume is full of troubling tales worth your attention…The unexpected happens, consistently, and that's about the only thing you can be sure of," states Tim Callahan.
• Plug:NO releases its Best Comics of 2012 list and Sean Collins breathtakingly writes about The Furry Trap, "Josh Simmons shits in your heart, again and again in ways that grow exponentially more refined and chilling as the book progresses. A perfect statement of rancid intent."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. Designer Dylan Todd writes on Barack Hussein Obama by Steven Weissman. "There's something vaguely Peanuts-esque at work here, with a cast of recognizable characters… all with their own quirks and personalities, all delivering punchlines while the specter of death and soul-crushing doubt hangs over their heads. It's funny, but like any good comedy, it's tied up in uncomfortable and relatable truths…It's surreal, nonsensical, and a little depressing -- so, huh, maybe it's an accurate portrayal of political life in the 21st century after all."
• Review: Timothy Callahan of Comic Book Resources looks back on 2012 and Steven Weissman's Barack Hussein Obama is #20 on his Best Of list. "It's just such a fragmented work of narrative, but Weissman plays with repetition and transformation in a near-musical way, and that ends up mattering most…This comic is difficult to discuss without sounding ridiculous, but I can't stop thinking about its unsettling strangeness."
• Review:Paste Magazine's guest writers Nathan Bulmer and Kevin Huizenga pick out some of our books as the Best of 2012 including Steven Weissman's Barack Hussein Obama, Jason's Athos in America, and Chris Wright's Blacklung. Bulmer looks at Weissman, "I have so many feelings about this book. This, to me, is the most gorgeous book of the year and is one that I will be returning to often."
• Plug: Geekosystem has suggestions for our 20% sale like Athos in America by Jason. "Fact: New Jason books are weird, funny, and always bring something new and unexpected to the table. Conjecture: This book probably deserves a place on your shelf…"
• Review: KC Carlson of Comics Worth Reading dives not into a vault of money but Carl Barks' books. While reading Uncle Scrooge: "Only a Poor Old Man"she can't help but write,"One way or another, all of these stories are classics (if not masterpieces) of early comic book storytelling. And not just for kids." When flipping to Donald Duck: "A Christmas for Shacktown" Carlson notes,"It’s probably one of the least sentimental Christmas stories around (and thus a favorite of many fans). It features an early example of Scrooge’s lack of charity, counterbalanced by his steadfast work ethic…I can’t say enough about how much I love these new Fantagraphics collections of this 'should always be in print' Carl Barks material."
• Review: Andrew Wheeler over at Anticks Musings enjoys Peanuts Vol. 17: 1983-1984 by THE Charles M. Schulz. Wheeler states, "they're reliably funny and occasionally moving. The deep sadness that used to manifest in Charlie Brown now comes up, less rawly, . . . For work done by the same one man, day after day, more than thirty years after he started that project, that's not just impressive, it's amazing."
• Review (video): Jon Longhi in episode 2 of Having a Book Moment features Spacehawk by Basil Wolverton "who was an amazing underground cartoonist with exp, surrealist view of reality that created some of the I think, most unique comics ever invented. . ."
• Review:Robot 6 enjoys SpacehawkbyBasil Wolverton. Chris Mautner writes "Wolverton’s Spacehawk has a vitality — at times it practically throbs with life — that the more static Stardust simply does not have. Spacehawk not only the best reprint project of the year, it’s the best reprint project of the past several years. It’s a revelation."
• Review:Comics Alliance announced their Best Comics of 2012. Basil Wolverton's Spacehawk "remind[s] you of some kind of Buck Rogers Technicolor serial as designed by Robert Crumb…Spacehawk is the freakishly charming sideshow to the more popular main event, but everyone who's seen its wonders would find themselves bored with what the guy in the big hat in the center ring is babbling on about," writes Tim Callahan
• Review:Comics Bulletin and Jason Sacks give Spacehawk by Basil Wolverton a rating of 4.5 outta 5 stars. "This book is really fucking exhilarating and awesome and eye-popping, and you have to add it to your bookshelf if you loved I Shall Destroy All the Civilized Planets…Spacehawk is lunatic, manic genius."
