Graphic designer (and hero of our Art Director Jacob Covey) Art Chantry wrote an appreciation of rock stickers for the PictureBox website and featured this old one by Jaime Hernandez as the illustration. Our own Eric Reynolds comments: "I no longer recall the exact origin of that sticker. The Damachers were one of Hopey's more obscure bands from the pages of L&R. There was no real purpose for the sticker. It wasn't even promotional, exactly. Just something fun Jaime made up."
We still have a few of these floating around the office here. No, you can't have one.
• Review: "Punk and the movies met when the former was very young. When punk eventually grew up, the movies still insisted on viewing it as a child. Their union, nowadays perverted by mutual materialistic bloat, has been rather like an arranged marriage: long-lasting, with moments of real understanding, but fundamentally fraudulent. Zack Carlson and Bryan Connolly's hefty new tome Destroy All Movies!!! The Complete Guide to Punks on Film chronicles this tragicomedic marriage in A-Z encyclopedic form encompassing more than 1,100 movies, 450 pages, and lots of vintage promotional imagery." – Dennis Harvey, San Francisco Bay Guardian
• Review: "The artwork is as beautiful, subtle, and well-crafted as the stories. [...] Significant to Hagio’s stories is her ability to so masterfully communicate emotions in the artwork. Hagio uses body language as well as facial expressions. Her artistic genius is seen in character’s eyes alive with emotions radiating off the page. [...] A Drunken Dream and Other Stories is a wonderful collection of stories for mature readers. The stories embody a complex mix of emotions. Hagio isn’t offering us easily digestible pap, but solid food that will take time to process and absorb properly." – Ed Sizemore, Manga Worth Reading
• Plug: "It's... wonderful to note the imminent publication of Joyce Farmer's Special Exits. It speaks well to comics as an art form that there's a prominent place for powerful work from an older cartoonist that may have more to offer in terms of underground cred than in a modern marketplace track record." – Tom Spurgeon, The Comics Reporter
• Review: "This week I read Unexplored Worlds, the second collection of pre-Spider-Man comics drawn by Steve Ditko. This handsomely designed volume mainly collects work Ditko did for Charlton, a mix of sci-fi, western and post-code horror stories. Ditko is in fine form here...; he seems more sure of himself here, full of verve, dramatic angles and odd hand gestures. In some stories, you can see the groundwork being laid down for what was to come in a few years — there’s a sequence where a guy travels to another dimension where you can see the beginnings of Dr. Strange." – Chris Mautner, Robot 6
• Review: "Each story is weird and wonderful in its own way, even when the writers and artists aren’t as skilled as others. Even better is a 32-page cover gallery in the middle, printed on glossy paper, each suitable for framing. I could stare at such covers all day. [Four Color Fear is an] excellent book..., expertly designed and popping with flaws-and-all color. At more than 300 pages..., [its] heft is welcome. For serious comics scholars or just those seeking a nostalgic kick, [it comes] highly recommended as [a] strong year’s-best contender..." – Rod Lott, Bookgasm
• Interview: At The Faster Times, Ryan Joe goes behind the scenes of Four Color Fear with the book's co-editor Greg Sadowski: "The quality of the writing was [the] number one [consideration] — each story had to be a compelling read. The art came second, though I think every story we chose has interesting art."
• Review: "Consider this a warning. If you fail to immediately purchase a copy of Destroy All Movies a swarm of post-apocalyptic punk rock bikers will kick your door down and ram their fists down your throat. [...] This is an exhaustive reference work that is every bit as brash and entertaining as its subject matter. It's well written, exhaustively researched and laid out in a gorgeous, colorful package that'll make it a coffee table discussion piece in geek homes around the globe." – Todd Brown, Twitch
• Interview: Joe Gross of the Austin American-Statesman, who says "Packed with stills from movies both cult and mainstream, filled with reviews of 1,100 films, and featuring interviews with crucial actors and directors, Destroy All Movies is everything one could hope for from a project this esoteric," talks to the book's editors, Zack Carlson and Bryan Connolly, who says: "It's not like a Leonard Maltin guide where you can just go down to the store and be like, 'Oh, I want this movie.' You're gonna really have to fight to find a lot of the stuff in there. Like some of it isn't even available in this country."
