Our Free Comic Book Day offering this year, Weathercraft and Other Unusual Tales by Jim Woodring, is an absolute doozy! It features an excerpt of Jim's new graphic novel Weathercraft along with out-of-print and never-before-published "Frank" material, a centerfold of a previously unpublished Woodring charcoal drawing (like the ones in Seeing Things), and other surprises. It's an absolute must-have for any Woodring fan! Believe me — I've seen the proofs and I can't wait to get my hands on the final product.
At the FCBD website, you can read an interview with the comic's editor, our own Jason T. Miles, with more information about the whole shebang, and download an excerpt of the Weathercraft excerpt.
Free Comic Book Day is Saturday, May 1 this year, and you'll be able to find Weathercraft and Other Unusual Tales at Fantagraphics Bookstore & Gallery and other participating comic shops across the land while supplies last. Be sure to check with your local shop to make sure they're getting copies.
Publishers Weekly presents a 6-page excerpt from Jim Woodring's new graphic novel Weathercraft today! Observe as a newly-enlightened Manhog explores the Unifactor and encounters a startlingly familiar face.
six 24-page b&w/color comic books with signed plate • $20.00
UPDATE: Sold Out!
It is with pride and pleasure that Fantagraphics Books presents the second "volume" of Jim, Jim Woodring's comix autojournal. Combining the best aspects of Woodring's now out-of-print Jim magazine (most of which is available in The Book of Jim) with his work in Tantalizing Stories, the new Jim was released on a regular quarterly basis in the deluxe part-color Eightball format. Woodring's work in Jim is derived primarily from his richly detailed and message-laden dreams and from bizarre events and observations which occur during his waking hours (which Jim calls his "other" life). With painstaking fidelity he recreates these experiences and impressions in comics, drawings, and text, drawing the reader into an eerily complete world that is both unprecedented and familiar. The second incarnation of Jim features Frank, Manhog, Pupshaw, Pushpaw, and Pulque in page after page of short and long stories, as well as the return of "Jimland Novelties," letters pages, and much more.
This special limited-edition pack includes all 6 issues of the series shrinkwrapped with a special plate signed by Jim Woodring.
• Review: "Ghost World feels like a really apt bit of social history to me now, rather than a piercing look at real life. I believe it, but I believe it happened, not that it happens, at least not quite this way, at the age shown here. But, what is timeless is the theme that crops up towards the end: the unsettling feeling one gets when contemplating the lurch into adulthood." – Christopher King, Timmy's House of Sprinkles
• Plugs: The bloggers at Comics And... Other Imaginary Tales comment on our offerings in the current issue of Previews, including Four Color Fear ("This will be awesome!"), Grotesque #4 ("This is a great story with great art and well worth the money"), and Wally Gropius ("The dichotomy between the clean and wholesome lines and the dirtyness of the story is what's pulling me in.")
• Profile: Christina Whiting of the Homer News reports on Jim Woodring's current residency at the Bunnell Street Arts Center: "The Bunnell gallery space has been transformed into an exhibition of Woodring's art and into a working studio. His work table is covered with pads of paper, bottles of ink, quill pens and unfinished drawings — basic tools of his trade. ... Throughout the month, Woodring also has been working on a 100-page graphic novel, which he plans to publish. The first 20 pages are currently displayed in the gallery exhibit area, and he is adding a new page to the wall every couple of days. 'I'll likely create ten new pages while I'm here,' Woodring said."
• Interview: At The Comics Journal, Alex Dueben talks to Ho Che Anderson about his new book Sand & Fury: "I’ve always been highly, highly influenced by movies, as much if not more so than comics. There were certainly comic book influences on S&F, like Richard Sala’s work and also Richard Corben whom I’m a big fan of, and even a little Jason Lutes though it’d be difficult to see. But it’s true that the majority of the influences were cinematic, particularly Dario Argento and David Lynch."
We will, as is customary, be bringing you better-quality and greater-in-quantity photo and video previews in the near future. Our Twitter and Facebook followers are first to get these glimpses, so the impatient among you are encouraged to add us to your feeds there.
