• KEXP's Chris Estey names 3 of our books among the Most Rocking Comix 2010:
"King of the Flies: 2. The Origin of the World... is the second volume in a three-book series on the creepy doings of a Twin Peaks-like small city seriously doped and boozed, thrashed by random violence and impulsive sexuality, the old deforming the desires of the young, and unfulfilled ghosts melt through everyday lives. [...] It is a multi-leveled, wide expanse of delicate things falling apart and souls keeping it together somehow, full of... sexy, damaged, freaky people. That you somehow care deeply for, even if they can’t help but hurt themselves, stalk each other, and screw with the universe itself."
"Illustrative Ibogaine, Woodring’s own cartoon-streamlined use of false world-obliviating imagery makes God’s invention of time seem like a quaint abstraction. [Weathercraft] is as necessary as Genesis by Robert Crumb, the Psychedelic Sounds of the 13th Floor Elevators, Philip K. Dick’s UBIK, The Art of War by Sun Tzu, and 2001: A Space Odyssey."
"A fantastical study in a Civil War, this exquisite graphic novel [Artichoke Tales] shows how wide-spread political conflict tears at the very fibers of our families and ourselves, the loops of antagonism between loyalties cursing generation after generation. Like the very best indie pop/rock (Bright Eyes, the National), its mastery is in seeming transcendent but revealing immense pain beneath every battle and rejection."
• Review: "It isn’t often that a reference book succeeds at being as entertaining as it is informative, but Destroy All Movies juggles both with masterful ease. The lengths they’ve gone to in order to identify any and all reference to punks or punk rock culture in film is staggering and makes the book the end-all-be-all of its esoteric subject matter. Even if you feel at arms length with the source material, I can assure you there is no shortage of insight and laughter to be gleaned from this glorious time capsule of sociological film knowledge." – Brian Salisbury, Hollywood.com
• Review: "By the time the narrative concludes (sadly in some respects, asking the big questions – ‘why do people leave?’ – thereby combining the lightness and comedy we’ve come to expect with that gradually darkening thoughtfulness that has been apparent even from the days of Sssshh! and Hey, Wait...) all you want to do is flick back to the start and start over again. So you do. [...] All told, Werewolves of Montpellier is easily as good as everything else Jason has produced. [...] You should check out Werewolves of Montpellier. In fact you should hastily work your way through Jason’s back catalogue... Consider it medicine for your soul." – Peter Wild, Bookmunch
• Review: "The suite of stories Gilbert Hernandez contributed to the relaunched, graphic-novel-format Love and Rockets: New Stories might be his most complex work yet. [...] It was only in reading Beto’s stories in all three volumes that the Chinese puzzle-box intricacy of what he’s doing here revealed itself to me. [...] All told, you could wrap these stories up between two covers and come up with a book of absolutely crushing intelligence, emotional heft, and visual power — a book among the best of Gilbert’s career." – Sean T. Collins, Attentiondeficitdisorderly
• Plug: "Seattle-based, world-slobbered, excellent comics and dazzling-arts publisher Fantagraphics is really going all out for their 4th Anniversary Party this Saturday, December 11, 2010. It will be thrown at their awesome store in Georgetown, and promises 'the season’s most festive party featuring amazing music, comix, art, and more!'" – Chris Estey, Three Imaginary Girls
• Plug: "The cartoonist and illustrator Rand Holmes, who died at Lasqueti Island eight years ago, created hippie hero Harold Hedd, one of the more memorable fictional characters of the 1960s. Among the cognoscenti, Mr. Holmes is a peer of R. (Mr. Natural) Crumb and Gilbert (Fabulous Furry Freak Brothers) Shelton. A 328-page retrospective [The Artist Himself] was released this summer by Fantagraphics Books." – Tom Hawthorn, The Globe and Mail
Seems like the Crumbs aren't the only family of talented alternative cartoonists. Jim and Mary Woodring, together with their son Max, all have pieces in the Friends of the Nib "Medieval Thinkers" exhibition at Fantagraphics Bookstore this Saturday, December 11 — part of the store's festive fourth anniversary celebration.
Of course the Deitch family - father Gene and siblings Simon and Kim — qualify as well. We're thrilled to include an original drawing by Kim Deitch in the exhibition. In addition, the event will mark the debut of the Kim Deitch File, a portfolio published on Zak Sally's La Mano 21 imprint. See you all this Saturday.
Revelers at Fantagraphics Bookstore & Gallery's fabulous fourth anniversary party this Saturday will be the first in the country to see the new line of Frank garments produced by iconoclastic Seattle sportswear company International News on their Americaware label. Jim Woodring will be available from 7:00 to 8:00 PM to sign the new shirts, as well as his award-winning graphic novel WEATHERCRAFT, and other merchandise. The "Medieval Thinkers" comix art exhibition includes a new original drawing by Woodring.
