• Review: "Wilfred Santiago’s reverent comic biography 21: The Story of Roberto Clemente respectfully portrays both the player and the humanitarian without ever devolving into hagiography. [...] Santiago’s pleasantly cartoonish art defuses the sort of stifling sincerity that often turns well-intentioned works like this into ponderous bores. His dynamic layouts during the excellently rendered game scenes are tremendous, amazingly capturing the tension and euphoric release of a successful at-bat. [...] Santiago makes the sport exciting for even the most die-hard anti-baseball lout, but more importantly reminds us of the man behind one of the most inspirational figures in sports." – Garrett Martin, Paste
• Review: "...Jacques Tardi is one of the world’s greatest living cartoonists... [The Arctic] Marauder's standout attraction is Tardi’s art, particularly the complex ways Tardi combines black ink, gray tones and white space to delineate the frozen Atlantic Ocean expanses that open and close the book. ...Marauder‘s story is a pleasure to read. [...] Tardi’s handling of this milieu is perfect." – Craig Fischer, The Panelists
• Review: "Here [in Krazy & Ignatz 1919-1921] you’ll find Krazy moved to tears by the plight of a caged canary denied all the joys of free-flying fowl which he demonstrates one by one… outside of his cage. You’ll see him creep around on behalf of a pig begging for pennies after Ignatz dobs him in, the sneak. You’ll witness the sublime stupidity of Pupp and Ignatz investigating a dark cave with eyes, right under (or above) Krazy’s nose. But most of all, there’s them thar bricks aflyin’. [...] Regardless of gender, it’s probably the strangest love triangle in the world." – Page 45 (via The Comics Reporter)
• Review: "Krazy and Ignatz, as it is dubbed in these lovely collected tomes from Fantagraphics, is not and never has been a strip for dull, slow or unimaginative people who simply won’t or can’t appreciate the complex multilayered verbal and pictorial whimsy, absurdist philosophy or seamless blending of sardonic slapstick with arcane joshing. It is the closest thing to pure poesy that narrative art has ever produced." – Win Wiacek, Now Read This!
• Interview (Audio): Your must-listen of the day: our own Kim Thompson joins Inkstuds host Robin McConnell and Dr. Bart Beaty for a discussion of all things Euro-comics
• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editor Jessica Abel spotlights Nate Neal's "Delia's Love" from Mome Vol. 15 as a 2010 Notable Comic: "Clearly structured, despite somewhat-complex flashbacks, 'Delia’s Love' is a story of down-and-outness and complicated romantic and sexual history. It’s told sensitively, and with subtlety, despite the sometimes harsh subject matter. No character comes off as either entirely hero or victim, and that’s how I like it."
• Plug: "This collection [Take a Joke] will feature some of the longer humor pieces from Johnny Ryan's Angry Youth Comix and, while it is NOT family friendly, it is funny as shit. [...] REMEMBER THAT THIS IS NOT FAMILY FRIENDLY ENTERTAINMENT." – Forces of Geek
Let's see what Online Commentary & Diversions are in store for us today:
• Review: "The Troublemakers is something of a titular understatement. These guys aren’t trouble, they’re a disaster waiting to happen. ... It’s an exquisite story. With the characters locked in a tussle of greed and deceit, Hernandez makes his writing craft look effortless. The script is low-key and natural, the characters three-dimensional and interesting." – Grovel
• Review: "...[T]here seemed to be something dangerous, something man was not meant to trifle with, something unnatural, in concentrating all that uncut hilarity in one place [in Tales Designed to Thrizzle Vol. 1]... At its basal level, Kupperman’s sense of humor starts with a susceptible contemporary sensibility driven into survival mode by the open floodgates of mass culture, a modern consciousness threatened by amusement and diversion. The strategic response is one of aggressive accretion, grasping at straws and flotsam and winding up with some very odd however buoyant accumulations." – Rich Kreiner, "Yearlong Best of the Year," The Comics Journal
• Review: "I really love comics. Reading a collection like Joe Daly's Red Monkey Double Happiness Book, I'm reminded of just why. ... It's drawn like a combination of Tintin, Dilbert, and King of the Hill. It's hilarious, both in terms of the plot and the one-liners. So, like so many other great comics, it's sui generis. ... Daly's plots move at a breezy pace, but his art is sharply detailed, and drawn expertly from a variety of perspective points. The palette is vibrant and fun. ...[T]his is some seriously funny shit." – Byron Kerman, PLAYBACK:stl
• Review: "Rickheit’s artwork [in The Squirrel Machine] is stunning, from the beautifully disgusting instruments to the ornate architecture. It’s like steampunk crossed with the animal-appropriating art of Damien Hirst or Ebony Andrews, with complicated machines adorned with the heads and torsos of unfortunate livestock." – Garrett Martin, The Boston Herald
• Review: "It's like a great adaptation of an old 1990s straight-to-video erotic thriller made unpredictable with a touch of magical realism. Hernandez's strength remains his depictions of women; like Love and Rockets, the female leads of The Troublemakers are both strong and believable, no matter how atypical their situations and dimensions may seem. – Garrett Martin, The Boston Herald (same link as above)
Thursday, October 22, 7–9PM powerHouse Arena · 37 Main Street (corner of Water & Main St) · DUMBO, Brooklyn
Come celebrate the release of this essential volume of the year’s best American comics at The powerHouse Arena. Series editors Jessica Abel and Matt Madden will join the authors for a discussion, readings, slide shows, signings and more.
If you're not a bookseller or librarian, skip this post, but the new issue of Booklist is the annual spotlight on graphic fiction, and there's some very useful stuff for those building a core collection of GNs. The issue includes an interview with James Sturm, an "honor roll of female pioneers" in comics, and a look back at a lifetime reading "the Funnies" courtesy columnist Michael Cart. There are a number of top 10 lists, reviews, etc. as well.
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