We love all of our books but are especially happy for the creators of the Eisner-nominated books. You can vote until June 12 online. If you haven't read all of them, check 'em out individually or via our list!
Still no sure which to read? Heidi MacDonald, Cal Reid and company discuss the nominations on the Publishers Weekly podcast. Meanwhile, Chris Sims, Matt D. Wilson and more of War Rocket Ajax discuss the nominations, although I'm not sure how long the podcast will be up at this link.
Some of the nominations gather in our mail room. See you in JULY!
One of the world's great cartoonists, Jacques Tardi, revisits the subject which drives some of his most passionate work in Goddamn This War!, a chronological, infantry-eye view of the first World War.
Our edition of Goddamn's predecessor, It Was the War of the Trenches, was one of the most acclaimed graphic novels of 2010, earning two Eisner awards and a spot on numerous "best of the year" lists. Here's just a sampling of the praise, which could just as well apply to Goddamn:
"The potency of the soldiers' tragic stories is enhanced by the elegance of Tardi's lucid drawing and keen compositions... This masterful condemnation of the cruelty and stupidity of war... is a cri de coeur that stands out even amid Tardi's impressive body of work." - Gordon Flagg, Booklist (Starred Review)
"This is war as hourly apocalypse, Expressionist and agonizing." – Joe Gross, Austin American-Statesman
"Originally inspired by his grandfather's first-person stories, Tardi has created not a formal history but a masterful graphic and visceral tone poem about war." – Library Journal
"Few people alive today are old enough to remember World War I, and as it recedes into the past, the 'war to end all wars' becomes more abstract. But French cartoonist Jacques Tardi's graphic novel, It Was The War of the Trenches..., brings the Great War to life in all its mud- and blood-soaked misery. Without a trace of sentimentality, Tardi's richly detailed and grimly rendered vignettes depict the horror, illness, cruel manipulations, and stupidity of this giant black spot in human history." - Mark Frauenfelder, Boing Boing
Stand by for more previews; read a 16-page excerpt and pre-order your copy right here.
MoCCA was a BLAST, as usual. PR Director, Jacq Cohen, and I showed up early on Friday to set up the table. People couldn't wait for Saturday, clumping around the new books. Our two newest EC Comics Library releases featuring Al Williamson and Jack Davis' work are creating a heartbreakingly beautiful rainbow.
One side of the set-up table!
Friday night was Dash Shaw's opening for his New School art exhibition and 30th birthday at Desert Island. His fianceé (sorry, ladies and germs) made a cake that was uber-delicious. Below, Dash talks about his new comics.
Party hardy, Gabrielle Bell is talking to Ariel Shrag (!) in the left-hand corner.
A gentleman was purchasing Julio's Day by Gilbert Hernandez at Desert Island so we had to compliment him on his exquisite taste. Lo and behold, Tony (or so he says) showed up at MoCCA the next day ready to buy more quality comics, this time Castle Waiting Vol. 1 by Linda Medley. My mom would be so proud that I'm still somewhat polite!
I ran into a familiar face, cartoonist and animation intern Andrew Greenstone, who was more than willing to hang out and shot the shit---I mean, talk business.
If I ever become a comic book store owner, I hope I'm as cool as Gabe Fowler. The red print was a Desert Island exclusive!
Cartoonist Charles Burns showed up to hang out with friends and look at comics. I never ever tire of that man's company, but he did mention some people are reticent to eat with him because of what he draws in his comics. FOOLS, I say! Also, Evan Dorkin makes Chris Duffy guffaw in the background. Doesn't "Griffith, Dorkin, Duffy and Burns" sound like an amazing lawfirm? Like possibly corrupt but they probably have a pastry chef on staff to appease their clients?
