• Review: "In Athos in America , the ideas behind the first three stories are so clever and punchy that they carry the rest of the anthology. Furthermore, the stories are constructed such that, due to their structure alone, any further padding would be impossible. In many ways, Athos In America feels like the artist looking back at his body of work to date... Despite his style, Jason is quite effective in modulating emotion from story to story, going from gags to violence to tragedy, sometimes all in the same story. Jason is in total control of all aspects of his storytelling, and, even after a decade straight of ambitious publishing, it seems as if he’s just getting warmed up." – Rob Clough, The Comics Journal
• Review: "Isle of 100,000 Graves was even better than I expected, and that’s saying a lot about a pirate comic by one of my favorite cartoonists. I’ve only ever read Jason’s short story collections before now, so this was my first introduction to his long-form work. It’s funny, adventurous, and totally had me rooting for wily little Gwenny and her unlucky pirate companion as they searched for Gwenny’s missing dad in an island school for executioners." – Michael May, Robot 6
• Review: At The Comics Journal it's Tucker Stone on Love and Rockets Vol. I No. 2: "There’s so much to love in here, and Gary Groth’s overly excited, Gaddis-quoting essay really sets a wonderful tone. This thing stinks of comics, it’s wet and messy."
• Review: "The white rabbit who serves as our guide suggests Alice in Wonderland, but despite fantastical touches, Interiorae is much more concerned with the world as it presents itself. Intertwining the lives of the people who live in an apartment complex, it’s in some sense a book-length meditation on a rather beautiful idea, that the day-to-day lives of all the little people aren’t just worth paying attention to, but are essential to the very fabric of the spaces we inhabit. Giandelli doesn’t entirely avoid mushy sentimentality nor the excesses of an open heart — absolutely no one is deserving of even so much as mild criticism here, which feels more naive than accepting — but her feel for our inner lives, as well as a visual style that evokes the richness of life as she sees it, win out in the end." – David Berry, National Post
• Review: "Nicolas Mahler’s childishly cute drawings put an adorable face on a satire with a pretty deep cynicism with the superhero comics industry. A creation of Korporate Komics, Angelman is pink dumpling with wings, blessed with the superpowers of sensitivity, open-mindedness and being a good listener, at least until focus groups and lagging sales put him through a gritty reboot and a some deep-seated neuroses about being a second-rate hero. Mahler’s points about corporate art certainly don’t aim for subtlety, but that doesn’t make them any less true, and a droll sense of humour keeps things from getting too preachy." – David Berry, National Post
• Review: "Athos in America... is another collection of graphic novellas and graphic short stories from master of deadpan presentation Jason in the style of Low Moon, and, as with the release of all new work from Jason, a cause for celebration.... This book is chock-full of examples of Jason’s inspired appropriation of classic trash pop culture, and his repurposing of it in formally experimental (or is playful a better word?) explorations of the human experiment.... Jason’s comics are among the hardest in the world to review, as it’s difficult to say anything beyond 'Well, that was perfect' in terms of assessment, and the specific magic he works is so difficult to describe in words, and so easy to communicate by simply pointing to a random volume of his work and saying, 'Hey, check this out.'" – J. Caleb Mozzocco, Robot 6
• Review: "For a list price of $39.99... this book [Amazing Mysteries] does a wonderful job of showing off Bill [Everett]’s early work and lets us learn a lot about the man. .... Bill was an enormous talent for telling stories. Bill’s work, often as writer and artist holds up much better then many other artists from his time. This volume is a lot of fun as you can flip through it and see how much Bill played with layouts and panel design.... Bill was an amazing talent.... Bill’s style is so distinct it is often easy to tell when he did all the work. Bottom line for a good collection of a master in his early days, this book is hard to beat." – Jim Martin, Comics and... Other Imaginary Tales
• Review: "There are only a handful of rock journalists who could have a collection of their work seem like a necessity, and Paul Nelson would be at the very top of that list.... Kevin Avery's book [Everything Is an Afterthought] gathers many of Nelson's finest pieces, most for Rolling Stone magazine... As amazing as all those stories are, it's also Avery's riveting biographical chapter on Paul Nelson that really takes a sledgehammer to the soul. Weaving together the recollections of many of Nelson's peers, the portrait we're left is of a man that struggled to maintain a hold on reality, finding higher enjoyment in the world of the mind.... Paul Nelson took what was already life-changing, and the way he saw it and could speak about it, made it even more thrilling. Now we can celebrate him all over again." – Bill Bentley, The Morton Report
• Profile: The lead-in to TCAF at Canada's National Post continues with David Berry talking to Zak Sally: "His latest book, Sammy the Mouse, had an original home as part of Fantagraphics’ Ignatz series, but is now being collected and bound by Sally himself, by hand in his Minnesota studio. The world of Sammy reflects this hands-on approach: it feels immediate and lived-in, almost less like a story than a tour of Sally’s internal brain architecture, with a slight misanthropy and freewheeling visual style that recall work like Chester Brown’s Yummy Fur. 'For me, finding those first underground comics was incredible,' says Sally, who got his start reading superhero tales, but was quickly turned. 'It turned comics into something you realized you could just do yourself: just get your s–t together and do it.'"
