Hey all, Fantagraphics is heading over to Autoptic in Minneapolis this Sunday. A swell new one day show that's SURE to knock the socks off your feet (or sandals off your sockless feet). Sunday, August 18th from 11am-7pm at Aria, 105 N 1st Street. We have some books debuting and some authors signing in addition to giving you the sweet inside scoop to their lives, comic processes and more in some panels. Find us at table 33!
Friday, August 16th 6:00-9:00pm Artist reception for "Jaime Hernandez: 30 Years of Locas" at the Minneapolis College of Art and Design (2501 Stevens Ave, Minneapolis, MN). Jaime's talk starts at 7pm and don't miss it!
Saturday, August 17th 7:00 p.m. - 8:30 pm Alexander Stewart and Lilli Carré's EYEWORKS animation Festival on a double bill with Sara Drake and PupHouse's shadow puppet play SALTWATER WEATHER. (also on view: Bats by Marijpol) Open Eye Theater (506 E 24th St, Minneapolis, MN)
Sunday, August 18th Noon-1pm Printmakers Panel Anders Nilsen moderates with panelists: Nick Butcher, Jenny Schmid, Ryan Duggan. Every picture has a story. We'll dig into how artists approach different projects of their own and work for hire. How do you come up with an image for a death metal band versus one for a book festival? What would you do if you were approached by a band you hate? Located at ARIA (programming area 1)
1:30-2:30pm Animals as People "Funny Animal" comics have been a staple of the medium since its inception, though the reasons for using animals that act like humans or actual anthropomorphic animals has evolved through the years. Many artists find ways to emphasize the animal's true nature while at the same time using them as a stand-in for human characters. Moderator Isaac Cates will discuss with artists Lisa Hanawalt, Jon Lewis, Zak Sally and Anders Nilsen the ways in which they've been able to explore a number of different themes and ideas through their use of animals as their characters. Located at Alliance Francaise (programming area 2)
2:30-3:30 The Dark Roots of Myth A number of cartoonists are using familiar fantasy, horror and mythological tropes as a staging ground for getting at deeper issues. Sexuality, politics, class, gender, religion and other issues have been evoked and explored using the visceral and familiar images and storytelling techniques of fantasy. Moderator Rob Clough will join artists Caitlin Skaalrud, Max Mose, Eamon Espey, Anna Bongiovanni and Eleanor Davis in elaborating on their own personal takes on fantasy and myth. Located at ARIA (programming area 1)
4:00-5:00pm Jaime Hernandez & Lisa Hanawalt In Conversation Jaime Hernandez is a legendary cartoonist whose Love and Rockets series just passed its 30th anniversary. Lisa Hanawalt is a humorist whose hilarious, surreal and frequently gross cartoons have garnered her a great deal of praise and attention in a relatively short period of time. Both artists greatly admire the work of the other, even as their comics seem to have little in common. Moderator Rob Clough will join them in exploring their common ground as artists and what each finds most intriguing about the other's work. Located at ARIA (programming area 1)
Love and Rockets enters its fourth decade with this installment of its acclaimed graphic novel-format iteration, featuring both old friends and new faces, and some genuine surprises... The cover shows Gilbert's new star Killer in a pose and milieu that will bring back memories for long-time fans - imitating the hammer-wielding Luba in her adopted Palomar. Jaime continues to explore his intriguing new character Tonta: In "Fuck Summer," Tonta is talked into joining the summer swim team but can't figure out why the brand new swim coach knows her.
Assembled from work done in Anders Nilsen’s sketchbooks over the course of the year following the death of his fiancée in 2005, The End is a collection of short strips about loss, paralysis, waiting, and transformation. collection of short strips about loss, transformation, waiting, and paralysis. A concept album in disparate styles, a meditation on paying attention, an abstracted autobiography and a travelogue. Now updated & expanded to 80 pages.
This landmark collection features ten of Clowes's most influential graphic narratives, along with interviews about his career and creative process, and twelve thought-provoking essays by contemporary scholars and critics. It also features the full Ghost World, Clowes's celebrated graphic novel about the complex friendship of two teenage girls. It also includes stories — some reprinted for the first time — about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture.
Critically-acclaimed author Junot Díaz has finally revealed the deluxe edition to his book This Is How You Lose Her and you're just gonna love who added some rockin' illustrations! From his site:
"A must-have collector's edition of Junot Díaz's bestseller and National Book Award finalist, a stunningly designed and illustrated slipcase edition of This Is How You Lose Her, which was a New York Times bestseller and a finalist for the 2013 National Book Award. Jaime Hernandez-deemed 'one of the twentieth century's most significant comic creators' for the 'Love and Rockets' series he co-created and other work-has produced full-page, original illustrations for this edition, one for each story, that perfectly capture the love-haunted spirit of the book and the string of gorgeous, smart, gutsy women whom irresistible, irrepressible Yunior loves and loses."
It's been awhile since I've been a bookseller but I'd definitely have some fun with the displays since Stephen Dixon's His Wife Leaves Him is coming out the same season....
• Edinburgh, UK: The great Joe Sacco will be a special guest at the Edinburgh International Book Festival. On Tuesday night, he'll discuss his groud-breaking work Palestine, and hopefully give some hints to his upcoming Fantagraphics release, BUMF -- a collection of all-new short humorous fiction in the vein of his satirical story in The Comics Journal #302. (more info)
Wednesday, August 14th
• Edinburgh, UK: And tonight, Joe Sacco will take the stage again at the Edinburgh International Book Festival alongside fellow guest-of-honor Chris Ware. In a talk moderated by Teddy Jamieson, they'll discuss the brilliance in bringing together word and image on the page. (more info)
Here's your first sneak peek at a printed copy of the new annual issue of Love and Rockets: New Stories! 50 pages of new Gilbert! 50 pages of new Jaime! What else do you need to know?? "When can I see more?" Okay, read a 10-page excerpt here, and be on the lookout for more previews. "When can I get it?" Pre-order your copy at the same place and be among the first to read it in late September or so; pick up a copy and get it signed by Jaime at Autoptic in Minneapolis; or wait until October when it's in stores — the choice is yours! "What happens in it?" That would be telling! But there's more Killer, more Palomar, more Tonta, more Frogmouth, more Fritz film fantasy... and wrasslin'!
The 2013 Harvey Award Nominations list more than a few Fantagraphics' titles! Here's a peak at their covers and click on any to find out more information if for some reason they aren't already on your bookshelves!
Final ballots are due to the Harvey Awards by Monday, August 19, 2013. Full submission instructions can be found on the final ballot. Voting is open to anyone professionally involved in a creative capacity within the comics field. Final ballots are available at www.harveyawards.org. Those who prefer paper ballots may e-mail
Hmmm . . . how to tell you how great this comic is without sounding like a raving fan. Fuck it! You guys deserve raves.
“Mechanics” is the best, closely followed by “Heartbreak Soup” in all its incarnations. “Errata Stigmata” I can do without, frankly.
I read the first seven issues all at once, having come in late, drawn by growing word-of-mouth, plus the look of them began to fascinate me more and more. My regular dealer doesn’t carry them, unfortunately, because he’s limited in the amount of product he can purchase and he has drawn the line for some reason. I imagine you’ve encountered this barrier before and it must be a frustrating problem for you. It’s easy enough for me to subscribe, but beyond word-of-mouth, there should be a way for your books to get more attention.
Time and again, I’ve suggested to people in the business that we need to reach out for newer audiences. I get blank looks or disagreement, but I’m convinced that you could attract a much wider and less comic-book-oriented audience.
I believe this not because it appeals so much to me (I read virtually everything published), but because I’ve watched a 20-year-old woman from Australia (who does not normally read comics) get hooked on these books, and if you can reach across that kind of a personal and cultural gap, then you’re obviously succeeding in a big way.