• Review: "I just sat down and re-read thru the new Love and Rockets issue. Shame on you, True Believer, if you haven’t already dog-eared this one. Please, please order this one today and thank me for urging you to do so. ... Jaime Hernandez has outdone himself. I mean, I’m a cynical super fan at times who often believes he’s 'seen it all' and then something like L ‘n R New Stories #3 comes out and just slays me." – Frank Santoro (who goes on to examine Jaime's panel layouts and compare L&R to Rocky and Bullwinkle), Comics Comics
• Interview: At The Daily Cross Hatch, Brian Heater's chat with Jaime Hernandez continues: "Maggie’s just got so much more going on than the other characters, for me. I like doing the other characters, but I’ll always go back to Maggie and the joy of creating her life. There’s just something about the character that I enjoy playing with and finding out where she’s going and who she is."
• Review: Did you think Sean T. Collins was going to omit Birdland in his "Love and Rocktober" series at Attentiondeficitdisorderly? "Doing a straight-up porn comic that borrows the Palomar-verse characters Fritz and Petra gives Beto the freedom to be as silly and utopian as he wants, something he couldn’t get away with in the naturalist, politically aware world of Palomar and Love and Rockets proper."
• Review: "So, big shit poppin’ in Mome 20. Good thing it’s also pretty good! ...[W]hat works works really well thanks mostly to bravura cartooning. [...] Here’s to 20 more volumes of this occasionally frustrating, occasionally fascinating, always worth reading series." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Time travel is impossible but a good anthology can sometimes be ordered in such a way that we can get a better sense of how works of art looked to their earliest audience. That’s something Supermen! achieves, so it’s a book I’m holding on to." – Jeet Heer, Comics Comics
• Interview:The Daily Cross Hatch's Brian Heater talked to Jaime Hernandez at SPX — from Part 1: "I guess I was pretty good at copying. When I got older, I thought it was bad to copy, because you weren’t a real artist. That’s bull, because I found that when I would copy something, I could draw it for the rest of my life. Let’s say I copied a car or a cart or a certain kind of chair. If I copied it, I could say, 'oh, hey, that turned out pretty good, and, oh hey, I know how to draw it for the next twenty years.'"
• Interview (Audio): Mark E. Hayes of the Passing Notes radio show/podcast talks to Jaime Hernandez "about the latest Love and Rockets, comics-to-movies, and Archie. Yes, that Archie."
• Review: "Lucky in Love is an oddly charming book. It takes the tradition of immigrant fiction and wartime stories and channels them through archetypal cartooning styles, crafting a book that looks lighthearted but is actually darker in tone and theme than it might appear on the face of it. [...] My rating: 4 of 5 stars." – Jamie S. Rich, Confessions of a Pop Fan
• Review: "In stunning black ink on gloriously evocative sepia pages... comes a light-hearted, heavy-hitting barbed-edged faux autobiography that is a moving testament to the life of the average Joe. [...] Drawn in a wild and captivating pastiche of Zoot-Suit era animated styles and frenetically Jitterbugging teen movies; marrying Milt Gross’ He Done Her Wrong and Count Screwloose to Milton Knight’s Hugo and Midnight the Rebel Skunk the bold, broadly Bigfoot cartooning style used imparts a seductive gaiety to the folksy monologue and completely disguises the subtle landmines this tale conceals in the narrative. [...] Lucky in Love is utterly absorbing, purely cartoon entertainment, strictly for adults and immensely enjoyable." – Win Wiacek, Now Read This!
• Review: "It was hard to resist when I looked at Chieffet (script) and DeStefano's (artwork) comic book Lucky in Love which came out the other day. DeStefano's drawing is damn inviting in its retro style, and Fantagraphics has succeeded exceptionally well with the design of the book... The only real problem is that DeStefano is such a lively artist, while the story is more dramatic." – Simon Wigzell,Serienytt.se (translated from Swedish)
• Review: "Lucky in Love is both a humorous and often naïve look at our past as a country and as sex-obsessed teenagers. It is a deadly serious story about the fantasy and the reality of war and heroism. It’s drawn in a unique style that it reminiscent of classic Disney or Golden Age comic strips and is filled with hopes, dreams, fantasies and often unfortunate realities. It’s a great coming-of-age story and history lesson that shouldn’t be missed. Grade: A-" – Chad Derdowski, Mania
• Review: "There's already a lot of reviews out about how amazing Jaime's stories are in this issue [of Love and Rockets: New Stories]. I don't really have anything to add. It's all true. It's very touching, truly a masterpiece. But let me also say how much I love the cover illustration. I keep looking at it — the perfect composition, the colours, the weird, blue sun, the small details (like the baby held by the woman in the background), the boy being separated from the others, not looking at the viewer the way the girls do. It means even more when you've read the story. Jaime has already created a lot of iconic covers, but this might be the best one." – Jason (the cartoonist), Cats Without Dogs
