• Review: "Sala creates stories in which brightly colored, cartoony art and characters who speak in casual idiom tell of events that aren’t so much humorous or casual as provocative and scary. In [The Hidden], he combines motifs of a postapocalyptic landscape, wanderers, some vampiric businessmen, and, ultimately, Dr. Frankenstein. The stew works perfectly: readers have no chance to engage in incredulity... Characters are introduced at a steady but manageable pace, and it is only at story’s end that the opening pages become horrifyingly clear. Sala works with a full palette of beautiful, gemlike hues held in generous panels. Even the monsters have individuated faces, which only ramps up the horror." – Francisca Goldsmith, School Library Journal
• Interview:Comic Book Resources' Shaun Manning talks to Richard Sala about The Hidden: "It's a story about consequences. It's about what happens when you set wheels in motion that maybe you can't control, that in fact spin completely out of control. What do you do? Do you take responsibility for what comes next or, or do you run away and distance yourself from what you've caused and try to pretend it doesn't matter. And it's about what happens when you finally realize that it's up to you to stop what you started. Is that vague enough?! It's not exactly a 'high concept' description, I'm afraid."
• Review: "A dark horse contender for comics creator of the year can be found in the unlikely personage of the late artist Alex Toth... Setting the Standard aims at... a conceptually sound and compelling [goal]: the publication of Toth's work between 1952 and 1954 for the long-defunct comics publisher Standard... The work is in a variety of sturdy, popular genres. The presentation of the comics themselves proves crisp and strong. The manner in which the increasingly valuable Sadowski and his publisher chose to present the supporting material is even better." – Tom Spurgeon, The Comics Reporter
• Review: "I think the most important thing you need to know about [Mark Twain's Autobiography 1910-2010] is that it made me laugh out loud not once, but close to a dozen times. At one point, during an exchange with a famous cartoon strip writer, I think I laughed for a solid minute. It might have been longer, except the neighbors threatened to shoot me. And if they'd done me in, I'd never have gotten a chance to review this and tell you that this is one of the best books -- if not *the* best book -- I've read all year." – Rob McMonigal, Panel Patter
• Interview:Comic Book Resources' Alex Dueben chats with Gahan Wilson about Nuts: "On the whole, [the comic] was mostly autobiographical. It just rolled out and it was and continues to be very satisfying to me. It helped me see kids better, too. They're just wonderful. The creativity of children is kind of frightening. They all do these drawings which are just gorgeous and profound, and they'll do poetry. They're brilliant.... I think they're very encouraging because they give you a peek at what we could be if we grew up right. I think there's hope for us all, and kids are evidence of that."
• Interview: At The Comics Journal it's a Mome dude tête-à-tête as Frank Santoro quizzes Jesse Moynihan: "I did some color guides with Photoshop for a piece called Simon Magus (MOME 22). That was helpful but not usually how I do things. Since I’m using a medium that can build layers, it’s not difficult to go back in and edit the color scheme to an extent. For the most part I trust that my eye can decide what needs to happen on the fly."
• Interview (Audio): On the latest episode of the Panel Borders podcast, Alex Fitch talks to David B. about his new book Black Paths (audio in multiple formats at the link)
• Interview (Video): At SPX, Paul Hornschemeier sat down for an on-camera chat with Joe Mochove and Rusty Rowley. "We discuss all of the important topics of the day: Earnest Borgnine, mobility scooters, terrorism, and delicious orange juice," says Paul at his blog. (What is it with the Borgnine?)
We've got a gorilla-sized weekend coming up at APE: the Alternative Press Expo in beautiful San Francisco, CA! Come see us on Saturday, October 1st and Sunday, October 2nd at the Concourse Exhibition Center, and be among the first to get your mitts on these hot numbers:
You can find us in our usual spot at tables 112-115. (Right by our good friends Jim Blanchard and J.R. Williams at table 116!)
[ Please note: this is a chopped-up map, just to give you an idea where you can find us! The Concourse Exhibition Center is too wide to fit on the FLOG, so check out a PDF map here. ]
And panels! Boy, do we have panels!
Saturday, October 1st
2:00 PM // The Comix Claptrap . . . LIVE! Co-hosts Rina Ayuyang and Thien Pham record an episode of their enlightening, riotous, and controversial podcast, The Comix Claptrap LIVE at APE! For four seasons, Rina and Thien have interviewed comics artists in the indie comics scene about their work, creative processes, and experiences in the industry. Each show has included New Comics Wednesday beat reportage from fellow cartoonist Josh Frankel, and new favorite segment, The Comix Cranktrap, where they crank-call a well-known cartoonist listed in their Rolodex. Also featured on the panel: Mike Dawson, Scott Campbell, Levon Jihanian, and Esther Pearl Watson. This panel promises to be total mayhem!
3:00 PM // A Discussion with Daniel Clowes and Adrian Tomine Critically acclaimed, award-winning, bestselling cartoonists -- and APE special guests -- Daniel Clowes (The Death-Ray, Ghost World, Wilson) and Adrian Tomine (Optic Nerve, Shortcomings) are both professional peers and friends, having met over a decade ago when both lived in the East Bay. TheComicsJournal.com editor and PictureBox publisher Dan Nadel talks to the two artists about their work, their friendship, and the comics medium.