• Review:Delphine by Richard Sala gets BoingBoinged. Mark Frauenfelder writes, "I've long admired the gothy work of cartoonist Richard Sala. He delicately balances the line between horror and humor as few can. His latest graphic novel, Delphine, is his darkest effort to date."
• Review: Comic Book Resources counts down the Top 100 Comics of 2012 and includes The Hypo by Noah Van Sciver at #54. Brian Cronin states "Van Sciver spotlights a fascinating time in Lincoln's life where he barely resembles the man who would one day become one of the most famous presidents in U.S. history…The artwork is strong, as is the research." Cronin's own Top 10 Comics of 2012 listed Van Sciver at #2.
• Review:Panel Patter lists the Favorite Graphic Novels of 2012 and Noah Van Sciver is #2 for The Hypo. Rob McMonigal writes "Given that Van Sciver specializes in characters who are at their wit's end and have horrible things going on in their lives, he's picture perfect in his presentation."
• Interview: Tom Spurgeon interviews editor and fan Marc Sobel on living life breathing Love and Rockets at the Comics Reporter. Sobel started writing, critiquing the Hernandez Brothers work, interviewing them that led to writing and co-editing The Love and Rockets Reader and The Love and Rockets Companion, coming out next year.Sobel pondered, "I decided to read Love & Rockets in its original format and blog about each issue as a way to teach myself about one of the medium's classics while still keeping active as a writer."
• Review:Comic Book Resources counts down the Top 100 Comics of 2012 and #35 is Love and Rockets: New Stories #5. "…the Bros turned in another installment of comics that are simultaneously agonizing to witness and darkly funny while they’re serving up stone-cold dramatic situations," writes Brian Warmoth
• Plug:Gilbert Hernandez receives some attention from Sean T. Collins at Carnival of Souls in regards to upcoming Julio's Day and D&Q's Marble Season. "A now-completed collection of work he serialized during Love & Rockets‘ second volume and a pseudoautobiography, these could send him in the direction of critical and audience reappraisal that the outré sex and violence of his recent comics have denied him."
• Interview (video): As part of the 30th Anniversary celebration, Vegas Seven posted a short interview with Gilbert and Jaime Hernandez conducted at Alternative Reality Comics in Las Vegas.
• Plug: Glyn Dillon writes the Best of the Year 2012 for Forbidden Planet International and shares the love for Jaime Hernandez's God and Science. "I'm not really a fan of the super hero genre, but he delivers it in such a fun way, it's hard to resist it's charm. It almost feels as though it's from an alternative universe, a universe where super hero comics are good."
• Review:The Chicago Tribune gets all fancy to read our EC Library Comics: Corpse on the Imjin by Harvey Kurtzman and Came the Dawn by Wallace Wood. "Kurtzman often evinces a grim humor in these war comics, they don't elicit laughs. His beautiful line-work — thick black strokes and quick black curves — captures the grit of battle and its aftermath: Corpses reach up from rubble, cones of fire erupt from gun barrels." Michael Robbins continues, "Wood's alternately claustrophobic and desolate brushwork lurches into life: spreading puddles and slanting rain, Rock Hudson jawlines and Jane Wyman curves, vertiginous angles, hallucinatory things with too many eyes."
•Plug:NO releases its Best Comics of 2012 list and Sean T Collins recommends Prison Pit 4 by Johnny Ryan. "Choose your monsters-transforming-and-pursuing-ultimate-murder poison: if you favour grossness, reality-breaking sci-fi and heavy manga inflections, go with Ryan."
• Plug:Michael Kupperman'sTales Designed to Thrizzle #8 is ranked 81 out of the Top 100 Comics of 2012 according to Comic Book Resources. "The latest 'Tales Designed to Thrizzle' very well might be the funniest edition of the annual comic yet! Kupperman's outrageously unpredictable sense of humor is on full force in this issue" states Brian Cronin. Cronin's own Top 10 Comics of 2012 listed Kupperman at #4.
• Review:Comic Attack bangs out the Best 15 All-Ages Titles of 2012. Hal Foster's Prince Valiant is on the list as Drew says "the detail and quality of the art alone along with the more literary form of narration provided the base and inspiration for dozens of artists and imitators after that, all these years still being just as entertaining as when first published, here from Fantagraphics never looking as good as collected before."
