We only just found out about this and it started at 2:30 PT, but you can still stream the program in its entirety: Jaime Hernandez & Todd Hignite appear on KCRW's Politics of Culture to discuss The Art of Jaime Hernandez with host Eric J. Lawrence today.
• Johnny Ryan has a bunch of new prints for sale. We saw Matt Groening admiring the one above at Comic-Con, our own Kristy Valenti very happily bought the cat one, and the "Nachos" one is just 100% pure genius
• Interview: The Minneapolis City Pages talks to Zak Sally about the "2nd Annual Report," a big old hootenanny celebrating and benefitting his small press imprint La Mano which took place at Eclipse Records in Minneapolis last week (which we found out about too late to Flog, dang it): "La Mano is what it is, the stuff I love. A celebration of stuff that people make and create by hand. Last year was great, and if every year there could be a sort of one spot where all that stuff is able to happen in, I'm happy as a pig in shit!"
I thought I could keep up with Online Commentary & Diversions while at Comic-Con. Ha ha ha ha ha.
• Coming Attractions: At Robot 6, Chris Mautner takes a look through the 46 (!!!) upcoming books listed in our Fall/Winter catalog (note: listed release dates may no longer be accurate and are all subject to change)
• History/Profile/Review: "What A Drunken Dream reveals is an author whose childhood passion for Frances Hodgson Burnett, L.M. Montgomery, and Isaac Asimov profoundly influenced the kind of stories she chose to tell as an adult. ... For those new to Hagio’s work, Fantagraphics has prefaced A Drunken Dream with two indispensable articles by noted manga scholar Matt Thorn. ... Taken together with the stories in A Drunken Dream, these essays make an excellent introduction to one of the most literary and original voices working in comics today. Highly recommended." – Katherine Dacey, The Manga Critic
• Review: "Anyone interested in the historical development of manga and the women who’ve contributed to the art form should read this book. I hope A Drunken Dream sells well enough for Fantagraphics or other publishers to consider putting out some of Hagio’s longer works. Her short stories are great, but I’d love to see what she does with a longer storyline." – Anna Neatrour, TangognaT
• Plug: "What Osamu Tezuka is to shonen and seinen manga, Moto Hagio is to shojo manga -- a true innovator who challenged and stretched the conventions of the medium by created touching, memorable and truly artistic comics stories. ... Fantagraphics had copies of the absolutely gorgeous hardcover edition of A Drunken Dream available for sale at their [Comic-Con] booth..." – Deb Aoki, About.com: Manga
• Interview:The Comics Journal's Shaenon Garrity sat down with Moto Hagio & translator Matt Thorn for a conversation at Comic-Con International: "I find it very embarrassing to read my very early work, but when you see the stories arranged chronologically it gives a good overall impression of my career. In Japanese, too, it’s common to present an author’s works in a sample spanning his or her whole career, so it’s turned out very much like that."
• Review: "Deadpan dialogue, drawings that move from panel to panel with the strange and deliberate force of kung fu performance art, and a subtle interweaving of humor and angst come together to make [Werewolves of Montpellier] a brief knockout of a book." – Publishers Weekly (Starred Review)
• Review: "...[T]his cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. There are stories within stories, unreliable explainers, secret passageways that lead from one part of the tale to another." – Publishers Weekly (Starred Review)
• Review: "Wally Gropius is a book that’s constantly lying to the reader, with a terrifying chaos roiling just immediately below its surface. The book is a flood of visual and textual information, but the information itself is near constantly false. ... For me, it’s a book that lies constantly, that lies at its very core, but that nevertheless ends up getting at a greater truth of things. And so, yeah: I thought that was pretty neat." – Abhay Kholsa, The Savage Critics
• Review: "There’s more derring-do [in Prince Valiant Vol. 2: 1939-1940] than you can shake a sword at! Foster’s stories are filled with vivid, colorful characters, none more engaging than the aptly named Valiant and his never-ending quest for adventure. The artwork is breathtaking. Foster’s figures are handsome and graceful whether eating a sumptuous feast or fighting on a crowded battlefield. ... Even if the age of chivalry is not your flask of ale, Foster’s art and storytelling will win you over." — Rich Clabaugh, The Christian Science Monitor
• Review: "This book is why Fantagraphics is one of the best and most important comic publishers in the business today. [Blazing Combat] is a series that could have easily been forgotten to the ages but Fantagraphics always is at the forefront of making sure important works of sequential art are remembered. ... This is a brilliant collection of stories that should be required reading. Intelligent, gripping stories and fantastic art! Grade A +" – Tim Janson, Mania and Newsarama
• Review: "Formally inventive and emotionally acute, Bottomless Belly Button indeed proves to be all those things: as fascinating and affecting a depiction of family ties as Jonathan Franzen's The Corrections or Wes Anderson's The Royal Tenenbaums." – Ed Park, Los Angeles Times
• Plugs: Alex Carr of Amazon's Omnivoracious blog has Weathercraft by Jim Woodring ("I am woefully ignorant when it comes to Woodring’s Frank comics, and this looks like the weirdest place to start") and Dungeon Quest Book 1 ("After The Red Monkey Double Happiness Book, I will read anything Joe Daly produces") on his summer vacation reading list
• History: For the Los Angeles Times, Ben Schwartz compiles an oral history of the 1980s heyday of L.A. alternative comics with Matt Groening, Gilbert & Jaime Hernandez, David Lynch (!), and Gary Panter
Gilbert, Jaime, and Natalia Hernandez packed 'em in for two solid hours of signing & sketching mania as fans snapped up the new issue of Love and Rockets: New Stories (not to mention Natalia's new minicomic The Cat Eyes #1). Also, judging by the second picture below, Natalia thinks Adam Grano is crazy.
• Review: "Regarding the artwork, finally, it is once again amazing.Creatures and landscapes seem to spring from the most disordered imagination and land on white paper before diving in a bucket of surrealism. So [Weathercraft] is yet another excellent work by Woodring..." – Thomas Papadimitropolous, Comicdom (translated from Greek – thanks to Ted and Takis for the help)
• Review: "John Pham’s latest Sublife features a group of longer pieces that conjure a philosophical, nomadic vibe that’s rare and welcome. ... He excels at telling a story with a cinematic sense of where to put the camera, so to speak, and how to build drama. ...Pham’s fondness for sci-fi odysseys of lonely adventurers in endless, barren landscapes — whether the desert of outer space or the desert outback of Australia — is a real good thing." – Byron Kerman, PLAYBACK:stl
• Review: "After a couple of years, Jaime’s Maggie storyline, which ran in L&Rv2 #s 1-10 and was reprinted in the Ghost of Hoppers book, still stands as a truly extraordinary piece of work – a story about ghosts and loss, and new friends and old towns. There are demons in the darkness, both literally and figuratively, and odd little talismans that bind us all to that weirdness. It’s a story about growing up and sticking by your friends and all the confusion that brings. It’s about adapting to the fact you’re normal and still having to avoid demonic dogs. But most of all, like almost all of Jaime’s stories, it’s about Love." – Bob Temuka, The Tearoom of Despair (via ¡Journalista!)