She and I love the art in “Mechanics,” especially because of your amazingly keen awareness of what’s contemporary. I can honestly say you’re about the only people doing comics today that have this awareness, and God! Is it refreshing to see! All of the art works in its own way. It grows on one.
Then there’s the writing. Excellent! You all have the most wonderful gift for creating living, breathing characters! Better than anything happening elsewhere in comics today. I’m astounded at your ability to portray such vivid female characters with such understanding. Maggie and Hopey are delightful, Penny is great fun, Izzy is weird. Luba and Archie and all the rest come across beautifully real.
I love your touches of humor and am intrigued by the religious motifs that run throughout. I’ve learned a lot about Hispanic thought, life, and feeling from these books. At the same time, you’ve created characters and situations that are universal. And there you have the reasons it works so well.
Not to mention all the fun you have using an alternate reality. That threw me for the first few issues until it suddenly clicked what you were on about. And please continue to add the translations for us poor gringos and gringas out here. We need the education.
Well, I guess I’ve raved on enough. Love your books and hope they rocket you to fame and fortune.
All the best,
Christy Marx (address withheld)
I was a huge fan of Jem and the Holograms growing up, so I decided to e-mail her to see if one of the creative forces behind the cartoon (and writer of the recent Amethyst: Princess of Gemworld miniseries) and the letter writer were one and the same.
Hello, fellow Kristy,
Now this is an interesting piece of e-mail. I was forced to dig through my box of L&R and find the issue you’re talking about.
Even after reading the letter, I confess I have no recollection of writing it, though I did commonly write letters to comics in the ’70s, tapering off in the '80s. But I can say it was me for a couple of reasons: a) it sounds exactly like what I would have written (including the F-word); and b) I referenced my Australian stepdaughter. The issue was printed in 1985 when she would have been the age mentioned in the letter.
The latest, largest kaiju monsters of Online Commentaries and Criticism:
• Review:New Schoolin The A.V. Club. "Like Anders Nilsen, Dash Shaw has spent his career looking for a creatively profitable middle ground between high art and straightforward comics storytelling.…Shaw riffs on the popular culture of the ’90s and the politics of the ’00s, suggesting that the children of one decade grew up too cut off from reality to understand the part they played in fostering the global conflict of the next. The social commentary in New School provides a sharp accent to a formally daring, at times alarming coming-of-age tale," says Noel Murray.
• Review:New School in Paste Magazine. "Dash Shaw is a relentless experimenter, never content to rely on the processes and approaches that garnered him acclaim the last go-round…Shaw’s ability to confidently follow his muse without justifying any artistic approach is part of what makes him such an exciting voice, and one that continues to refine itself with this excellent book," wrote Hillary Brown.
• Review:Mental Floss on New School. "Dash Shaw is one of the new generation of exciting comic creators who exist in a nexus between comics and the New York contemporary art scene... A glance at the pages here shows a bold, unusual use of color that seems part Power Mastrs, part Asterios Polyp," writes Rich Barrett.
• Review:Comics Alliance reviews Dash Shaw's New School. John Parker writes, "New School is surreal, emotional, and delirious with color…Moving, innovative, and beautiful, it's hard to imagine you'd confuse the woozy, dreamsick, and explosively colored pages of New School for any other artist's, no matter what distance you're viewing them from."
• Interview (audio): Dash Shaw is interviewed on Robin McConnell's Inkstuds again!
• Plug:New School in The Austin American Statesmen. "on first read, it is melancholic, funny and smartly impressionistic, three things that comics do well…Dash Shaw likes to move through styles, and it’s exciting. As soon as you think you have a fix on his forms, he tweaks it just a bit," writes Joe Gross.
• Review:NPR lists Today is the Last Day of the Rest of Your Life as one of the five touching comics of summer. "Lust's desire to experience real life and to learn things beyond books is by turns uplifting and painful, funny and frightening…The result is a modern coming-of-age story that addresses the thrills and consequences of being young, idealistic, and more than a little lucky," Myla Goldberg sums up.