• List:Only the Cinema's Ed Howard concludes counting down The Best Comics of the Decade: the top 20 includes "The Lute String" (available in Mome Vols. 9 & 10) by Jim Woodring at #16 ("It's moving, funny, and as with all of Woodring's work it demands a close reading"), Alias the Cat (originally The Stuff of Dreams) by Kim Deitch at #14 ("It's funny, goofy, exciting and far-ranging in its imaginative nonsense accumulations, and throughout it all Deitch's fond sense of nostalgia for a world that never quite was lends emotional heft to the story's elaborate twists and turns"), Dash Shaw's Bottomless Belly Button and Mome stories (collected in The Unclothed Man in the 35th Century A.D.) at #13 ("Dash Shaw is an utterly brilliant young cartoonist who has, in a few short years, advanced from the academic experiments of his earlier work... into a formalist genius whose skills encompass both a natural gift for color and a feel for subtle, indirect characterization"), Safe Area Gorazde by Joe Sacco at #7 ("Joe Sacco is a unique figure in modern comics: there is no one else who combines sheer cartooning chops with a newspaper reporter's sensibility and instincts in quite the same way. ... Safe Area Gorazde [is] an especially powerful document of the effects of war"), the comics of Kevin Huizenga at #4 ("Kevin Huizenga is the best young artist in comics. It's as simple as that. With his recent Fantagraphics series Ganges (part of the Ignatz line of high-quality pamphlets) Huizenga has matured into one of comics' finest formalists"), Jimbo in Purgatory by Gary Panter at #2 ("The denseness of Panter's references and cross-references makes the experience of reading this book a truly overwhelming experience; every line, every image, spirals into multiple other references and ideas, pulling in the whole wide expanse of world culture as a stomping ground for Jimbo's wanderings through the Purgatory of modern existence towards enlightenment"), and the Love and Rockets Vol. II work of Jaime Hernandez (as collected in Ghost of Hoppers and The Education of Hopey Glass) in the #1 slot ("There is no greater all-around artist in modern comics than Jaime Hernandez, and his recent work builds on his past successes so that his oeuvre as a whole is shaping up to be one of literature's best sustained stories about aging and the shifting of relationships over the course of a life").
• Review: "The best argument that the underground tradition is still alive is Hotwire Comics, edited by Glen Head (one of the most underrated cartoonists around, incidentally). Hotwire Comics is a visual assault, abrasive, confrontational, willing to poke and prod the audience: a real live wire that can shock. Everything a good underground comic book should be." – Jeet Heer, Comics Comics
• Review: "Strange Suspense is a handsome book generally, with a fun front cover and a nice, sturdy, feel. As far as my eye can tell the work is reproduced well; admittedly, I have one of the worst eyes in comics for that sort of thing. It's nice to have a bunch of comics from this time period, particularly the grittier pre-Code or Fear of Code-Like Crackdown work. There are some truly repulsive pieces of throwaway pulp in this book's pages, and Ditko was more than up to the task of illustrating them." – Tom Spurgeon, The Comics Reporter
• Review: "Mother, Come Home is a subtle, dark story about death and madness and fantasy, tied together by symbols and the voice of an older Thomas looking back on his childhood. It's not bleak, though; Thomas survives his traumatic childhood, and perhaps Hornschmeier's lesson is that we all can, if we try — if we step outside our rituals and fantasies and reach out to each other, we can make it through." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent. (via ¡Journalista!)
• List:Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 2 includes Black Hole by Charles Burns at #36 ("Few books do a better job of capturing the fear, and the excitement, of nascent desire and adolescent longing, as these diseased teens are driven mad by hormones and embarrassment"), Epileptic and Babel by David B. at #30 ("With his elegant style, dominated by striking blacks and contrasts, he invents numerous metaphors and visualizations for his brother's disease, treating the fight against the disease as a physical, mortal conflict"), Chimera #1 by Lorenzo Mattotti at #29 ("a rare pleasure from this elusive artist... a powerful work"), and The Squirrel Mother by Megan Kelso at #26 ("Kelso's work can be devastating in the way she pares down the excess to get at the essence of a particular moment or situation").
• Review: "…[A] fascinating treasure trove of an anthology... In addition to work by greats like Artie Romero, Rick Geary, and Mary Fleener, and 50 or so others, [Newave!] serves as the history of a movement." – Publishers Weekly
• Review: "Taken as a book that records a history, it’s pretty awesome. ... Newave! does include essays about minicomics and interviews with some of the creators. These are fun and provide a great look at how all of this came about." – Eden Miller, Comicsgirl (via Wow Cool)
• Review: "[Newave!] is really cool. ... It's great to see the kind of passion that was going on... when there was this explosion where people just wanted to do comics because they had a passion for drawing, for telling stories... It's just a book full of passionate comics... I definitely recommend checking it out..." – Steampunk Willy's Mad Comix Ride - The Comic Book Podcast (via Wow Cool)
• Review: "[I Killed Adolf] Hitler mixes elements of classic time travel science fiction fare with personal melodrama and a strange sense of humor that's unlike anything else in comics today. ... