• List:Details magazine names Ghost World #10 on The 25 Greatest Gen X Books of All Time: "This caustically funny duo-tone tale follows the iconic cat-eyed adolescent Enid Coleslaw in her quest to find meaning, or at least cruel humor, in an age where everything's disposable."
• Review: "Strange Suspense collects dozens of Ditko stories from the 1950’s... Almost a decade before Ditko moved to Marvel, these stories bear his unmistakable style. His fine line work and flair for the abstract that would serve him so well on Doctor Strange particularly, is on full display. ... If you only know Ditko for his work at Marvel or later at DC, here is the chance to explore Early Ditko, unconstrained by editors or the Comics Code. While all of this work is marvelous, clearly Ditko is best at home in horror where he could let his imagination run wild, creating monsters and demons and the things that go bump in the night. Rediscover Ditko today!" – Tim Janson, Newsarama
• Review: "Brian Kane, author of the [Definitive Prince Valiant] Companion and surely the world’s foremost authority on the strip and its creator, Hal Foster, has once again done a herculean amount of work, and Fantagraphics has once again clothed that work in a sturdy, pretty volume. Prince Valiant hasn’t been treated this well since the ersatz King of England sang his praises. Those unfamiliar with the character – a young man who finds adventure, fame, and even love at the court of the legendary King Arthur – will find here all the background information they could ever want... But even long-time Prince Valiant fans will find plenty to fascinate them in this volume." – Khalid Ponte, Open Letters
• Review: "Delphine is a morbid interpretation of the symbology of fairy tales resounding with echoes of unrequited love and abandonment. This is perhaps Sala’s darkest and most intricate story ever – impressive in its nuance and ever shifting emotions. One can only hope that it is not ignored." – Ng Suat Tong, The Comics Journal
• Interview: From TCJ.com: "Every weekday from now until December 25, we’ll be posting a conversation between cartoonists from The Comics Journal #300, complete and online! In today’s installment, it’s a chat between L’Association publisher Jean-Christophe Menu and Kramers Ergot publisher Sammy Harkham."
• List:Politics and Prose, perhaps the most graphic novel-friendly bookstore in Washington DC, lists their Favorite Graphic Literature of the Year:
"Every few years a graphic novel comes around that is so good you have to stop reading for a while, because if you read anything else you'd only be disappointed. ... The Squirrel Machine... is a masterpiece of comic fantasy. When I finished this book, I immediately returned to the introduction and read the whole book again, and again. Read this book to see what heights serial art can achieve in narrative and in the creation of worlds that exist in one character's mind. Read it if you think you can handle it, for it abandons the typical narrative structure and accomplishes its ends as only serial art of the highest quality can. This is a fine, gut-wrenching book, written and drawn by a true master." – Thad Ellerbe
"West Coast Blues is an unflinching story, perfect for any fan of the thriller." – Adam Waterreus
"C. Tyler's You'll Never Know, Book One: A Good and Decent Man... is also an impressive and beautiful history of the era; Tyler creates a panorama of images that sweep across the page as she documents her father's childhood, her parent's engagement, and her own young life. Her pen, ink, and color transform her creative panels (at times evoking a scrapbook) into vibrant memories intertwined by her restless imagination." – Adam Waterreus
"[With Abstract Comics] it becomes a treat to take a page of art — or a simple panel — and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can — with the graphic form — be translated into something completely different." – Adam Waterreus
