|Jaime Hernandez cover for Marvel's Strange Tales|
|Written by Mike Baehr | Filed under Jaime Hernandez, Coming Attractions||17 Aug 2010 11:53 AM|
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Category >> Jaime Hernandez
Online Commentary & Diversions:
• Review: "Of the artists that meant the world to me when I was young enough that lots of artists meant the world to me, Jaime Hernandez is the only one I know of that can still kill me dead with his newest and latest. Your mileage may vary, but Jaime's three-part story in the latest Love and Rockets brought to mind the same sweep of romance and regret and pursuit of all that's sweet in life as much as battered and broken insides allow that I remember all too well from the summer between my junior and senior years in college, when I would have put everything about my wonderful life on hold to climb into a black and white comic book for a little while. There are three or four panels in this newest effort worth some cartoonists' entire careers." – Tom Spurgeon, The Comics Reporter
• Review: "Set to Sea is [an] auspicious debut... Weing's nameless, landlubbing protagonist aches to rhapsodize about the sea but discovers that something's missing. After dozing drunkenly on a dock, he awakes to discover he's been shanghaied. His adventures provide ample material for a volume of poetry in this hilariously violent picaresque tale." – Richard Pachter, The Miami Herald
• Review: "A book like The Best American Comics Criticism invites argument. If you put 'best' in your title, argument will follow. I’ve got arguments, but I wanted to start by praising both the editor, Ben Schwartz, and the publisher, Fantagraphics, for making the effort." - Derik Badman
• Review: "...[T]his story is one where Deitch tries to tie the various unruly strands of his many stories together. In a way, I almost prefer that these overlapping, nesting, and sometimes contradictory stories never really congeal, but The Search for Smilin' Ed is, like all of Deitch's work, a compelling and highly personal piece of work." – Robert Boyd, The Great God Pan Is Dead
• Review: "Although the images are very haunting, they are extremely beautiful. Pim & Francie is a pretty unique book. ... This book as a whole is actually quite creepy, haunting, scary, beautiful, and intoxicating. I seem to enjoy it more every time I look/read through it. With images on almost every single page, this book is worth a lot more than its cover price." – Steven Thomas
• Review: "Wally Gropius ...[is] John Stanley for the 21st century. Not that Stanley doesn’t work just fine in 2010, but Hensley is worthy of that sort of praise. I wish this guy was writing Archie." – Chris Reilly, Guttergeek
• Review: "I loved this book and am glad I... could read something this wonderfully twisted... I really wish I could tell you what genre this is, but The Squirrel Machine defies that sort of commercial branding." – Chris Reilly, Guttergeek
• Review: "Man, Joe Daly is awesome. ...[H]e is back with thunder in his pen and ants in his pants. [Dungeon Quest] is as good as Scrublands on page one and it just gets better and funnier, more bizarre and familiar (if you have ever met or hung out with Larpers) with each page turn. Welcome back, Joe Daly. You rule." – Chris Reilly, Guttergeek
• Review: "The Troublemakers... is Gilbert [Hernandez] doing a Quentin Tarantino, in that he dips into a sleazy old unpleasant genre of crime exploitation films of the 60s and 70s and cherry-picks a bunch of the good bits and smashes them together and cooks them into a really sweet pie." – Chris Reilly, Guttergeek
• Review: "The Culture Corner... is the biggest score for fans of Wolverton since the publication of the Wolverton Bible. I guess you could also say that this is the first reprint collection of Wolverton material since the Wolverton Bible if you wanted to nit-pick. Great stuff." – Chris Reilly, Guttergeek
• Plug: "I’m barely able to form coherent thoughts about Moto Hagio’s A Drunken Dream and Other Stories. It’s an amazing collection of her work, and I hope it just causes an explosion of interest in her work." – David Welsh, The Manga Curmudgeon
• Plug: Sarah McIntyre took some lovely photos of Hank Ketcham's Complete Dennis the Menace 1961-1962
• Interview: At WFMU's Beware of the Blog, Kliph Nesteroff talks to Drew Friedman: "When I was talking to Albert [Brooks] at this party he said, 'Drew, did you know that Harpo's ex-wife married Frank Sinatra?' I said, 'No, it was Zeppo's ex-wife.' He said, 'No, no, it was Harpo's ex-wife.' I said, 'No, it was Zeppo's ex-wife. Look, we have Andy Marx, Groucho's grandson standing right here. Let's ask him.' I said, 'Andy, which one of your uncles married Frank Sinatra's wife?' He said, 'Well, that was Zeppo's wife.' That's why I love L.A. It's handy to have Groucho's grandson [around] when you need him." (Note: audio of this conversation will be available from the Inkstuds podcast soon; we'll keep you updated)
• Profile: Seattle Times book editor Mary Ann Gwinn reports on the partnership between Rick Marschall's Rosebud Archives and Fantagraphics Books: "Now Marschall's company, Rosebud Archives, and Fantagraphics have formed a joint publishing enterprise that will draw from Marschall's immense collection, reclaiming the work of the great 20th-century magazine and newspaper artists for the 21st-century public."