You can find them with Fantagraphics at tables 119-121:
And don't forget to check out their panel on Saturday morning!
SATURDAY, MAY 5th
10:00–11:00 AM // International Perspectives Comics creators from around the world come together in this panel to showcase the similarity and differences of their approaches to the comics medium. With Jose-Louis Bocquet, Gabriella Giandelli, Tom Gauld, Jason, and Hugues Micol. Moderator: Caitlin McGurk. (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
All our TCAF details (including our scintillating debuts!) can be found here. We'll see you in Toronto this weekend!
• Profile: David Berry of Canada's National Post profiles the Toronto-bound Jason: "'I guess I’m not the most talkative person myself, so most of my characters end up the same way,' says Jason (a.k.a. John Arne Sæterøy) who, true to form, conducted our interview over email from his current home in France. 'I just think silence can be more effective than a lot of words.' The truth of that is in the book he’ll be showing off at the Toronto Comic Arts Festival, Athos in America. The collection of short stories is in a lot of ways a quintessential distillation of his themes and tendencies, blending together his cast of mostly melancholy (and quiet) anthropomorphized characters, dryly existential humour, sparse but careful composition and plots borrowed but tweaked from Hollywood genres such as crime, science fiction and, in the case of the titular musketeer, historical derring-do."
• Review: "...Mauldin created great art. His illustrative skill still catches our eye. His depth of thought and feeling still draw us in. We ponder Willie and Joe. We weigh their posture. We stare into their ravaged eyes. Who are these men, we ask? Where did they come from? Where will their paths lead?... Mauldin’s creations are as isolated and as awaiting-of-an-unknown-fate as Vladimir and Estragon. Their foxhole encapsulates their existence with the totality of Nagg and Nell’s garbage cans. Day-by-day, Willie and Joe confronted their readers, making no progress but enduring.... Fantagraphics has honored... the survivors and the fallen, while enriching the rest of us with this collection." – Bob Levin, First of the Month (via TCJ.com)
• Plugs: Lawrence Ferber of Next Magazine mentions a few of our titles in his MoCCA Fest report: "Batman received a subversive skewing in Josh Simmons’ gleefully un-PC The Furry Trap(another of its screwy adults-only tales involves a rape-happy elf). Trap's publisher, Fantagraphics Books, will release volume three of excellent gender-bending coming-of-age Manga series, Wandering Son, this summer, along with a queer comics compilation edited by San Francisco’s Justin Hall, No Straight Lines."
• Plug: "I loved Nancy in childhood, and I love Nancy now. The accuracy and economy of Ernie Bushmiller’s art and the genial simplemindedness of his humor make an irresistible combination. So I am happy that Fantagraphics at last has published Nancy Is Happy: Complete Dailies 1943–1945." – Michael Leddy, Orange Crate Art
It's a quiet week for events. I think most of us are either recovering from Stumptown and MoCCA, or gearing up for TCAF!
Friday, May 4th
• Toronto, ON: It's the opening night of Gabriella Giandelli: A Toronto Retrospective at the Italian Cultural Institute! Over 80 original drawings will be on display. More information about this wonderful (and free!) event is coming to the FLOG later this week.
• Toronto, ON: The Italian Cultural Institute hosts another wonderful event with Gabriella Giandelli and music composer Marco Cappelli. The two will engage in a conversation on their artist careers and the influence that music has on comics. More details are coming soon to the FLOG!