• Review: "That Greg Sadowski has gathered up 40 or so mostly forgotten non-EC Comics is cause for celebration... Sadowski does an excellent job of providing historical information for the talent and studios producing each story here... The book ends up being just about right. Good scholarship to put the stories into context, a glossy gallery in the middle of covers of the horror comics magazines of the day, and a highly entertaining selection of material from some of the better talents of the era. ...[Four Color Fear] is a solid primer and should be an entertaining one for years to come..." – Christopher Allen, Trouble With Comics
• Review: "I enjoyed Tardi’s art, which made me feel as though I was visiting 1911 Paris. [...] The stories are dense and packed with outrageous events, providing a sense of adventure. The recaps, as characters explain what’s going on to each other, were both a help... and a satire, reinforcing just how much Tardi is playing with the conventions of the genre and layering event upon event, a kitchen-sink approach to plotting that keeps the reader interested in a world that seems so sedate but where anything can happen. [... The Extraordinary Adventures of Adele Blanc-Sec Vol. 1] is fun, but with the knowing remove of self-awareness and satire." – Johanna Draper Carlson, Comics Worth Reading
• Review: "Some of the conversations are amusing and the awkward silences of real life relationships are nicely portrayed by silent panels and the characters body language. The eight panel grids are the same on every page but that's not a bad thing. [Werewolves of Montpellier] is not the kind of tale that calls for spectacular graphics." – Eamonn Murphy, SF Crowsnest
• Review: "Set to Sea by Drew Weing... is about 150 pages long, but only has one illustration per page. It is always a good illustration, and this story of a would-be writer who’s shanghaied into being a pirate is great fun. Weing’s art is cartoony, but that helps lessen the violence of ship to ship battles with boarding parties hacking at each other with cutlasses. Weing is a young cartoonist to watch." – Mike Rhode, Washington City Paper
• Review: "...[T]he most recent installment in the annual [Love and Rockets] series features a couple of moments that are as technically brilliant and as profoundly moving as anything the series has seen in the past. It’s not easy to get to that level of emotion without collapsing under the weight of your own portentousness, but the Hernandez brothers have managed it." – Bob Temuka, The Tearoom of Despair [Spoiler warning!]
• Review: "As soon as I finished reading the new Love and Rockets, I could only think about how much I want to read further. Definitely it will be some time before the next issue and possibly when it is released I'll admit that it is worth waiting every day, but fortunately for the moment I can always go back to previous work by the brothers Hernandez, and read their latest project again and again." – Aristedes Kotsis, Comicdom (translated from Greek)
• Review: "I know I just got finished explaining that biology is destiny in the Palomar stories. But what struck me upon rereading the material collected in this volume, dominated by the titular story of a serial killer’s stay in the town, is the power of ideas. Not emotional or sexual drives, even, like the web of lust and unrequited love surround Luba’s mother Maria in the suite of stories that forms the second half of the collection, but actual honest-to-god ideas. [...] If Heartbreak Soup showed us Gilbert the literary comics stylist, Human Diastrophism shows us Gilbert the mindfucker — the Gilbert who’s still with us today." – Sean T. Collins, Attentiondeficitdisorderly (a continuation of the "Love and Rocktober" series)
• Interview (audio): Guest co-host Dan Zettwoch gets in on the Carol Tyler interview action in the new episode of The Comix Claptrap podcast — two of my faves together!
• Commentary: "'Frank in the Ruse Garden,' like all the Frank stories, like most of Jim Woodring’s work, is one hundred percent unadulterated Uncanny. Like Jim Woodring saw fever dreams we’d forgotten ages ago, and put them down on paper to remind us. [...] The Unifactor is an animistic world of spirits and strange forces. Time and again, Frank comes in contact with numinous wonders, and fail to rise to the occasion. Frank comes upon a field of floating souls, and grabs one to use as a flying horse. Frank dives into a well ringed with eyes, and emerges mutated and warped. Frank wanders into the House of the Dead wearing a party hat, and it’s, like, awkward." – Wesley Osam, Super Doomed Planet
• Plug: "How could it be Halloween without some horror comics? I’ve been enjoying Four Color Fear, ed. Greg Sadowski, an anthology of ‘50s horror comics from publishers other than EC. I’m only a couple of stories in and, while none have actually scared me, the oversized, full-color book looks to be a wonderful primer on horror-comics history." – guest columnist Sam Costello, Robot 6
This post has been in progress for nearly a month now... with so much to catch up on, I'll just be highlighting a few selected items and then giving you links to the regularly-updated stuff. As always, click for better viewing and possible commentary at the sources.
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