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Category >> Jim Woodring

Daily OCD: 6/28/10
Written by Mike Baehr | Filed under reviewsPirus and MezzoPeter Baggelife imitates comicsJim WoodringJasonGahan WilsonDaily OCDAlexander Theroux 28 Jun 2010 3:15 PM

Online Commentary & Diversions:

King of the Flies Vol. 1: Hallorave

Review: "...[T]he first volume of Mezzo and Pirus’s stunning King of the Flies [was] published earlier this year by Fantagraphics. ... Over just 64 pages, the team known as Mezzo and Pirus tell an impressively complex collection of ten interlinked short stories. ...Mezzo and Pirus are remarkably skillful, and create a deep and believable world. It’s meant as a compliment to say that by the end of this book, it feels as if twice as many pages have passed. ... With its bold style and thick lines, dark hues with splashes of garish colour, Pascal (Mezzo) Mesenburg’s forceful art is absorbing and weird." – Oliver Ho, PopMatters

Weathercraft

Review: "Woodring's wild and wordless story [Weathercraft] seems awfully lysergic, but his stunning symbolism and amazing line work is clever and crafty. Manhog, the creature starring in the strange story, is hardly sympathetic, but Woodring's imagery evokes amusement, bemusement and wonder." – Richard Pachter, The Miami Herald

Review: "Regular, rectangular panels are the only thing conventional about Weathercraft, which follows the metaphysical mishaps of Manhog, a blank-eyed, snout-nosed creature who wanders naked through Woodring's pages, on a journey of self-realization disguised as a vivid, botanically inventive acid trip. ... But while the creatures and scenarios in Woodring's world are fantastical, they're drawn with the precision of a woodcarving, black-and-white space shaded with ever-present wavy lines. This precision is crucial, with no words to guide the story — as an exercise in purely visual storytelling, Weathercraft is both challenge and reward." – Alison Hallett, The Portland Mercury

Plug: "Trying to explain Jim Woodring’s art is like describing an acid trip: One never gets the feeling across and inevitably sounds like a crazy person while doing it. ... His work is like Carl Barks’ Donald Duck comics twisted inside out by a black hole. Terrifying, disgusting, funny, silent and beautifully illustrated. See? It sounds crazy." – Casey Jarman, Willamette Week

Profile: "Jason is perhaps the most unique visual stylists working in comics today. Each individual panel is a work of ligne claire pop art: flat, beautifully coloured and amplified for effect. The deceptively simple stories — often thrillers and off-beat romances — feature anti-heroes, guns, girls, historical figures, b-movie monsters, robots, and aliens. They’re a brilliant mix of silent pictures, film noir, La Nouvelle Vague, classic literature, crime fiction, sci-fi and pulp magazines." – Dan Wagstaff, The Casual Optimist

Gahan Wilson

Interview: At The Comics Journal, Marc Librescu talks to Gahan Wilson: "When you read about whatever the hell is going on in the art field, whatever the hell the 'art field' is, it’s written by critics and scholars — they’re both sort of the same thing. They’re commentaries, so they tend to emphasize definition and placement: This is chapter 3 of paragraph 7 of Book A. But that’s not the point. The point is that this thing is there and there’s this interaction that occurs, and [the viewer] is analyzing it. As far as the description thing goes, that’s for critics and that’s for teachers. It’s not for artists."

The Bradleys Collection

Life imitates comics: The Comics Journal's Tom Crippen notices a similarity between a Peter Bagge character from The Bradleys and a real-life individual

Reviewer: For The Wall Street Journal, Alexander Theroux reviews the novel Mr. Peanut by Adam Ross

Jim Woodring video interview
Written by Mike Baehr | Filed under videoJim Woodring 28 Jun 2010 8:44 AM

Dusty Wright of his eponymous Show talks to Jim Woodring against a backdrop of original Weathercraft art at Scott Eder Gallery during Jim's recent trip to NYC.

