|Congress of the Animals sneak peek from Jim Woodring|
|Written by Mike Baehr | Filed under previews, Jim Woodring, Coming Attractions||30 Aug 2010 2:43 PM|
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Category >> Jim Woodring
This weekend is Seattle's BUMBERSHOOT festival ("bumbershoot" is old-timey for "umbrella" -- get it? it rains a lot here!), one of the biggest cultural events of the year in the great Pacific Northwest, and Fantagraphics will have a presence at the show in a few different ways, most notably a massive art exhibit curated by our own Larry Reid. Here's the skinny on all FBI goings-on:
NORTHWEST COMIX: A 30-YEAR SURVEY OF SEATTLE ALTERNATIVE CARTOONISTS
Venue: Northwest Rooms
Open free to the public September 4-6 with admission to Bumbershoot 2010
This retrospective examines the Northwest's legacy as the birthplace of alternative comics (aka comix). Beginning with the work of Lynda Barry circa 1980, and running through today, the emphasis is on the role of comix in Seattle's youth movement of the '90s that went on to influence global popular culture. Curated by Larry Reid in conjunction with Fantagraphics Books, this exhibit features original artwork on display together with demonstrations by Friends of the Nib and Bureau of Drawers, as well as screenings of Hooked on Comix. Artists include Lynda Barry, Charles Burns, Peter Bagge, Jim Woodring, Ellen Forney, Patrick Moriarity, Mark Zingarelli, Roberta Gregory, Megan Kelso, Jim Blanchard, David Lasky, Justin Hampton, Ted Jouflas, and others.
AN EVENING WITH TONY MILLIONAIRE
Venue: Leo K. Theatre
Monday, September 6, 2010 • 5:30 pm- 6:30 pm
Tony Millionaire is the multiple award-winning creator of the self-syndicated comic strip, Maakies, which appears in weekly newspapers across the country. Maakies has been adapted to the small screen in 1998 for Saturday Night Live and in 2008 as The Drinky Crow Show for Cartoon Network's Adult Swim. Moderated by Eric Reynolds of Fantagraphics Books.
LISTEN WHITEY: A HISTORY OF BLACK POWER RECORDINGS
Venue: Words & Ideas Stage
Saturday September 4, 2010 • 3:45PM - 4:45PM
Pat Thomas' forthcoming Fantagraphics book, Listen Whitey: The Sounds of Black Power 1965-1975, chronicles his huge collection of rare and out-of-print Black Power poetry, speeches, interviews, jazz, soul, rock, and pop recordings. He will be speaking about this exhaustive collection and providing unique insight into the historical movement, while playing tons of music and recordings.
Also, if you live in Seattle, you might want to get in on this contest asap to win a few thousand dollars worth of killer swag, including a bunch of Fantagraphics books!
Periodic clips & strips — click for improved/additional viewing at the sources:
• On Facebook Esther Pearl Watson gave this glimpse at her new work-in-progress graphic novel, a "Lady Rambo" style action-adventure!
• Our Talented Staff Dept: office manager Stephanie Hayes is now posting flora & fauna sketches at The Gentleman Scientist
Online Commentary & Diversions:
• Review: "Originally serialized in the late ‘90s, this cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. ... Deitch’s artwork... is... utterly confident, building on the stylistic gestures of both the underground-comics scene that launched his career and the classic animation that inspired his talking-animal characters." – Publishers Weekly
• Review: "Some of the best comics of the last couple of decades are Jim Woodring’s wordless Frank stories. Dreamlike, idyllic and mind bendingly horrific visions are rendered with immaculate penwork and pacing. This tidy, near 200 page collection of black and white stories [The Portable Frank] is sufficient to put a permanent dent in your brain pan." – M. Ace, Irregular Orbit
• Review: "Fantagraphics cycles back to the first three years of Herriman’s Sunday Krazy Kat strips [in Krazy & Ignatz 1916-1918]. I do enjoy these early years of the kat kronikles — a bit more lyrical, a bit more varied, a bit less centered on the kat/mouse/cop routine. Yes, you need it. Of course." – M. Ace, Irregular Orbit
• Interview: In virtue of the Criterion Collection release of Crumb on DVD and Blu-ray, The A.V. Club talks to director Terry Zwigoff: "And I said, 'What did you think of it?' And he said, 'It was mortifying.' I said, 'Is it a bad film?' And he said, 'No, but I’m looking at myself in a mirror, so what am I supposed to say? Is it good? Is it bad? I just don’t want to look at it.' Something like that."