Also signing at MoCCA was Kim Deitch, whose new book The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley is coming out soon and is haunting, to put it mildly. Deitch brought his original pages which fans poured over. James Romberger and Marguerite Van Cook made their Fantagraphics signing debut for 7 Miles a Second, the moving comic written by David Wojnarowicz. The book has one of those covers that is both oblique and arresting (Jacq adds up some quick math on the right). While I did not stop a child from picking up the book, I did tell a parent or two it had adult material in it. One of my favorite sells of the weekend was selling Prison Pit Book Two to a 14 year old kid whose mom seemed dubious until I brought up the philosophy behind the book. The teen gave me a giant wink as he left, he might not get it still.
Van Cook discussed innovative printing techniques from their travels and non-profit advice while James would sketch in signed copies of the book.
Recently, Alex Dueben talked to Romberger for Comic Book Resources and stopped to meet them in person.
Next up was Leslie and Dash! Local cartoonist Leslie Stein is also in a pretty crazy fun band, Prince Rupert's Drops. If you live in the New York area, check them out. The rest of us will just live via our headphones or listening to their tracks on the recent AudioFemme interview. Leslie signed my old copy of Eye of the Majestic Creatureand we talked about second book that's coming out this fall! I heard some comments from other cartoonists that they feel weird about asking fellow toonies to sign their books but I don't give a humdinkle about that. Make it FANCY for me.
Dash signed the spine of many a Bottomless Belly Button and cover of 3 New Stories for eager fans. Those gorgeous red prints (you can only see a quarter of it) are available from Desert Island if you are looking for something for the Shaw fan who 'has it all.'
Given our close proximity to the stairs to the bathroom, there wasn't much chance for wondering down aisles or buying comics. I really wanted to read L. Nichols' Flocks and she was helpful enough to COME TO ME with her Square for my plastic purchase.
Tucker Stone, of TCJ and Bergen Street Comics, came by to get Gary's signature on a copy of The Comics Journal. Pretty cute, right?
Jacq and me with two of our debut books by Ulli Lust and Gilbert Hernandez! Photo by Dre Grigoropol.
Hung with bossman Gary Groth, Dash, Leslie and Jacq one night.
Charles Forsman was out and about with his Oily Comics micropublishing outfit. Chuck's comic, The End of the Fucking World, will be out this July from Fantagraphics in one single beautiful book. I'm so excited about that. We in no way support NCIS.
Chuck and I go way back, we used to work at the same graphic novel library together in Vermont. A photo from 2009:
Speaking of libraries, the next day Tom Spurgeon and I visited Columbia University's Butler Library and Rare Book room, led around by enthusiastic librarian Karen Green. It was so very cool to see our books with library binding but they've also perfected a myler binding so we don't lose those cool spine designs. Shaw's Bottomless Belly Button and Noah Van Sciver's The Hypo.
Kim, I didn't forget about you, the library has a lot of Jacques Tardi books. Some were checked out, which is even better than finding them at the library.
A grand place I hope to visit again. Thanks to Anelle Miller and her trusty band of volunteers for the enjoyable convention, Gary and Jacq for booth help plus a few of these photos. Lastly, another one of my favorite moments of the week was selling Dungeon Quest Book One to a gentleman on Saturday who came back Sunday to buy the other two after reading the first in one sitting. It was a cherry on top of an awesome convention.
We've just uploaded a 16-page excerpt (comprising the entire first chapter) of Goddamn This War! by Jacques Tardi & Jean-Pierre Verney for your perusal. This section of Tardi's second WWI masterwork covers 1914, the first year of the war, told from the somewhat jaundiced (though not completely despairing yet) point of view of a French infantry soldier, illustrated in Tardi's loose-yet-precise pen and striking watercolors. View the preview in the embedded reader here or get the PDF directly. We've just approved the printer's proofs which means the book should be hitting shelves in June or so — you can get it a little sooner if you pre-order direct from us.
The first peak of sun of Online Commentaries & Diversions:
• Review: Noah Berlatsky on Slate reviews 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "That feared and desired encounter is in part the collision of comics and art—but it's also, and emphatically, the intermingling of queer and straight…7 Miles a Second still represents a road largely avoided…even if 7 Miles a Second never went mainstream, this new edition remains a stirring reminder that everything pushed to the side isn't gone."