"From Wonderland with Love: Danish Comics in the Third Millennium... is fantastic! This amazing collection just blew me away. There was not one moment when reading this book — in one sitting, slouched and unblinking on my couch, coffee going cold — that I did not completely love. ... Mythic and dreamlike, meditative and fantastical, this is a superb and surprising collection." – Adam Waterreus
• Review: "...[F]rom the moment he showed up [Michael] Kupperman was a master of stomping around the living room of modern reality and shoving pieces of conceptual furniture next to one another to awesome, knees-out-from-under effect. Kupperman's work has always had that charge that the really good stuff has... Kupperman doesn't get enough credit for building a comic book vehicle in Tales Designed To Thrizzle that serves to facilitate those skills. ...I'm not certain anything under heaven or earth could make something greater than Kupperman's peerless ability to craft funny moments." – Tom Spurgeon, The Comics Reporter
• Review: "Unclothed Man delivers just the right amounts of story, whimsy, art, and heft for four two-minute entries. It offers actual nutritive cultural substance, as opposed to so much web filler one often gets. And you’ll want to go back and watch them a few more times. There’s a lot of variety behind the series’ simple elegance." – Michael Shaw (no relation), Tubefilter
• Plug: "Compiled by Portland, Oregon-based trash cinema expert Jacques Boyreau, Portable Grindhouse honors the pulp video era that inspired Quentin Tarantino." – Hugh Hart, Wired
• Lists: The Comics Reporter asked its readers to "Name Five Comics You Enjoyed This Year" — spot the Fantagraphics releases in the results
• Gift Guide/List/Plug: At Comic Book Resources, Kelly Thompson's "Awesome Women in Comics Holiday Gift List 2009" includes Ghost World by Daniel Clowes: "This tale of smart alternative teens just never gets old... Enid and Becky are both incredibly savvy teens that I think women can both relate and aspire to."
• Review: "The bewildering events of this fourth volume [of Delphine] race towards a stunning conclusion, one that is quietly horrifying, yet terrifying in its sadness. ... The fourth book is a must for those who have read earlier issues, but it will make the uninitiated really want Delphine." – Leroy Douresseaux, Comic Book Bin
• Review: "Fortunately for today’s readers, Blazing Combat — nearly impossible to find for over a generation — is now conveniently available and immaculately produced in hardcover from Fantagraphics. Anybody who wants to read great great comics, war stories, or a superb tutorial in short form comics writing and unsurpassed comics illustration needs to read this one." – Michael C. Lorah, Newsarama
• Review: "It was, frankly, a nostalgic blast of fresh air to be able to read a graphic novel of Peter [Bagge]’s again, even if this is a series of unconnected pieces instead of a coherent narrative. ... Anybody who read Hate back in the day already knows to pick [Everybody Is Stupid Except for Me] up just because it’s Peter, and for you kids today who never read Hate, this is a good place to start with the guy." – Kevin Bramer, Optical Sloth
• Plug: "This is an uber-cool title by Jacques Tardi and Jean-Patrick Manchette... you can add this graphic novel West Coast Blues to the list of greats by this total fab (and late) French author." – Book Soup Blog
• Profile: Possibly apropos of the above-mentioned nomination, French blog Beware looks at the work of Daniel Clowes in an article titled "Cynisme et Comic Books" (autotranslation)
• Plugs: Robot 6's Chris Mautner and guest columnist Charles Hatfield are both reading The Comics Journal #300; the former says "regardless of what kind of comics reader you are, there's something in here you're going to want to read," while the latter says "in good Journal fashion, [it] contains a lot to chew on and some stuff that I emphatically disagree with. It’s a great issue that leaves me with both a nostalgic wistfulness... and a keen desire to write about comics into the unforeseeable future!"
