We're doing a special cross-promotion with our colleagues at Americaware, producers of fine t-shirts (and now hoodies!) featuring artwork by Northwest comics legends Peter Bagge, Jim Blanchard, Basil Wolverton and Jim Woodring. With every order you make with us you'll get a $5 coupon to use on an Americaware order, and with every Americaware order you'll get a 20% off coupon to use when ordering from us! You could get into an endless loop of savings! I personally have several Americaware shirts and lemme tell ya, they are niiiiice.
As we were preparing for the art show, I thought it'd be fun to chat with the organizers of Short Run -- that would be, Martine Workman , Kelly Froh, Jenny Gialenes, Eroyn Franklin -- about the inaugural event:
So, how did the idea of Short Run come together?
Martine: I've been going to comics events since 2004, even though I don't really make comics. I always wanted to attend an event that welcomed all sorts of makers and small publishers of comics, writing, poetry, zines, and artist books. Last year Eroyn saw my work and contacted me out of the blue since we were both publishing our own books in Seattle. Our friendship grew out of conversations about self publishing, art, craftsmanship, and wanting to create a community for ourselves. Around this time, Profanity Hill was up and running for a bit, and it was exciting and surprising to see so much local work being made. After talking to my pal Jenny, who works in literary event promotion and moonlights as a zinester, it seemed possible to bring the self publishers of our region together by organizing a small press fest! She came up with the name -- which I love! -- and agreed to help coordinate the event. Kelly, a true blue mini-comix maker and fantastic organizer, joined us soon after and rounded out the group. We've had a lot of fun and I feel really lucky we work so well together as a team.
Jenny: The first night Martine and I spoke about Short Run, we were talking about the need for this kind of event - I had just come back from SF Zine Fest and felt like I found my mission in life. There was this sense of community there that I had only seen small glimpses of in Seattle.
What do you see as the main focus of Short Run?
Eroyn: Short Run hopes to extend Seattle's exposure to the small press world that exists within and around it. We want to expand the audience for small press work and let artists engage directly with the people who like what they do. Short Run will build on the small press community that we do have and foster communication between artists who work in different mediums and styles. As a group we don't commit to any particular medium or aesthetic -- we are not a comic-con or a craft fair or a zine festival but we encompass aspects of all of these because we think they can all be engaging.
How do you define what is "small press" to you?
Kelly: Small press, in regards to what you will see at Short Run, are hand-made, self-published, “short run” art books, comics, zines, and literary works. You’re going to see a lot of work that has been photocopied, screen-printed, side-stitched, glued, covered in gold leaf, stencil-cut, and folded in ways you can’t conceive of! Many of the artists and writers have had one or more of their books “professionally” published, or hope to some day, but Short Run’s heart is the home made.
Even though Fantagraphics won't have a table, several of our artists will be in attendance... like Megan Kelso! How did you get Megan involved?
Kelly: We are totally excited that Michael Dowers will be at Short Run! We don’t think mini-comix ever went away, but the people creating them scattered and many new comic artists were not aware of any kind of “scene”. Seattle does not have a Fallout Comix anymore, or a Confounded Books, or even a Pilot Books. Besides a few dusty spin racks, there is no physical hub for selling and sharing mini-comics. There are lone creators and drawing groups all over Seattle that meet on different nights in difference places, and mini-comics are being made.
Eroyn: The capability to self publish is more attainable than ever and people are definitely taking advantage of new technologies and affordable printing to produce great work.
Eroyn: Along with these stores and a few independent distros like Jason T. Miles’ Profanity Hill, we hope to help foster underground press in Seattle.
And, finally, what sort of future do you guys envision for Short Run? Do you hope to keep it small and local? Or will it eventually be the Seattle-version of an APE or Stumptown?
Jenny: I would like to see Short Run grow into itself organically. Big is not necessarily better - unless there is a solid community there providing the support. It's the difference between a stadium concert and going to see a local band at your favorite club - both have equal measure, they are just two very different experiences.
Kelly: It was our experiences at these larger festivals that helped us to decide what we did and didn’t want to be. We want to always be free to the public, and we want to always have low cost tables. Being local was really important to us as well, and one aim of Short Run was to draw out first-time tablers and try to reach people who had maybe shied away from other larger conventions. Looking over our exhibitor list, you will see that we have a lot of exhibitors from Portland. We can learn a lot from the comics community that they have built but Seattle has its own history of alternative cartoonists, and we need to grow from there. Short Run not only has a few of these “legends” of small press in attendance, but we have a ton of more obscure artists and writers, not only from comics, but from zines, animation, and the literary world. It’s a great showcase of artists and writers and we are really excited to share Short Run with Seattle!
APE: Alternative Press Expo is only a week-and-a-half away, on Saturday, October 1st and Sunday, October 2nd at the Concourse Exhibition Center in San Francisco, CA! Start making plans now to check out panels featuring these Fantagraphics artists:
Saturday, October 1st
3:00 PM // A Discussion with Daniel Clowes and Adrian Tomine Critically acclaimed, award-winning, bestselling cartoonists -- and APE special guests -- Daniel Clowes (The Death-Ray, Ghost World, Wilson) and Adrian Tomine (Optic Nerve, Shortcomings) are both professional peers and friends, having met over a decade ago when both lived in the East Bay. TheComicsJournal.com editor and PictureBox publisher Dan Nadel talks to the two artists about their work, their friendship, and the comics medium.
4:00 PM // Spotlight on Shannon Wheeler From stapling 21,000 minicomics, to shooting comic books with a .22, to creating operas, to publishing cartoons with The New Yorker, APE special guest Shannon Wheeler must be drinking too much coffee, man. Recently, his collection of rejected cartoons I Thought You Would Be Funnier won the Eisner Award for Best Humor Publication. Wheeler and his trusty sidekick BOOM! Studios marketing director Chip Mosher talk about the best ammunition to use on a comic, Japanese bootleg shirts, and drawing dead granddads in fishnet stockings with swastika panties. Shannon Wheeler once also created Too Much Coffee Man, so they'll probably talk about that, too.
6:00 PM // Drawing Inspiration: The Secrets of Comics Creativity Ever wonder where your favorite author or artist gets his or her inspiration? Now you can find out as moderator Charles Brownstein (executive director, CBLDF) joins APE special guests Kate Beaton (Hark! A Vagrant!), Craig Thompson (Habibi), Matthew Thurber (1-800 MICE), and Shannon Wheeler (Oil and Water), plus Tom Neely (The Wolf) for an in-depth discussion of what gets their creative juices flowing and the secrets of what inspires them.
Sunday, October 2nd
12:00 PM // Indie Cartoonist Survival Guide: Part 3 Cartoonist Keith Knight moderates this panel (in its third appearance at APE), featuring a lineup of successful independent creators who share their stories, methods, techniques, trials, and tribulations concerning making a living as a so-called Indie Cartoonist. Shannon Wheeler (I Thought You Would Be Funnier), Dan Cooney (Dan Cooney Art), Andy Ristaino (Adventure Time), and Rebecca Sugar (Pug Davis) all chime in.
Looks like you can find us at our usual spot at APE, tables 112-115! (And yes, as usual, our good friends Jim Blanchard and J.R. Williams will be at table 116!)
[ Please note: this is a severely truncated map, just to give you an idea where you can find us! The Concourse Exhibition Center is too wide to fit on the FLOG, so check out a PDF map here. ]
So, get ready for another exciting APE and stay tuned to the FLOG for more details, including our signing schedule and list of debuts!
The Bumbershoot Music & ArtsFestivalin Seattle has come and gone, and I'm still recovering from the three-day whirlwind of bands, comedians, and shishkaberries, but for those of you who weren't able to attend, I thought I'd share some snaps from the "Bumber By Number" exhibit, which ran during Bumbershoot weekend!
Curators Marlow Harris and Jo David gave vintage paint-by-number kits to local artists, who were encouraged to customize the works and "paint-outside-the-box," as it were. Here's Jim Blanchard's vibrant piece, which looks like it should be hung in a wood-paneled basement, or perhaps screened on the side of a van...
And here's Jim Woodring's morbid take on a winter scene... Damn, I love it.
You can see larger versions of these photos on the Fantagraphics Flickr page, and be sure to check out all our awesome photos and videos while you're there!
The Bumbershoot Music & Arts festival is upon us again, and if you can navigate through the drum circles and shishkaberry lines, here's where you can find some Fantagraphics:
Bumber By Number:local culture vultures Marlow Harris and Jo David are featuring a fully-immersive and interactive paint-by-numbers art exhibit, which will also feature vintage paint-by-numbers kits altered by our own Jim BlanchardandJim Woodring.
[ That's a shot of Blanchard's piece above, which will be for sale! ]
If you wanna check out Bumber By Number and the rest of this year's visual art offerings, head to Seattle Center on Thursday, September 1st for a FREE open-to-the-public preview from 3:00 to 9:00 pm!
Ian Burns has his fortune told by Dame Darcy, July 10, 2010
Ian Burns is the second-most recent staff acquisition here at Fantagraphics (designer Tony Ong holds current "new guy" status) — you may know him as one of the voices who answers our phone and takes your orders, or as the friendly bearded fellow at our Emerald City Comicon booth this year, or perhaps you've read his "Diaflogue" interviews with Leslie Stein and Kim Deitch. If the latter, you know that Ian is a pretty thoughtful guy about comics, and I'm happy to learn that he's been contributing essays to Graphic Eye, the recently-launched comics reviews-and-interviews site headed up by our erstwhile intern, steadfast supporter and good pal Gavin Lees (which in itself is great news). Here's Ian's discussion of "Merlock Jones," the shape-shifting detective in E.C. Segar's Thimble Theatre (as seen in Popeye Vol. 3), and here's his analysis of Jim Blanchard's portrait of Osama bin Laden which appeared on the cover of The Stranger earlier this year. Not only that, Ian's also been contributing to The Comics Journal website, including this well-traveled recent interview with Brandon Graham. (And if you ever meet Ian in person, ask to see his theme sketchbook of Animal from The Muppet Show — it's giving my Yoda sketchbook a run for its money, I tell you what.)
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