• Review:The National Post on Today is the Last Day of the Rest of Your Life by Ulli Lust. "Last Day is, essentially, a memoir of powerlessness, of how fruitless our attempts to shape our own lives can be - a fact often reflected in her lines, simple and crisp but frequently lost in the chaos of big scenes.…It's an honesty, intimate and universal, that comics capture better than any medium, and Lust's entry is an almost perfect instance," states David Berry.
• Review:Slant Magazine looks at Today is the Last Day of the Rest of Your Life by Ulli Lust. Tim Peters says, "…it's spontaneous, sexual, and both cynically and internationally adventurous. It's also further proof that the graphic novel is going to dethrone the novel as the 21st century's preferred form for telling a story…A good way to think about Today Is the Last Day is as a kind of anti-Eat, Pray, Love."
• Plug:Cleaver Magazine on Today is the Last Day of the Rest of Your Life by Ulli Lust. "…the beauty of this graphic memoir is in the way, image by image and line by line, it captures that yearning and its momentary fulfillments in the shapes of breathtaking, carefully drawn landscapes, or drawings that depict Ulli's surreal fantasies, like her body floating happily over the Spanish stairs," writes Tahneer Oksman
• Review:Cult Montreal enjoys Today is the Last Day of the Rest of Your Life by Ulli Lust. "Today is the Last Day of the Rest of Your Life is a gripping read that feels like a story a close friend might tell you after returning from a long voyage. Lust's lively illustration style and enthralling narrative voice make this graphic novel a feminist On the Road for the twenty-first century," writes Jeff Miller.
• Plug:Largehearted Boy lists Today is the Last Day of the Rest of Your Life by Ulli Lust as one of the picks of the week "It's a frank, funny, occasionally brutal coming-of-age story…There's plenty of sex, drugs, and violence, though it's Lust's insight and sensitivity that really make it shine," writes The Librarie Drawn & Quarterly Bookstore.
Today is the Last Day of the Rest of Your Life is a gripping read that feels like a story a close friend might tell you after returning from a long voyage. Lust’s lively illustration style and enthralling narrative voice make this graphic novel a feminist On the Road for the twenty-first century. - See more at: http://cultmontreal.com/2013/07/comics-review-ulli-lust-tom-gauld-joe-ollmann/#sthash.5LDUqr84.dpuf
Today is the Last Day of the Rest of Your Life is a gripping read that feels like a story a close friend might tell you after returning from a long voyage. Lust’s lively illustration style and enthralling narrative voice make this graphic novel a feminist On the Road for the twenty-first century. - See more at: http://cultmontreal.com/2013/07/comics-review-ulli-lust-tom-gauld-joe-ollmann/#sthash.5LDUqr84.dpu
• Interview: Matt Seneca interviews Charles Forsman of The End of the Fucking World and being compared to Charles Schulz on Comics Alliance. "It is very much about being fucked-up when you are a teen and that should be a timeless idea. We all go through that. I guess the 80s thing is something that I use as an atmospheric reference for myself," says Forsman. "Forsman managed to do what even the most talented cartoonists often have difficulty with, fusing the honesty of presentation and uninflected realism native to classic alternative comics with the white-knuckle pace and jaw-clenching cliffhangers of the best action storytelling," writes Seneca.
• Interview: Chuck Forsman talks about mini-comics, schoolin' and The End of the Fucking World with Spurgeon on The Comics Reporter<. "I really enjoyed building something with smaller bricks. I guess that's how I've always thought of comics, breaking it down into scenes. Even when I'm just doing one book. I also like to mix the bricks up a bit." .
• Review: The New York Journal of Books enjoys Wake Up, Percy Gloom by Cathy Malkasian. "In a graphic novel filled with exceptional art, lush dreamscapes and characters of rich beauty, Ms. Malkasian brings simple moments to life that show us the depth of someone's heart," writes Mark Squirek. "Wake Up, Percy Gloom reminds us that every single moment is important because at any second apples may bloom and fall from the sky."
