• Review: "Athos in America is a tour de force that showcases Jason’s immense talents as both an artist and a storyteller. These haunting stories will stick with you long after you’ve turned the last page. Rating: 10 out of 10" – Edward Kaye, Newsarama
• Interview:Comic Book Resources' Shaun Manning gets the inside scoop about the I Killed Adolf Hitler film project from Jason ("I hope it will be good. Or really bad. One of those. The disappointment would be if it's a mediocre film") and screenwriter D.C. Walker ("I viewed 'IKAH' as a jewel like the french short film 'La Jetee.' All the key themes were in place, it was just a matter of expanding on them like they did in 12 Monkeys (the film 'IKAH' will most resemble).")
• Plug: "I gotta say I'm not a big fan of the illustration on this [Kolor Klimax] cover, but the design, color, and font choice made me stand up and take notice. I 'klimaxed' a little when I first saw it. Uggh, sorry, that was too much information." – Dave Johnson, Johnson's Cover Hi-lo
Fantagraphics is excited to announce that Studio Eight has optioned the film rights to the Eisner award-winning graphic novel I Killed Adolf Hitler in association with Up Country Productions. The graphic novel by acclaimed Norwegian comics artist Jason (aka John Arne Sæterøy) and published by Fantagraphics Books in 2007 revolves around a hitman sent back to 1938 by a scientist to kill the Führer and avert the Holocaust. Complications ensue.
Jamie and Alex Brown of Studio Eight have teamed on the project with screenwriter D.C. Walker of Up Country Productions, who adapted the material.
This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators and web-savvy comic shops are saying about it (more to be added as they appear), check out our previews at the link, and contact your local shop to confirm availability.
196-page full-color 6.5" x 8.75" hardcover • $24.99 ISBN: 978-1-60699-478-8
"A new and even-odder-than-usual book of short pieces by the marvelous Norwegian cartoonist Jason; as usual, I find that his stuff seems very lightweight at first and then sneaks up on me. My favorite of the stories in here is 'The Brain That Wouldn't Virginia Woolf,' which is (in both form and content) an attempt to graft together things that don't actually fit together at all." – Douglas Wolk, ComicsAlliance
"Jason’s stuff is always awesome and this sort-of prequel to The Last Musketeer should be no exception." – Michael May, Robot 6
"The Beguiling Recommends: ...New Jason!" – Chris Butcher, The Beguiling
"If you are already a fan of Norwegian artist Jason’s work, you’ll probably just pick this. His output has been consistently that good. Some folks get turned off by the anthropomorphism or ligne clair (some call it simplistic) style of his work but fans like the mix of tragic themes and adult writing mixed with the fun adventure graphic novel style of the Tintin books. His coloring is moody with a warm, somewhat noirish palette. As usual with his books, it looks good on a shelf with it’s cloth-bound spine and hardcover format. Oh and the book collects six new stories of 'love, crime, alcohol, and severed heads.' Oh my." – Perry Shirley, The Escapist
"If I had $30, I’d... grab Athos in America, the latest book by cartooning superstar Jason. Instead of a stand-alone story, this is a collection of short tales along the lines of his Low Moon, one of which involves the title character, previously seen in The Last Musketeer. There’s also a take-off on The Brain that Wouldn’t Die that’s surprisingly sad and bittersweet." – Chris Mautner, Robot 6
"...all Diamond will list is Athos in America, the newest 196-page hardcover collection of original color work by the fabulous Jason, and that’d be enough for me..." – Joe McCulloch, The Comics Journal
"Book of the week... Fantagraphics gives us: Athos in America. A new collection by Cartoonist Jason. Absurd, funny...." – Señor Hernandez
"I'm in the midst of reading this new short-story collection from Jason. It's good, but Jason is so reliable you can basically [buy] the new works sight unseen at this point. I'm warming up to the hardcover presentations of this material." – Tom Spurgeon, The Comics Reporter
In this month's issue of Booklist you can find reviews of three of our recent releases, excerpted below:
