I am pleased to announce that we have amended our territorial contract with the respective licensors and are now able to sell all of our Jacques Tardi books throughout the world, including in the United Kingdom. Mail order, distribution through wholesalers and retailers, etc.
And in the "my life is better than yours" gloating category, I believe I am the only person in the world who has read both Jason's next book (Athos in America, going to the printer in a week or two) and Tardi's next book (the new Manchette adaptation Ô Dingos! Ô Châteaux!, which we are planning to release in 2013) — both of which are just as unfathomably awesome as you might expect. Bonus: The ruthless killer (who dispatches an unfortunate victim with a sawblade through the heart in the first page of the book, as seen below) is named Thompson!
• Review: "This latest in Fantagraphics' line of books featuring Jacques Tardi and the second of those books to feature an adaptation of the work of Jean-Patrick Manchette is lovely-looking, stylish and bleak as hell.... The short third act, where we learn what becomes of the assassin, proves so ruthlessly depressing it's almost a human rights violation. Tardi's artwork is beautiful here, although you probably already knew that. No one in comics does the frowning face better than Tardi, and Like a Sniper [Lining Up His Shot] proves to be an absolute showcase of down-turned mouths and the unhappy people bearing them.... What a show." – Tom Spurgeon, The Comics Reporter
• Review: "These are two masters at their best [in Like a Sniper Lining Up His Shot]. Crime novelist Manchette pulls no punches in delivering gritty, violent episodes that still can shock even the most jaded reader. Jacques Tardi’s confident, almost brazen artwork is just as dark, cold and gripping. His beautiful fluid lines juxtaposed with the stark ambivalence Martin Terrier, the contract-killer antihero adapts in applying his brutal trade is something that has to be experienced. Get this book!" – "Horatio Hornblower," The Comic Book Snob
• Review: "Undisputable fact: a new full-length Richard Sala book is a literary and comics event that makes you sit up and take notice. It's appointment reading, and ought to demand the attention of any serious enthusiast of the medium.... The newest from Sala is the graphic novel The Hidden... This book is a magic trick, the kind you'll want to share with friends because you can hardly believe what you've witnessed when it's all done.... Around the hundred page mark this book started scaring the living shit out of me. Sala's art is wonderful and holds up to a close analysis.... Like his peers from Fantagraphics' all-star squad, Sala conveys internal truth (fear, pride, jealousy) through body language and a minimum of lines. There's not a jot or gesture wasted on the page, and his color work is loose and instinctive but still pleasing." – R.J. Ryan, Comics Bulletin
• Review: "...[Johnny Ryan] is easily one of the four or five most vital and important cartoonists working today. Prison Pit is like someone making a comic strip out of Mayhem's Live in Leipzig, played at half speed and double the volume your speakers can safely process. If you've never heard that album, then I'll spell it out for you: this is a brutal fucking comic.... The cosmic brutality of Ryan's story is emphasized by his lingering gaze. He doesn't just draw the big action moments, but the lulls and gaps and silences between them. The pace is non-stop, but that doesn't mean it can't slow down. In fact, it's those slowed-down sections that give the skull-smashing and throat-fisting the impact that they deserve." – Patrick Tobin, Multiversity Comics
• Plug: "Prison Pit 2 was TACO’s book of the year in 2010, and Prison Pit 3 is the early frontrunner for 2011. Featuring the series’ characteristic extreme ultra-violence, gore, scatophilia, and brutality, it’s another hit from artist Johnny Ryan." – L.A. TACO
• Review: "Here's the plot of Mark Twain's Autobiography [1910-2010]: Mark Twain, freed from the shackles of mortality, bums around the Twentieth Century doing whatever the hell he feels like and occasionally having untroubling yet far-fetched adventures.... Kupperman maintains a straight face throughout this look into the world that might have been, had Mark Twain roamed the earth, immortal and more than a little strange. This poker-faced treatment of juvenile, abstracted humor pays off in strokes both broad and small." – Patrick Tobin, Multiversity Comics
• Review: "Very few words are needed in Weing's debut graphic novel [Set to Sea] to tell the story of a poet wanna-be who is kidnapped by pirates and learns the ways of the sea through hard labor and even tougher battles. The cross-hatch styling is reminiscent of old engravings and perfectly suits the subject matter. Each page features just one frame, full of detail and atmosphere. With hints of The Odyssey, Moby Dick, Popeye and Treasure Island, Weing has created a modern classic in the pirate genre." – School Library Journal
• Plug: "Artist, editor, entrepreneur, publisher and cartooning auteur; in his 70-year career in comics this pioneering creator has done it all. The deluxe full-color coffee table book [The Art of Joe Kubert] traces Kubert’s history of comics spanning career from 1938 to the present with beautifully reproduced artwork alongside critical commentary." – "Horatio Hornblower," The Comic Book Snob
• Plug: "David B. intertwines history and myth in his carefully crafted tales of magic gods and grand battles. A master storyteller, his bold, timeless artwork and literary senses creates a kind of magic all their own. The Armed Garden and Other Stories collects three epic tales of adventure, faith, power, and love." – "Horatio Hornblower," The Comic Book Snob
• Scene: Daniel Herbert reports on the Friars Club launch party for Drew Friedman's Even More Old Jewish Comedians for The Paris Review: "The crowd’s spirits were high, which seemed due to more than just the release of Friedman’s book, or even the emergence of more canapés. Guests were happy to meet their idols; the comics were happy to convene for an event that wasn’t a funeral. And the celebration of the comedians’ Jewishness was significant."
Natalia Hernandez, more adorable than three Zooey Deschanels, next to one of her daddy's comics.
Speaking of whom... Partying like it's 1982 (San Diego Comic-Con premiere of Love and Rockets #1, if you'll recall).
It's always sad to see older cartoonists who have become so jaded they can't muster up any enthusiasm when meeting their fans.
Mark Kalesniko, happy to be finally off the FREEWAY (notice clever integration of book title into caption). Also visible, right to left, paying customer, Conrad Groth, Mike Baehr, Eric Buckler, Gilbert Hernandez.
"Well, hello there, do you come here often?" Frank Stack hits on Joyce Farmer by (almost literally) showing her his etchings.
• Review: "Into the '80s and no sign of the much-feared and long-rumored decline in quality in Charles Schulz's life's work that was supposed to come about 10 years earlier. The strips in this volume of Fantagraphics' series are stronger than ever. If there's a different quality to them it's because Peanuts is a mature strip now instead of a precocious, sometimes-astonishing one.... Schulz at this point still puts on frequent display his nearly unequaled ability to return to core character elements for a gag without seeming repetitive or didactic. Part of the richness of the characters is their largely unchanging nature is part of the cross each bears." – Tom Spurgeon, The Comics Reporter
• Review: "Like a Sniper Lining Up His Shot is an EXCELLENT new hardcover graphic novel written by crime fiction novelist Jean-Patrick Manchette and illustrated by one of the masters of sequential art illustration, Jacques Tardi. The central character of Like a Sniper... is a mercenary turned contract killer, named Martin Terrier, who is forced out of retirement, and the way his return to his line of work unfolds ranks at the top with any hard-boiled crime fiction I've ever read. Anyone who had enjoyed Tardi's adaptation of Manchette's West Coast Blues will definitely love Like a Sniper... and if this is your introduction to Tardi and Manchette, you're in for a treat!" – Ralph Mathieu, Ich Liebe Comics
• Review: "Fantagraphics has chosen to start with books 3 & 4 in the series, skipping the stories where the reader (and the creator) gets to know the title character, Gil Jordan, and going right for the good stuff. And these books are good stuff, the writing as well as the art.... There is something in this story for every reader: mystery, adventure, humor, bad jokes and a real sense of menace.... This is absolutely the kind of book that I would hand to someone who has expressed an interest in comics." – R.M. Rhodes, Forces of Geek
• Review: "Fantagraphics is very nearly finished with their complete reprint of E.C. Segar's run on Popeye, with just one more volume to go after this. It's a breathless, surreal and ridiculous collection of fisticuffs and wonderfully funny violence, and every home should own it.... Highly recommended." – Grant Goggans, The Hipster Dad's Bookshelf
• Review: "I’m using the past tense here because tragically the amazing anthological compendium [Mome] closes with this bonanza-sized final edition after six eye-popping, parameter-expanding years ... [T]he experiment ends but even though gone this superb, bold endeavour mustn’t be forgotten. There are plenty of places to still find back issues and these tomes – especially this double-sized delight – would make captivating Christmas presents." – Win Wiacek, Now Read This!