Fantagraphics Bookstore's anniversary party has quickly gained a reputation as one of the region's most festive holiday celebrations - amazing music, awesome art, complimentary refreshments, celebrity guests and more. Make plans to attend the event this Saturday, December 11 from 6:00 to 9:00 PM at 1201 S. Vale Street in the heart of Seattle's colorful Georgetown arts community. Watch this space throughout the week for more exciting announcements.
• List: Cathy Malkasian's Temperance is one of Largehearted Boy's Favorite Graphic Novels of 2010: "I have been creating a list of my favorite graphic novels of all time, and as the list grows smaller, one title remains near the top of the pile. Cathy Malkasian's debut, Percy Gloom, skillfully told (and illustrated) its story, and wholly transported the reader into an alternative world. Malkasian is back with another stellar graphic novel, Temperance, a dark and literate dystopian fable centered on themes of violence and control."
• Review: "...Joyce Farmer... in the ’70s contributed to the feminist anthology Wimmen’s Comix and helped create a notorious series about women’s sexuality whose title can’t be reproduced here. She’s kept a fairly low profile since then, but her new book, Special Exits, is forceful, unsparing and equally concerned, in its way, with saying the unsayable. [...] Farmer’s tone recalls her underground days and suits the gently rambling narrative. [...] She renders her wobbly, minutely textured characters with wit and tough affection, and her habit of looking for the darkly funny side of everything keeps the book from getting too bleak." – Douglas Wolk, The New York Times Sunday Book Review
• Profile: Cindy Frazier of the Laguna Beach Coastline Pilot talks to Joyce Farmer and her early publishing partner Lyn Chevli: "'So I put a sign in the window saying, "Artist Wanted,"' Chevli said. Farmer, who worked at a bail bonds office next door, responded. The rest is comic book history, as the pair became pioneer women comic book publishers."
• Profile: Jennifer Erickson of the Laguna Beach Independent talks to Joyce Farmer: "While she honed very useful skills of observation at art school, 'reading about Socrates was life changing,' said Farmer, struck by inequities of contemporary society that echo ancient times. 'I wanted to do things to improve our culture – make the world a better place,' she said."
• Review: "Norwegian cartoonist Jason is a genius, full-stop, and that statement is undeniable by anyone who has even a passing knowledge of his work. ....What I Did... practically sell[s] itself, but those still in doubt can be assured that, apart from it being an excellent deal, the quality of the work within this book is impeccable. [...] Each story on its own is unquestionably superb, and readers will delight in the moods Jason evokes and the artistic techniques he employs. Together the stories in What I Did are sterling examples of Jason’s fantastic skill as both an illustrator and a storyteller that are well worth the purchase in spite of their vast differences in tone, style, and content." – Steve Higgins, PLAYBACK:stl
• Review: "Well, no children are brutally murdered in this one, so thank heaven for small favors! Of the Fritz B-movie books so far... [The Troublemakers] is the most straightforwardly a product of genre. Grifters and gunplay, seductions and quadruple-crosses, all that stuff. [...] And there’s magic, too, but like everything else it’s just used to fuck other people over." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "The chief surprise with Newave! is the vitality and merit it sustains throughout its length and not so much in its content, although there is a lot of content … well over 70 complete minis from the day. This is altogether riveting stuff, a host of guerilla comics from so many different hands offering an astonishing variety of visual experiences." – Rich Kreiner, The Comics Journal
• Plug: "Compiled... to catalog the sometimes glorious, sometimes ignominious, always entertaining history of punks-on-film, this anthology [Destroy All Movies!!!] features over 1,100 mohawked rockers, funky new-wavers, and down-and-out weirdos..." – Thrillist
• Plug: "Fantagraphics have done an amazing job putting together this huge slab of Stan Sakai's samurai epic [Usagi Yojimbo: The Special Edition]. Over a thousand pages in a gorgeous slipcased two-volume set that may be overkill, but isn't that what the holidays are about?" – "Lydia Park," The Rack
• Coming Attractions: Greek site Comicdom reports on the triumphant return of The Comics Journal with issue #301 (coming in February 2011)
• Coming Attractions:Bleeding Coolreports on our Spring 2011 publication of Jim Woodring's Congress of the Animals and also reports on our Summer 2011 publication of Dave McKean's Celluloid
• List:East Bay Express's Anneli Rufus names Jim Woodring's Weathercraft one of the Best Books of 2010: "It's a wordless masterpiece from a Harvey Award-winning autodidact who executes his rhapsodically weird yet somehow relatable surrealistic visions with a lush, lifelike, retro-tinged precision that recalls Edward Lear and Winsor McCay. In an age when too many cartoonists draw with a lazy, defiantly fuckoffish lack of skill, Woodring's museum-quality mastery puts most of his colleagues to shame."