• Review: "[Gilbert] Hernandez's latest solo work The Troublemakers is the second in a series of self-contained graphic novel 'B-movies,' featuring one of his recurring characters, the cannonball-breasted Rosalba 'Fritz' Martinez. Here, Fritz plays Nala, one of a trio of hustlers trying to hook up with 200,000 smackers. Whether the money actually exists and who has it are anyone's guess in this drama-filled thriller — good for folks who like their graphic novels grim, gritty, and sleazy." – Brad Buckner, Portland Mercury
• Review: "Strange Suspense [The Steve Ditko Archives Vol. 1]... is an absolute treat! ...[T]his book looks amazing. ...[It's] filled with images that will remain seared into your psyche long after you’ve put it down. ... Strange Suspense is an absolute must have for any student of sequential art history... It’s an excellent collection of long lost work from a man whose importance cannot be overstated. There’s really no other grade to give it than an A." – Chad Derdowski, Mania.com
• Review: "Wolverton is helped [in The Wolverton Bible]... by his bold compositional sense, which aids in pushing some of his images beyond the doldrums of camp and into a certain monumentality, a grandeur that retains a shabby earthiness, without being lofty, hollow or pretentious. Without being, in a word, 'churchy.'" – Chris Lanier, The Comics Journal (beta)
• Review: "Johnny Ryan’s Prison Pit is probably as close as comics are likely to come to exploitation cinema. Like the best exploitation dreck from Texas Chainsaw to Death Race 2000, Prison Pit is pure, bottom-dwelling schlock... And yet, again as with exploitation fare, the single-minded commitment to vileness is so perversely pure that it goes right past lowest-common-denominator entertainment and on into snooty, fancy-pants art. ... Ryan’s world is essentially Waiting for Godot, from the bleak landscape to the slapstick violence." – Noah Berlatsky, The Comics Journal (beta)
Online Commentary & Diversions, first of the week, last of the month:
• Coming Attractions: Chris Mautner of Robot 6 got his hands on our Spring/Summer 2010 catalog and runs it all down for you
• Review: "Of all the comics published in 2009, none has deserved more acclaim... than You Are There. ... Tardi's art, which combines the liveliness and simplicity of the best cartooning with a well-observed realism is perfect for this kind of surreal tale. ... His work deserves to be read and will endlessly reward readers who seek it out." – Robert Boyd
• Review: "[Like a Dog] is a gloriously rough-hewn and hands-on collection from a compulsive cartoonist and storyteller packaged with the flair and imagination that has become a trademark of the world’s leading publisher of fascinating comics. ...Sally’s dedication to innovation, exploration and imagination will astound and entrance anyone who knows capital A Art when they see it." – Win Wiacek, Now Read This!
• Review: "[Strange Suspense: The Steve Ditko Archives Vol. 1] is a cracking collection in its own right but as an examination of one of the art-form’s greatest stylists it is also an invaluable insight into the very nature of comics. This is a book true fans would happily kill or die for." – Win Wiacek, Now Read This!
• Review: "Columbia's book [Pim & Francie] is positively festooned with frightening moments and tableaux... Any single upsetting image is a rosette on a much more ambitious and awesome-to-behold cake. Al Columbia has progressed to the point where he can haunt my nightmares for three days as an aside." – Tom Spurgeon, The Comics Reporter
• Review: "...The Complete Iron Devil is a humorous adult fantasy book with great art. However, it wouldn't be nearly as good if it weren't for the excellent Devil's Angel story, which points out the craziness of 'morality police.'" – Bernard C. Cormier, [here] (CanadaEast)
• Plug: Polish blog kg looks forward to our next two CompleteCrumb reprints (perfectly broken English courtesy Google): "And you need to know that to find and collect all the works of Crumb is as hard as winning for best player of the world, being Polish football player."
• Plug: "It’s like a bomb went off in the subconscious of Max Fleischer and Columbia was around to collect the pieces years later when they fell to earth. In this time of safe substitution power fantasies, Columbia’s work is truly provocative stuff. Funny, dark, and impeccably executed." – The Synesthetic Fugue Incident
• Review: "[Dan Nadel:] Reading Pim & Francie is an apocalyptic experience — as if Columbia is demolishing both his own work and the idea of 'cartooning' in general. I found it exhilarating and terrifying. ... [Tim Hodler:] ...The fact that so many of these grotesque stories and vignettes don't really resolve contributes to the reader's growing sense of unease. ... Al Columbia's comics... really bring out the surreal terror already buried within cartoon imagery. ... [Frank Santoro:] Pim and Francie's adventure struck a chord in me that's been dormant for a long time. A haunting wonder, perhaps? A curiosity of the unknown that, when found, rattles one to the core?" – Comics Comics critics' roundtable
• Video: Visa denial (for shame!) forced Gene Deitch to deliver his keynote address to China's Xiamen International Animation Festival by video; Cartoon Brew shares the clip along with the text of the speech Gene would have given in person
• Hooray for (the French equivalent of) Hollywood: Comix 411 takes a look at Luc Besson's in-production film adaptation of Jacques Tardi's Adèle Blanc-Sec (which Kim flogged about a few weeks ago); for the Francophones among you, TF1 has some behind-the-scenes video footage
Online Commentary & Diversions with a hockey mask:
• Review: "[Jacques] Boyreau’s new art book, Portable Grindhouse, is more than a stunning collection of VHS box art. Anyone with a sense of nostalgia for cruising the shelves at the local Video Depot will recognize old favorites alongside more than a few bizarre rarities within its pages, and if you don’t feel a sense of loss over the current state of DVD box art, you just don’t have any feelings. ... Like the VHS boxes of old, Boyreau’s introductory essay is less a history of the VHS format and the culture of the rental business than it is a heady evocation of how exciting it was when it first arrived. ...[A] book as lovingly edited as this could only have been put together by someone whose appreciation for these objects is matched by a real love of cinema." – Matthew Caron, Vol. 1 Brooklyn
• Review: "...West Coast Blues... is... a tightly-plotted little crime noir, just the sort of thing that today's discerning comic book readers seem to be interested in... It's noir by way of existential hell, which, let's face it is very French. This is... an admirable book, tightly plotted and full of great cartooning moments. ...You Are There is a heavily dense and convoluted book... presented with a decidedly absurdist and surreal air. ... You Are There constantly skirts the edge of comedy — it knows the language and does the dance — but never becomes the outright farce it so clearly and consistently hints at evolving into. ... Whatever flaws these two books might posses, they and Tardi remain too interesting and rich to be easily dismissed." – Chris Mautner, Robot 6
• Interview: Martha's Vineyard Magazine's Karla Araujo has a Q&A with Jules Feiffer ("Success is nothing to sneeze at, but failure has many possibilities"), followed by an excerpt from Feiffer's upcoming memoir Backing Into Forward
I knew I was getting off too easy! Nick Gazin is trying to kill me. There are also some negative reviews of our books at the links below, but I won't say any more about those:
• Review: "Fantagraphics has come to my foreign comic book rescue and published hardcovered English translations of West Coast Blues, which was good, and [You Are There], which is great. ... Tardi has nice skinny lines and large fields of black. His architecture and cars and landscapes are amazing. Just the idea of Arthur There running up and down the walls and living in this skinny little house are neat ideas. This book talks a lot about what it’s like when you spend your life alone and how nuts a slutty crazy girl can make you. ... Summing up: If you hate everything that isn’t old timey and French and love sluts who are nuts then get this book fast." – Nick Gazin, Vice
• Review: "[Portable Grindhouse] presents the most beautiful and lurid VHS boxes ever produced. ... Someone was inevitably going to make this book and Jacques Boyreau made something special that a lot of people are going to love owning. The design is beautiful, the art is reproduced perfectly, and the paper stock feels especially good. It even comes packed in a slipcase that looks like a VHS sleeve spattered in blood. A well-designed book showing off these funny and beautiful examples of a dead medium would be enough, but the introductary essay is a revelatory piece on the importance of VHS and the role it played in cinematic history." – Nick Gazin, Vice (same link as above)
• Review: "[Strange Suspense: The Steve Ditko Archives Vol. 1] is chock-full of intense faces and monsters and colors. Strong blacks, horror comics, mean revenge, strange surgery, and stuff. It’s all horror comics from before Frederic Wertham illegalized good-time comic books. The cover is really thick and the hardcover is hard as hell." – Nick Gazin, Vice (same link as above)
• Review: "This series is awesome, perfect, and essential. I’ll die with my collection of [The Complete Crumb Comics] on my shelf unless there’s a fire or America slips into a Mad Max-style society. ... These should sit on your shelf next to the complete Shakespeare, your Bible, and the complete Sherlock Holmes." – Nick Gazin, Vice (same link as above)
• Review: "...[The Troublemakers] is a sweet little book in which a bunch of grifters try to trick each other out of money. It seems to be about love and trust and whether anybody is dependable or if they’re all trying to survive. It’s pretty great." – Nick Gazin, Vice (same link as above)
• Review: "[Prison Pit Book 1] is great and an essential read since so few new good comics get made. ... If you love or hate Johnny R. you gotta get this shit. It is important. Buy buy buy." – Nick Gazin, Vice (new link!)
