"What’s most impressive about Swain’s story is its quiet nature, and its delicate portrayal of darkness. Instead of going for the obvious and imposing gruesome imagery to match the backdrop of macabre, Swain portrays the setting as a far more subtle place to contain unease, at time bucolic even with the fog of despair that sometimes hangs there." – John Seven, Vermicious
"That's Davis' sensibility. In her roundabout way, she dramatizes not the prospect of happiness, but the promise of it. Her natural territory is found in all the funny and tragic effects of that promise." – Etelka Lehoczky, NPR
"Though Watson illustrates Tammy’s life in excruciating, embarrassing detail to often-hilarious effect, her clear affection and empathy for her subject shines through. She universalizes Tammy’s experiences, taking us back to relive our own tortured, giddy, deadly serious, horny, boring, and horribly self-conscious teenage years." – Robert Kirby, The Comics Journal
"This is exactly what summer blockbusters should be, only Milburn’s is a singular vision. He exploits clichés by embracing them, and he busily captures hyperspace hilarity, while the black and white pages never feel overwhelmed by the dark backdrops or Milburn’s detailed designs." – Alex Carr, Broken Frontier
"Tardi is unremitting in his focus on the small, human details of the catastrophe—not just the look of uniforms and weaponry, but the way one soldier advances in an awkward, stiff-armed posture, 'protecting my belly with the butt of the rifle,' and the way another makes sculptures and rings from discarded shells, to sell to his comrades." – Gabriel Winslow-Yost, The New York Review of Books
"Many of Davis’ stories here explore the way people live with each other and try to find themselves in the modern world. They are funny, surprising, touching, and insightful. Some have a sci-fi slant to them, some are fantasy, and some are just about real people." – Rich Barrett, Mental Floss
"The title story might be the best known in the entire EC comics oeuvre… EC tales often sported morals reinforcing decency and forward-thinking that were decades ahead of their time. 'Judgment Day' is one such story, an O. Henry type of tale about an Earthling astronaut who visits a robot-inhabited planet that is strictly divided along color lines…When the twist ending comes, it carries a surprise even today; sadly, this reflects as much on our own time as the era in which the story was produced." – David Maine, Spectrum Culture
"I was amazed to find that many of these people were born in the late 1800s and that most of them have military service as part of their illustrious resumes. These weren’t hoity-toity art students born with silver spoons in their mouths; these were hard-working American mutts that, against nearly impossible odds – using only their imaginations, a lot of blood, sweat and tears (and apparently a huge amount of cigarette smoke) – managed to craft a uniquely American artistic medium that would influence countless generations to come." – Bob Leeper, Nerdvana
"The story unfolds asynchronously, creating a sense of mystery. Why does the kids’ teacher, Miss Sakaki, have bandages on her face? Why is the class bully so affected by what happened to Arié? Why is the new kid at school, Amahiko, willing to jump out of his classroom’s window? And why are there glowing butterflies everywhere?" – Unshelved
Plug:Paul Gravett has a feature on French artist Jacques Tardi: "The exhibition and much of Tardi’s work reveals his strong anti-war feeling. It’s an obsession that goes back to his childhood, part of it spent in post-War Germany."
Commentary:MTV.com on social issues being discussed and dissected at Comic-Con. Trina Robbins "described the underground comics world being like a boys' club she wasn't invited into. So she and other women made their own comics. 'I produced the very first all-woman comic book in the world, in 1970,' she said. Her new book, 'Pretty in Ink,' is about women cartoonists, and only the latest book by this herstorian of women in comics."
About the time I began working for Fantagraphics as marketing and promotions director, Peter Bagge ran a contest in the third issue of his wildly popular Hate comic book. "Win a Date With Stinky" urged female readers to "Send in one or more glamorful photos and/or drawings of yourself" and "Explain in 25 words or less why you're worthy of Stinky's affection." What self-respecting woman, I wondered, would enter a contest to win a date with a comic book character? Named Stinky? I was about to find out. I spent several months acting as Peter's unwitting accomplice on a series of surreptitious "Stinky Dates" that saw me playing Leonard the Love God opposite lovely and talented young artists like Jessica Abel and Dame Darcy. This buffoonery was documented in the pages of Hate, much to amusement of my wonderful wife, not to mention the fashionable alternative rock band Babes in Toyland. (Don't ask.)