• Commentary: At The Hooded Utilitarian, Shaenon Garrity kicks off a critical roundtable on Popeye with a 7-part appreciation: "Popeye hangs on, indestructible..., the last of a tougher, smellier, funnier breed."
Periodic clips & strips — click for improved/additional viewing at the sources:
• Gabrielle Bell kicks off "Season 3" of Lucky with the first part of her San Diego Comic-Con diary; also, her previously-serialized strip "Manifestation" is presented in its entirety at What Things Do
From our own Eric Reynolds:
Jean Schulz with her Bob Clampett Humanitarian Award at the Eisners.
From our own Adam Grano:
Moto Hagio sketching.
Jaime Hernandez says howdy to Dave Gibbons.
Adam meets Matt Groening.
From Pink Cow Photography:
The Hernandez clan.
From Jody C.:
From Exhibit A Press:
From Bridie Macdonald:
Great stuff! If you know of any good shots we've missed, let us know.
Buckle in for two weeks worth of clips & strips — click for improved/additional viewing at the sources:
• A 1950 profile of Jim Flora
• Johnny Ryan has a bunch of new prints for sale. We saw Matt Groening admiring the one above at Comic-Con, our own Kristy Valenti very happily bought the cat one, and the "Nachos" one is just 100% pure genius
My favorite photo of the Con: a next-generation fan enjoying a comic by a next-generation artist (Natalia's The Cat Eyes #1)!
It became a daily thrill seeing what Moto Hagio would draw on our whiteboard for each of her signings:
Stephen DeStefano was very generous with fans:
Final done-in-one Day 4 update coming soon...
Online Commentary & Diversions:
• Interview: The Minneapolis City Pages talks to Zak Sally about the "2nd Annual Report," a big old hootenanny celebrating and benefitting his small press imprint La Mano which took place at Eclipse Records in Minneapolis last week (which we found out about too late to Flog, dang it): "La Mano is what it is, the stuff I love. A celebration of stuff that people make and create by hand. Last year was great, and if every year there could be a sort of one spot where all that stuff is able to happen in, I'm happy as a pig in shit!"
I thought I could keep up with Online Commentary & Diversions while at Comic-Con. Ha ha ha ha ha.
• Coming Attractions: At Robot 6, Chris Mautner takes a look through the 46 (!!!) upcoming books listed in our Fall/Winter catalog (note: listed release dates may no longer be accurate and are all subject to change)
• History/Profile/Review: "What A Drunken Dream reveals is an author whose childhood passion for Frances Hodgson Burnett, L.M. Montgomery, and Isaac Asimov profoundly influenced the kind of stories she chose to tell as an adult. ... For those new to Hagio’s work, Fantagraphics has prefaced A Drunken Dream with two indispensable articles by noted manga scholar Matt Thorn. ... Taken together with the stories in A Drunken Dream, these essays make an excellent introduction to one of the most literary and original voices working in comics today. Highly recommended." – Katherine Dacey, The Manga Critic
• Review: "Anyone interested in the historical development of manga and the women who’ve contributed to the art form should read this book. I hope A Drunken Dream sells well enough for Fantagraphics or other publishers to consider putting out some of Hagio’s longer works. Her short stories are great, but I’d love to see what she does with a longer storyline." – Anna Neatrour, TangognaT
• Plug: "What Osamu Tezuka is to shonen and seinen manga, Moto Hagio is to shojo manga -- a true innovator who challenged and stretched the conventions of the medium by created touching, memorable and truly artistic comics stories. ... Fantagraphics had copies of the absolutely gorgeous hardcover edition of A Drunken Dream available for sale at their [Comic-Con] booth..." – Deb Aoki, About.com: Manga
• Interview: The Comics Journal's Shaenon Garrity sat down with Moto Hagio & translator Matt Thorn for a conversation at Comic-Con International: "I find it very embarrassing to read my very early work, but when you see the stories arranged chronologically it gives a good overall impression of my career. In Japanese, too, it’s common to present an author’s works in a sample spanning his or her whole career, so it’s turned out very much like that."
• Review: "Deadpan dialogue, drawings that move from panel to panel with the strange and deliberate force of kung fu performance art, and a subtle interweaving of humor and angst come together to make [Werewolves of Montpellier] a brief knockout of a book." – Publishers Weekly (Starred Review)
• Review: "...[T]his cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. There are stories within stories, unreliable explainers, secret passageways that lead from one part of the tale to another." – Publishers Weekly (Starred Review)
• Review: "Wally Gropius is a book that’s constantly lying to the reader, with a terrifying chaos roiling just immediately below its surface. The book is a flood of visual and textual information, but the information itself is near constantly false. ... For me, it’s a book that lies constantly, that lies at its very core, but that nevertheless ends up getting at a greater truth of things. And so, yeah: I thought that was pretty neat." – Abhay Kholsa, The Savage Critics
• Review: "There’s more derring-do [in Prince Valiant Vol. 2: 1939-1940] than you can shake a sword at! Foster’s stories are filled with vivid, colorful characters, none more engaging than the aptly named Valiant and his never-ending quest for adventure. The artwork is breathtaking. Foster’s figures are handsome and graceful whether eating a sumptuous feast or fighting on a crowded battlefield. ... Even if the age of chivalry is not your flask of ale, Foster’s art and storytelling will win you over." — Rich Clabaugh, The Christian Science Monitor
• Review: "This book is why Fantagraphics is one of the best and most important comic publishers in the business today. [Blazing Combat] is a series that could have easily been forgotten to the ages but Fantagraphics always is at the forefront of making sure important works of sequential art are remembered. ... This is a brilliant collection of stories that should be required reading. Intelligent, gripping stories and fantastic art! Grade A +" – Tim Janson, Mania and Newsarama
• Review: "Formally inventive and emotionally acute, Bottomless Belly Button indeed proves to be all those things: as fascinating and affecting a depiction of family ties as Jonathan Franzen's The Corrections or Wes Anderson's The Royal Tenenbaums." – Ed Park, Los Angeles Times
• Plugs: Alex Carr of Amazon's Omnivoracious blog has Weathercraft by Jim Woodring ("I am woefully ignorant when it comes to Woodring’s Frank comics, and this looks like the weirdest place to start") and Dungeon Quest Book 1 ("After The Red Monkey Double Happiness Book, I will read anything Joe Daly produces") on his summer vacation reading list
• History: For the Los Angeles Times, Ben Schwartz compiles an oral history of the 1980s heyday of L.A. alternative comics with Matt Groening, Gilbert & Jaime Hernandez, David Lynch (!), and Gary Panter
• Comic-Con: ICv2 provides a few additional details (including price and publishing schedule) and The Beat, Cartoon Brew, The Daily Cartoonist, Disney Comics Worldwide, disZine, Publishers Weekly cover our announcement about publishing Floyd Gottfredson's Mickey Mouse strips; Sean T. Collins wins for best commentary: "Given Disney's relationships with both Boom and Marvel I'm a little surprised, but only a little. I imagine that if you walk into a conference room with an armful of the Complete Peanuts, Dennis the Menace, Popeye, Krazy & Ignatz, etc., you probably walk back out with a handful of contracts."
• Comic-Con: The San Diego Union Tribune talks to our own Eric Reynolds and other publishers on the floor of Comic-Con about the recent surge in classic comic-strip collections
• Comic-Con: Making the scene at the USA Today Pop Candy meetup, Dame Darcy
Gilbert, Jaime, and Natalia Hernandez packed 'em in for two solid hours of signing & sketching mania as fans snapped up the new issue of Love and Rockets: New Stories (not to mention Natalia's new minicomic The Cat Eyes #1). Also, judging by the second picture below, Natalia thinks Adam Grano is crazy.