• Panel: The Comics Journal presents video of the "International Comics and Graphic Novels" panel at Comic-Con International last month, with Moto Hagio, Émile Bravo and others — part 1 is embedded above, with 4 additional parts at TCJ.com
We all knew it, but now it's official! Congratulations to Jim Woodring for being awarded this year's Stranger Genius Award in Literature. Announcing the award on The Stranger's blog Slog, Paul Constant says "Woodring is the first Stranger Genius of Literature who has been published by local publisher Fantagraphics Books (they've been ardent promoters of Woodring's work from the very beginning of his career). Quite simply, that's insane: They're the best comics publisher in the world. They publish geniuses on a regular basis, and many would argue that Woodring is the greatest cartooning genius on the Fantagraphics roster. We agree with that sentiment." Well thanks Paul! Read the rest of the announcement for more info, including what Jim plans to do with the $5000 prize money.
(Photo by The Stranger's Kelly O.)
Periodic clips & strips — click for improved/additional viewing at the sources:
• Yoinked from Facebook, Miss Lasko-Gross's self-portrait for the Graphic Details art show at the Cartoon Art Museum
Online Commentary & Diversions:
• Review: "By the 1980s, however, the anti-establishment sensibility of the underground comix had been replaced by a faith in just 'do-it-yourself' — making your own 'zines,' and that sense of independence is what [editor Michael] Dowers praises [in Newave! The Underground Mini Comix of the 1980s]." – George Elliott Clarke, The Chronicle Herald
• Review: "...Jim Woodring's Weathercraft creates a fantastic alternative universe. ...Woodring constructs a nightmarish tale in which Manhog falls victim to the villainous depredations of the all-too-aptly named Whim and the spells of the witchy pair Betty and Veronica. Those unfamiliar with the Woodring dreamscape may want to pick up The Frank Book collection as a primer, but the stand-alone Weathercraft requires no real prep work — just an openness to disturbing, id-derived imagery." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "Although King of the Flies... is anchored in a sharply delineated but deliberately generic suburbia, the book plunges us into an often violent, always profane environment that recalls David Lynch's Blue Velvet. Using multiple narrators, the book is an intricately constructed series of interlocking short stories that acidly etch a disquieting portrait of modern alienation and unease." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "French master Tardi gives an infantry-level view of World War I's meat-grinder carnage in grim vignettes that primarily keep tight, telling focus on the stories of individual soldiers. ...[It Was the War of the Trenches] deserves a place on the top shelf of graphic lit." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "Reading Jacques Tardi's It Was the War of the Trenches, I realized just how short most American war comics fall in portraying the reality and horror of war. ... Tardi brings every ounce of his talent to the task of trying to articulate the sheer horror of this war. And while he doesn't flinch once, neither does he resort to trite 'war is bad' or 'good versus evil' oversimplifications. He merely puts you directly in the soldiers' viewpoint and then tries to relate their experiences to you. ... It's a raw, uncompromising, devastating book, and, I'm kind of sad to say, unlike anything that's been published on these shores." – Chris Mautner, Robot 6
• Review: "...[O]ne of comics' purest entertainments... Combining cartoony figure drawing and considerable humor with rousing adventure, Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips, Vol. 1 exceeds even Steven Spielberg's Indiana Jones films in exuberant action and breathless pace." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "...St. Louisan Tim Lane's Abandoned Cars, one of 2008's essential comics, has recently been reissued in paperback with two variant covers that vividly recall the lurid pulps of the 1930s." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "It can sometimes be hard to get a grip on what Jason is going for in his stories, since even when he approaches a familiar subject, he takes a strange angle and dwells on the types of moments that wouldn’t normally receive focus in these sorts of tales. Werewolves of Montpellier goes even further afield... Leave it to Jason to dwell on the awkwardness of the 29 non-full-moon days of the month in which the werewolf has to pass as a normal human." – Matthew J. Brady, Indie Pulp
• Review: "What I think is most interesting about [The Best American Comics Criticism] is that in his choices of pieces, [editor] Schwartz is laying out a theory of lit comics. It's a theory that rings very true to me. Part of this theory goes that as literary comics grew, they made necessary a reevaluation and relearning of certain classic comics." – Robert Boyd, The Great God Pan Is Dead (via The Comics Reporter)
• Profile: Steve Duin of The Oregonian talks to Patrick Rosenkranz about assembling The Artist Himself: A Rand Holmes Retrospective: "With rare access to Holmes' journals and sketchbooks, Rosenkranz succeeds in giving readers access to the cartoonist that Holmes denied his closest friends. And he succeeds because of a compulsion, born 45 years ago, to understand the world in which these artists moved 'and how what happened in their lives affected their work.'"
