• Guide: At Time's Techland blog, Douglas Wolk tells you "Where to Start with Love and Rockets": "Fantagraphics actually has a guide to navigating the various overlapping reprints of the three Love and Rockets series (and assorted associated projects) to date, since everything's been repackaged and reformatted so many times. That's useful if you want to read everything in chronological order – but I'd actually suggest that you don't."
• Review: "The solid blacks and blocky grotesquerie of The Lagoon strongly recall Charles Burns’ Black Hole, a story in which adulthood is equated with monstrosity. In The Lagoon, too, sexual maturity and horror are linked. But that link is mediated by a third term — a metaphor, a song." – Noah Berlatsky, The Hooded Utilitarian (reprinted from the Chicago Reader)
• Review: "The mind of Tony Millionaire is a funny, wacky and kinda disturbing place, but man do I love it! ... Billy Hazelnuts and the Crazy Bird is an incredible book for all ages. There is nothing else like it being published today and I think that is why it’s so special! In a time when comic fans are counting every penny and scrutinizing every purchase, rest assured this book is worth every penny." – Secret Identity
"To celebrate the release of the new art book, The Art of Jaime Hernandez — The Secrets of Life and Death, Family is pleased to be hosting a signing and conversation with the books principal creators Jaime Hernanadez, Todd Hignite, and Jordan Crane on Tuesday, May 4th at 7pm." More info on the Family blog.
During Jaime Hernandez's recent visit to NYC for the MoCCA festival, The Village Voice's R.C. Baker took him to MOMA (making the unfailingly-punctual artist late for his signing at our table) and then wrote this cover story about it for this week's issue. The Maggie-and-Hopey-in-the-Big-Apple cover illo is the icing on the cake. (Also of note in the issue: "The Band Genesis Illustrated by R. Crumb" by Ward Sutton.)
• Interview: At Graphic Novel Reporter, Peter Gutiérrez has a Q&A with Jaime Hernandez & Todd Hignite, author of The Art of Jaime Hernandez: "I was a little surprised to find out that my approach to sex in comics is different from the norm. I've always tried to treat it as naturally as somebody talking about having to buy groceries, and I guess it paid off. Who knew?"
• Review: "As for this book, yes, it's completely lovely, gorgeously designed by Jacob Covey. Its contents are so damn delightful that within one week of finishing reading the book, I was actively entertaining buying what seemed to be all of it again in another format. It's an absolute treasure, a work of art I'm glad to own. ... Locas II is recommended, strongly, if you haven't read the material, but do some research [link added - Ed.] and make sure you're not duplicating yourself too much if you have." – The Hipster Dad's Bookshelf
• Review: "No one smiles. It’s am emotional world presented in emotionless, static drawings and strange greens and beiges. Nothing is visually beautiful, and while all of this would seem to work against the impact of the story, it ultimately conveys a feeling of overwhelming nervousness, or waking up way too early in the morning and blearily staring into an unfamiliar world, and this is what infects you until it all makes sense. ... [Mother, Come Home] is not a light read, but it feels much lighter than the works that it seeks to shadow, and should be a welcome addition to any collection." – Collin David, Graphic Novel Reporter
• Plugs: In their "Graphic Novels Prepub Alert," Library Journal's Martha Cornog spotlights August releases Nancy Is Happy: Complete Dailies, 1942–1945 ("Nancy has inspired numerous pop culture variations and tributes as well as a forthcoming serious analysis: How To Read Nancy (Karasik & Newgarden, Fantagraphics, Aug. 2010). The who’s who among Nancy Revivalists includes Art Spiegelman and Dan Clowes — who wrote the introduction. This first reprint volume collects the second four-year span of the run. The first four years will appear later, since the archival material is more sparse and difficult to collate") and RIP M.D. ("A 'full-color, all-ages adventure' with an animated cartoon series in development, a promising bet for reluctant readers.")
• Plug: At Robot 6, Sean T. Collins on our MoCCA table: "You could safely shop only from Fantagraphics and still experience a hella great comics industry in microcosm."