• Review: "Every issue of Love and Rockets is a winner and I am never bored by anything the Hernandez Brothers do. The comics have been so consistently good since the first one came out in 1981 that there's almost no point in reviewing [New Stories #2] other than to say, 'Hey, it came out so go to the store and you can buy it now.'" – Nick Gazin, Vice (same link as above)
• Review: "Tardi is a legend of European comics and it's wonderful to have hardbound English translations of his work. [West Coast Blues] is full of beautiful drawings of Paris, people, cars, fights, and rural life. The story deals with the human condition and what it means to be a man and civilization versus nature while the main character hides from hit men in the mountains. This book feels... like an updated Tintin..." – Nick Gazin, Vice (same link as above)
• Review: "Back in the Golden Age of comics there were few comic auteurs but Fletcher Hanks was one of the few. ... The stories [in You Shall Die by Your Own Evil Creation!] are weird and grim. The art is unprofessional and beautiful." – Nick Gazin, Vice (same link as above)
• Review: "Peanuts was an amazing comic. Charles Schulz was an amazing artist. Fantagraphics' Complete Peanuts series are great and [1973-1974] is the best one yet. The humor is unparalleled and the stories are great. ... Charles Schulz was a sad and funny guy and this book features him at his saddest and funniest. If you bought some of the earlier volumes in this series and then forgot about it, then it's time to catch up." – Nick Gazin, Vice (same link as above)
Your Online Commentary & Diversions-style goodies for today:
• Review: "...[F]or fans of off-beat crime..., I give you Jacques Tardi’s no-shit brilliant adaptation of Jean-Patrick Manchette’s West Coast Blues. ... [W]hat starts out as something straight out of a Hitchcock classic like North by Northwest soon escalates into something more savage, more profound, and utterly wonderful... It succeeds brilliantly in good old-fashioned crime thrills, for sure. The violence is brutal, the story exciting and surprising, and the characters are brilliantly rendered. But then there’s that extra little layer, those subtle themes, those strange details, the lyrical narration passages — let’s just stop and cut to the fucking chase: you should just pick this shit up and be floored. This is about as good as comics get, dear readers." – BSCreview
• Review: "The rape of the innocent. The callousness of the machine. The girth of the profiteers. The threat of the bomb. The hollowness of the victories. [Craig] Yoe has collected more than 220 of those anti-war cartoons in [The Great Anti-War Cartoons,] a book of indelible images that remind us those confrontations aren't what they used to be." – Steve Duin, The Oregonian
• Plug: "[Zak] Sally's one of those artists who can convey a sense of dread or horror out of seeming thin air, and he's really been on the periphery for far too long now. Hopefully [Like a Dog] will thrust him into the limelight." – Chris Mautner, Robot 6
• Interview: At Marvel.com, Sean T. Collins talks to Paul Hornschemeier about his Strange Tales contribution: "I think this story is far more cerebral than the typical mainstream comics, for better or worse. But it will be brightly colored, so hopefully that will get everyone though the awful philosophical ranting I'm about to unleash. Get ready for more shots from my boredom gun." (Paul offers a couple of corrections at his blog)
• Interview: Lauren McKinley of [^]LAND talks to Fantagraphics art director Jacob Covey: "I'd say my style is heavily influenced by where I first learned how to design — making photocopied black and white flyers for rock shows. I feel like that, far more than anything else, taught me most of what I've learned about how to make type and image work."
• Analysis: More commentary on the future of The Comics Journal, this time from CBR's Augie De Blieck Jr.