Like countless members of my generation, Peter Bagge's Hate was a funny and affectionate chronicle of my misspent youth. Beyond that, his work played a pivotal role in shaping the ideology of a youth movement that penetrated popular culture on a global scale. His comix have enriched our lives in ways we can only now begin to appreciate.
Join us in celebrating the many accomplishments of this incredibly gifted artist on Saturday, May 10 at Fantagraphics Bookstore & Gallery as we debut the latest, and perhaps final chapter of the Buddy Bradley story,Buddy Buys a Dump. The reception includes an exhibition of original comix pages, complimentary beverages, a book signing, and special musical performances by Kelli Frances Corrado and The Hinges. See you all at 6:00 PM on Saturday.
Fantagraphics is heading over to the mighty 2012 MoCCA Fest this weekend, with so much awesomeness in store for you all! Visit us this Saturday, April 28th and Sunday, April 29th at the Lexington Avenue Armory in New York City!
First off, take a look at all the debuts we're bringing! Many of these books won't be in stores for several more months, and copies are limited, so make our table your first stop:
Find all of this, and even more, at the Fantagraphics booth, located at our usual spot at #J1, J2, K1, K2:
And hey! Check out these panels!
Saturday, April 28th
12:15 pm // With Nicolas Mahler and Tom Gauld: Brian Heater interviews two artists; Tom Gauld of Scotland, and Nicolas Mahler of Austria. (Room B)
1:15 pm // Checklist for a New Comic: A Guide to Getting Started: In this brief seminar, Jessica Abel and Matt Madden will walk you through the many considerations you should keep in mind when you embark on a new comic of any kind. Abel and Madden will help you strategize and come up with a working plan for your next project, and will cover: creative block and coming up with ideas; choosing a format and platform that makes sense; setting goals and scheduling your time so that you can reach them; finding an audience and looking for collaborators and/or publishers. So bring some paper and be ready to take notes on your next big (or small) project! (Room B)
3:15 pm // Hans Rickheit in Conversation: Brian Heater takes on Hans Rickheit -- musician, performance artist, cartoonist. (Room B)
3:15 pm // A Nordic Roundtable with Fredrik Strömberg (SE), Peter Madsen (DK), Kaisa Leka (FI), Bendik Kaltenborn (NO) and Mattias Elftorp: The comics culture of northern Europe is brimming with energy, talent and innovation, among other things visible in the new anthology Kolor Klimax from Fantagraphics. Come and meet some of the Nordic artists present at MoCCA. (Room A)
5:15 pm // Carousel with Michael Kupperman, Domitille Collardey, Shannon Wheeler, Leslie Stein, Lauren Weinstein and R. Sikoryak: Live comics brought to life by cartoonists and a team of talented voice actors. With voices by Julie Klausner, Dave Hill, Scott Adsit. (Room A)
Sunday, April 29th
2:00 pm // A Discussion with Josh Neufeld and Shannon Wheeler: These two creators interview one another about their work in comics, especially as it relates to their approaches to documenting tragedy on the Gulf Coast. (Room B)
Be sure to drop by tables #J1, J2, K1, K2 to say hi to Jacq, Kristy, who is making her MoCCA debut, and Jen, the latest addition to the Fantagraphics Marketing team! See you at MoCCA!
• List:Love and Rockets: New Stories #4 lands at #4 on Comic Book Resources' Top 100 Comics of 2011, with Chris Mautner saying "The hype and acclaim surrounding Jaime Hernandez's conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. I'd be hard pressed to think of a better comic that came out this year," and Sean T. Collins saying "...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."
• List: At Popdose, Johnny Bacardi lists his favorite comics of 2011, including Love and Rockets: New Stories #4: "Jaime didn’t need the last couple of issues of L&R:NS to make his already stellar rep, but I’d think these stories will be revered and referred to for decades to come. Don’t mean to downplay Gilbert’s contributions — they’re as solid as ever — but the last couple of issues have been Jaime’s masterpieces and are absolutely essential if you’ve ever cared for Ray, Maggie, Hopey or any of these characters for the last three decades, and a hell of a good read even if you are unfamiliar with them except by reputation." (Richard Sala's The Hidden and Wilfred Santiago's 21: The Story of Roberto Clemente merit Honorable Mentions.)
• List: Ed Sizemore names his Top 10 Manga of 2011 at Manga Worth Reading, with Wandering Son by Shimura Takako at #2: "Words fail me when trying to describe the beauty and artistry of this manga. The genius of this series is that Takako doesn’t focus on how 'strange and unusual' transgender people are, but rather how ordinary."