Daily OCD: 6/25/10
Written by Mike Baehr | Filed under reviewsLove and RocketsJohn PhamJim WoodringJaime HernandezDaily OCD 25 Jun 2010 1:10 PM

Online Commentary & Diversions:

Weathercraft

Review: "Regarding the artwork, finally, it is once again amazing. Creatures and landscapes seem to spring from the most disordered imagination and land on white paper before diving in a bucket of surrealism. So [Weathercraft] is yet another excellent work by Woodring..." – Thomas Papadimitropolous, Comicdom (translated from Greek – thanks to Ted and Takis for the help)

It Was the War of the Trenches

 • Review: "Just a few observations on the art [in It Was the War of the Trenches]... Tardi is bringing very specific and very effective weapons to bear in his chillingly successful effort to convey this particular horror." – Sean T. Collins, Attentiondeficitdisorderly

Sublife Vol. 2

Review: "John Pham’s latest Sublife features a group of longer pieces that conjure a philosophical, nomadic vibe that’s rare and welcome. ... He excels at telling a story with a cinematic sense of where to put the camera, so to speak, and how to build drama. ...Pham’s fondness for sci-fi odysseys of lonely adventurers in endless, barren landscapes — whether the desert of outer space or the desert outback of Australia — is a real good thing." – Byron Kerman, PLAYBACK:stl

Love and  Rockets Book 22: Ghost of Hoppers

Review: "After a couple of years, Jaime’s Maggie storyline, which ran in L&Rv2 #s 1-10 and was reprinted in the Ghost of Hoppers book, still stands as a truly extraordinary piece of work – a story about ghosts and loss, and new friends and old towns. There are demons in the darkness, both literally and figuratively, and odd little talismans that bind us all to that weirdness. It’s a story about growing up and sticking by your friends and all the confusion that brings. It’s about adapting to the fact you’re normal and still having to avoid demonic dogs. But most of all, like almost all of Jaime’s stories, it’s about Love." – Bob Temuka, The Tearoom of Despair (via ¡Journalista!)

Jim Woodring covers the Portland Mercury
Written by Mike Baehr | Filed under Jim Woodring 25 Jun 2010 10:15 AM

The Portland Mercury - Jim Woodring cover

If you've wondered what Jim Woodring's new graphic novel Weathercraft would look like if it were in color, look no further than the cover of this week's issue of The Portland Mercury. Don't forget, Jim's at Portland's mighty Powell's Books tonight at 7:30!

Friday in Portland: Jim Woodring
Written by Eric Reynolds | Filed under Jim Woodringevents 23 Jun 2010 11:22 AM

It's the final stop on Jim Woodring's WEATHERCRAFT tour! 

WHO: Jim Woodring 
WHAT: Multimedia talk and book signing
WHERE: Powell's City of Books, 1005 W Burnside, Portland, OR
WHEN: Friday, June 25, 7:30 PM


Jim Woodring at Desert Island - photos & video
Written by Mike Baehr | Filed under videoJim Woodringevents 21 Jun 2010 7:40 PM

Photos & video from Jim Woodring's appearance at Desert Island in Brooklyn on Saturday, June 19, 2010. Yoinked from Desert Island's Flickr photostream. More pics here.

Daily OCD: 6/21/10
Written by Mike Baehr | Filed under Tim HensleyreviewsMomeMichael KuppermanKevin HuizengaJim WoodringJacques TardiDash ShawDaily OCDaudioAlexander Theroux 21 Jun 2010 4:13 PM

Online Commentary & Diversions, back after a short respite:

Mome Vol. 18 - Spring 2010

Review: "Almost to a story, the bits and pieces of Mome [Vol. 18] just suck the careful reader in. Indeed, almost every contribution practically begs for critical examination, not to mention a different frame of mind. ... Some of the individual stories are just stunning. ... This is great art, good comics, and, in my opinion, odd when taken as a collection." – Jeremy Nisen, Under the Radar

