|Things to See: new Jim Woodring panel|
|Written by Mike Baehr | Filed under Things to see, Jim Woodring, Coming Attractions||9 Nov 2010 4:06 PM|
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Category >> Jim Woodring
Mark your social calendars in indelible ink! Saturday, December 11 marks the 4th anniversary of the fabulous Fantagraphics Bookstore & Gallery. To celebrate this auspicious occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano imprint. He will be joined by Fantagraphics friend Mark Pickerel who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
An awesome exhibition of comix art curated by Jason T. Miles and Max Clotfelter, in association with Friends of the Nib, features prominent living legends and emerging cartoonists. "Medieval Thinkers" includes original works by Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. Toldja it was awesome.
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. See you all then.
This video by Jim Woodring has been declared a winner in a contest held by Boing Boing — to divulge the nature of the contest would spoil the video, so watch it first and then click over to find out about the contest. Looks like there was a pretty sweet prize too — congrats Jim!
And over at his Woodring Monitor blog Jim shows off a small "home use" handle for his in-progress giant pen project, along with the "before" picture of the raw wood with the lathe pattern drawn on it.
Weathercraft has made Publishers Weekly's unranked top-100 Best Books of 2010 list in the Comics category. PW calls the book "A disturbing fantasy of struggle from comics' premiere surrealist as the piglike Manhog endures the sufferings of Job from the cruel Whim." Hurrah!
Online Commentary & Diversions, back from a short vacation:
• Review: "In the first volume of Tyler's planned trilogy of graphic memoirs [You'll Never Know], she dug into the eruptive, violent memories of her father's WWII experiences while simultaneously dealing with a husband who decided to go find himself and leave her with a daughter to raise. This second volume is no less rich and overwhelming. [...] While the language of Chicago-raised and Cincinnati-based Tyler has a winningly self-deprecating Midwestern spareness to it, her art is a lavishly prepared kaleidoscope of watercolors and finely etched drawings, all composed to look like the greatest family photo album of all time. The story's honest self-revelations and humane evocations of family dramas are tremendously moving." – Publishers Weekly (Starred Review)
• Review: "Friedman's hyper-realistic pen-and-ink and water-color portraits of show business and political luminaries have made their way into the likes of Entertainment Weekly, The New Yorker and Rolling Stone over the years, and a stunning new collection has just been published by Fantagraphics Books — Too Soon?: Famous/Infamous Faces 1995-2010. [...] To say that Friedman's drawings are unsentimental or unsparing is just to scratch the surface. Known for depicting every last liver spot, burst capillary and wrinkle, his work is truly a Warts and All procedure. [...] You might say the super-realistic portraits are loving ones, but only in the sense that you love your own family members, whose soft spots and selfishness one is forced to forgive. Drew Friedman's heart is as big as his capacious eye for the telling detail. Seek him out or forever hold your peace." – David Weiss, Life Goes Strong
• Review: "...Four Color Fear offers some of the finest pre-code comic book horror tales ever produced. Extensively researched, complete with story notes, editor Sadowski compiled a superior collection of non-EC tales, many of which rarely reprinted in color. A 30-page cover art section and a fascinating article by historian John Benson, who also supplied the book's intro, about the little remembered, but prolific Ruth Roche, round out this sensational historical tour of the Golden Age of Horror Comics. Highly recommended!" – Rick Klaw, The SF Site: Nexus Graphica
• Review: "The wait [for Love and Rockets: New Stories #3] has been long, no doubt, but I dare say that it was not only worthwhile, but it has proved an inspiration to continue to have faith in mankind, because with artists like these, it is worth living. For the third annual issue..., Beto gets really wild and Xaime creates a stunning tapestry of memories and narrative levels." – Mauricio Matamoros, Iconoctlán (translated from Spanish)
• Interview: As part of his ongoing "Love and Rocktoberfest," Sean T. Collins posts his 2007 Wizard interview with Gilbert & Jaime Hernandez at Attentiondeficitdisorderly: "I liked drawing rockets and robots, as well as girls. [Laughs] It really was no big game plan. It was almost like, 'Okay, I'll give you rockets and robots, but I'll show you how it's done. I'm gonna do it, and this is how it's supposed to be done!' I went in with that kind of attitude." (Jaime)
• Review: "Like much of Hernandez’s work, there’s light amongst all this darkness, particularly later in this section of Fritz’s story. But [High Soft Lisp] remains a bleak book, with Fritz’s own cheerful optimism one of the few beacons of hope amongst a cast of incidental characters whose main purpose seems only to exploit her. Hernandez rarely performs below his best and this is no exception..." – Andy Shaw, Grovel
• Review: "Vast swaths of Wally Gropius appear — at least to my eye — to be visual homages to images that Hensley particularly loves. (The alternative is that he lays his panels out in his static, staccato rhythm just for that feeling, which is close to the same impulse.) It's all very loud and manic and bright and bizarre, veering towards and away from coherence often within the same panel. [...] The end result has that go-go energy and restless heat of the authentic products of the era Hensley sets his story in..." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "...[T]his Complete Peanuts series might be the ultimate thing for Peanuts fans! [...] I think the book [Vol. 14] is just wonderful, and I give it and all of the volumes my highest recommendation!" – Catgirl Critics' Media Mewsings
• Interview: Illustration Friday talks to Jim Woodring: "Names and labels don’t matter much. Besides, there are things that cannot be said in words. So if you say them in pictures, are they not things being said? If I draw a hill that looks like a woman, it works differently that if i write 'there’s a hill that looks like a woman.' Also there are clues that one doesn’t want discovered too quickly, or not at all. Because one wants the emanations to proceed from an unknown source."
• Plug: "Nate Neal's first graphic novel [The Sanctuary] is dumbfoundingly ambitious: it takes as its subject nothing less than the invention of comics, in the sense of narrative-in-pictures, meaning that its cast is a bunch of cave-people. Cave-people who speak a cave-person language that Neal has invented himself (he offers the translation of a few key words on its jacket copy, but that's it). The working title of the book was a drawing of a bison. A man's reach should exceed his grasp, or what's a heaven for?" – Douglas Wolk, Comics Alliance
• Coming Attractions: Bleeding Cool's Rich Johnston did a little Amazon digging and noticed that we're publishing Gil Jourdan by Maurice Tillieux and Jacques Tardi’s Le Démon Des Glaces (The Arctic Marauder) next year
Today's Online Commentary & Diversions:
• Review: "The latest collection of Bill Griffith’s newspaper strip Zippy the Pinhead, Ding Dong Daddy from Dingburg is also my first exposure to the long-running underground. [...] Zippy is unlike any comic strip, or comic book for that matter, I’ve thus encountered. [...] Mixed into a steady stream of seemingly random silliness,... readers also uncover a singular worldview, a commentary on politics, religion, the stumbling newspaper industry and its technological replacements, and seemingly Griffith’s favorite windmill, pop culture. ...Griffith [is] a sublimely witty observer." – Michael C. Lorah, Newsarama
• Review: "I happy to announce the start of LOVE AND ROCKTOBER here at Attentiondeficitdisorderly. For the next month, I'll be devoting my regularly scheduled Comics Time reviews to as much of Los Bros Hernandez' work as I can get through, starting with the Jaime material I misguidedly maligned. I believe that Love and Rockets is all but unique in comics in the way it has taken advantage of serialization to slowly create a rich and enveloping world peopled with multifaceted characters who seem to be living lives on and off the page. And it did this twice, simultaneously! [...] First, let's start by revisiting sins past: My Comics Journal review of Locas, which I'd avoided re-posting here on the blog for years, waiting for precisely this sort of opportunity to serve as a corrective." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Weathercraft... is a nice showcase for Woodring's beautiful art, which often dips into the grotesque, but is always interesting and somehow pretty no matter what is depicted. He's a great cartoonist, which he shows off through his imaginative creatures and the curious monsters, and fully-realized alien world. It's a whimsical journey, completely silent, but unforgettable and haunting." – Dave Ferraro, Comics-and-More
Periodic clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• Jason presents two cover illustrations: one for a biography of Henrik Ibsen, the other for a 1989 issue of a Norwegian fanzine (oh yeah, and the cover for his next Fanta collection What I Did is in there too)
"Greetings, stranger of the future. If you are reading this, it means the written word has survived, that the world of tomorrow still exists, and that for some reason my ramblings are still considered worth reading. My name is Mark Twain, and I write these words to you in the good old days of August 2010."
• A prose story from Michael Kupperman: "From the Newly Discovered Second Autobiography of Mark Twain"
• Richard Sala presents a whole bunch of production, concept, and storyboard art from his animated serial "Invisible Hands" from MTV's Liquid Television, in 4 installments (so far) here here here and here, with commentary
We had the honor of witnessing Jim Woodring accepting his Stranger Genius Award for Literature at the majestic Moore Theatre in Seattle on the evening of Friday, September 17. Prior to the speeches cupcakes printed with edible portraits of the winners (or representations of their work) were available (and delicious). I assumed that the ceremony was bing filmed, or else I would have taken video instead of photos, but unfortunately no footage has yet surfaced. Luckily, Jim has posted the text of his acceptance speech, which was a humdinger. Click here for more photos.