• Review: "As journalist Avery documents in this cohesive biography-cum-first anthology of the onetime Rolling Stone record review editor’s oeuvre [Everything Is an Afterthought: The Life and Writings of Paul Nelson], Nelson was a gifted early practitioner of new journalism and, though a child of the Sixties folk and rock counterculture, one of its most vocal critics.... Reading his inconceivably insightful profiles of Bruce Springsteen, Leonard Cohen, Warren Zevon, and Rod Stewart helps make sense of a needlessly guilt- and disappointment-laden life — here was a hyper-romantic Midwesterner by birth but a New Yorker by necessity who thought he could transcend mundane cruelties by dedicating himself to the popular arts. Seamlessly incorporating the perspectives of Nick Tosches, Robert Christgau, and Jann Wenner, Avery has crafted both a cautionary tale and a celebration of a noir-influenced writer who deserves a place alongside Lester Bangs for his ability to live, always, in the music. Devotees of folk, establishment rock ’n’ roll, and pulp fiction will rue not having discovered Nelson sooner." – Heather McCormack, Library Journal (Starred Review)
• Review: "[Richard Sala's] latest appetising shocker The Hidden returns to the seamy, scary underbelly of un-life with an enigmatic quest tale... Clever, compelling and staggeringly engaging, this fabulous full-colour hardback is a wonderfully nostalgic escape hatch back to those days when unruly children scared themselves silly under the bedcovers at night and will therefore make an ideal gift for the big kid in your life — whether he/she’s just you, imaginary or even relatively real." – Win Wiacek, Now Read This
• Review: "I had the opportunity to do a Q&A panel with Johnny Ryan at SPX last weekend. One of the more interesting parts of discussion was when Ryan said how each volume of Prison Pit had to have a different vibe or theme so that the different books didn’t feel interchangable. That’s certainly true in volume three, as we see the inclusion of a new character, who, while just as violent and vicious as CF, is completely different in attitude and demeanor. Plus, he has one of the most amazing (and utterly grotesque) resurrection scenes I’ve ever seen. There’s also a neat little bit toward the end where it seems like Ryan is heavily drawing upon the Fort Thunder crowd, particularly Mat Brinkman. All in all, it’s another excellent volume." – Chris Mautner, Robot 6
• Review: "This [fourth] volume [of Prince Valiant] covers the most of the WWII years, 1943-44, when the paper shortage was at its highest. As Brian Kane notes in the introduction, this meant creator Hal Foster had to format the strip so parts could be cut for papers that had been forced to shrink their page count.... Still, while no doubt hampered by this new situation, it did nothing to harm his storytelling skills, and Valiant remains a hugely enjoyable action strip, as Valiant battles a variety of ne’r do wells on a quest to find his true love, Aleta." – Chris Mautner, Robot 6
• Review: "I’ve talked at length before about how good the Mome anthology has been, and while I’m sad to see it come to a close, it’s nice to see it end on such a high note. Seriously, this is the best volume of Mome yet, with standout contributions by Chuck Forsman, Eleanor Davis, Laura Park, Dash Shaw, Jesse Moynihan and Sara Edward-Corbett. But really, there’s not a bad story in this entire book. It might seem weird recommending the last book of a series, but if you gotta only read one of these things, this would be the one." – Chris Mautner, Robot 6
• Interview: Brian Heater's conversation with Drew Friedman at The Daily Cross Hatch continues: "But a couple of guys claimed that I didn’t get their names right, like Don Rickles. His PR guy contacted us and said, 'he’s really angry. His name is not Archibald, it’s Donald Rickles.' So, we said in the second book 'Don Rickles says his name is not Archibald, so that will be corrected in a future volume.' Sid Caesar was annoyed. He called Fantagraphics and started yelling at Kim Thompson, because he claimed his name is not Isaac. He was on the phone with him for half an hour. He was doing Jewish schtick and German dialect. Kim was amazed."