• Review: "Being in the band is an aspiration held by many a young girl, and for a lucky few, a reality. Peter Bagge envisioned this world in zealous delight with his graphic novel Yeah!... As a long time fan of Hernandez’s Palomar and Love & Rockets, it was a real treat to see his familiar drawing style across the pages of Yeah! Hernandez has a knack for conjuring up Dan DeCarlo (of Archie fame), with his own unique zany twist.... Readers are in for a wild ride as they follow the band’s intergalactic adventures. Old school comic fans, pop music lovers, and alien aficionados will enjoy Yeah! – it’s even Comics Code approved." – Marie Penny, The Hub (ALA/YALSA)
• Review: "In the seventh issue of his own, glamorously titled Tales Designed to Thrizzle, Kupperman’s got more mockery in store.... Kupperman’s highs are surrealism and satire melting together, and those highs in this issue is a riff on Tales from the Crypt that specifically targets the terrorizing world of baths, and a McGruff the Crime Dog equally as grim. The main adventure is Jack Klugman in his Quincy shoes tumbling down the rabbit hole of allusions new and old. Humor-wise, that focused quest is more spontaneity than surrealism and satire. But that’s the only complaint." – Zack Kotzer, Newsarama
• Commentary: At Robot 6, Chris Mautner presents a reader's guide to the work of Jessica Abel as part of his "Comics College" series
• Commentary: Tom Spurgeon's interview with The Comics Journal and Robot 6 contributor Chris Mautner at The Comics Reporter is a highly recommended read, and not just because of all the love and shout-outs Mautner throws our way
3:15-4:15 PM // Preservation and Presentation: The Art and Business of Comics Publishing: Join our fearless leader Gary Groth in panel with Peggy Burns (Drawn and Quarterly) and Craig Yoe (YOE! Books). [ University Capitol Centre 2520D ]
7:30 PM // Joe Sacco: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
1:30-3:30 PM // Editing Comics Criticism and Scholarship: This round table discussion features Gary Groth, along with John Lent (Editor, The International Journal of Comic Art) and Frenchy Lunning (Editor, Mechademia) [ University Capitol Centre 2520D ]
7:30 PM // Gilbert & Jaime Hernandez: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
You can view the entire schedule of events at the University of Iowa website. If you read this FLOG and live in Iowa, you better be there!
We're all a-buzz over the 2011 Small Press Expo, which is just around the corner on September 10th & 11th in Bethesda, Maryland! And here are our Fantagraphics panel highlights -- plot your weekend accordingly:
Saturday, September 10th
Excruciating Detail: Drawing the Grotesque 1:00 pm | White Flint Amphitheater
Historical comics ranging from Chester Gould’s Dick Tracy to the horror comics of the 1950s have specialized in images of the grotesque. Sean T. Collins will speak with cartoonists Lisa Hanawalt (I Want You), Benjamin Marra (Night Business), Tom Neely (The Wolf), and Johnny Ryan (Prison Pit) about the act of drawing horrific, visceral, visual detail in contemporary comics that speak to horrors that are both timeless and contemporary.
The Secret History of Women in Comics 1:30 pm | Brookside Conference Room
The increased involvement of women in the comics field over the past several years has been a significant positive change in a historically male-dominated industry. However, just as it’s worth celebrating this progressive revolution, it is also worth noting that today’s women cartoonists are part of a lineage of pioneering women who have made many contributions to the field. Heidi MacDonald will discuss this history with Jessica Abel, Robyn Chapman, Alexa Dickman and Diane Noomin.
Anders Nilsen: Questions and Answers 2:00 pm | White Flint Amphitheater
This year Drawn and Quarterly publishes Anders Nilsen’s opus Big Questions. A dozen years in the making, this book sensitively depicts a philosophical crisis in a community of birds whose lives are forever changed by the destructive intervention of human violence. Nilsen has also published books including Dogs and Water, Don’t Go Where I Can’t Follow, Monologues for Calculating the Density of Black Holes, and more. Nilsen will discuss his work with moderator Bill Kartalopoulos.