Wally Gropius

Review: "Right up front let’s admit this: Wally Gropius is a terrifying comic book and everyone reading this should buy it immediately. Tim Henlsey has crammed more horror into these 64 pages than any comic in recent memory. ... It is also a terrifying book to talk about, because its level of craft is so high, its surface so impenetrable, that it’s like trying to write about Kubrick or something: You know it’s all in there, but it’s hard to find a foothold. ... Hensley’s drawings... and are so fluid and articulate that it’s hard to believe he could or does draw or even hand write any other way. ... In his hands [the book's aesthetic] is a complete language. It’s a bracing, enervating way of making comics because there’s so much dissonance between what I want to read the lines as and what the drawings those lines form actually mean." – Dan Nadel, Comics Comics

Weathercraft

Review: "[Jim Woodring] has been called one of the great cartoonists of his generation and at this point, there’s little doubt of his visual storytelling prowess. But it’s the intense, visionary images and worlds that spring from his mind and on to his pages that truly separates him from his peers. ... Weathercraft, like all his Unifactor stories, is absolutely wordless. It’s a quiet, cosmic adventure that relies on Woodring’s extraordinary control of visual language and blends his understanding of Vedantic beliefs with stylized, Max Fleischer nightmares to explore ideas about the evolution of consciousness." – Paul Rios

Review: "Read [Weathercraft] a third time, thinking about Woodring’s video commentary, and recognize how cohesive it is. There’s a real clarity to the plot and to Woodring’s character designs and panel compositions. You will think that, in some way, the key to much of this is the artist's omnipresent wavy line, but will be unsure." – Ken Parille, Blog Flume

Tales Designed to Thrizzle #6

Review: "Kupperman’s all over the map, and manages to amuse with all the non sequiturs more often as not... If you have a soft spot for this sort of shenanigans, kinda like much of Adult Swim but smarter than the run of that mill, you could do worse than to pick [Tales Designed to Thrizzle #6] up..." – Johnny Bacardi, Popdose

Sand & Fury: A Scream Queen Adventure

Review: "...Sand & Fury: A Scream Queen Adventure... is a romp concocted of homage to the weird horrors of filmmakers David Lynch and Dario Argento, with a shout out even to Roman Polanski’s Repulsion. But it also features the signature Anderson political subtlety. ... A graphic text is, by nature, more explicit — graphic — than it can be subtle. So, Anderson’s love scenes verge on kink, while the death scenes owe much to the gore of recent vampire flicks and George Romero’s Zombie franchise. ... Sand & Fury is not classic literature, but it is fine pop art. Check it out." – George Elliott Clarke, The Chronicle Herald

The Search for  Smilin' Ed! [Pre-Order]

Review: "The story booms with Deitch's explosive composition techniques and the narrative recoil — somehow even the genetically modified beavers here make perfect sense — is no less compelling. The Search For Smilin’ Ed! offers perhaps not as discrete a narrative as those found in Alias the Cat (2002) and The Boulevard of Broken Dreams (2007), but the joy of Deitch is that his work is almost impossible to tug apart. And who doesn't want their demons, time travelers, midgets and voyeuristic aliens in one oily melee?" – John Reed, Los Angeles Times

Review: "Did you know the Earth is honeycombed with tunnels containing archives of the entire history of popular culture, as recorded on alien-designed microchips by a council of pygmies? Leave it to underground-comics legend Kim Deitch to make that concept simultaneously deeply attractive and deeply creepy in The Search For Smilin’ Ed... The story gets more twisted with every page, though it always makes sense in a Deitch-ian way. Deitch has trod this ground many times before... but he retains an astonishing ability to tap into the deepest desires of pop-culture junkies, and to show how the satisfaction we seek from nostalgia can lead us to some dark corners of our collective showbiz past. [Grade] B+" – The A.V. Club

Billy Hazelnuts and the Crazy Bird

Review: "The second in the proposed Billy Hazelnuts trilogy by Tony Millionaire finds the Popeye-strong, sentient cake fed up with the 'filthy world of beasts,' made up as they are from 'disgusting blobs of meat.' The first Billy was about his origins; Billy Hazelnuts and the Crazy Bird is about the responsibilities of parenthood, and how they don’t necessarily sync up with maturity." – The A.V. Club