• Review:iFanboy on Wake Up, Percy Gloomby Cathy Malkasian. "Malkasian decorates the tale with surreal and absurd dressing (reminiscent of the land of Oz, more than anything else), and plots with twists and turns that are almost impossible to anticipate....If L Frank Baum, Jim Henson and, Jeff Smith wrote a comic together, it would feel (and look) a bit like Percy Gloom," writes Josh Christie.
• Review:The Comic Pusher looks at Wake Up, Percy Gloomby Cathy Malkasian. "Part cutting satire, part fairy tale, part nightmare…Wake Up, Percy Gloom! is another astonishing work from Malkasian, a beautiful and uplifting graphic novel filled with magic and loss and joy. Malkasian, a veteran animator and now highly accomplished cartoonist, once more delivers a work of startling power cementing herself as one of the most distinct and important voices in comics," pens Jeffrey O. Gustafson.
• Commentary: Jessica Lee report on The Beat about Cathy Malkasian's talk at the California College of Arts. "The amount of precision and undeniable heart Cathy puts into every ounce of her characters, panel construction, and worldbuilding is commendable, filling WAKE UP PERCY GLOOM with the kind of rare wonder that make it a gem in the pool of graphic novels…" writes Lee.
• Review:Eye of the Majestic Creature Vol. 2 by Leslie Stein is reviewed on VICE. "What Leslie does with her work is special. She seems largely influenced by newspaper comics, but her stories are subtle.…The core of this series seems to be about how uncomfortable it is to interact with other people and how lonely it can be in New York," says Nick Gazin.
• Review: Eye of the Majestic Creature Vol. 2 by Leslie Stein on Comics Bulletin. "Leslie Stein is a voice for a certain aspect of her generation, the ones you see feigning ironic detachment while inside they are either all honest excitement or vast empathy. While it's just so much easier and cooler not to get emotionally involved, for people like Stein, that's just really not possible," writes Daniel Elkin.
• Review:Good Dog by Graham Chaffee on Forbidden Planet International. "It's a brilliant little book, one I could quite cheerfully have read much more of, one that definitely left me wanting more…throughout the book, Chaffee paints the picture so vividly that you understand that dogs, just like us, are complicated beasts, and each has to find their own life," writes Richard Bruton.
• Review: The Hooded Utilitarian reviews Good Dog by Graham Chaffee. "Chaffee largely eschews panels which are filled with multifarious meaning and intricate correlations, adopting congenial, unsensational storytelling, evoking time, place and character; the gentle rhythms of a nostalgia associated with the early to mid twentieth century…The central questions being tackled here appear to be those of belief, ideology, and faith. A tangential discussion of deist philosophy may not be out of the question as well," writes Ng Suat Tong.
• Plug:Drawn Words on Good Dog by Graham Chaffee. "Good Dog is absolutely one of the most interesting comics of the year…Ivan's struggle as a stray is parallel to everyday human interaction and quest for personal fulfillment, exploring animal psychology in the simplest way Chaffee can possibly explain, while simultaneously maintaining a strong grip of emotion," muses Kevin Cortez.
• Review:The End by Anders Nilsen on The A.V. Club. "This is a book from comics' more avant-garde wing, and a premier example of how to make experimental work that still connects broadly, rather than coming across as self-indulgent vamping," writes Noel Murray.
• Plug:New York 1 on The End\ by Anders Nilsen. "…this beautiful creation explores grief and life, unanswered questions and unquestioned thought," states Andrew Losowsky.
• Interview: Alex Dueben of CBR interviews Kim Deitch on The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley, process and the inclusion of beavers. "Well, when you read around in old fiction there is a whole genre of stuff that you might categorize as "hollow earth" stories. You know, hidden teeming civilizations deep within the earth.…The almost human workaholic activities of beavers seemed like a potentially good fit to a story of that kind," answered Deitch.
