I think we're all caught up on our Online Commentary & Diversions now:
• Review: "It's impossible not to love Jason's hapless cartoon characters; they're dog-faced descendants of Charlie Chaplin in that way, usually placed into situations far beyond their control or understanding... The five stories that make up Low Moon, Jason's newest collection of comics, hark back to the classic golden age of film... Each story reverberates with the little eccentricities that Jason has built a career on (instead of gunfights, the cowboys in the title story battle over long games of chess). Remarkably, none of them seem over-the-top or manipulative." - Paul Constant, The Stranger
• Review: "From Jordan Crane and Fantagraphics, Uptight #3. One of the best covers of the year and the last time, I suspect, that the guys in the crowd will read 'Back soon' and not feel that chill at the back of the neck." - Steve Duin, The Oregonian
• Review: "Sublife weaves a tighter, more focused narrative with intelligently ornate Chris Ware inspired design..." - Raina Lee, Lunch
• Review: "The current issue of theComics Journal (#297) has a wonderful in-depth interview with cartoonist Mort Walker, creator of Beetle Bailey, as well as a stable of other strips including Hi and Lois, Sam and Silo, and Boner's Ark that's a fun read." - Randy Reynaldo, WCG Comics
• Commentary: Looking at our recent spate of Special Edition releases at examiner.com, Spencer Ellsworth says "the notes, interviews and annotations give a look into some of the most innovative of the new generation of movers and shakers in the current comics renaissance."
• List: Industry news & analysis site ICv2 ranks sales of The Complete Peanuts at #3 on the list of "Top 10 Humor Properties Q1 2009"
• List: The Comics Reporter reports that at BEA a panel of librarians chose a list of "Hot Fall Graphic Novels," including our forthcoming titles Strange Suspense: The Steve Ditko Archives Vol. 1 and West Coast Blues by Manchette & Tardi
From editor Irwin Chusid, the first photographic evidence of The Sweetly Diabolic Art of Jim Flora, our third Jim Flora art book. We're hoping to have our own photos of the exterior and interior of the book taken and posted soon (not to mention getting it listed here on our gol' dang website so you can order the blessed thing).
• Review: "The biggest surprise might be how good these stories are, even if they failed to take off in the way that, say, Superman did... [T]he Notes section at the end, written by editor Greg Sadowski, ...is truly fantastic... His studious efforts are worth the price of the book alone... These stories deserved another look and more attention. Sadowski has done an admirable job of making Supermen! The First Wave of Comic Book Heroes 1936–1941 not only reverent, but exciting and fun as well." - John Hogan, Graphic Novel Reporter
• Review: "I might say [Michael] Kupperman is one of the greatest satirists of our time, if I could figure out what he's satirizing. The basic facts: this collect[ion] of... Tales Designed to Thrizzle... featur[es] dozens of short pieces done on a chaotic array of subjects in so many styles much of it comes across as found art, and almost all of it's hilarious. Any attempt to summarize things like 'Mentally Ill Gangster Comics' or 'Crime Is Pushing the Limits' would miss the point completely. Except to say this is media culture put through the grinder. Top-notch." - Steven Grant, Comic Book Resources
• Review: "[Jason] has proven over the years that no character, no genre, no classic plot is safe when he is in the room... Once again, [in Low Moon,] Jason squeezes an abundance of tension from scenes stripped of background noise and faces drained of emotion... [C]ount me among those who feels lucky to return time and again to Jason's cartoons, wondering when and if his winning streak will ever end." - Steve Duin, The Oregonian
• Review: "The King of Persia [by Walt Holcombe, collected in Things Just Get Away from You] is a gem of a book. The black and white artwork is whimsical and lush, with lovely crosshatching. The dialogue ranges from lyrical to comical within the same page, or even the same panel. There are wordless sequences in which the strength of the artwork shines. The story is bittersweet... it's packed full of humor and melancholy, each strengthened by its juxtaposition with the other." - Little Bits of Everything