• Review: "Another brilliant adaptation of a Jean-Patrick Manchette crime novel by Jacques Tardi. If you liked West Coast Blues, well, you absolutely will love [Like a Sniper Lining Up His Shot]. If you are a crime fan and haven’t read that work yet, you really must as for whatever reason, it is something that tends to get overlooked. Yes, Tardi’s art style is completely unique and can take a little adjusting to if you’re only used to conventional American / UK styles, but give it a go because he brings gritty crime to brutal, realistic life — and indeed equally cold, hard unpleasant death — like few others can." – Jonathan Rigby, Page 45
• Review: "There be monsters; monsters of man’s own making. [The Hidden] is Sala’s second book in colour, rich in red and orange, but it’s the first, I believe, to dispense with all hope and humour — apart from the man with the Marty Feldman eyes. He’s taken the Edward out of Gorey and the tongue from his cheek, replacing it there with shovels, hatchets and stakes!" – Stephen L. Holland, Page 45
• Review: "After a rocky start, the regularly updated, online version of The Comics Journalhas become a much more vital outlet for the serious discussion of comics, primarily thanks to the stewardship of online editors Dan Nadel and Tim Hodler. In its new format, the print Comics Journalis a fine companion to that ongoing effort. With the burden of remaining 'current' lifted by the website, the print Journalis free to explore important works with a depth and seriousness rarely found online." – Patrick Markfort, Articulate Nerd
After establishing the world of the prickly heroine with the first two episodes of this classic series (combined in Fantagraphics’ The Extraordinary Adventures of Adèle Blanc-Sec Volume 1), Jacques Tardi plunges us back into Belle-Époque Paris for another double dosage of heroic derring-do, evil and crazy malefactors, mad actresses (yes, "Clara Benhardt" makes a return appearance) and monsters!
In “The Mad Scientist” the science that brought us revived dinosaurs now results in a pithecanthrope stalking the streets of the City of Light, climaxing in an amazing car chase involving a foe from the previous volume. Will the perpetually inept Inspector Caponi just make things worse? Probably. Then in the second episode, “Mummies on Parade,” the mummy glimpsed in Adèle’s apartment in previous episodes comes alive! The volume concludes with the sudden startling (and delightful) incursion of some characters familiar to Tardi fans, and a shocking climax that leaves the future of both Adèle and this series in doubt as World War I erupts. (It’s the only story in the entire series not to feature an “in our next episode” teaser.)
The Extraordinary Adventure of Adèle Blanc-Sec Volume 2 is the lucky seventh book in Fantagraphics’ acclaimed series of Tardi reprints, showcasing the rich variety of graphic novels from one of France’s greatest living cartoonists.
Download an EXCLUSIVE 12-page PDF excerpt (2.1 MB) with the beginning pages of each story.
• Review: "Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history. Editors David Gerstein and Gary Groth have not only scoured the planet for the best surviving artwork on Gottfredson's first epic continuity, which ran in newspapers from April to September of 1930; they've provided background essays (by a raft of experts), vintage press materials and artwork to put it into the context of Walt Disney's burgeoning career, and Mickey Mouse's budding stardom.... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
• Review: "Popeye hawking newspapers? Donald Duck selling gasoline? You'll find them and a whole cavalcade of comic strip characters in Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard. In a hundred-plus pages you are treated to a sampling of cartoon print ads from the 1890s to 1940s. There are short informative blurbs about the cartoonists (some of whom were featured in ads themselves) and the history behind the ads. A great treat for fans of comic strips, Americana, and ephemera." – The Christian Science Monitor "Top Picks"
• Review: "Not long ago a very interesting book was released which aims precisely to investigate and chronicle the parallel paths of comics and advertising from 1870 until 1940 entitled Drawing Power: A Compendium of Cartoon Advertising. Fantagraphics Books offers a hearty volume... which is our guide with text and images to the 'commercial' roots of the comic strip and the amazing work that resulted from comics creators who worked in advertising.... Drawing Power: A Compendium of Cartoon Advertising is a book that will surely pique the interest of those involved in the communication sector, but also all who are drawn to pop culture. An excellent edition from Fantagraphics..." – Lida Tsene, Comicdom (translated from Greek)
