Fantagraphics is rockin' the convention scene from coast to coast this coming weekend, and you can also find us at the 9th Annual Stumptown Comics Fest in Portland, Oregon! Drop by the Oregon Convention Center this Saturday, April 28th and Sunday, April 29th!
You can find us at Booth 101, right near the entrance to the lobby, panels, workshops, and registration!
And many of our fine Fantagraphics artists will be featured in panels this year! Go check 'em out!
Saturday, April 28th
2:00-2:45 pm // WILD MAN: A Confluence of Art, Science and History:T Edward Bak's natural history-oriented graphic novel-biography, WILD MAN: The Strange Journey and Fantastic Account of the Naturalist Georg Wilhelm Steller was serialized from 2009-2011 in the Fantagraphics comics anthology MOME. The artist has conducted his own research throughout SE Alaska and the Aleutian archipelago, as well as St. Petersburg (Russian Federation) where he recently delivered presentations of his work for this ongoing project. Mr. Bak will relate his travel experiences, share WILD MAN artwork, relate the challenges of his process and research, and discuss his recent collaboration with writer Sarah Mirk on the Oregon History Comics project, "Voices from Celilo Falls", which further explores his interest in North Pacific natural history. (Room B111)
1:00-1:45 pm // Frank Santoro's Comic Book Layout Workshop: Frank Santoro (Cold Heat, The Comics Journal) will present a Layout Workshop for comic book makers via Skype. Borrowing lessons from his Correspondence Course, Frank will lead an informal talk and workshop which will revolve around formats available to makers in 2012 - and how comics composed for print might be translated to the web. (Room B113)
1:00-1:45 pm // Spotlight on Peter Bagge:Best known for his comic-book series Hate, which helped to define the grunge generation, and his recent contributions to Reason magazine, Peter Bagge is always willing to confront hard-hitting societal issues with intelligence, wit, and funny bone intact. Join us for a conversation with the multiple Harvey and Eagle Award-winning cartoonist, whose newest series, Reset, has just been launched in the Dark Horse Originals line. Moderated by Ryan Alexander-Tanner. (Room B114)
2:00-2:45 pm // Of Rabbits and Ronin: Spotlight on Stan Sakai: World-renowned cartoonist Stan Sakai has been writing, drawing, and even hand-lettering his beloved rabbit samurai series Usagi Yojimbo for twenty-seven years and counting. Join Sakai for a discussion of Usagi's history and future, as well as demonstrations and all-ages audience participation! Moderated by Usagi series editor, Diana Schutz. (Room B114)
Sunday, April 29th
4:00-4:45 pm // Making History: What do a Victorian robot, theology scholar, and rabbit ronin have in common? They're the stars of three very different stories in historical settings: Boilerplate: History's Mechanical Marvel; Family Man; and Usagi Yojimbo. Join their creators -- Paul Guinan and Anina Bennett, Dylan Meconis, and Stan Sakai -- for a lively discussion of history and storytelling. (Room B114)
2:00-2:45 pm // The New Underground:Frank Santoro referred to the current independent comics scene as a dawn of a new "Golden Age". There is a theory that if you go deep enough underground you hit the actual main stream. This generation is equally fluent in zines and Tumblr accounts; genre exploration and abstract art; printing process and independent distribution. Join panelists Chris Cilla, Max Clotfelter, Farel Dalrymple, Julia Gfrorer, Jack Hayden, Jason Miles, Jesse Moynihan, Emily Nilsson, Zack Soto, Angie Wang and Malachi Ward for a roundtable discussion on the future of underground comics. (Room B116)
So, come see me and Marketing Director Mike Baehr at Booth 101! I can't wait to find out what the Burgerville shake of the month is!
Running a little thin this week — our only exclusive update is Nicolas Mahler's Angelman — but we've got the usual links to strips from around the web:
• Review: "This collection of strips [The Frank Book] doesn’t have much of a thread running through it, apart from the characters and their surroundings. Like classic cartoons and newspaper strips, they are there to have situations inflicted upon them. In his afterword, Woodring suggests that each strip is intended to be a mystery but that one concept runs through each one, like a sort of moral or statement. Finding these can, at times, be challenging, but this obscurity and strangeness is a large part of what gives the book it’s charm." – Grovel
• Review:Novi Magazine's Jona gives a spoiler-filled and tipsy run-through of The Left Bank Gang by Jason: "This book is basically the original Midnight in Paris. It features Ernest Hemingway, F. Scott Fitzgerald, Ezra Pound, and James Joyce living in France, but as cartoonists (instead of writers) in the mid 1920’s. It’s presented in Jason’s signature 'animal people' style, with consistent 3x3 conventional grids, and an immaculate sense of pacing. In short, the whole thing reeks of Jason, and I love it. I mean, seriously. All literature has been replaced with comics in this universe. What’s not to love?"
• Commentary: At Robot 6, J. Caleb Mozzocco examines the racial depictions in Walt Disney's Donald Duck: Lost in the Andes by Carl Barks: "Because so many of Barks’ stories dealt with the Ducks visiting exotic lands, because the stories in this collection were produced between 1948 and 1949 and because Disney doesn’t exactly have the most sterling reputation when it comes to representing diverse nationalities or ethnicities, I was sort of concerned about what the lily-white ducks would be faced with when they journeyed to South America or Africa. Or, more precisely, how Barks would present what they would be faced with."
• Commentary: At The Webcomic Overlook, Larry Cruz looks at Hal Foster's Prince Valiant for his "Know Thy History" column: " Foster was a fantastic all-around artist. His strip boasted some great looking architecture, meticulously detailed clothing, and epic clashes. He had a keen eye for adding shadows to heighten drama. Hal Foster is said to have put 50 to 60 hours working on a single strip, and it shows." (via Robot 6)
Our weekly strips from Mahler & Weissman — Kupperman is on a secret mission and has to miss this week — plus links to other strips from around the web:
Thanks to everyone who came by and bought books at the Fantagraphics tables at the Brooklyn Comics & Graphics Festival this past weekend! Here's a look at what events are coming up this week:
Wednesday, December 7th
• Los Angeles, CA: It's your last chance to see the The Art of Problem Solving at Giant Robot, a spotlight on the animated series from Ben Jones, featuring fellow Fantagraphics artists Jon Vermilyea and John Pham on staff. Make a pizza date out of it! (more info)
• Seattle, WA: It's also your last chance to see the Short Run Art Show at the Fantagraphics Bookstore & Gallery! Curated by Kelly Froh, the exhibit features original comix art, illustration and book works by Max Clotfelter, Patrick Keck, Martine Workman, Elaine Lin, Jason T. Miles, Chris Cilla, Andrice Arp, Tim Root, Billis Helg, Marc Palm, Eroyn Franklin, Tom Van Deusen, Tim Miller, Tory Franklin, Jesse Reklaw, Sean Christensen, and Erin Tanner. (more info)
• Los Angeles, CA: Join Tony Millionaire at the third annual Feral House/Process Media Winter Solstice Celebration at the La Luz de Jesus Gallery. He'll be signing copies of his gorgeous new collection 500 Portraits. (more info)
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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