• Review:The National Post reviews Lost Cat. "Jason is one of the few artists (or writers) who can make existential aches seem droll, but it makes the smiles being provoked feel as honest as the ones we get when standing across from someone who makes the world feel a little less lonely," muses David Barry.
• Review:Comics Alliance gives Jason's Lost Cat the whatfor! "If you're familiar with Jason's previous work, you know his mastery of minimalist storytelling is what drives his art. His anthropomorphic, near emotionless characters, along with his consistent four panel page layouts, are his signature," writes Joseph Hughes.
• Review:Comics Bulletin looks at Jason's Lost Cat. "In a way it asks us to consider what is more meaningful, actually connecting or the longing to connect in the first place…Jason is an artist of a high caliber and reading Lost Cat confirms this. He creates in isolation, ruminates about our inability to connect, and, by doing so, brings us together," writes Daniel Elkin.
• Plug:Lost Cat is on Publishers Weekly Picks of the Week. "A humorous PI story populated by animals takes a turn toward the absurd in the newest-and longest yet-graphic novel by Jason."
Review: iFanboy on Bread & Wine by Samuel Delany and Mia Wolff. "The book is short...but packs some serious punch. Lots of the credit can go to Mia Wolff, whose black-and-white pen work adds some serious grittiness to the story. The only thing I love more than a good love story is a good atypical love story, and Bread & Wine fits the bill nicely," writes Josh Christie.
• Review:Bread & Wine by Samuel Delany and Mia Wolff on Sequential Tart<. "The story itself is intimate and at times awkward to read, which makes it feel very real and personal. Delany doesn't shy away from some of the less-appealing moments in the relationship...Bread & Wine is an unusual offering, and certainly won't be to everyone's taste, but it's certainly worth a read now that it's widely available and reasonably priced," writes Katie Frank.
• Review:Bread &Wine by Samuel Delany and Mia Wolff was reviewed on Comics Grinder. "This graphic novel, originally published in 1999, springs from a memoir and stands alone as engaging and insightful...For a book that promises an erotic tale, there are even more scenes that speak to the great divide between the two men which they will either struggle with or overcome," wrote Henry Chamberlain, Comics Grinder
• Plug:Bread & Wine by Samuel Delany and Mia Wolff on Largehearted Boy. "With Alan Moore contributing an introduction and Neil Gaiman and Junot Diaz (and Frank Miller in case that still means something to anyone) singing its praises, you know Bread & Wine has something special going on," says Benn from Atomic Books.
• Plug:Publishers Weekly on Hip Hop Family Tree by Ed Piskor. Maurice Boyer details the creative process: "each strip [is] a full week affair in which he spends a day of research and writing immersed in books, videos or interviews in search of inspiration for the week's strip. From there, he spends the rest of the week drawing his pages by hand and coloring them on the computer."
• Interview:Julia Gfrӧrer is interviewed on The Beat by Zainab Ahktar. "I like writing for a contemporary setting, but a contemporary mermaid story would be kind of a hard sell, it feels unpleasantly whimsical to me, so for that reason Black is the Color had to be set in the past." nbsp;
• Review:HIV+ on 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook. "It can be difficult to remember in 2013, just how despised gays were and just how oblivious the rest of society seemed to the AIDS epidemic in those dark days.… But 7 Miles a Second captures the rage and impotence felt by thousands of young gay men who were suddenly faced with the brutal finality of death," writes Jacob Anderson-Minshall.
• Review:Hyperallergic on 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook.. "Wojnarowicz…didn’t win the great game of life; they lost bitterly. To hear about those losses firsthand, to watch them unfold in words that essentially position us as front-row spectators, is devastating.…If there’s another theme in 7 Miles a Second, one that counteracts the weight of the body, it must be motion. Evident in both the form and content of the text, motion offers the promise of escape," writes Jillian Steinhauer.