• Review: "Comic book historians Greg Sadowski and John Benson edited this fun time capsule [Four Color Fear], compiling over three dozen spine-tingling tales from the likes of Frank Frazetta, Al Williamson, Iger Studio, Joe Kubert, Basil Wolverton and others. Also included is a beautiful cover section, plus background commentary on each entry and an introduction by John Benson. Grade: A-" – Mike Sebastian, Campus Circle Newspaper
• Plug: "Bent... is more beautiful red and black ink drawings and hazy, lush, desaturated oil paintings of mostly pillowy girls." – Matt Forsythe, Drawn
• Plug: "Castle Waiting Vols. 1 and 2 HCs (Fantagraphics) — These two huge hardcovers can currently be had for less than 50 bucks, and offer up a whole new world of wonder. Perfect for anyone who loves to be transported to another place and time." – Alan David Doane's Holiday Gift Guide, Trouble with Comics
• Plug: "Some reference books will tell you all about movies that won Oscars or about movies that come from certain countries. Who needs that? Destroy All Movies is the only book in the world that will tell you all about every single movie that contains a punk. And I mean every single movie. Editors Zack Carlson and Bryan Connolly have done exhaustive years of research, and they’ve located every liberty spike wearing extra, every mohawked background actor and every safety pinned day player in cinema history. And then they wrote a whole bunch of funny, interesting stuff about those movies, and did some interviews with filmmakers and punks for good measure." – Dennis Faraci, Badass Digest "Badass Gift Guide"
• Profile: "Joyce Farmer is a surprise. The gentle, white-haired 71-year-old, whom you’d half expect to greet you at the door with a pan of steaming muffins, recently has emerged as one of the most provocative voices in the comics and graphic-literature landscape. Her debut book, the 208-page illustrated memoir Special Exits, chronicling the slow, freaky decline and ultimate death of her elderly parents, comes out next week from Fantagraphicscarrying the enthusiastic endorsement of no less than R. Crumb. 'It’s a completely unique work,' he says. 'Nobody else will ever do anything like that again.' [...] The book... is an almost uncomfortably honest memoir that’s dense with details. It’s also layered with meaning and sub-themes. [...] Like many memoirists, Farmer wrestled with guilt over airing her family’s stories; she even changed all the names in the book, including her own. 'I felt like I was really invading their privacy.' But she’s since come to terms with it. 'I just worked through it. I know what I did, and I take responsibility for it.'" – Deborah Vankin, The Los Angeles Times
• Review: "Destroy All Movies!!!is that very rare thing in publishing, a book you didn’t know you needed until someone wrote it. I certainly didn’t, and now I’m finding it indispensable. It’s an absolute must-have for cult-movie fans, movie trivia buffs, aspiring filmmakers and everyone who feels that punk never got its fair due for revolutionizing music and shaking up the status quo." – John G. Nettles, Flagpole
• Plug: "Destroy All Movies is a book on cult cinema... that is kind of the end all be all of ridiculous B-movies involving punks in any way, shape or form. It's at once a collection of titles, a love letter and a historical document. [...] It's a hell of an off beat and quite brilliant gift for the movie nerd or punk in your family!" – Quint, Ain't It Cool News
• Review: "...[Fire & Water,] Blake Bell's biography of Bill Everett (among other things the father of the Sub-Mariner but also the co-creator of Daredevil) helps to rectify an injustice by shining a spotlight on a cartoonist those importance and personality have never been properly recognized. A book which, without going into excessive detail, begins to clear the ground and, in particular, focuses heavily on the human element..." – Xavier Fournier, Comic Box (this is an improved translation by Kim Thompson of a previously-posted link)
• Review: "So, does it all mean anything? Who knows? But [Weathercraft] is certainly a fascinating read, full of arresting images that seem like they are triggering some deep impulse in our lizard brains, and that’s a pretty significant achievement in itself. If nothing else, it’s often quite funny... If you can accept that as something entertaining and play along with its dreamlike logic, you should be able to enjoy the book at the very least, and maybe you’ll even feel like you get something out of it. I know I did, and even if it was just confusion, it was worth it." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "The absence of words is matched by the most crazy drawings that depict surreal, unbelievable moments that make us stop to look again — and again. It's all so wacky and unusual that not infrequently we find ourselves laughing, reflecting on the silliness that we keep inside us all. For large and small, Weathercraft is sure to [bring] multiple pleasures." – Gilberto Custódio Junior, Soma (translated from Portuguese)