• Review: Nick Hanover of Comics Bulletin sits awhile with Tom Kaczynski's new book. Beta Testing the Apocalypse "is weird as all fuck and funny as all shit, a Singles Going Steady for the art comix crowd that merges Burroughs' cut-up commentary with Ballard's keen tech consumer insight and siliconic wit…is where we should be looking if we want to know what comes next, if we want to discern which hip priest had their ear closer to the ground."
• Interview:The Comics Journal's Tim Holder interviews Tom Kaczynski (cartoonist of Beta Testing the Apocalypse)on his comics and publishing endeavors.
• Plug: Jade at the D&Q Bookstore holds onto some serious love for Lilli Carré's Heads or Tails. "Her stories always incorporate some sense of magic realism, where bizarre occurrences are treated as if they were just another aspect of daily life. Equally impressive is Carré’s artistic versatility, always finding the appropriate style, palette and medium to tell her dreamy tales."
• Review:Cosmic Comix reviews The Crackle of the Frost by Mattotti and Zentner. "The story itself is amazing. It’s a story about loneliness, loss, and, most of all, fear…It’s a rare feat in which the words, although separate from the picture, are in perfect synch with it… If you are looking for a book that truly pushes the comics medium, then this is the book for you," writes David Lee.
•Review: Music magazine Ugly Things Issue 34 reviews Kevin Avery's book. Alan Bisbort writes "Everything is an Afterthought would, in another age, be considered 'essential reading' for anyone even remotely hip…these bokos remind us of how deeply some people cared for the music and its larger pop culture that many of us now take for granted."
• Plug: Geekosystem has suggestions for our 20% sale like Joe Sacco's book. "Safe Area Gorazde is a great introduction to his work and to the concept of comics journalism as a whole. This new special edition with notes from the author, updates on the characters, and a behind the scenes look at the creative process is must-own material.
• Plug: Geekosystem has suggestions for our 20% sale like I Shall Destroy All Civilized Planets by Fletcher Hanks. "Weirdness on the highest scale prevails in these collections…these delightfully strange relics deserve a place in the library of any comics art history completist or student of the medium."
• Plug: Filth and Fabulations looks at books for 2013 and The Astonishing Exploits of Lucien Brindavoine by Jacques Tardi is on there. "This book is perhaps a slightly less mature piece than some of Tardi's later self-authored work, but it is filled with a vibrancy and a dark humor that makes it a thing not to be missed, especially so for those who enjoy his amusing riffs on traditional genre pastiches, with a nice dose of violence and sarcasm thrown in". In addition to Goddamn this War! by Tardi and Jean-Pierre Verney. "It looks very promising, and seems to be more of a single narrative spanning the entirety of the war, rather than the looser vignette-style format of the earlier book."
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
The first* glass of spiked eggnog of Online Commentaries & Diversions:
• Review: Metroland'sSimcoe reviews Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks and The Complete Peanuts: 1985 to 1986 by Charles M. Schulz. Glenn Perrett states, "Reading Carl Bark's "Donald Duck" stories from 60 years ago was entertaining. The animation and colours are excellent and sections such as "Story Notes" [etc.] . . . complement the wonderful comics making this book a nice addition to any library." And "The Complete Peanuts: 1985 to 1986 are sure to make the holidays more entertaining and makes a nice gift and keepsake."
• Review: Noel Murray of The AV Club continues the Christmas coverage with Schulz's Charlie Brown's Christmas Stocking which "is mainly meant to serve as a nice little accessory to holiday decorations, to be brought out every December with the ornaments and Andy Williams records. For that reason, it’s hard to humbug it…" With Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks, Murray notes "These stories—nearly all published in the early ’50s—are mostly non-Christmas-y, but the title tale is a sweet one. . . For those who do want a surefire present for the comics buff in their lives."