Bill Griffith: Lost and Found – Comics 1969-2003: "Prefaced by Griffith’s long, anecdotal accounting of his work and including stories featuring other characters who’d eventually join the strip’s cast as well as 48 pages in full color..., this collection attests the perdurable wit, style, and smarts of one of the greatest of the 1960s San Francisco underground cartoonists." – Ray Olson (Starred Review)
Athos in America by Jason: "What’s amazing is how much [Jason] can squeeze from so little. Though their emotional register usually falls somewhere between disappointment and death, the stories make an eclectic bunch.... Sure, Jason’s following his muse down the wormiest of rabbit holes these days, but you wouldn’t want him any less weird." – Ian Chipman
The Big Town by Monte Schulz: "It is as impressive as it is ponderous, and the maximalist mentality of overloaded historical detail is precisely what some will love and others will leave. Readers as taken by the era as Schulz is won’t find a bigger bonanza." – Ian Chipman
"Gilbert's stories are typically excellent in this issue, as he manages a certain luridness in one story that brings sexuality to the fore, and goes the other direction in a more oblique, subtle story. Of course, the story that got everyone buzzing was the second half of Jaime's "The Love Bunglers", which is an ending for this thirty-year cycle of stories--and one where Jaime sticks the landing with authority."
"This was Bagge's first feature-length Buddy Bradley story in years, and it's a doozy. Buddy, Lisa and young Harold visit Lisa's parents in a story called 'Hell,' and Bagge truly pulls out all the stops in depicting extreme familial weirdness. His dialogue is as sharp as ever, his line is quite lively and his uncanny ability to depict the creeping weirdness of suburbia is even more disturbing than in the initial run of New Jersey stories in Hate."
"Kupperman's 'Quincy, M.E.' story in this issue is a tour-de-force of twisting narrative structures and just plain crazy silliness. Kupperman's art has become increasingly bland as his aesthetic references have changed from 1920s comic strips to 1950s comic books, forcing the reader to perform double-takes at the crazy juxtapositions he creates. If his comics aren't as visually exhausting and exciting as they once were, he still provides an avalanche of ideas and jokes for the reader to sort through."
• Review: "Norwegian cartoonist Jason has returned with more full-color stories populated by lonely, and at times sociopathic, anthropomorphic characters. Cats, dogs, and ducks steal, fight, murder, and drink themselves into oblivion. Although brimming with black humor, the tales are far from ridiculous; the disjunction between the cute creatures and their actions often serves to highlight the despair inherent in their lives. Text is light, as the images drive the narratives. In these spare, mute panels, infused with flat oranges, greens, and browns, small movements covey great meaning and emotion.... Visually exciting, at times hilarious and at times devastating, Athos in America will only add to Jason’s well-deserved reputation as a star of the graphic novel world." – Publishers Weekly
• Review: "This volume [Amazing Mysteries: The Bill Everett Archives Vol. 1] provides an illuminating look at the artist’s numerous attempts at catching Sub-Marineresque lightning in a bottle for a second time, a task that mostly eluded him. The comics studios of the golden age were product mills that threw any idea against the wall in hope it would stick, and Everett did much the same. Forgotten sci-fi and superhero creations, as well as forays into westerns, historical retellings, and crime comics, populate this loaded volume, which reads like it fell straight out of some four-color twilight zone." – Publishers Weekly
• Review: "Over 150 pages of reprints, a brilliant back-of-the-book by Benson running 26 pages, and an introduction by my old buddy, cartoonist/historian Jay Lynch..., this book is a welcome addition to any comics library.... [I]f nothing else, The Sincerest Form of Parody saves you a lot of time separating the wheat from the chaff. But in and of itself, it is a very worthy book – entertaining on his own, and critical from a historical point of view. You should check this one out..." – Mike Gold, ComicMix