• Commentary:MSN ran a story about the Sub Pop Silver Jubilee and the In Case We Die reading & signing by Danny Bland. "Bland read a passage about the first time the book's main character and his teenaged girlfriend shoot up - a degenerate scene redolent of hindsight romanticizing. Packed inside the bookstore, the audience roared approval. Only in Seattle."
• Interview:The Weekings' Joe Daly (a different one!) interviews Danny Bland on In Case We Die and getting clean, "Well, the catalyst for me getting clean was the classic tale of running out of resources. I did drugs until I ran out of money, and friends to steal from, and eventually the criminal element that I became involved with became too hot." Read more about these adventures in In Case We Die!
• Review:Forbidden Planet International on Jacques Tardi's Goddamn This War! "This is going straight into my own collection, and in my opinion every decent graphic novel collection needs some Tardi in it, he is one of the great masters of the medium," sums up Joe Gordon.
• Review: The French Embassy outlines Goddamn This War!"Goddamn This War! shares with [It Was the War of the] Trenches its sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude."
• Review:Washington Post on Barnaby by Crockett Johnson. "A whole new generation now will have the opportunity to become acquainted with Johnson's influential creation...Liberals may love Barnaby, but there is no reason why conservatives and libertarians can't admire the beauty, simplicity, wittiness and intelligence of this groundbreaking strip, too," posits Michael Taube.
• Review: Barnaby by Crockett Johnson reviewed by The A.V. Club<. "With Barnaby, Johnson combined low-impact serialized adventure with some gentle comedy based around the ways that adults and kids diverge in their perspectives. The result is a compulsively readable strip with a winningly off-kilter point-of-view-and a cultural treasure that's been long-overdue for this kind of prestige archival project..." posits Noel Murray.
• Plug:Mental Floss on Barnaby by Crockett Johnson. "It mixed fantasy, satire and political commentary and its humor was often very subtle. So subtle that its popularity was limited compared to most strips of the day. Editors Eric Reynolds and Philip Nel have taken great pains to annotate many of the topical references that were made to help new readers appreciate what Barnaby's small but devoted readership enjoyed at the time," pens Rich Barrett.
• Review: Comics Worth Reading flips through Mickey Mouse Color Sundays by Floyd Gottfredson. "The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper," writes Johanna Draper Carlson.
• Review:Robot 6 on Mickey Mouse Color Sundays by Floyd Gottfredson. "What I really took away from this book, however, was Gottfredson's considerable (and very nuanced) compositional and storytelling skills...an entertaining read and still a thrill to see what Gottfredson work out and then master this longer styled-format. Disney fans - or just fans of solid, entertaining comics in general - won't be disappointed."
• Review: The Complete Syndicated Pogo Vol.2 "Bona Fide Balderdash" by Walt Kelly receives a 5 outta 5 stars from Comics Bulletin. "The world of those delightful characters feels tremendously lavish and vivid. Kelly's strip came from an era of deep graphical inventiveness…This book is pure magic, suitable for both a fourth grade teacher and a fourth grader," muses Jason Sacks.
• Review:Page 45 on Love and Rockets: The Companion edited by Marc Sobel and Kristy Valenti. "Best of all, however, are the interviews, so utterly addictive that I almost missed my review deadline…Editor Marc Sobel's interview with Los Bros Hernandez delivers some astonishing insights into the cycle of each story's conception, execution, then complete burned-out numbness in Jaime... and workaholic Gilbert's crippling self-doubt halfway through each chapter early on," states Stephen L. Holland.
• Review:Spectrum Culture enjoys Hal Foster's Prince Valiant 6: 1947-1948. "Readers unfamiliar with the Prince Valiant strip owe it to themselves to take a look. The stories encapsulate the values of a simpler, less cynical time, and the illustrations are first-rate," writes David Maine.
• Plug: An odd but fun article on Love and Rockets and baseball on The Good Phight. "It's odd, Jaime's stories in L&R, collected in the massive Locas collections, are kind of geek treasure troves. Clearly Jaime is influenced by punk and 80's alt California, but he's also really into superheroes, luchadores, and monster movies, so you get this weird melange of nostalgia for all of this old nerd culture."
• Commentary: Deb Aoki reports on Best/Worst Manga Panel at SDCC 2013. Moto Hagio's The Heart of Thomas is listed as Best New Manga for Kids/Teens. Wandering Son by Shimura Takako is listed on Best Continuing Series for Kids/Teens. And finally Inio Asano's Nijigahara Holograph lands on the Most Anticipated New Manga list.
• Review: Wandering Son Vol. 4 is reviewed on Experiments in Manga. "As nostalgic as Wandering Son can be, the middle school years haven't been idealized in the series.…Wandering Son is more about characters than a linear plot, but the fourth volume is an important setup for what comes next in the series," says Ash Brown.
• Review:School Library Journal looks at Willard Mullin's Golden Age of Baseball and how it is applicable in the classroom! "student sports fans (in this case, baseball fans specifically) can leverage their outside-of-school literacies to comprehend and appreciate the sophisticated cartoons and high-level text in Willard Mullin’s Golden Age of Baseball," says Peter Gutierrez.
• Review:Full Stop is pleased with the Fantagraphics' EC Comics Library. "It's fitting that Fantagraphics - long-time champion of the rights and importance of comics creators, and re-issuer important historical comics - would arrange a publishing line this way. Even though it may not be surprising, it's still a commendable decision. It's also an important development in further establishing comics as art and literature worthy of serious consideration and study.… It presents work by EC’s most important artists, drawing the work from across all EC titles," states Sam Costello.
• Review:Comics Bulletin] >on 50 Girls 50 by Al Williamson. It "is an affordable means of acquiring a pleasingly complete collection of this seminal work by a seminal artist."
• Plug: Boing Boing delights in The Littlest Pirate King by David B. "So, it's a little grim. But it's also gorgeous…If you liked the premise of Neil Gaiman's award-winning Graveyard Book, you're sure to love this, but be aware that it's much a darker and sadder story than Gaiman's. I think this is probably suited to kids eight or nine and up…" suggests Cory Doctorow.
• Review: Jason Sacks on the Comics Bulletin gives Donald Duck: The Old Castle's Secret by Carl Barks the run down. "This book is an absolutely delightful assortment of stories, a thoroughly charming, delightful collection of vivid stories full of clever wordplay and slapstick action…Barks tells the story in ways that have to delight any reader.The more I read of Barks's comics, the more I come to love them."
So we missed the deadline to give the new issue of Love and Rockets: New Stories its traditional Comic-Con debut in San Diego. Instead we're planning on it to debut at the Autoptic festival in Minneapolis, with Jaime there to sign copies. And we can at least give you this glimpse at the final cover art (don't let the setting and the hammer fool you; it's not Luba, but her granddaughter "Killer") and tease you with 10 pages of the contents — 5 from Jaime and 5 from Gilbert. Gilbert's "Killer" begins to delve into her family's twisted history, in Palomar and beyond. It's a tangled skein that ties in to Gilbert's next "Fritz B-Movie" graphic novel, Maria M. Book 1. And on Jaime's side it's more mystery and hijinks with hapless high-schooler Tonta and her weird new friend "the Gorgon," both introduced last issue. The rest will be revealed when the book hits shelves in October — pre-order now and you can be among the first to read it!
Curated by our very own Zak Sally, the exhibit features Hernandez' work from 1977 to the present, including original art from Hernandez' personal collection as well as posters, prints, publications, and historical production pieces from our archives.
And on Friday, August 16th, Jaime will be the special guest at an artist's reception from 6:00 to 9:00 PM, surrounding a talk at 7:00 PM in Auditorium 150.
This exhibit only runs through August 18th, 2013, so see it while you can! See it multiple times! And if you'll be in town for Autopic, stop by and see it. Just go see it!
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