• Interview: Listen as Chris Rosa of Meltdown Comics talks to Blake Bell about his book Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics on the convention center floor at Comic-Con in this episode of the Meltcast podcast
• Comic-Con: At About.com: Manga, Deb Aoki gives a quick report from the Moto Hagio Spotlight Panel at Comic-Con 2010, with a promise of more to come: "...Hagio-sensei charmed the audience with her self-effacing wit and matter-of-fact responses to questions..."
I thought I could keep up with Online Commentary & Diversions while at Comic-Con. Ha ha ha ha ha.
• Coming Attractions: At Robot 6, Chris Mautner takes a look through the 46 (!!!) upcoming books listed in our Fall/Winter catalog (note: listed release dates may no longer be accurate and are all subject to change)
• History/Profile/Review: "What A Drunken Dream reveals is an author whose childhood passion for Frances Hodgson Burnett, L.M. Montgomery, and Isaac Asimov profoundly influenced the kind of stories she chose to tell as an adult. ... For those new to Hagio’s work, Fantagraphics has prefaced A Drunken Dream with two indispensable articles by noted manga scholar Matt Thorn. ... Taken together with the stories in A Drunken Dream, these essays make an excellent introduction to one of the most literary and original voices working in comics today. Highly recommended." – Katherine Dacey, The Manga Critic
• Review: "Anyone interested in the historical development of manga and the women who’ve contributed to the art form should read this book. I hope A Drunken Dream sells well enough for Fantagraphics or other publishers to consider putting out some of Hagio’s longer works. Her short stories are great, but I’d love to see what she does with a longer storyline." – Anna Neatrour, TangognaT
• Plug: "What Osamu Tezuka is to shonen and seinen manga, Moto Hagio is to shojo manga -- a true innovator who challenged and stretched the conventions of the medium by created touching, memorable and truly artistic comics stories. ... Fantagraphics had copies of the absolutely gorgeous hardcover edition of A Drunken Dream available for sale at their [Comic-Con] booth..." – Deb Aoki, About.com: Manga
• Interview: The Comics Journal's Shaenon Garrity sat down with Moto Hagio & translator Matt Thorn for a conversation at Comic-Con International: "I find it very embarrassing to read my very early work, but when you see the stories arranged chronologically it gives a good overall impression of my career. In Japanese, too, it’s common to present an author’s works in a sample spanning his or her whole career, so it’s turned out very much like that."
• Review: "Deadpan dialogue, drawings that move from panel to panel with the strange and deliberate force of kung fu performance art, and a subtle interweaving of humor and angst come together to make [Werewolves of Montpellier] a brief knockout of a book." – Publishers Weekly (Starred Review)
• Review: "...[T]his cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. There are stories within stories, unreliable explainers, secret passageways that lead from one part of the tale to another." – Publishers Weekly (Starred Review)
• Review: "Wally Gropius is a book that’s constantly lying to the reader, with a terrifying chaos roiling just immediately below its surface. The book is a flood of visual and textual information, but the information itself is near constantly false. ... For me, it’s a book that lies constantly, that lies at its very core, but that nevertheless ends up getting at a greater truth of things. And so, yeah: I thought that was pretty neat." – Abhay Kholsa, The Savage Critics
• Review: "There’s more derring-do [in Prince Valiant Vol. 2: 1939-1940] than you can shake a sword at! Foster’s stories are filled with vivid, colorful characters, none more engaging than the aptly named Valiant and his never-ending quest for adventure. The artwork is breathtaking. Foster’s figures are handsome and graceful whether eating a sumptuous feast or fighting on a crowded battlefield. ... Even if the age of chivalry is not your flask of ale, Foster’s art and storytelling will win you over." — Rich Clabaugh, The Christian Science Monitor
• Review: "This book is why Fantagraphics is one of the best and most important comic publishers in the business today. [Blazing Combat] is a series that could have easily been forgotten to the ages but Fantagraphics always is at the forefront of making sure important works of sequential art are remembered. ... This is a brilliant collection of stories that should be required reading. Intelligent, gripping stories and fantastic art! Grade A +" – Tim Janson, Mania and Newsarama
• Review: "Formally inventive and emotionally acute, Bottomless Belly Button indeed proves to be all those things: as fascinating and affecting a depiction of family ties as Jonathan Franzen's The Corrections or Wes Anderson's The Royal Tenenbaums." – Ed Park, Los Angeles Times
• Plugs: Alex Carr of Amazon's Omnivoracious blog has Weathercraft by Jim Woodring ("I am woefully ignorant when it comes to Woodring’s Frank comics, and this looks like the weirdest place to start") and Dungeon Quest Book 1 ("After The Red Monkey Double Happiness Book, I will read anything Joe Daly produces") on his summer vacation reading list
• History: For the Los Angeles Times, Ben Schwartz compiles an oral history of the 1980s heyday of L.A. alternative comics with Matt Groening, Gilbert & Jaime Hernandez, David Lynch (!), and Gary Panter
• Comic-Con: ICv2 provides a few additional details (including price and publishing schedule) and The Beat, Cartoon Brew, The Daily Cartoonist, Disney Comics Worldwide, disZine, Publishers Weekly cover our announcement about publishing Floyd Gottfredson's Mickey Mouse strips; Sean T. Collins wins for best commentary: "Given Disney's relationships with both Boom and Marvel I'm a little surprised, but only a little. I imagine that if you walk into a conference room with an armful of the Complete Peanuts, Dennis the Menace, Popeye, Krazy & Ignatz, etc., you probably walk back out with a handful of contracts."