• Review: "[Jordan] Crane’s comic, The Last Lonely Saturday, explores the trials and release of life after loss. Crane’s story beautifully follows a husband’s weekly ritual to pay respect to his wife. In no more than a few pages, Crane retells the husband and wife’s entire history. From the comic’s meticulous book design, with its quaint size and the rounded, hand-lettered type in the first pages, readers can expect the story to be heart-warming. But Crane pulls at readers’ heartstrings with surprising grace. While the story is rooted in the traditional American cliché of lovers reunited in the afterlife, the story is told deftly." – Juan Fernandez, The Tartan (via Robot 6)
• Review: "[Freeway] captures the frustration of being stuck in traffic, particularly the array of images (violent and otherwise) that traffic brings to my mind (even better than Falling Down). Like me, Alex also relieves his frustrations with a lot of swearing." – Gene Ambaum, The Unshelved Book Club
• Plug: "I ran into animator Michel Gagné at the Annie Awards last week (where he picked up an Annie for Best Video Game, Insanely Twisted Shadow Planet) and asked him about his next project. Turns out Gagne had been toiling on a labor of love (literally) that has just gone on sale this week.... That book, Young Romance: the Best of Simon & Kirby’s Romance Comics, is not the usual thing we endorse here at Cartoon Brew – but as a life-long Jack Kirby fan and oddball comic book buff, this project is right up my alley.... I’ve ordered my copy and highly recommend it, sight unseen. Thanks, Michel!" – Jerry Beck, Cartoon Brew
• Plug: "Joe Simon and Jack Kirby created Captain America but they literally created the romance comic genre. The pages [of Young Romance] were packed with dialogue and dramatic art as women fought for love." – Will Harris, KOMO News
• Review: "If Spielberg shed the skin of Hergé’s style in an effort to get to the heart of his stories, the compelling work of Dutch cartoonist Joost Swarte performs the procedure in reverse.... Swarte, equally inspired by the underground comix that emerged from the American counterculture of the 1960s and ’70s, adapted the clear line and reanimated it with subversive content unlike the perennially chipper Boy Scoutism of Hergé’s Tintin. ...Is That All There Is?, collecting the bulk of his comics oeuvre to date (excluding a body of children’s comics), provides an overdue opportunity to linger over and consider his narrative work.... Like a Rube Goldberg machine designed according to De Stijl aesthetics—with a rhythm and blues soundtrack—Swarte’s comics communicate a historically freighted, European sense of the absurd, poised toward a globalizing, postmodern present." – Bill Kartalopoulos, The Brooklyn Rail
• Review: "The real joy of Swarte’s work... is the architectural elegance of his illustrations and his fine ability to colour them using everything from watercolour to retro duo-tones. Looking at Swarte’s mostly 20th century work [in Is That All There Is?] now, what’s also — and tangentially — interesting is the retro-futuristic look of it: the settings are near-future, but everything’s styled circa the 1940s, much in the same way Ridley Scott imagined the future in Bladerunner. For sheer design swagger you need to check Swarte out." – Miles Fielder, The List
• Review: "These stories [in Athos in America] are a little less open-and-shut than Jason usually makes. His comics are always good, but I usually don't think about them too much after reading them. This one's more of a think stimulator than previous books.... It's a beautiful book. This is definitely Jason's best book yet. Good job, Jason." – Nick Gazin, VICE
• Interview:Chicago Publishes has an interview with Mome contributor Laura Park: "I’m really happy with the stories I did for MOME. I love short stories. Novels are the format now — it’s a selling format. You can have graphic novels in a bookstore, because non-comics people might buy them. Whenever you can get a comic from the comic shop into a bookstore, it’ll make more money. But short stories are kind of magical to me. My favorite writer is Flannery O’Connor. She has novels, but her short stories are the ones that linger and itch away through you."
The Toronto Comics Art Festival has announced the first batch of special guests for the 2012 fest, and we're excited to reveal that we'll be hosting the following global guests on May 5th and 6th:
Jason: You asked for him, you got him! Jason was, hands-down, the most asked-about artist at TCAF 2011. See? Don't say we don't ever listen to you, Toronto. He will be signing his latest, Athos in America, along with many, many other books.
Gabriella Giandelli: We are absolutely delighted to be hosting Gabriella, all the way from Italy! This is a rare treat to meet this wonderful artist, and we'll be debuting the collection of her Ignatz comic Interiorae!
Another all-original collection of full-color graphic novellas in the format of Low Moon, Athos in America takes its title from the lead story, a prequel of sorts to the graphic novel The Last Musketeer, in which the seemingly ageless swashbuckler turns up in a bar in 1920 New York and relates the tale of how he went to Hollywood to play himself in a film version of The Three Musketeers. Another tie-in with a previous Jason story occurs in “The Smiling Horse,” in which the characters from the story “&” in Low Moon attempt to kidnap a woman.
Also in this volume: “The Brain That Wouldn’t Virginia Woolf,” a mashup of The Brain That Wouldn’t Die and Who’s Afraid of Virginia Woolf, told in reverse chronological order; the Bukowski pastiche “A Cat From Heaven” in which Jason works on his comic, has a reading in a comic book store, gets drunk and makes a fool of himself; the dialogue-free (all the text occurs in thought balloons) “Tom Waits on the Moon,” in which we follow four people (one of them a scientist working on a teleportation machine) until something goes wrong; and “So Long Mary Ann,” a prison-escape love-triangle story.
Exclusive Savings: Buy Athos in America together with Jason's previous collection of original short stories Low Moon and save 20% (that's 10 bucks!) off the combined cover prices! Click here to order.
• Review: "This collection of strips [The Frank Book] doesn’t have much of a thread running through it, apart from the characters and their surroundings. Like classic cartoons and newspaper strips, they are there to have situations inflicted upon them. In his afterword, Woodring suggests that each strip is intended to be a mystery but that one concept runs through each one, like a sort of moral or statement. Finding these can, at times, be challenging, but this obscurity and strangeness is a large part of what gives the book it’s charm." – Grovel
• Review:Novi Magazine's Jona gives a spoiler-filled and tipsy run-through of The Left Bank Gang by Jason: "This book is basically the original Midnight in Paris. It features Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, and James Joyce living in France, but as cartoonists (instead of writers) in the mid 1920’s. It’s presented in Jason’s signature 'animal people' style, with consistent 3x3 conventional grids, and an immaculate sense of pacing. In short, the whole thing reeks of Jason, and I love it. I mean, seriously. All literature has been replaced with comics in this universe. What’s not to love?"
• Commentary: At Robot 6, J. Caleb Mozzocco examines the racial depictions in Walt Disney's Donald Duck: Lost in the Andes by Carl Barks: "Because so many of Barks’ stories dealt with the Ducks visiting exotic lands, because the stories in this collection were produced between 1948 and 1949 and because Disney doesn’t exactly have the most sterling reputation when it comes to representing diverse nationalities or ethnicities, I was sort of concerned about what the lily-white ducks would be faced with when they journeyed to South America or Africa. Or, more precisely, how Barks would present what they would be faced with."
• Commentary: At The Webcomic Overlook, Larry Cruz looks at Hal Foster's Prince Valiant for his "Know Thy History" column: " Foster was a fantastic all-around artist. His strip boasted some great looking architecture, meticulously detailed clothing, and epic clashes. He had a keen eye for adding shadows to heighten drama. Hal Foster is said to have put 50 to 60 hours working on a single strip, and it shows." (via Robot 6)
We love it when folks share their fan tattoos and it's even better when it's someone from one of our favorite comic shops: Julie from Secret Headquarters in L.A. just got this one based on a Jason illustration. Go buy some comics and ask to see it in person!