4:00 PM // Spotlight on Shannon Wheeler From stapling 21,000 minicomics, to shooting comic books with a .22, to creating operas, to publishing cartoons with The New Yorker, APE special guest Shannon Wheeler must be drinking too much coffee, man. Recently, his collection of rejected cartoons I Thought You Would Be Funnier won the Eisner Award for Best Humor Publication. Wheeler and his trusty sidekick BOOM! Studios marketing director Chip Mosher talk about the best ammunition to use on a comic, Japanese bootleg shirts, and drawing dead granddads in fishnet stockings with swastika panties. Shannon Wheeler once also created Too Much Coffee Man, so they'll probably talk about that, too.
6:00 PM // Drawing Inspiration: The Secrets of Comics Creativity Ever wonder where your favorite author or artist gets his or her inspiration? Now you can find out as moderator Charles Brownstein (executive director, CBLDF) joins APE special guests Kate Beaton (Hark! A Vagrant!), Craig Thompson (Habibi), Matthew Thurber (1-800 MICE), and Shannon Wheeler (Oil and Water), plus Tom Neely (The Wolf) for an in-depth discussion of what gets their creative juices flowing and the secrets of what inspires them.
Sunday, October 2nd
12:00 PM // Indie Cartoonist Survival Guide: Part 3 Cartoonist Keith Knight moderates this panel (in its third appearance at APE), featuring a lineup of successful independent creators who share their stories, methods, techniques, trials, and tribulations concerning making a living as a so-called Indie Cartoonist. Shannon Wheeler (I Thought You Would Be Funnier), Dan Cooney (Dan Cooney Art), Andy Ristaino (Adventure Time), and Rebecca Sugar (Pug Davis) all chime in.
The great Eric Reynolds will be manning the table, so come by and come buy! We'll see you at APE!
Special double-sized FINAL issue! After 6 years and over 2500 pages of comics, MOME heads into the sunset with an all-star, jam-packed farewell bonanza. Several past MOME favorites return for the swan song, including Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis, Anders Nilsen, Tim Hensley, Paul Hornschemeier, Gabrielle Bell, and Zak Sally (those covers!). Meanwhile, several newcomers get in just under the wire: Jesse Moynihan, Malachi Ward, James Romberger, Nick Drnaso, Joseph Lambert, Nick Thorburn, Victor Kerlow, and Ignatz Award-winners Jim Rugg and Chuck Forsman! Recent MOME favorites also return, such as Sergio Ponchione, Steven Weissman, Sara Edward-Corbett, Laura Park, Josh Simmons (plus collaborators The Partridge in the Pear Tree and Wendy Chin), Derek Van Gieson (with collaborator Michael Jada), Tim Lane, Nate Neal, Lilli Carré, T. Edward Bak, Dash Shaw, Ted Stearn and Noah Van Sciver. Over 30 artists in all, including a surprise contributor we don't want to give away!
• Review: "...Shimura Takako tells this story in such a gentle, unobtrusive way, one might believe that this story flows naturally – as if it simply spun itself from nature and is the way it is supposed to be. I think Matt Thorn’s tidy translation, which goes down the mental gullet with such smoothness, is a big reason for how readable this is. Wandering Son is not flashy or aggressive, nor does it pander or try to be hip and stylish. Takako draws the reader in so quietly that some may be surprised to find themselves on a journey of discovery and exploration with these characters. It’s like seeing preadolescence for the first time or seeing it again through fresh eyes and a new perspective.... If only more comic books were so evocative and so clear in their storytelling like Wandering Son, an ideal comic book. Ages 8 to 80 will like Wandering Son. [Grade] A" – Leroy Douresseaux, I Reads You
• Review: "Of the three books collected in this volume [What I Did], Hey, Wait... is a really evocative portrait of how childhood experiences can affect one throughout his entire life, and The Iron Wagon (which adapts an early-twentieth-century Norwegian novel) is a pretty good murder mystery that makes good use of Jason's deadpan style, but it's the middle entry, Sshhhh!, that really sticks with me, immediately jumping to the top of my favorites among the cartoonist's works.... It's sad, wonderful, exhilarating work, a great example of how amazing Jason is at what he does, and how nobody else can do it like him." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "The plot often takes a sharp turn towards the absurd and downright crazy, but eventually the story always comes back to our heroine. Adele Blanc-Sec takes no crap... It’s really nice to see such a strong female character at the centre of all this mayhem, and her character really pulls the book together.... Tardi’s artwork is great to look at; his panels are vibrant and full of life. In his hands Paris 1911 is a busy metropolitan city still hanging on to its 18th century spirit and facade.... The first volume ofThe Extraordinary Adventures of Adele Blanc-Sec left me with more questions than answers, and volume 2’s release date of November seems all to far away! I look forward to reading more of Adele Blanc-Sec’s adventures." – Will Pond, Good Comic Books
• Review: "Glenn Ganges — the protagonist of the first volume of the series Ganges — is a dreamer, an eccentric, a loving husband, but first and foremost a restless man. Meaningless details do not give rest to him, he makes a mountain out of a molehill, and his fantasies replace the reality. Five stories under one cover are the five pieces of a day in the life of Ganges.... I’d like to meet this Ganges." – Ray Garraty, Endless Falls Up
Continuing to add new Mome contributors to the Flog fold, today we look at the work of Jesse Moynihan. Jesse's new book Forming Vol. 1, the first collection of his awesome webcomic, hits comic shops today (published by Nobrow Press out of the UK and distributed in the US by AdHouse):
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