• Review: "Richard Sala’s The Hidden is yet another undead saga, though it’s more ambitious than most.... As the backstory deepens, Sala ties The Hidden to older literary traditions, weaving in pieces of folktales and the legend of Frankenstein. Because Sala has had a career-long fascination with B-movies, gothic illustrations, and general ghoulishness, this plot is right in his wheelhouse. But The Hidden isn’t just an entertaining riff on well-worn horror concepts. Taking his cues from Mary Shelley, Sala explores human vanity and arrogance as a way of showing how everything can go so wrong so fast." – Noel Murray, The A.V. Club
• Review: "...Mome 22 concludes the run of one of alt-comics' longest-running and most essential anthologies. Like Weirdo before it, Mome bridged the gap between veteran cartoonists and the new breed... Here’s hoping that as with Zap, Raw, Arcade, and so many that have gone before, another anthology will rise to take Mome’s place. And soon." – Noel Murray, The A.V. Club
• Review: "...Shimura Takako is a master at portraying subtle events in a slice of life story about adolescence that never feels didactic.... One of the things I like about Wandering Son is the way many of the events in the book are simultaneously safe and filled with dramatic tension.... Like the storyline, Shimura’s art is simple but nuanced.... As you’d expect from Fantagraphics, the production quality for Wandering Son is excellent. I hope that more manga is on the horizon from them. While I’ll happily read more cheaply produced manga, it is nice to have a variety of options. Carefully curated manga like Wandering Son is a treat." – Anna Neatrour, Manga Report
• Review: "Jason’s deadpan, anthropomorphic characters make his books must-reads for me.... I'd give [Isle of 100,000 Graves] to my daughter... and my wife... in hopes that, after laughing at the Hangman’s Academy’s students, teachers, and administrators, they’ll agree to dress up in multi-colored hoods and carry instruments of torture next Halloween." – Gene Ambaum, The Unshelved Book Club
• Review: "Chun fills his collections with the best cartoons – the ones that can still delight readers, and Covey uses his lively and inventive design sense to make these old cartoons fresh and vital. With The Pin-Up Art of Humorama, Chun and Covey will once again make you believe that the art of Humorama is still alive and kicking – although the line ceased to exist decades ago. [Grade:] A" – Leroy Douresseaux, I Reads You
• Review: "This Fantagraphics edition collects the first two French albums of Les Aventures Extraordinaires d’Adèle Blanc-Sec (Pterror Over Paris and The Eiffel Tower Demon) in a large format hardback edition, and it’s beautifully presented. First released in 1976, Jacques Tardi’s story has a timeless quality, set in an alternative, steam-punk universe, shortly before World War I.... Tardi’s art recreates the scenery beautifully, with stunning backdrops bringing the architecture and beauty of Paris to life. ...[A] compelling and enjoyable mystery story with an alternative Victorian feel." – Grovel
• Review: "Comic fanboys have read Sgt. Rock or The Howling Commandos which are realistic in many ways, but there was a time when a comic mag got down right truthful. I’m speaking of Blazing Combat #1-4 (1965-66, Warren) and recently Fantagraphics collected the run in both hardcover and softcover. Blazing Combat was an anthology comic that showed the very dark and very real side of war. A loose followup to the EC Comics War genre books, it showed US G.I.’s dying in terrible ways, commanders giving orders with little regard for consequences and the militaristic definition of collateral damage. Jim Warren let it all hang out when it came to editing Archie Goodwin’s writing... Of course Goodwin is a genius and I’m usually more of a word-man when it comes to comics, but this time it’s the art that captured my attention. It’s a who’s-who of monster talent..." – Chris Marshall, Collected Comics Library
• Review: "Fred [the Clown] is a figure of innocence, a lovelorn sad sack who keeps getting hit by custard pies — and, even harder, by life — over and over again, but keeps standing back up to go on. Langridge mostly tells his story in short wordless comics stories... in his usual style, a crisp modern interpretation of the classic '20s animation look... They're slapsticky stories of a sad clown, using the accouterments of vaudeville and early Hollywood, that nonetheless feel entirely new and fresh and funny. I don't know how Langridge does it, but he does it very very well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "You must buy @DaveMcKean's NSFW book 'CELLULOID' at your local comics or book store. Or in a plain brown wrapper..." – Neil Gaiman
• Preview/Plug:Comicsphere re-formats and re-presents one of our previews of Johnny Ryan's Prison Pit Book 3 to their readers, with Josh West saying "This is set to be 120 pages of ‘once you see it, it can’t ever be unseen’ scenarios and, honestly, Comicsphere couldn’t be more excited! Unbelievably unpredictable, violent, satirical and likely to entertain more than anything else on the shelves through September, the Prison Pit makes Hell look like nothing more than a relaxing Sunday morning stroll through a (really hot) meadow."