Ain't no party like a Fantagraphics party 'cause a Fantagraphics party don't stop, and WE DON'T EVER STOP. We are now taking this party across the border for the 2012 Toronto Comic Arts Festival in Canada!
Join us this weekend, Saturday, May 5th and Sunday, May 6th, at the Toronto Reference Library. I love selling books in a library. Here are the debuts we'll be bringing that you will NOT find on the reshelving cart! (Unless we have to borrow it from Ab again.)
10:00–11:00 AM // International Perspectives Comics creators from around the world come together in this panel to showcase the similarity and differences of their approaches to the comics medium. With Jose-Louis Bocquet, Gabriella Giandelli, Tom Gauld, Jason, Hugues Micol, and Olivier Schrauwen. Moderator: Caitlin McGurk. (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
3:15–5:00 PM // The Adventure Time Mega-Panel! Who doesn’t love adventures? TCAF presents: Adventure Time creators doing what they do best: making crazy-delightful comics about the series they work on. Don’t miss this fun-filled live drawing session, accompanied by Q&A and general discussion. With Pendleton Ward, Ryan North, Bob Flynn, Andy Ristiano, Michael DeForge, Steve Wolfhard, and Jesse Moynihan. (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
SUNDAY, MAY 6th
11:30 AM– 1:00 PM // Thoughts on Panel Layout This panel looks at the nitty gritty of layouts around the world—where and how scene breaks happen (middle of page, end of page, fade out, formulas for transition), panel shapes and page structures (even grids, angled, borderless), “camera” angles and staging, frequency of certain types of panels (all-text, scenery only, etc), trying to figure out patterns that would be useful to clarify for creators. We’ll talk about individual creators as interesting or notable examples, and look at a big spread of works from every market. With Bryan Lee O’Malley, Jesse Moynihan, Kim Hoang, Aaron Diaz, Emily Carroll, and Francis Manapul. Moderator: Angie Wang (1st Floor: Learning Center 1)
The Toronto Reference Library is located at 789 Yonge Street. The closest major intersection is Yonge & Bloor. The closest subway station is Yonge/Bloor Station.
Fantagraphics is heading over to the mighty 2012 MoCCA Fest this weekend, with so much awesomeness in store for you all! Visit us this Saturday, April 28th and Sunday, April 29th at the Lexington Avenue Armory in New York City!
First off, take a look at all the debuts we're bringing! Many of these books won't be in stores for several more months, and copies are limited, so make our table your first stop:
Find all of this, and even more, at the Fantagraphics booth, located at our usual spot at #J1, J2, K1, K2:
And hey! Check out these panels!
Saturday, April 28th
12:15 pm // With Nicolas Mahler and Tom Gauld: Brian Heater interviews two artists; Tom Gauld of Scotland, and Nicolas Mahler of Austria. (Room B)
1:15 pm // Checklist for a New Comic: A Guide to Getting Started: In this brief seminar, Jessica Abel and Matt Madden will walk you through the many considerations you should keep in mind when you embark on a new comic of any kind. Abel and Madden will help you strategize and come up with a working plan for your next project, and will cover: creative block and coming up with ideas; choosing a format and platform that makes sense; setting goals and scheduling your time so that you can reach them; finding an audience and looking for collaborators and/or publishers. So bring some paper and be ready to take notes on your next big (or small) project! (Room B)
3:15 pm // Hans Rickheit in Conversation: Brian Heater takes on Hans Rickheit -- musician, performance artist, cartoonist. (Room B)
3:15 pm // A Nordic Roundtable with Fredrik Strömberg (SE), Peter Madsen (DK), Kaisa Leka (FI), Bendik Kaltenborn (NO) and Mattias Elftorp: The comics culture of northern Europe is brimming with energy, talent and innovation, among other things visible in the new anthology Kolor Klimax from Fantagraphics. Come and meet some of the Nordic artists present at MoCCA. (Room A)
5:15 pm // Carousel with Michael Kupperman, Domitille Collardey, Shannon Wheeler, Leslie Stein, Lauren Weinstein and R. Sikoryak: Live comics brought to life by cartoonists and a team of talented voice actors. With voices by Julie Klausner, Dave Hill, Scott Adsit. (Room A)
Sunday, April 29th
2:00 pm // A Discussion with Josh Neufeld and Shannon Wheeler: These two creators interview one another about their work in comics, especially as it relates to their approaches to documenting tragedy on the Gulf Coast. (Room B)
Be sure to drop by tables #J1, J2, K1, K2 to say hi to Jacq, Kristy, who is making her MoCCA debut, and Jen, the latest addition to the Fantagraphics Marketing team! See you at MoCCA!
Like the poster above says, it's "the International comics event of the century"!
How often is it you'll find Norwegian cartoonist Jason, Austrian artist Nicolas Mahler, and Belgian cartoonist Olivier Schrauwen, all in the same room with Montreal's Matt Forsythe and Scotland's Tom Gauld?
This Friday, April 27th is your chance! Join them all at Desert Island, starting at 8:00 PM. Get books signed, and delight in their various accents!
Desert Island is located at 540 Metropolitan in Brooklyn. And you can visit all those guys at the MoCCA fest that weekend!
• Review: "The Complete Crumb Comics Volume One: The Early Years of Bitter Struggle, a 1987 book now republished in an expanded edition, gathers together the earliest surviving examples of the great cartoonist’s juvenilia taking him from age 14 or 15 to 18 years old. The high school scribbler that we meet in these pages is a very callow Crumb indeed: Crumb before he had sex, Crumb before he dropped acid, Crumb before he was adopted as a hero of the counterculture, Crumb before he honed his satirical stance on modern life, Crumb before he became the most radical, polarizing and influential cartoonist of the late 20th century. Yet in the lanky and awkward body of the teenage Crumb we can see the outlines of the substantial artist he would become.... There are very few cartoonists whose entire body of work demands to be read and Crumb belongs near the very top of that short list." – Jeet Heer, The Comics Journal
• Review: "Has Jason become more embittered and misanthropic as he’s aged, or do those tendencies just become more evident as one reads more of his work? Athos in America is up to his usual standards, full of stories that build slowly, with plenty of subtle detail in its stone-faced panels.... Mostly, we wait for things to end badly, which they almost always do, although never with much overt expression of drama.... The execution, as it always is with both Jason and Fantagraphics, is stellar." – Hillary Brown, Paste
• Review: "Fantagraphics Books is doing a good job of preserving and publishing important cartoons. A good example is Willie and Joe: The WWII Years.... These cartoons about World War II provide the reader with a glimpse of what army life was like. Willie and Joe: The WWII Years is more than a book of cartoons by a two-time Pulitzer Prize winning cartoonist, it is a significant history book." – Glenn Perrett, Simcoe.com
• Review: "Fantagraphics Books continues to make available Charles M. Schulz's wonderful Peanuts cartoons in attractive books that make nice keepsakes. The latest volume covers the years 1983 and 1984. Lots of fun things are happening with the Peanuts gang including Snoopy's brother Spike requiring help from attacks by coyotes in the desert (they're attacking him with rubber bands), Lucy is still pursuing Schroeder, Charlie Brown is still in a "love triangle" with Peppermint Patty and Charlie Brown joins Peppermint Patty's baseball team...as a mascot. This volume includes a Foreword by Leonard Maltin. As with other Peanuts books, The Complete Peanuts 1983-1984 would make a nice gift for those who enjoy Peanuts and the work of Charles M. Schulz." – Glenn Perrett, Simcoe.com
• Interview: Geoff Boucher of The Los Angeles Times has a Q&A with Daniel Clowes about looking back on his career: "One thing that really shocked me was to go through some of the fan mail I used to get in the pre-Internet days. Lots of people — like a truly surprising number of complete strangers — would write me 10- or 15-page letters, telling me all about the most mundane details of their twitterless existence. Pretty much inconceivable nowadays."
• Opinion:Newsarama's Graeme McMillan counts down "The 10 Most Glaring Eisner Nomination Omissions," placing Dave McKean at #9 ("With 2011 seeing the release of Celluloid, the erotic graphic novel that not only marked the return of the much-loved multimedia creator... to comics but also his first full-length graphic novel ever, you would've been forgiven for thinking he would've been given some kind of nomination nod...") and Jaime Herandez at #1 ("A heartbreaking story that not only showed Jaime on top form after a 20+ year career in comics -- and definitely in a class of his own as modern-day storyteller -- 'Love Bunglers' topped many year-end lists for 2011 and was the rare comic that, it seemed, was loved and appreciated by everyone that read it.")