The entry of comics as “graphic novels” into the publishing landscape has encouraged work that conforms to the narrative biases of conventional literary fiction. Joe “Jog” McCulloch will talk to Marc Bell (Pure Pajamas), Matthew Thurber (1-800-MICE) and Jim Woodring (Congress of the Animals) about producing graphic narratives that follow less conventional, more associative, and even visually based narrative logics that lend integrity to apparent surreality.
Stories of Cultural Identity 3:30 pm | Brookside Conference Room
America’s own culture wars are only part of a global struggle with identity, as nations the world over attempt to address the challenges of assimilating multiple cultures within a stable society. Moderator Rob Clough will talk to Jessica Abel (La Perdida), Marguerite Dabaie (The Hookah Girl), Sarah Glidden (How to Understand Israel in 60 Days or Less) and G. B. Tran (Vietnamerica) about comics that deal with issues of cultural identity.
Johnny Ryan Q+A 5:30 pm | Brookside Conference Room
As comics have increasingly entered into the worlds of literary publishing and gallery arts, Johnny Ryan has almost single handedly extended comics’ satirical, parodistic, disreputable and scatological traditions in his comic book series Angry Youth Comix. More recently, he has entered the realm of visual pulp with his epic, no-holds-barred, manga-inflected graphic novel series Prison Pit. Ryan will discuss the development of his work with moderator Chris Mautner.
Sunday, September 11th
You Don’t Know Jacques: The Work of Jacques Tardi 1:00 pm | White Flint Amphitheater
In a special slideshow presentation, Fantagraphics co-publisher Kim Thompson will discuss the career of seminal French cartoonist Jacques Tardi, whose work Thompson has been translating in a new series of English-language editions. Relatively unknown until recently in the US, Tardi is a giant of French comics publishing. Active for over forty years and the author of dozens of books, Tardi is a foundational figure of auteurial bande dessinée.
In the early 2000s, corporate publishers nearly raced to acquire graphic novels. Now, as the mainstream publishing industry faces severe contractions and as online media assumes many traditional functions of publishing, cartoonists face a rapidly changing publishing landscape, one that includes a resurgent small press. Johanna Draper Carlson will speak with Domitille Collardey, Mike Dawson, Meredith Gran, Roger Langridge and Julia Wertz about publishing options today.
Diane Noomin Q+A 4:00 pm | White Flint Amphitheater
Jim Woodring: Seeing Things 5:00 pm | White Flint Amphitheater
Jim Woodring first made his mark with his probing, autobiographically-based series Jim. Since then, he has expansively focused on his character Frank, an anthropomorphic cartoon character moving wordlessly through a hallucinatory world of delight and terror, drawn in both meticulous pen-and-ink and gem-like color. His latest book is the Frank graphic novel Congress of the Animals. He will discuss his career in this spotlight session with moderator Ken Parille.
• Review: At Comix Cube Kevin Czap praises Steven Weissman's "Barack Hussein Obama" (seen here on our website and in Mome Vol. 21): "It actually reminds me of Wally Gropius in terms of the structure, which is not surprising given its appearance in MOME. One can only hope that the whole thing will get collected, at which point I predict it to be one of my favorite comics ever." (Via The Comics Reporter)
• Review: We almost missed this cartoon review by Casey Scieszka and Steven Weinberg at Unshelved Book Club: "…The Last Musketeer… is the epitome of everything we love about Jason: stunning color palette, insane and absurd plot, humor that sneaks up on you, his signature anthropomorphized animals, and surprisingly serious themes of authority, humanity, death, love, jealousy…"
• Profile: At Examiner.com, Gillian Gaar talks to editor/EMP curator Jacob McMurray about Taking Punk to the Masses: From Nowhere to Nevermind: "The book, as its title suggests, views Nirvana’s success as the culmination of the alternative rock scene that blossomed in America during the 1980s. 'That’s the bigger context in the exhibition as well,' McMurray explains. 'It is the story of Nirvana, but it's couched within what was happening throughout the Northwest, and throughout the US, from the rise of punk rock on. It’s the idea that there needs to be a sort of infrastructure in place for a band like Nirvana to even exist; that without all of these advances that had been happening in the underground by a dozen different bands, Nirvana would have never happened.'"
