Once again we're bringing you an advance sneak peek at our listings for the next issue of Previews, this time with our releases scheduled for February 2010. It's going to be a big month for us with 8 new books, including two new Love and Rockets collections (one from Gilbert & one from Jaime), a great Kim Deitch yarn, horror noir from Ho Che Anderson, Captain Easy Vol. 1 (resolicited from August), a new softcover edition of the almost-out-of-print Blazing Combat, The Best American Comics Criticism of the 21st Century, and, pictured above, the breathtaking new graphic novel from Eisner Award winner Cathy Malkasian! Check it all out right here.
(Ed. note: As more end-of-year lists come in, we will collect the listed titles in a 2009 Critics' Picks category in our online shop, as we did for the 2008 Critics' Picks, in addition to noting them here on Flog.)
Here you go, today's Online Commentary & Diversions:
• Review: "Locas II, by Jaime Hernandez, combines lush artwork with vivid, heart-in-mouth storytelling. ...[I]f you haven’t encountered its two heroines before, you might find yourself a little lost in the ongoing magic realist soap opera that is Hernandez’s stock-in-trade. It would be a bit like dropping in on Coronation Street for the first time — albeit a Corrie soundtracked by The Germs and Big Black. ... [But] even if you find yourself lost somewhere in the middle of Locas II, the lostness makes a kind of sense. The lives Hernandez chronicles are a little lost. ... Best of all, there's the creamy out-and-out gorgeousness of Hernandez's cartooning, with its echoes of Peanuts, the old Archie comics and 'good girl' art (never, outwith [Russ] Meyer's movies, have so many worn so little so often). Can you fancy a drawing? Look at the portrait of Frogmouth on page 405 and tell me it's not possible." – Teddy Jamieson, The Herald
• Review: "The Good: Prison Pit reminded me a lot of Gwar, professional wrestling and the comic strips my friends and I used to draw in junior high. ... It was gross as hell and filled with blood and gore and just straight-up repulsive juvenile humor. It was a lot of fun. The Bad: It’s probably too awesome for a lot of people to handle. ... The Bottom Line: Dude, it’s great. Just shut up and buy it. ...I’m giving Prison Pit anA and as soon as I’m done writing this review, I’m going to sit down and re-read it." – Chad Derdowski, Mania
• Review: "Giraffes in My Hair: A Rock ‘N' Roll Life... is deeply personal but doesn't get bogged down with self service or making a Titan out of a man. I love that here we have a view of some of the seedier sides of counterculture that doesn't have an agenda beyond the act of sharing...of storytelling. It feels like a recounting, almost a journalistic telling of the facts of his personal history. But it also feels like you're having a great dinner with an old friend. ... As a graphic novel it is very strong. Carol Swain’s rough-layered pencils are distinct and complex with texture. ... Giraffes achieves a fusion of art and story where each serves the other in a mutually empowering way. An ideal comic. It is sharp and witty visual commentary on sharp and witty writing. There is a great eye for details at play with Swain's artwork. ... It is as though the story and memory of the story are more important than the teller himself. Brilliant." – Jared Gniewek, Graphic NYC
• Review: "The fact is that comics have always had an abstract artistic potential — and as far as my memory goes, one that is accepted by all worthwhile theoretical definitions of comics. But, until now, its role was secondary, relegated to isolated experiments. It is here that the anthology does its job: presenting an overview and organizing it, Abstract Comics creates a movement. From it, abstraction in comics can move beyond an experiment and become a legitimate possibility — a process that began in the visual arts years ago." – Eduardo Nasi, Universo HQ (translated from Portuguese on the Abstract Comics Blog)
• Review: "West Coast Blues is Fantagraphics' first offering in what one hopes will be am ambitious Tardi reprint project... It's an elegant, somewhat unorthodox set-up, at least with Tardi's narration, and indeed Tardi makes a number of creative, idiosyncratic choices in adapting the novel. ... The '70s milieu shouldn't put anyone off, and in fact that's one of the book's charms, with Tardi's clean line depicting classic old Mercedes and Citroens, and plenty of legwork and driving rather than digital assistance. Tardi has a really appealing style, clear and photorealistic in the details and yet messy with life. ... Tardi doesn't shy away from the violence of the story, but he doesn't revel in it, either, his pages all varying grids, many with tall, narrow panels that keep the pace brisk." – Christopher Allen, Comic Book Galaxy
• Plug: "As Orson Welles and Terry Gilliam have film adaptations of Don Quixote as their great incomplete masterworks; Al Columbia has Pim and Francie. A work over 15 years in the making, and never now likely to be ‘finished', the pieces of it have been assembled as Pim & Francie: The Golden Bear Days." – Marc Arsenault, Wow Cool
• Review: "It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs [All and Sundry], [Paul] Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded." – Publishers Weekly (starred review)
• Review: "What I liked [in Abstract Comics], I liked for more than just the strips themselves--I liked them for the proof they offer that comics really is still a Wild West medium in which one's bliss can be followed even beyond the boundaries of what many or even most readers would care to define as 'comics.' That an entire deluxe hardcover collection of such comics now exists is, I think, one of the great triumphs for the medium in a decade full to bursting with them." – Sean T. Collins
• Review: "Hallelujah... for Michael Kupperman! He returns with his second collection, Tales Designed to Thrizzle Vol. 1, which brings under one cover the first four issues of the same-named comic. And comic it sure as hell is. I'm not entirely certain when I've read anything that made me laugh out loud as often as this volume, with the possible exception of Kupperman's debut Snake 'n' Bacon's Cartoon Caberet. Women who've given birth to multiple children and older readers are advised to secure some kind of adult diaper." – Late Reviews and Latest Obsessions
• Review: "Willie & Joe is an extraordinarily compiled and presented tribute to Bill Mauldin, the two-time Pulitzer Prize winning cartoonist who chronicled life in the U.S. Army from 1940 to 1945. The set is bound in army green canvas and typeset in the font of an old manual typewriter, the kind an army clerk might have used during the Second World War. The collection is a sensory delight, pleasing to touch and beautiful to see. ... There are many scholarly works written on the topic of World War II, and those books can teach us a lot about the war, but anyone who wants to feel what American soldiers felt during the Second World War should seek out Willie & Joe. ... For the winner of two Pulitzer Prizes, for the man who was once America’s most celebrated enlisted man, Willie & Joe is a fitting, and wonderful, tribute." – David Mitchell, BiblioBuffet
• Review: "[Prison Pit Book 1 by Johnny Ryan is an] over-the-top, ultra-violent, gross-out, juvenile, yet fun and hilarious book... The dialogue that does exist retains his comic sense of disjunction and fights are as demented as you’d expect. This is not a jokey book, but his humor is retained in subtle ways—if you can envision subtle Johnny Ryan humor. ... This is just a balls-out, funny, sicko, good time. My only complaint with Prison Pit is how quickly the story ends, but hopefully the subtitle (Book One) is a promise and not a joke." – Lincoln Michel, The Faster Times [Ed. note: Book Two is in progress and due next year.]
• Review: "Longtime [Richard] Sala readers will recognize some familiar tropes right away [in Delphine]: strange surroundings, shady characters who seem to hold malevolent secrets. And Sala's art is familiar as well, but taken to a new level — lovely watercolors on the covers and moody washes on the gray interiors. The creamy paper that's typical of the Ignatz releases lends additional otherworldly, othertimely atmosphere to the story. And the logo itself is so good it deserved to be used for a long-running series. But it's the story that departs from Sala's work in some major ways... so resonant and unsettling that... it has to rank as one of Sala's major works." – Christopher Allen, Comic Book Galaxy
• Plug: "Reading [The Complete Peanuts 1971-72 and 1973-74] in one fell swoop, I've kind of come to the conclusion that this period is really the apex of Schulz's career. ...he was never as consistently hilarious or as poignant as he was in the early to mid-70s. If you're only buying two volumes of this series, it should be these two." – Chris Mautner, Robot 6
• Profile: Dan Taylor of the Santa Rosa Press Democrat catches up with Monte Schulz on his book tour for This Side of Jordan: "'It’s weird doing this,' Schulz said by phone from Nevada City during a break between book shop dates. 'It makes me nervous, at every single stop. I just realized I’m not a very public person.'"
• Interview: At Marvel.com, Sean T. Collins' series of chats with Strange Tales contributors continues with Stan Sakai talking about the creation of Samurai Hulk: "Actually, I tried to make it as much of a parallel to the modern Hulk as possible. Such as his name-he is referred to asSashimono, which means 'banner.' It's a samurai banner. And obviously there's no gamma rays, so he's cursed into turning into the Hulk by a witch called Gama, which is Japanese for 'toad' — she kinda looks like a toad." Oh man I can't wait for that.
• History: Steve Duin at The Oregonian digs up a nugget: Gary Groth on the 50th anniversary of Superman in Amazing Heroes, 1988: "My only interest in Superman, marginal at that, stems from his continuing presence as a symbol of banality and infantilism in the history of the American comic book." And it goes on!
• Random quote of the day: "Guido Crepax: popular enough to have an entire half-shelf in the Fantagraphics library, circa mid-1990s; not popular enough to have his books stolen by the interns." – Tom Spurgeon, The Comics Reporter
Portlanders! Catch Beto & Xaime this weekend as part of the Wonder Woman Day benefit festivities, which include a signing, door prizes and a silent art auction where you can bid on the above WW art from the Bros. Details below from the official Wonder Woman Day website, where there is loads more information:
• Review: "The graphic novel, it turns out, is a form especially well-suited to the noir genre. Maybe this isn’t surprising — comics have always run the gamut of moods from goofy to autobiographical to just plain smutty. But it still gives a shiver of pleasure to stumble upon a graphic novel that captures the hardboiled tone of classic noir as perfectly as West Coast Blues, Jacques Tardi’s adaptation of a 1976 crime novel by Jean-Patrick Manchette. ... The plot includes bursts of bruality, dark realizations, alluring women and grizzled observations from its antihero — all the best conventions of noir, in other words, preserved and reborn in a fresh new medium. File it next to Dashiell Hammett and Raymond Chandler." – Molly Young, We Love You So
• Review: "I had a significant crush on The Death Of Speedy Ortiz the summer I was 20 years old, reading and re-reading the serialized story with a passion I had never brought to a single comic story before then. ... I thought it was wonderful that summer I read it 10,000 times, and I remain convinced it's a special story every time I've picked it up since." – Tom Spurgeon, The Comics Reporter
• Review: "One of the many, many things I like about Kevin Huizenga's work is that a lot of his comics are about things that are not likely candidates for visual representation, and he manages to make them fascinating to look at anyway. Most of [Ganges #3] is about the process of perceiving one's own consciousness--the sort of hyperconsciousness of your own mind that happens when you're trying to get to sleep and can't--which is potentially the least interesting thing anybody could draw. And it looks fantastic..." – Douglas Wolk, The Savage Critics
• Review: "[Prince Valiant Vol. 1: 1937-1938] is gorgeous. ... [Hal] Foster is frequently cited as an influence on other great cartoonists, and part of it is his precise line and the way he builds a convincing world from authentic architecture, clothing and armaments. That's part of the appeal, but Foster also excels at staging. ... Unlike daily strip collections, the full, weekly Prince Valiant page ends up a brisk, headlong read... Prince Valiant is something I picked up expecting to admire. I had no idea I would love it. – Christopher Allen, Comic Book Galaxy
• Review: "Although far from all the artists represented in the new anthology From Wonderland with Love are so experimental with form and content that you must ask yourself if this can really still be termed comics, it is truly the cream of the crop who are assembled here. This collection offers a great perspective on how broad and versatile the talent pool is in Denmark." – Torben Rølmer Bille, Kulturkapellet (translated from Danish)
• Interview: At Largehearted Boy, author Jami Attenberg talks to Ellen Forney, saying "This mixture of openness and strength makes her work... extremely powerful and relatable, and probably very necessary for your bookshelf." From Ellen: "Sometimes I have to reflect and remind myself that I do have many more skills and more experience in my repertoire at this point, and to appreciate that the challenges don't freak me out so much. Still, some challenges are exhilarating and some are a pain in the ass."
• Commentary: At Comics Comics, Dash Shaw comments on and posts a transcript of a panel he was on at TCAF earlier this year
• Quote of the week: "Right at the outset of the show, the con's lasting image was burned in my brain: Kim Thompson and Gary Groth carrying a wooden palette piled high with empty boxes to the exit door by our table. They weren't fucking around. No interns, no 'assistants.' Now that's what I call, 'Keeping it Real'." – from Frank Santoro's SPX report at Comics Comics
• Review: "I've gone on record several times here saying how much I love [Jaime Hernandez's] Ti-Girls saga [in Love and Rockets: New Stories] and how it seems to 'get' the superhero genre in ways that the Big Two just don't seem to anymore. All that holds true here [in issue #2] and more, with a wonderful, fitting ending for our heroines. I wonder what he'll do for an encore." – Chris Mautner, Robot 6
• Review: "...[M]oreso than any continuing comic I can think of, Ganges places maximum emphasis on how events don't matter so much in a life as how they're processed, by means ranging from simple moment-to-moment experience to fleeting reflections on whole segments of a guy's youth gone by. ... Literalization of funnybook iconography powers the book's wit -- I mean, word balloons that literally float, ok? -- but it's how Huizenga builds on these ideas that matters, stacking images of thought streams and leaping licks of heartburn and disembodied heads with eyes closed to convey the enormity of a night passing, of conscious thought retreating, like a terrible shift in life itself. ... Totally assured work, supremely technical so as to address the personal. Kevin Huizenga is this reading generation's Chris Ware, and his work cannot be ignored." – Joe McCulloch, Jog - The Blog
• Plug: "...[Mome Vol. 16] verily brims with Renée French, Archer Prewitt, T. Edward Bak, Dash Shaw and new Fuzz & Pluck from Ted Stearn. And it includes two exclusive Cold Heat stories..." – Joe McCulloch, Jog - The Blog (same link as above)