Thanks to all the artists, attendees, and MoCCA staff & volunteers for helping make the 2010 MoCCA Art Festival our most successful ever! We sold out of numerous titles, some within hours (and to the chagrin of our artists who ran out of books to sign — sorry!), and had mobs of fans turn out for our signings.
• List: Adam McGovern of ComicCritique.Com declares Miss Lasko-Gross to be Writer/Artist of the Year ("Vividly imaginative in tricky layouts, intricate patterns and hallucinatory neverlands yet starkly perceptive of everyday details and personality, immune to art-star mythology while stockpiling stuff of legend, Lasko-Gross is capable of anything — but can’t help doing right") and her A Mess of Everything the #3 Graphic Novel of the Year ("Lasko-Gross creates the least wholesome and most healthy youth memoirs you’re likely to read. Tales of adolescent insight, creativity, trauma and folly for those who like to learn their lessons with minds of their own"); Gilbert Shelton's "Last Gig in Shnagrlig" from Mome Vols. 13-15 to be Strip of the Year ("With a style that seems strung from spider-webs, popping veins, worried brow-wrinkles and tangled vines and an eye for absurd posturing, both undiminished by five decades and whatever art-supplies he’s been sniffing, Shelton’s dystopian vaudeville is a vision you can never predict of species-wide misbehavior which remains, alas, just like you remembered it"); and Lilli Carré's "The Carnival" from Mome Vol. 14 to be Short Story of the Year ("A bittersweet, tragicfunny story of the luminous, enchanting worlds just beyond the outskirts of nowhere")
• Review: "I spent most of this week reading the new, paperback edition of Blazing Combat ... [T]he artistry on display is so mind-boggling, particularly in the case of Crandall, Heath and Severin, that it seems churlish of me to not recommend this book simply because of a few overly and obviously ironic twists. The creators clearly had a real love for this kind of material, so much so that [I] wish things had tipped slightly in their favor a bit more, and that the market had made at least a little more room for war comics when as the silver age gave way to the bronze." – Chris Mautner, Robot 6
• Review: "...I love the art, with great layouts, nice thick lines, and coloring that's somehow both rich and muted. Even when I don't like the characters or find their actions believable I still love the way everything looks. And the elliptical structure was a smart choice because it adds at least a little bit of mystery; instead of just reading to see what happens next you keep going to better understand what's already happened. I don't know if the stories were published individually anywhere, but Hallorave is basically the first book of King of the Flies, with two more on the way. I'm interested to see how closely they intersect with each other." – Garrett Martin, Shazhmmm...
• Review: "Based on a crime novel by Jean-Patrick Manchette, West Coast Blues is an existential comic by master cartoonist Jacques Tardi. It's colorless crime as only the French can do it, with despicable characters waxing philosophical on film and high-risk sex even while on the run from clumsy assassins. ... Plenty of crime stories revolve around the bizarre preoccupations of its characters and just as many are centered around the plight of the common man thrust into extraordinary circumstances. But Tardi really brings it home, offering a messed up story about messed up people who do some truly messed up things. While only 80 pages, it's a robust read. ... As compelling as this short yarn is in terms of the writing, the real draw here is Tardi. ... His style is comparable to Herge's, if not quite as clean. His characters are expressive and his architecture's pretty damn impressive. ... Big ups to Fantagraphics and editor/translator Kim Thompson for assembling a really lovely English language edition of this book." – Paul Montgomery, iFanboy
• Commentary: "You would think I'd have more to say about teaching 'Human Diastrophism,' one of my favorite comics in the classroom, but this was my fourth pass at the story and most of the classroom surprises have been played out. The greatest remaining challenge is just the problem of extracting one storyline from Gilbert Hernandez's long-running Palomar setting and fitting it into a single week of class discussion." – Marc Singer, I Am NOT the Beastmaster
• Interview:In this video, Vito Delsante talks to Jaime Hernandez at Jaime's appearance at Jim Hanley's Universe in NYC last Friday, April 9 (via ¡Journalista!)
• Interview: "'Digital vs. paper? That’s a totally bogus debate,' [Peter] Bagge told Wired.com in an e-mail interview. 'There will always be both. Whichever one you want, you got it!'" Well that solves that!