• Review: "Peanuts wasn't in its first flowering in the mid-70s... but it was still a smart, perceptive, deeply funny and humanistic strip. [...] The Complete Peanuts: 1975-1976 is the lucky thirteenth volume in Fantagraphics' reprinting of the entirely of Schulz's great strip; it's also the halfway point between 1950 and 2000. And the more interesting question about Peanuts circa 1975 isn't 'How come it wasn't as good then as in 1952 or 1967,' but instead 'How come Peanuts was still this good after twenty-five years?'" – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Gilbert and Jaime Hernandez are not just two of the best and most consistent comics creators of their generation, they're so far out in front that the only question is which of the two is preeminent. [...] Year after year, they keep expanding and deepening their worlds, telling new stories as powerful as they've ever done — they're our Balzacs, our Trollopes. Besides their various sidebar projects... they're still providing a yearly dose of the mothership, in the annual Love and Rockets: New Stories trade paperback." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "I originally posted this review on January 18, 2008. This was before I’d read much, if any, of Gilbert’s Fritz material from Love and Rockets. I think the review holds up, which is why I’m re-running it; but with all of Beto’s post-Palomar Palomar-verse work under my belt now, if anything I find Chance in Hell, both its content and its very existence, even more disturbing." – Sean T. Collins, Attentiondeficitdisorderly
• Interview:Robot 6's Tim O'Shea talks to Nate Neal: "Even in the conceptual stage, I knew The Sanctuary didn’t need any words to get the story across. With a made up language the words would take on a symbolic stance that they otherwise wouldn’t have. That helps get across one of the important ideas of the book: how things get fucked up when a society thinks too symbolically. Or at least thinks too symbolically without being aware that that’s what they’re doing. As far as I’m concerned, that’s the world we live in now!"
• Plug: "I finally cracked What Is All This?, Stephen Dixon’s mammoth collection of previously unpublished stories — and it’s terrific stuff. The book itself is also quite pleasing. Dixon still composes his stories on a typewriter (a Hermes Standard, the same brand Douglas Adams used), and Fantagraphics’ whiz art director, Jacob Covey, has mimicked the unevenness and smudges of typewritten text on the cover and section pages. It’s great design porn." – Nicole Rudick, The Paris Review
• Plug: "Thanks to the arrival this week of Castle Waiting 2, Linda Medley's second subversive collection of fairy tales, I'm on yet another kick of traditional fairy tales retold." – Nathalie Atkinson, National Post
• Plug: "...Mark Kalesniko’s Freeway is still a book I’m really, really looking forward to. It’s the continuing adventures of Kalesniko’s semi-autobiographical character Alex. I loved that book, I reckon I’m going to love Freeway just as much." – Richard Cowdry, The Forbidden Planet International Blog Log
Since opening in December 2006, Fantagraphics Bookstore & Gallery has become a treasured civic asset. In addition to feeding Northwest residents' insatiable appetite for challenging contemporary culture, the space has attracted visitors from across the country and around the world. Saturday, December 11 marks the bookstore's 4th anniversary, and to celebrate the occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano 21 imprint. This event will mark the debut of his ambitious Kim Deitch File portfolio project, among other recent La Mano offerings. Zak will be joined by Fantagraphics friend Mark Pickerel, who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
An exhibition of comix art curated by Jason T. Miles and Max Clotfelter, in association with Friends of the Nib, features promising emerging cartoonists. together with masters of the medium. "Medieval Thinkers" includes original works by Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. According to Friends of the Nib co-curator Miles, "Many of these artists work with antiquated materials most commonly associated with 19th and 20th century cartooning, specifically the metal dip pen or crowquill pen nibs, although use of these tools was not a requisite for inclusion. What brings these artists together is an imagist approach to picture-making and a willful ignorance of the aesthetics, fashion, and politics of the fine art industry. Medieval thinkers organize their experience by executing lessons in perspective, balance, humor and alchemy."
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. This event coincides with the colorful holiday version of the Georgetown Art Attack with amazing visual and performing arts presentations throughout the historic arts community.
Fantagraphics Bookstore & Gallery's 4th Anniversary Celebration Music, Comix, Art and More!
Saturday, December 11, 6:00 to 9:00 PM
Music by ZAK SALLY and MARK PICKEREL
Medieval Thinkers original comix exhibition featuring Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. Curated for Friends of the Nib by Jason T. Miles and Max Clotfelter.
Exhibition continues through February 8, 2011.
Fantagraphics Bookstore & Gallery 1201 S. Vale Street, Seattle, WA 98108 206.658.0110 Open daily 11:30 - 8:00 PM, Sundays until 5:00 PM