• Interview:Comic Book Resources' Chris Mautner talks to Gilbert Hernandez about Love from the Shadows and the other "Fritz B-Movie" books: "The Fritz series frees me of any obligation to be a do-gooder cartoonist, something most regular L&R readers probably don't want to hear. I felt straight jacketed with 'Palomar' and the like after a while, really. I have a lot more going on in my imagination than I'm expected to utilize." Further reading: at CBR's Robot 6 blog, Sean T. Collins comments on the interview
• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editors Jessica Abel & Matt Madden spotlight two stories from Mome Vol. 13 as 2010 Notable Comics: Abel picks Dash Shaw's "Satellite CMYK" — "Dash Shaw just keeps popping up in our 'can’t miss' pile. [...] Beyond being a good story, the formal element of using color (and black and white) as a storytelling tool is very unusual and makes this work a standout." — and Madden picks Josh Simmons's "Jesus Christ": "The storytelling is fluid and dynamic, and Simmons’s ability to convey the enormity of the monster is bracing. Simmons deliberately mixes elements from different mythologies to defy any obvious reading. In the end, all we have before us is this escstatic Kali-Godzilla-Centaur with a halo of fire and a title to provoke us."
We're thrilled to present the Fantagraphics guide to the 2011 MoCCA Fest, happening this weekend Saturday, April 9th and Sunday, April 10th at the Lexington Avenue Armory in New York City! Print this out and use it as your shopping checklist and your weekend schedule!
First off, take a look at all the amazing new releases that we will be debuting at the show! Many of these books won't be in stores for several more months, and copies are limited, so make our table your first stop, or risk missing out!
Secondly, check out our jam-packed schedule of awesome authors who will be signing at the Fantagraphics table over the weekend. Not only will they be signing our books, but several of them will be bringing previews of works-in-progress!
another update: Tim Kreider will be joining us on Saturday afternoon at 2:30 pm before his panel at 4:30 pm!
All this and more awaits you at the Fantagraphics booth, located at #J1, J2, K1, K2.
And finally, get a gander at all these great panels! If you haven't already heard from The Daily Cross Hatch, they've added a second room this year, and they'll be doing more one-on-one conversations like the ones with Gahan Wilson and Peter Bagge listed below! You won't want to miss it!
Saturday, April 9th
11:30 am // Teaching Comics:Jessica Abel joins fellow panelists Bill Kartalopoulos and Tom Hart in a discussion from reading for content/visuals, to teaching how to “read” their visual rhetoric, to thinking about how to tell a story visually, what makes comics worth teaching? (Room A)
1:30 pm // Building a Book, From Start to Finish: Mark Newgarden moderates a panel with Stephen DeStefano (as well as Ben Katchor and Lauren Redniss), with an exploration of the blood, sweat, and tears that go into making a book. (Room A)
1:30 pm // Gahan Wilson: Playboy and Beyond: We explore the long, storied career of satirist Gahan Wilson. (Room B)
2:30 pm // Volunteer of the Year: Peter Kuper will present Al Jaffee with the Klein Award! (Room A)
2:30 pm // Dash Shaw and Brecht Evens in Conversation: Dash Shaw and Brecht Evens are among the most prodigious and prolific young artists working in comics today. Both began publishing ambitious work while still in school, and both have since gained notice for their lush, inventive, and thoughtful comics. (Room B)
4:30 pm // The State of Editorial Cartooning: Brian Heater presents a panel with Tim Kreider (along with Ruben Bolling and Ted Rall) on the trials and tribulations of creating political cartoons in 2011. (Room A)
5:30 pm // MoCCA Presents the Cross Hatch Carousel: Cartoonists and voice actors perform live comics readings, featuring our own Michael Kupperman and Ted Stearn, as well as Jeffrey Lewis, R. Sikoryak, Kate Beaton, Lisa Hanawalt, Julie Klausner, and more. (Room A)
Sunday, April 10th
12:30 pm // Almost True: Calvin Reid leads a discussion on where autobiography and fiction collide with Gabrielle Bell and Leslie Stein (and Joe Ollmann and Pascal Girard). (Room A)
1:30 pm // Peter Bagge: A History of Hate: Brian Heater spotlights Peter Bagge, in a one-on-one conversation with one of alternative comics’ most influential and enduring voices. (Room B)
1:30 pm // The Enterprising Will Eisner: Charles Brownstein leads a panel with Jules Feiffer, as well as Denis Kitchen and Paul Levitz. Come learn about who Will Eisner was as an entrepreneuring artist in a time when New York was the center of the commercial art universe, and how his art was shaped by that environment. (Room A)
3:30 pm // Ink Panthers Live: The popular podcast live, with special guests, like John Kerschbaum. (Room B)