It Was the War of the Trenches

Review: "Everybody dies in [It Was the War of the Trenches]. It's sad, gory, brutal, depressing, visceral, and overwhelming. It brings those poor soldiers back to life and, instead of celebrating any victories or glorifying any heroic acts, just shoots them in the gut all over again and leaves them to die in the mud and filth of no man's land. It's an impressive work of art that floods the reader with a feeling of hopelessness. How Tardi managed this feat without having participated in the first world war is really quite amazing. It is worth reading." – Sandy Bilus, I Love Rob Liefeld

The Unclothed Man in the 35th Century A.D.

Interview: Robin McConnell, host of the Inkstuds radio program, calls up Dash Shaw to catch up on his latest projects

Reviewer: For the Wall Street Journal, Alexander Theroux reviews Bret Easton Ellis's sequel to Less Than Zero

Reviewer: At Husband vs. Wife, Kevin Huizenga eviscerates Logicomix and notes that he's read Weathercraft 3 times

Weathercraft exhibit preview
Written by Mike Baehr | Filed under Jim Woodringart shows 16 Jun 2010 9:34 AM

from Weathercraft - Jim Woodring

If you can't make it to Scott Eder Gallery to see the exhibit of Jim Woodring's original Weathercraft art (one of a trio of NYC appearances for Jim this week), you can preview the exhibit on the gallery website (spoiler alert if you haven't read the book).

Thurs./Fri./Sat. - WOODRING in NYC!
Written by Eric Reynolds | Filed under Jim Woodringevents 16 Jun 2010 7:49 AM

Jim Woodring heads to New York this weekend for three events in three nights, beginning at Forbidden Planet in Union Square on Thursday, followed by an artist's reception at Brooklyn's Scott Eder Gallery on Friday and featuring an exhibition of all the original art from Weathercraft,  and concluding with a signing at Desert Island on Saturday (the above image is of the limited-edition silkscreen print Desert Island will be selling!). Don't miss out. 

06/17/10 | 6PM
New York NY
FORBIDDEN PLANET

06/18/10 | 6PM
Brooklyn NY
SCOTT EDER GALLERY 

06/19/10 | 7PM
Brooklyn NY
DESERT ISLAND





Cash in that 401K and Call Your Travel Agent!
Written by Larry Reid | Filed under Ted JouflasRoberta GregoryPeter BaggePat MoriarityMegan KelsoJR WilliamsJim WoodringJim BlanchardJeremy EatoneventsEllen ForneyCharles Burns 15 Jun 2010 9:36 AM

Poodle with a Mohawk - Lynda Barry

Make plans for Labor Day weekend in Seattle now! The Bumbershoot art and music festival promises to be the best in recent memory. In addition to performances by the likes of Bob Dylan, Neko Case, Hole, the Decemberists, Weezer and countless other bands, the festival includes a large exhibition of contemporary Seattle cartoonists.

Organized by Fantagraphics resident curator Larry Reid, "Counterculture Comix: A 30-Year Survey of Seattle Alternative Cartoonists" begins with Lynda Barry's work circa 1980 and continues through the present. The show reveals Seattle as the ancestral home of the alternative comix genre and examines the role comix played in Seattle's youth movement of the 90s, which penetrated popular culture globally.

Hundreds of original artworks, comix and related ephemera by an impressive roster of influential Seattle artists will be displayed including Lynda Barry, Charles Burns, Peter Bagge, Ellen Forney, Jim Woodring, Megan Kelso, Jim Blanchard, Roberta Gregory, David Lasky, Ted Jouflas, Justin Hampton, J. R. Williams, Pat Moriarity, Donna Barr, Mark Zingarelli, Michael Dougan, Jeremy Eaton, Jason T. Miles, and more.

See you in September.