• Comic-Con: The San Diego Union Tribune talks to our own Eric Reynolds and other publishers on the floor of Comic-Con about the recent surge in classic comic-strip collections
• Comic-Con: Making the scene at the USA Today Pop Candy meetup, Dame Darcy
Online Commentary & Diversions:
• Review: "A book that sticks with you like a virus, Woodring's newest collection of tales of vague morality and definite oddity [Weathercraft] keeps intact his status as one of comics most eccentric auteurs. ... Woodring's wordless story is a looping and circumstantial affair, concerned more with fantastically rendered backgrounds — his starkly layered landscapes play like minimalist woodcuts of the deepest unconscious — than matters of plot and story. There is a creeping message of sorts, about the wages of greed and what happens to curious cats, but it's mired in a universe of deeply strange beauty and not always easy to divine." – Publishers Weekly (Starred Review)
• Review: "...[A] gorgeously-produced best-of collection from shojo manga creator Moto Hagio, A Drunken Dream and Other Stories... The material showcased here has been assembled from across thirty years of Moto’s career, and shows her switching nimbly between storytelling modes. On the face of the evidence there was very little she could not do, some things she did well, and a few things she did magnificently. ... This book’s further evidence that 'shojo' need not be thought of as closed-ended and insular a category as “science fiction” once was." – Serdar Yegulalp, Genji Press
• Review: "Where most American gag strips were about the silly things that happen every day, Peanuts was about how to keep on living when you don't get what you want. It was still vital and true at this point [1973-1974], even if more and more of the stories focused on Snoopy quaffing root beers with Bill Mauldin, or writing bad novels, or playing tennis." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Medley has a real talent for character, and she does a wonderful job of exploring and expanding upon standard fairy tale tropes. With her signature creation, Castle Waiting, she takes the bare bones of several well-known stories and redrafts them to account for the human element. ... The first volume of Castle Waiting... is available in a gorgeous hardcover edition from Fantagraphics Books... and the finished product is stunning..." – Stella Matutina
• Plug: "Megan Kelso's Artichoke Tales... is earning comparisons with epics like Cold Mountain and The Thorn Birds, and Kelso's nimble, cartoonish two-color art will remind readers of Marjane Satrapi's Persepolis. – Michael Bagnulo, Shelf Awareness
• Interview: Stephen DeStefano talks shop in a "Cartoonist Survey" Q&A with David Paccia of David-Wasting-Paper: "I recall when I first got to DC Comics as a teenager, Joe Kubert lectured me on starting my reference file. This way, no matter what I wanted to draw, I always had a photo to reference. In this age of Google Image Search, the idea of a reference folder seems positively quaint!"
• Interview: At HiLobrow, Joshua Glenn presents a previously unseen 2002 Q&A (missing the Qs) with Kim Deitch: "Yeah, Waldo represents individualization. His edges can’t be smoothed off — even by me. That’s why I try not to over-use Waldo. If I haven’t got a good idea with him, I’ll let him sit on the shelf for years." (Via ¡Journalista!)
• Profile: The Cincinnati Enquirer's Lauren Bishop spotlights the Comic-Con-bound Carol Tyler: "It's sure to be quite a different experience from the last time Tyler attended Comic-Con, in 1988, when she received the inaugural Dori Seda Memorial Award for Best New Female Cartoonist. 'When I went, it was pretty small,' she says. 'I slept on somebody's floor.'"
Periodic clips & strips -- click for improved/additional viewing at the sources: