The cutest Carré animation of Online Commentaries & Diversions*:
• Review: Chris Sims on Comics Alliance looks at the first story (and title story) of the latest Carl Barks collection: Walt Disney's Donald Duck "A Christmas for Shacktown." Sims says, "At 32 pages, it's a sprawling epic (By Barks' standards, anyway) that hits those beautiful Holiday themes of altruism and the spirit of giving. Although to be fair, it does get a little closer to cannibalism than most other Christmas comics.
• Review: Speaking of Christmas comics, John Seven of the North Adams Transcript reads Charlie Brown's Christmas Stocking by Charles M. Schulz. "As with the best of Schulz's work, the humor alternates between deadpan and over the top, and the presentation of religion and holidays both is both irreverent and respectful at the same time. Schulz was a multi-faceted writer and could tackle contradictions through great simplicity. Charlie Brown's Christmas Stocking stands as gift from the past that is greater than the size of the package. It's a real treasure."
• Review (audio):Comic Books are Burning in Hell take you on a whirlwind, family road-trip of a podcast review of Gary Panter, Dal Tokyo and his occasional critics (Andrew Arnold). "Panter is very good at drawing altered states." "What was loose, scrappy and punk rock becomes much tighter." "The later stuff in here is the quote, unquote nicest drawing Gary has ever done, most acceptable comicswise." The evolution of one man's comics.
• Plug: Creator of Barack Hussein Obama, Steven Weissman, runs around looking for vintage comics with Love and Rockets co-creator, Mario Hernandez at the Comics Alliance. Need a hot tip? "They stick a lot old stuff in between the new stuff so I always look for the brown spines,"says Mario.
• Review:On the North Adams Transcript, John Seven enjoys Charles Forsman, Oily Comics and The End of the Fucking World. "When I started, I didn't have a real plan for [TEOTFW]," Forsman said. "I just wanted it to be fun. After laboring over the other book, I wanted to have fun again, because when you're working on something for awhile, you can get bogged down in the details."
• Review:Filth and Fabulations includes Dungeon Quest 3 by Joe Daly in a Best of 2012 list. "The riffing on classic roleplaying tropes is often hilarious, but the true comedic brilliance of the series lies in the way Daly writes the often drawn out pages of dialogue between the main characters. He manages to capture the way people talk in real life perfectly."
• Review:MTV Geek's Best of Graphic Novel 2012 List includes Athos in America by Jason. "A series of short stories that put Jason's insecurities and imperfections on display in an occassionally uncomfortable and frequently moving way," states Eddie Wright.
• Review:MTV Geek's Best of Graphic Novel 2012 List counts Noah Van Sciver's The Hypo as Numbah One! "A big-budget movie can't capture the subtlety of Lincoln's personality like it's done here," states Valerie. Eddie Wright chimes in and says, "In Van Sciver's well-researched, moving portrait of the troubled president, he's painted as a nuanced, difficult, intriguing and most of all, human figure."
• Review: Noah Bertlatksy of The Hooded Utilitarian looks at Johnny Ryan's Prison Pit 4, the importance of genitals in an invulnerable society. "Prison Pit is a hyberbolic, endless series of incredibly gruesome, pointless, testosterone-fueled battles with muscles and bodily fluids spurting copiously in every direction. . . everybody, everywhere, is a sack of more or less constantly violated meat, to whom gender is epoxied (literally, in this sequence) as a means of more fully realizing the work of degradation."
• Plug: David Allen of the Daily Bulletin takes a look at all the comic strip reprints out currently, ready to read Pogo: The Complete Syndicated Strips Vol. 2 "Bona Fide Balderdash" by Walt Kelly. "Through his nonsense-spouting critters in the Okefenokee swamp, Kelly often satirized government and national politics, taking on the Red Scare and coining the phrase "We have met the enemy and he is us. But 'Pogo' also had slapstick combined with wordplay and whimsy. Nice to have 'Pogo' back."
Jason has returned home to Montpellier from his Montreal jaunt and is back to posting images from his next graphic novel Lost Cat (coming in May 2013) on his always-delightful blog, including what he says will probably be the final cover illustration, above.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
128-page full-color 14" x 18" hardcover • $75.00 ISBN: 978-1-60699-411-5
"I have the name Johnny Gruelle permanently stuck in my memory from the Raggedy Ann & Andy books I used to look at as a kid. He was a comic-strip artist, too, and Mr. Twee Deedle ran from 1911 to 1914 after he won a New York Herald competition. It's gorgeous stuff, given the Sunday Press-style super-oversize treatment in this $75 hardcover -- those who like 'Little Nemo in Slumberland' and/or 'Maakies'... should certainly have a look at it." – Douglas Wolk, ComicsAlliance
"...I have fond memories of reading my mother’s old, frayed Raggedy Ann and Andy books as a child, so I’m curious to see Mr. Twee Deedle, a collection of strips done by Raggedy creator Johnny Gruelle prior to his seminal children’s series." – Chris Mautner, Robot 6
"Mr. Twee Deedle: Raggedy Ann’s Sprightly Cousin – The Forgotten Fantasy Masterpiece of Johnny Gruelle may run a fair risk of getting buried this week, but I’ve had my eye on the strip since Tony Millionaire started referencing it years ago, and these 128 pages are reproduced in a 14″ x 18″ format, so they should be fairly easy to spot, even above the din of stuff that escorts our June into history; $75.00." – Joe McCulloch, The Comics Journal
"This is a staggering-looking book of work from the cartoonist Johnny Gruelle that I think ran concurrently to the Raggedy Ann stuff that found more of a place in the pop-culture firmament. You could see this as a way of exploring where someone like Tony Millionaire came from, or as a precursor to the Peter Wheat book someone out there has to be doing." – Tom Spurgeon, The Comics Reporter
• Review: "Certainly, the comic’s self-contained gag-a-day format, along with the clarity and force of Bushmiller’s compositions, can often make each strip seem like an instance of emphatic singularity, a totem to be worshipped in dumb awe. But Nancy Is Happy returns to this gag-a-day strip precisely its daily qualities, so often overlooked. There is, we rediscover, an aspect of the quotidian to Nancy, a rhythmic unfolding in time, an ordinariness repeated with such unrelenting frequency that we’ve opted to shunt it into the sublime. Reading Nancy in continuity, rather than in isolation, may be an unfamiliar experience, but it is one which reveals the strip’s patient and inquisitive reaction to the bric-a-brac and ins-and-outs of everyday life—an attentive curiosity whose effect is diminished by removing the comics from their daily or weekly contexts." – Sean Rogers, The Comics Journal [Disclosure: I stole the pull-quote from TCJ.com editor Dan Nadel – Ed.]
• Interview:Inkstuds podcast host says "Sammy the Mouse cartoonist/publisher/printer Zak Sally joined me for a comics talk that goes into some interesting directions. We cover his latest book, as well as variety of funny book topics."
• Hooray for Hollywood:Screen Daily reports that the in-development film adaptation of Jason's I Killed Adolf Hitler has a director attached, a cult-fave actor in casting talks, and a CGI Hitler
• Review: "In Athos in America , the ideas behind the first three stories are so clever and punchy that they carry the rest of the anthology. Furthermore, the stories are constructed such that, due to their structure alone, any further padding would be impossible. In many ways, Athos In America feels like the artist looking back at his body of work to date... Despite his style, Jason is quite effective in modulating emotion from story to story, going from gags to violence to tragedy, sometimes all in the same story. Jason is in total control of all aspects of his storytelling, and, even after a decade straight of ambitious publishing, it seems as if he’s just getting warmed up." – Rob Clough, The Comics Journal
• Review: "Isle of 100,000 Graves was even better than I expected, and that’s saying a lot about a pirate comic by one of my favorite cartoonists. I’ve only ever read Jason’s short story collections before now, so this was my first introduction to his long-form work. It’s funny, adventurous, and totally had me rooting for wily little Gwenny and her unlucky pirate companion as they searched for Gwenny’s missing dad in an island school for executioners." – Michael May, Robot 6
• Review: At The Comics Journal it's Tucker Stone on Love and Rockets Vol. I No. 2: "There’s so much to love in here, and Gary Groth’s overly excited, Gaddis-quoting essay really sets a wonderful tone. This thing stinks of comics, it’s wet and messy."
• Review: "The white rabbit who serves as our guide suggests Alice in Wonderland, but despite fantastical touches, Interiorae is much more concerned with the world as it presents itself. Intertwining the lives of the people who live in an apartment complex, it’s in some sense a book-length meditation on a rather beautiful idea, that the day-to-day lives of all the little people aren’t just worth paying attention to, but are essential to the very fabric of the spaces we inhabit. Giandelli doesn’t entirely avoid mushy sentimentality nor the excesses of an open heart — absolutely no one is deserving of even so much as mild criticism here, which feels more naive than accepting — but her feel for our inner lives, as well as a visual style that evokes the richness of life as she sees it, win out in the end." – David Berry, National Post
• Review: "Nicolas Mahler’s childishly cute drawings put an adorable face on a satire with a pretty deep cynicism with the superhero comics industry. A creation of Korporate Komics, Angelman is pink dumpling with wings, blessed with the superpowers of sensitivity, open-mindedness and being a good listener, at least until focus groups and lagging sales put him through a gritty reboot and a some deep-seated neuroses about being a second-rate hero. Mahler’s points about corporate art certainly don’t aim for subtlety, but that doesn’t make them any less true, and a droll sense of humour keeps things from getting too preachy." – David Berry, National Post
• Review: "Athos in America... is another collection of graphic novellas and graphic short stories from master of deadpan presentation Jason in the style of Low Moon, and, as with the release of all new work from Jason, a cause for celebration.... This book is chock-full of examples of Jason’s inspired appropriation of classic trash pop culture, and his repurposing of it in formally experimental (or is playful a better word?) explorations of the human experiment.... Jason’s comics are among the hardest in the world to review, as it’s difficult to say anything beyond 'Well, that was perfect' in terms of assessment, and the specific magic he works is so difficult to describe in words, and so easy to communicate by simply pointing to a random volume of his work and saying, 'Hey, check this out.'" – J. Caleb Mozzocco, Robot 6
• Review: "For a list price of $39.99... this book [Amazing Mysteries] does a wonderful job of showing off Bill [Everett]’s early work and lets us learn a lot about the man. .... Bill was an enormous talent for telling stories. Bill’s work, often as writer and artist holds up much better then many other artists from his time. This volume is a lot of fun as you can flip through it and see how much Bill played with layouts and panel design.... Bill was an amazing talent.... Bill’s style is so distinct it is often easy to tell when he did all the work. Bottom line for a good collection of a master in his early days, this book is hard to beat." – Jim Martin, Comics and... Other Imaginary Tales
• Review: "There are only a handful of rock journalists who could have a collection of their work seem like a necessity, and Paul Nelson would be at the very top of that list.... Kevin Avery's book [Everything Is an Afterthought] gathers many of Nelson's finest pieces, most for Rolling Stone magazine... As amazing as all those stories are, it's also Avery's riveting biographical chapter on Paul Nelson that really takes a sledgehammer to the soul. Weaving together the recollections of many of Nelson's peers, the portrait we're left is of a man that struggled to maintain a hold on reality, finding higher enjoyment in the world of the mind.... Paul Nelson took what was already life-changing, and the way he saw it and could speak about it, made it even more thrilling. Now we can celebrate him all over again." – Bill Bentley, The Morton Report
• Profile: The lead-in to TCAF at Canada's National Post continues with David Berry talking to Zak Sally: "His latest book, Sammy the Mouse, had an original home as part of Fantagraphics’ Ignatz series, but is now being collected and bound by Sally himself, by hand in his Minnesota studio. The world of Sammy reflects this hands-on approach: it feels immediate and lived-in, almost less like a story than a tour of Sally’s internal brain architecture, with a slight misanthropy and freewheeling visual style that recall work like Chester Brown’s Yummy Fur. 'For me, finding those first underground comics was incredible,' says Sally, who got his start reading superhero tales, but was quickly turned. 'It turned comics into something you realized you could just do yourself: just get your s–t together and do it.'"