• Review:Full Page Bleed and Tom Murphy read 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "Like David Wojnarowicz's vision of himself, this is a volume that has an impossible amount of energy and emotion packed into its slim dimensions. It's a blistering book that, having been revived by Fantagraphics in the format it deserves, should now take its rightful place in the comics/graphic memoir canon."
• Review: The North Adams Transcript blog reviewed Delphine by Richard Sala. "Prince Charming’s journey is creepy and jarring, and the trappings of the likes of the Grimm Brothers take on a heightened presentation that becomes more personal than you would ever expect them to be," John Seven.
• Plug:The D&Q bookstore is ready to read prose book The Grammar of Rock by Alexander Theroux. Jade writes, "Cliché lyrics, diva meltdowns, and inarticulate diction are all up for close examination in Theroux’s comprehensive exploration of language in pop, rock, jazz, folk, soul, and yes, even rap (Ghostface Killah!)."
• Plug:LAMBDA announces nominees for awards and includes Justin Hall's No Straight Lines. Lambda Literary Awards celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing for books published in 2012. More information here!
• Review:The Savage Critic looks at Gilbert Hernandez's Love from the Shadows. "It’s the work of a comics master tearing into the stained brown paper parcel of his unconscious, and finding a piping hot slurry composed of decades of pop culture detritus."
• Plug:The Daily Optimist shows off a few panels of Nancy Likes Christmas by Ernie Bushmiller. Dan Wagstaff writes, "I do have a strange and peculiar love of Ernie Bushmiller’s ‘Nancy’ comic strips… Fantagraphics are doing a great job of collecting them properly into books (designed by Jacob Covey)."
• Plug: Tom Heintjes on Cartoonician gives a short and concise history of Fritzi Ritz aka Aunt Fritzi from Ernie Bushmiller's Nancy. She was the star of her own strip before that created by Larry Whittington. "A young cartoonist named Ernie Bushmiller took the reins and went with his strength: the simple gags that would forever earn both the scorn and admiration of millions of comics fans."
• Interview: The Comics Reporter and Tom Spurgeon interviews Publisher Gary Groth: "I can look at most books and come up with a pretty accurate estimate as to how it will sell. Occasionally I'm wrong."
• Plug: Fantagraphics fan and friend, JT Dockery has a fundraising campaign/pre-order for his Despair book which features art from Chris Wright and Julia Gfrörer. I hope they are on a ship.
• Plug: Sam Costello at Full Stop lists The End of the Fucking World by Charles Forsman as one of the most anticipated books of 2013. "While there’s certainly violence and horror here, Forsman handles the subject as a character study, not a lurid glorification, making James sympathetic and his deeds all the more monstrous."
• Review: Michael May reviews Mr. Twee Deedle by Johnny Gruelle on School Library Journal. In reference to Good Comics for Kids, "There’s plenty for children to enjoy in the collection, but parents and educators will be even more rewarded. Not only by the history and context that Marschall provides, but by the sheer sweetness and transportive beauty of the illustrations as well. Each of the full-page, full-color strips is something not only to linger over, but to revisit often."
• Review: The Weekly Crisis looks at West Coast Blues by Jacques Tardi. "The narrative is almost a ‘dark twin’ of Hitchcock’s North by Northwest as George is forced to adapt and go on the run as the forces arrayed against him close in."
• Plug:Jessica Abel posted some cool ideas on visual scripting and laying out your ideas she learned from Alison Bechdel.
This month PREVIEWS is spotlighting "Manga & More: Comics from Around the World," and since we here at Fantagraphics pride ourselves on being Publisher of the World's Greatest Cartoonists, the shoe certainly fits. See below for additional info, sneak peek images (click 'em for larger versions), and links to previews for our May 2013 offerings!
This info was prepared for retailers, but we're also sharing it here to encourage everybody to order these books from your local comic shop!
Another volume of the essential Complete Carl Barks Disney Library series, this one collecting the entirety of Carl Barks’ astounding 1948 output. Readers and critics can't stop talking about the stellar quality of this series -- no serious comics collection is complete without these books! More Details
New volumes in our EC Comics Library series are now being released quarterly! This one is the first of four projected volumes to showcase, for the first time, the full chronological run of Johnny Craig’s EC stories from Crime SuspenStories, Vault of Horror, and elsewhere, with our trademark bonus features and top-notch production values. More Details
BATTER UP! NOSTALGIC BASEBALL CARTOONS BY THE "SPORTS CARTOONIST OF THE CENTURY"
By Willard Mullin; edited by Hal Bock and Michael Powers
$29.99 / HC / 200 pgs / PC / 9 x 12
The title of “Sports Cartoonist of the Century” was bestowed on Willard Mullin by his peers, and his cartoons were read by millions of sports fans from the '30s to the '70s. He created the "Brooklyn Bum" and depicted legends like Joe DiMaggio, Ted Williams, Yogi Berra, Sandy Koufax and events like Lou Gehrig’s emotional retirement speech. This is the first-ever retrospective of his work! Recommended for all shops; essential for shops that also deal in sports trading cards and memorabilia. More Details
Another original graphic novel in the format of the resoundingly acclaimed Weathercraft and Congress of the Animals. At the end of Congress, Jim Woodring’s beloved character Frank underwent a transformative journey and found himself with a cute new girlfriend. Now what? Fran answers that question in strange and unpredictable ways that are sure to delight fans of adventurous comics. More Details
A milestone event! The latest addition to award-winning Norwegian comics master Jason's deep catalog is also his first full-length graphic novel. His bittersweet, deeply quirky stories have won him a legion of devoted fans for whom every release is a must-have, and Lost Cat is sure to win him even more loyal readers. More Details
The unflinchingly honest, minutely observed autobiographical story of two teenaged girls’ wild hitchhiking trip across Italy. Already considered a contemporary classic in Europe, where it won the 2011 Angoulême “Revelation” prize, this first English edition is one of our big prestige releases of 2013! More Details
By Jean-Claude Forest and Jacques Tardi; introduction by Dr. Bart Beaty
$19.99 / SC / 192 pgs / BW / 7 x 10
Following the sell-out of the 2009 hardcover edition, Fantagraphics presents a new softcover edition of one of the earliest European graphic novels. Set in the early 20th century on a small island where the scion of a once wealthy family is trying to reclaim his birthright, You Are There is a collaboration between renowned cartoonist Jacques Tardi and Barbarella creator Jean-Claude Forest. More Details
By Jim Flora; edited by Irwin Chusid & Barbara Economon
$34.99 / SC / 180 pgs / FC / 11 x 10
Our series of Jim Flora art books has been so successful in reviving interest in the once-forgotten illustrator that the first two volumes are sold out. This one is the easiest sell of all, compiling the work Flora is best known for and with the broadest fan appeal: his famous record covers (including recent discoveries) and other music-related artwork. More Details
In 2010 it was our distinct privilege to bring you the English edition of Jacques Tardi's World War I tale It Was the War of the Trenches, widely acknowledged by readers, critics, and award committees as a comics masterpiece. In just 3 months or so we'll be following that up with Tardi's second WWI masterwork, Goddamn This War!
Tracing the "progress" of the war year by year, from the perspective of an unnamed soldier, Goddamn unflinchingly chronicles the horror, boredom, frustration and despair of war for its ground-level participants as they grind through the gears of history. Providing further historical context is an extensive text section written by Tardi's reserach partner, the historian Jean-Pierre Verney.
Production on the book is wrapping and it's off to the printer for release in about 3 months, and this is your first look at the final cover design. We're taking pre-orders right now (as well as for a specially discounted set of Goddamn and Trenches together).
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.