• Review: School Library Journal goes over some of the favorite holiday graphic novels of 2012 like Charlie Brown's Christmas Stocking by Charles Schulz. J. Caleb Mozzocco states "It’s beautifully designed, a breezy, five-minute read, and about the size of a Christmas card, making it a pretty great gift. And, this being Schulz’s Peanuts, it’s the sort of gift you’ll never grow out of." As for Carl Barks' holiday and title story in Walt Disney's Donald Duck: "A Christmas for Shacktown", "It’s one of about 20 of the top-notch comics in the book, which range from one-page gags to the sort of sprawling adventures Barks was best-known for."
• Review: Noel Murray of The AV Club takes a peak at Heads or Tails by Lilli Carré. "Carré loves to constrict her characters, because she knows that limiting their options won’t necessarily limit their imaginations. . . her comics work often has the feel of avant-garde cinema, as she weds surreal images to everyday situations to enchant audiences and spark ideas. . . "
• Review: Christopher Borrelli of The Chicago Tribune writes a loooong article on Lilli Carré and her new book Heads or Tails "that best captures the range, humor and vague sense of ennui she's made her name on. . . "
• Review: Noel Murray of The AV Club enjoys Tom Kacynski's Beta Testing the Apocalypse. "Kaczynski’s comics are frequently nightmarish, starting from a slightly askew place and then tipping further into darkness. . . But while his stories have characters and plots—often with haunting endings—they’re more like essays than conventional narratives."
• Review: Noel Murray of The AV Club finished the You'll Never Know series with Book 3: A Soldier's Heart by Carol Tyler. "This is Tyler’s magnum opus: her thoughts on art, work, relationships, music, war, and anything else that came to her mind while she was piecing together her dad’s story."
• Plug:About.com fills in the blanks of their Christmas Sex Book List by adding our most recent titles. On No Straight Lines: Four Decades of Queer Comics edited by Justin Hall, Cory Silverberg slyly states "given the diversity of artists working today it's not a definitive collection, but it's sexy and joyful and difficult in parts, and definitely one to own." Meanwhile, Naked Cartoonists (edited by Gary Groth) contains "a number of stand outs among this overwhelmingly white, male collection of artists. And I imagine this could be a perfect gift for the right kind of comic nerd."
• Review: Danel Olson of the Weird Fiction Volume 3 writes on Richard Sala and The Hidden . "Sala has become one of my favorite American sequential artists because of his subtle tributes and expansions to four of the most memorable twentieth century American cartoonists - Charles Addams, Edward Gorey, Gahan Wilson, and Basil Wolverton. . . Forbidding and weird seem like weak adjectives for Sala's The Hidden, and I urge you to open it. . . Give a standing order to Fantagraphics for any noirishly weird fictions forthcoming from Sala."
• Review: Chris Estey of KEXP reviews the Bill Griffith collection called Bill Griffith: Lost and Found - Comics 1969-2003. Chris Estey writes that it is "a luxurious and generous Fantagraphics big book collection of his non-Zippy work, is required reading for those who may have missed his parodies and punk rock operas in the past, or want them all bound together. It’s also for those like me who were never really that much into Zippy in the first place."
• Plug: Dave Segal recants the events immediately following his Stranger article on Listen, Whitey!by Pat Thomason the Stranger Slog. White supremacists got all sorts of angry at this history book and the white dude who wrote it.
• Plug: One step forward, two steps back. The Adele Blanc-Sec movie is inching along towards distribution in America. Johanna Draper Carlson gets the scoop on DVDs Worth Reading on Jacques Tardi's graphic novel adaptation.
• Plug:Negromancer reviews the film adaptation of Art School Confidentialdirected by Terry Zwigoff based on the comics of Daniel Clowes. "While Art School Confidential comes across as a satire of art schools, the faculty, and students, it is also a love story and youth relationship drama. It works well as all three."
*let's be real, it's like our tenth glass of that local dairy's eggnog
Behold, the new issue of The Comics Journal, an edition so awesome we made it a flip-book with TWO cover features: Gary Groth's newsmaking interview with the late Maurice Sendak on one side, and Kim Thompson's interview with Jacques Tardi on the other side. (To clarify, there aren't two separate covers; every copy has both covers and which one's the "front" depends on which way you turn it.) And there's a whooole lotta stuff in between. Look for excerpts to be posted on TCJ.com as the release date nears (early February being our current best guess). TCJ sets the agenda for intelligent comics conversation, so pre-order your copy today and don't get left behind.
The first snowflake of Online Commentaries & Diversions:
• Review:Publishers Weekly enjoys Naked Cartoonists, edited by Gary Groth. "The litmus test for any collective work based on the idea of one page per artist is whether the whole is greater than the sum of the individual parts. . . [Naked Cartoonists] no trouble achieving that goal. . . Dan Piraro (Bizarro) deserves kudos for his strategically-located likeness of Garfield . . ."
• Review:Print Magazine (issue 66.3 June 2012) gingerly flips through the pages of Naked Cartoonists. "Does your Sunday morning routine consis of reading The Wizard of Id and thinking, Gosh, I wish it had more nudity? Then Fantagraphics Books has just the thing for you." While out-and-about obscenity is rare, "there are moments of genuine creepiness, as when Jeff Keane, heir to The Family Circus, drops trou along side his fictional self, Jeffy."
• Review: Speaking of nudish things, Slate takes the time to slog through Prison Pit 4 by Johnny Ryan. Noah Bertlasky states, "For those who find filthy, blotchy tactile ink clots, überviolence, or body horror even remotely appealing, you need to buy this and its predecessors immediately."
• Review (audio): The boys on the block (Comics Books are Burning in Hell) review violent comics so naturally Blacklung by Chris Wright is included. The book affected the reviewers since it's "basically Chris Wright drawing terrifying shit" and Wright's drawing style falls in between "Old newspaper comics, like E.C. Segar's Popeye and Roy Crane's Wash Tubbs and Usagi Yojimbo [by Stan Sakai]."
• Review:New York Journal of Books looks at Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks. Mark Squirek writes, "What he was really doing was showing us the absurdity of human behavior. . . This is a book that can be enjoyed by everyone from six to eighty. . . This is classic art and storytelling from a master of the form. Carl Barks ranks right up there with Jack Kirby and Will Eisner. If you love the frustrated, quacking, crazed Donald from the cartoons of the forties, you have to read A Christmas for Shacktown."
• Review:The Christian Science Monitor unwraps Charlie Brown's Christmas Stocking by Charles M. Schulz. Rich Clablaugh takes another sip of cider and says, "The design of the book is marvelous, thick off-white stock printed in two colors – red and green of course. . .Charlie Brown's Christmas Stocking is sure to bring a warm smile to readers young and old. A yearly reading of this little gem can in itself become a new tradition for the Christmas season."
• Review:Westfield Blog looks at archival prints from Fantagraphics. Roger Ash recounts, "Popeye, Pogo, Charlie Brown, Mickey Mouse, and many other classic comic strip characters live on at Fantagraphics in outstanding collections. If you aren't reading any of these, you should be."
• Review:Forbidden Planet International writes about Rich Tommaso's graphic novel, The Cavalier Mr. Thompson. "What the Cavalier does very well is encompass the zeitgeist of an era and people vividly. . . or the most part you’re happy to be led through the rooms and ravines, over train tracks and down corridors as a gentle narration of tales from times gone by ensconces you comfortingly," says Zainab.
• Review: Glen Weldon writes a large article in the New York Times Book Review on our newest anthology on queer comics. "With No Straight Lines [editor Justin Hall] has produced a useful, combative and frequently moving chronicle of a culture in perpetual transition; to read it is to watch as an insular demimonde transforms itself, in painful fits and joyful starts, and steps out into a wider monde."
• Review:Graphixia looks at Jacques Tardi's It Was the War of the Trenches. Scott Marsden states, "Seeing Tardi’s portrayal of the horrors of trench warfare and his vision of the random senselessness and brutality that accompanies it reminds us to reflect on our (mis)conceptions of history, drawing attention to the fractal realities that are embedded in events that have been experienced internationally. . . it feels far closer to reality than the propagandized historical materials offered by the typical academic publishing industry. . ."
• Review: Rob Clough reposts his review of our Hotwire anthology, this time on High Low. "A book for those who read Ghost World or American Splendor and [want] to know where to go next."
• Review:Chris Ware is profiled on the NY Review of Books on Jimmy Corrigan through Building Stories.
The Seattle-based French cultural organization the Alliance Française is having a Christmas market and you're invited!
Fantagraphics will have a table there selling our French translations (Tardi, Trondheim, David B., etc.) but we will also have a big pile of non-Fantagraphics editions of French and Belgian classics such as Tintin, Asterix, the Smurfs, and Lucky Luke, and several boxes full of french comics IN THE ORIGINAL FRENCH that have not previously been made available in our store.
The Alliance Française is a great organization and this should be a fun time for Francophiles in general even above and beyond Fantagraphics' presence, so we hope to see you there. Francophone Kim Thompson will be manning the table throughout and will answer your questions and banter with you (and take your money) in French, in English, or in Danish if you happen to trek up from Ballard, for that matter. A bientôt!
The Alliance Française is located on the ground floor of Historic Seattle's beautiful Good Shepherd Center at 4649 Sunnyside Avenue North. There are two large free parking lots as well as abundant free on-street parking.
The strongest umbrella in the wind of Online Commentaries & Diversions:
• Review: Paul Constant of The Stranger looks at The Last Vispo: Visual Poetry 1998-2008, edited by Nico Vassilakis and Crag Hill. "As an art book, it demands hours of investigation. . . For those linguistic pioneers looking to find the future of fiction, this could be one of the most informative poetry anthologies to be published in the new millennium."
• Review:NPR's My Guilty Pleasure looks at the Jacques Tardi graphics novels of Adèle Blanc-Sec who is "young writer with the brains of Sherlock Holmes, the body of Angelina Jolie and the stoic fortitude of the Marlboro Man." Rosecrans Baldwin states, "The books are part adventure comic, part hardboiled fiction. They're terrific whodunits that conjure up all the precise atmospheric detail of, say, a Georges Simenon novel, but with twice the plot."
• Review:Blacklung by Chris Wright gets reviewed on Nerds of a Feather. Philippe Duhart says, "Wright’s genius is further evident in his ability to use these aberrant cartoonish characterizations to convey human emotion, particularly terror. Wright’s portrayal of violence is stark and chilling – despite or perhaps because of his singular style. . . Black Lung worked on all counts. Plus, pirates."
• Review (video):Kapow Comics down in Australia reviews Chris Wright's Blacklung. Al states "this is a complicated book with musings on philosophy, literature, mortality and especially, religion has a big focus." Sonya says, "Every single character changes in this story, their journey changes them . . . [Blacklung] prayed on my mind. It lingers with you."
• Review: Glen David Gold looks at Flannery O'Connor: The Cartoons edited by Kelly Gerald in the LA Review of Books. In an attempt to see how the bread is made, Gold, "Cartooning was O'Connor's first artistic passion. . . . An article in the local paper and a pile of rejection slips from The New Yorker indicate how serious she was. . . not an early blush of Flannery the fiction writer at work. But I'd still recommend it to the curious. Come at it without expecting same genius, but look at it because it's an extreme close up of biography."
• Review:Publishers Weekly looks at Jack Jackson's Los Tejanos and Lost Causes. "Comics’ current vogue for nonfiction was pioneered in these two works from the late underground comix founding father Jackson, who died in 2006. Jackson brought an R. Crumb–style crosshatching and love of facial grotesquery to these two densely researched historical graphic novels."
• Plug:Publishers Weekly and Ada Price show a sneak peak of The Heart of Thomas by Moto Hagio. Enjoy 14 pages of pure genius but don't forget to read each one right to left! We're talking manga here.
• Review: Rob Clough of The Comics Journal enjoys The Hypo by Noah Van Sciver."he’s made a fairly significant leap as both a draftsman and a storyteller in a relatively short period of time . . . Van Sciver’s greatest achievement in this book is his storytelling restraint. He lets his cross-hatching gets across the grime . . He wants to show the reader a different side of the Lincoln we grew up reading about in the history books, but also wants the reader to connect this younger man to the future president."
• Review:Fantasy Literature takes a peek at Castle Waiting Vol. 1 by Linda Medley and Ruth Arnell is in love. "the charming ink illustrations have a piquant charming quality that match the story wonderfully. . . Linda Medley has written a gentle feminist fairy tale comic book that truly deserves to have a wider audience."
• Review: Sonia Harris of Comics Book Resources reads Black Hole by Charles Burns all in one sitting, one evening. "Reading Black Hole all at once in a nice, tidy bundle, it is impossible to experience what Black Hole was for all those years while it was slowly seeping out, issue by issue. . . it is visceral poetry, a true expression of the medium with imagery and words working together to create the most intimate impact. Black Hole is beautiful and terrible, it is a treasure."
The Hollywood Reporter reports that Jean-Patrick Manchette's novel The Prone Gunman, from which Jacques Tardi adapted the graphic novel Like a Sniper Lining Up His Shot (we gave it a different name for our edition), is on the way to a major-motion-picture adaptation with Sean Penn in negotiations to play the lead, ruthless assassin Martin Terrier. No director yet; our own Kim Thompson suggests Nicolas Winding Refn or William Friedkin in French Connection flashback mode, if the producers are listening.
We trust that Jefferey Wright is in talks for the Stanley role.
The blackest ink in the pot of Online Commentaries & Diversions:
• Review:AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciverrenders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."
• Review:Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."
• Review:Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency. . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"
•Review:La Tempestad on Barack Hussein Obamaby Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."
• Review:MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."
• Review:The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."
• Review:The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."
• Review:Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."
• Review:The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."
• Review:BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."
• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.
• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."
• Commentary:SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . . Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."
• Commentary:Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."
• Commentary:Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."
• Interview:The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes.
• Review:Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."
• Review:Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."
• Review:AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."
•Interview:The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."
The furtherest-traveled Bethesda-sent postcard of Online Commentaries & Diversions:
• Review:NPR's Glen Weldon looks at The Hypo by Noah Van Sciver. "Although The Hypo is painstakingly researched, the book is no dry accretion of biographical detail. That's because Van Sciver approach's is so deeply, palpably personal, even idiosyncratic. . . Inspiring? No. But achingly familiar, relatably human and — most of all — profoundly real."
• Interview:Comic Book Resources and Ryan Ingram pulled Noah Van Sciver aside to talk about The Hypo. Van Sciver says, "My reason for spending so much time working on The Hypo was an honest to god interest in the subject of depression and the struggles Lincoln was going through at that time. Probably nobody else would have done this book."
• Review:We Got Reviews looks at Noah Van Sciver's The Hypo. Chad Parenteau closes it beautifully states," In The Hypo, Van Sciver proves in these pages that you can bring an almost mythic figure of the past to modern day terms while still making that figure heroic."
• Plug:Large-Hearted Boy got his mitts on The Hypo by Noah Van Sciver: "I've been looking forward to this book for what feels like two years now. . . It's a side of Lincoln rarely revealed, beautifully illustrated, and wonderfully told."
• Commentary: Rob Clough of the Comics Journal and High-Low made sure to organize some Noah Van Sciver within the Library of Congress mini-comic collection: "Everything's coming up Noah these days, with an Ignatz nomination for The Death of Elijah Lovejoy and the release of his Abraham Lincoln book The Hypo from Fantagraphics." Clough also comments on Jaime and Gilbert's Ignatz awards, "I dubbed Jaime Hernandez the King of SPX after he took home three extremely well-deserved Ignatz awards. After getting shafted by the other major comics awards shows, it was great to see him relishing this moment."
• Commentary: Tom Spurgeon says a bunch of nice stuff about the Hernandez Brothers, Noah Van Sciver on the Comics Reporter. "Los Bros had a steady line of admirers at the show, which was really encouraging to me. They had good solo panels, too -- Frank Santoro talked to Jaime and got him to choke up a bit, and Sean T. Collins talked to Gilbert and applied to that conversation the benefit of reading the holy shit out of all of Gilbert's work sometime in the last year. . . I enjoyed that Abraham Lincoln book of [Noah's]."
• Commentary:The Beat loves on all creators, great and small including the Hernandez Brothers
• Plug (video): Junot Diaz talks about the Hernandez Brothers in Vol. 1 Brooklyn.