• Interview:Comic Book Resources' Tim Callahan has a wide-ranging conversation with Johnny Ryan about Prison Pit and other topics: "I guess I have this fascination with stories where the 'hero' is not a hero at all. He's a loser or an idiot or a scumbag, but somehow the author makes us give a shit about him or her.... I think this is a strain that also runs through my work. It's about bad people, doing bad things, but I try and trick people into caring about or liking these people."
• Preview/Plug:Comicsphere gives the same treatment as above to our excerpt of Jacques Tardi & Jean-Patrick Manchette's Like a Sniper Lining Up His Shot, with Josh West saying "...Jacques Tardi returns to the world of guns, crime, betrayal and bloodshed with this stunning, grisly, and remarkably faithful interpretation of Manchette’s last completed crime thriller."
"Athos in America – Jason returns to The Last Musketeer and includes other Jasony stories like 'The Brain That Wouldn’t Virginia Woolf.'"
• Plugs:Graphic Novel Reporter includes almost everything we have coming out over the next 3 months in their "Great Graphic Novels of Fall 2011" roundup, particularly the Adult Fiction and Nonfiction categories (though we feel we should point out that Alexander Theroux's Estonia is neither fiction nor a graphic novel)
• Plug: "We’re over halfway done, and have moved into the last 20 years of the strip with the release of The Complete Peanuts: 1981 to 1982. Can you believe how fast time is flying? Kudos to Fantagraphics for maintaining the incredibly high standard of quality and presentation they established at the outset, with this entry featuring an introduction from cartoonist Lynn Johnston. More!" – Ken Plume, FRED
• Interview:Newsarama's Albert Ching talks to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010: "One other character I frequently think of when doing Twain — writing that book, or doing him in Thrizzle — is Dave Thomas from SCTV doing Walter Cronkite. Which in some ways is very similar — this kind of roguish, semi-self-befuddled character, roaming around having adventures."
• Interview:The Daily Cross Hatch's Brian Heater begins a multi-part chat with Drew Friedman: "Basically when Monte Beauchamp who edits those books invited me to do a book, I thought about what I like to draw the most. I like to draw comedians and old Jews. So I put those two together and started working on them between assignments over a year. I just got pleasure in drawing them. I could put aside any annoying assignment I had and just get down to drawing those old Jewish faces. That’s what it came down to."
• Interview:Washington City Paper's Mike Rhode had a little pre-SPX Q&A with Noah Van Sciver: "I'm excited to stop by the Fantagraphics table and say hello to those guys and see what's new." Well shucks!
• Lore: "’71 was a weird year for me. I never had quite so many women coming and going, as I did that year in the apartment I shared with Gary. But I was still drinking too much and just overdoing it in general, hedonistically speaking. I was getting very little good work done (gosh, I wonder why?) and was generally pretty miserable." – Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com forges into the 1970s
• Staff picks: Our own Ambassador of Awesome (and funniest Flogger) Janice Headley is the guest contributor to this week's Robot 6 "What Are You Reading?" column
• Plug: "I’ve only had the brick for two weeks, and I’ve barely made it through one-fourth of it, happily so. For over 30 years, The Comics Journalhas been a comics respite from hype and fluff. It keeps the rest of in check and on our toes. I’m a better comics reader because of it (and a reluctantly patient fan)." – Alex Carr, Omnivoracious (Amazon.com)
• Commentary: Sean T. Collins re-posts Comic Book Resources' video interview with Jaime Hernandez on that site's Robot 6 blog, adding his own commentary: "Ask anyone who’s reading the series in its book-formatted New Stories incarnation — including this autumn’s #4, which picks up where last year’s massively acclaimed 'Browntown'/'The Love Bunglers' storyline left off — and they’ll tell you: Jaime’s making some of the best work of his career, some 30 years after L&R made its debut."
• Conflict of Interest: Our own Eric Buckler spotlights Mome Vol. 22 in his weekly "Indie Comics Digest" for The Snipe
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
136-page full-color 8.25" x 8.25" hardcover • $19.99 ISBN: 978-1-60699-386-6
"Then there’s also Richard Sala’s new book The Hidden ($19.99) about a group of strangers [description redacted due to being based on preliminary and out-of-date info - Ed.] during a global crisis. I’m going to want all three of those, but I reckon I’d grab The Hidden first." – Michael May, Robot 6
"For my splurge, I’d be hard-pressed to pick between [redacted] and The Hidden by Richard Sala ($19.99)." – J.K. Parkin, Robot 6
104-page black & white 7.5" x 10.75" hardcover • $18.99 ISBN: 978-1-60699-448-1
"A new one from Jacques Tardi, an extrordinarily bleak noir thriller. If you're digging Criminal and want to know what to read next, don't miss Tardi's work — he's a master of the form." – Chris Butcher, The Beguiling
"I don’t know very much about this book, except for a few points that make me want to read this without even reading the solicitation text: 1. It’s drawn by Jacques Tardi. His It Was the War of the Trenches was an incredible book – a dark and beautiful graphic novel about the first world war that had a number of surprises and truly chilling moments. 2. It’s about snipers. Snipers are cool.... 3. These Fantagraphic editions are nice to own. They are very well designed, maintaining the original size of the French books, and have very high production values. That’s enough for me." – James Fulton, Inside Pulse
"...I’m saving my money to get Like a Sniper Lining Up His Shot ($18.99), the latest Jacques Tardi book from Fantagraphics, another hard boiled (and ultra-violent) noir in the same vein as West Coast Blues, which is not terribly surprising considering its the same writer, Jean-Patrick Manchette." – Chris Mautner, Robot 6
"A sure thing, I'd imagine, another collaboration between pantheon-level cartoonist Jacques Tardi and the crime writer Jean-Patrick Manchette, whose previous English-language release West Coast Blues impressed many when it came out a while back." – Tom Spurgeon, The Comics Reporter
240-page full-color 7" x 9" softcover • $19.99 ISBN: 978-1-60699-395-8
"A double-sized farewell issue, with return visits from a lot of the artists who've graced it in the past. I really hope that some new, regular print vehicle takes the place of this within the comics ecosystem, but it doesn't seem likely." – Douglas Wolk, Comics Alliance
"The FINAL volume of Mome, the great white hope for aspiring cartoonists to get published at Fantagraphics. An excellent overall anthology with moments of true greatness — the comics industry is much poorer for the loss of this fine publication. Our sincere thanks to Fanta and Eric Reynolds for 22 volumes of this series. We highly recommend them. In this final, double sized volume, thrill to new comics by Gabrielle Bell, Lilli Carre, Jordan Crane, Eleanor Davis, Tom K, Anders Nilsen, Laura Park, Jim Rugg, and a dozen more excellent cartoonists." – Chris Butcher, The Beguiling
"I should also point out that the final volume of Mome is out this week and easily the best volume of an already excellent series, featuring stellar work by folks like Eleanor Davis, Josh Simmons, Chuck Forsam, Tim Hensley and more. A steal at $20." – Chris Mautner, Robot 6
36-page full-color 10" x 10" hardcover • $16.99 ISBN: 978-1-60699-489-4
"CONFLICT OF INTEREST RESERVOIR: The Hidden is a new Richard Sala book, in color; $19.99. Even More Old Jewish Comedians collects portraits by Drew Friedman; $19.99. Like a Sniper Lining Up His Shot is a recent crime comic from the great Jacques Tardi; $18.99. And MOME Vol. 22 lays a long-running anthology to rest with a double-sized 240-page final issue; $19.99." – Joe McCulloch, The Comics Journal