• Commentary (audio): The podcasts Hideous Energy attends not only SPX but the Politics and Prose signing for the Hernandez Brothers . The hosts have a frighteningly good time at SPX despite the trials and tribulations of their hotel room at Red Roof Inn.
• Review: The School Library Journal dissects The Adventures of Venus by Gilbert Hernandez and includes some questions to ask when using it in an English or literature class: ". . . while certainly young readers should appreciate many aspects of the book, some of its content may land as so idiosyncratic (albeit playfully so) as to inaccessible. And that’s actually a good thing."
• Review:The Chicago Reader enjoys Lilli Carré's Heads or Tails. Noah Bertlasky compares,"Eschewing the autobiographical meaning-through-trauma tradition of Maus, the pop art goofiness of Fort Thunder, or the sex and drug spewing of underground artists like R. Crumb, Carré specializes in surreal narratives and exquisite design.. . . Reading this, it's easy to forget there was ever a time comics were viewed as separate from art."
• Plug: Alex Pardee of Juxtapoz picks Johnny Ryan as his dude du jour and demands you read Prison Pit #4 and all previous volumes."I'm pretty sure the words 'Johnny Ryan' mean 'Fuck You' in Elvish or Klingon. . . Lucky for us, Johnny Ryan doesn't give a Russell Brand about pissing anyone off. . . amassing a huge cult following based solely around brilliantly conveyed hemorrhoid jokes, hitler bashing, and 'shit-fucking-shit'. . ."
• Plug: Claire Donnor of comiXology focuses on No Straight Lines, edited by Justin Hall. "Besides offering an exciting array of new and rare talent, this volume presents a very refreshing change from the familiar straight male fantasizing that has traditionally dominated the indie and underground scenes."
• Review:The North Adams Transcript reviews Mattotti and Zentner's The Crackle of the Frost. John Seven writes, "What the words cannot portray, the images do, the real psychological landscape that Samuel's confused analysis grapples with, and a testament to the power that can be born of the collusion between the literary and the illustrative in the best examples of graphic storytelling."
• Review: Carter Scholz returns to The Comics Journal to pen a review of Dal Tokyoby Gary Panter, "So think of it as a comic strip, a periodic commitment. A blog before and after its time, a day book spanning three pitiless decades. Each strip of the first series is time-stamped, by hand, to the minute, testimony to Panter’s living and working and recording in the here-and-now of it."
• Interview: Max Robinson of City Paper interviews Dan Clowes and about the continuing success of Ghost World: "I’m heartened that it seems to live on. It’s about teenage girls from another world, really; [they] don’t text, don’t have cell phones, don’t have computers. It’s really about the olden days and yet it seems like the whole new readership of teenagers seems to take to it every year."
• Review:Pop Matters talks about Daniel Clowes. Features editor Josh Indar says, "This is why I love Dan Clowes. He’s the only comic artist I’ve read who can do this to me, to pull me so completely into his world that, just as the old lady said, I start seeing reality through the lens of his work."
• Review: Nick Gazin's Comic Book Love-In #72 on Vice includes Jacques Tardi's New York Mon Amour. "Many of the comics they're publishing have never been translated into English before so it is a big, big deal that they are providing this service to all American lovers of comics. . . The art's great and it captures what New York in the early 80s was."
• Interview:Print Mag interviews the indeliable Roger Langridge on comics, acting and life. It's worth reading yourself for the gorgeous panels full of exquisite details. Langridge says, "It's a fascinating world, theater."
• Interview: Chris Auman of Reglar Wiglar interviews Ed Piskor on his previous book and upcoming Hip Hop Family Tree. "I grew up surrounded by hip hop. I feel like the fact that I even learned to draw was shaped by a hip hop mentality."
Occasionally a finger on the camera slips and reporters or other publishers accidentally take a picture of the people working on publishing the books, rather than our wide array of talented artists and authors. Here are some nice things people said about us and some semi-nice photos of Gary, Kim, Eric, Jacq and Jen: Tom Spurgeon at Comics Reporter, Chris Mautner on Robot 6 and Comic Book Resources, artist Nick Abadzis, Charles Brownstein at CBLDF, Heidi MacDonald at The BEAT.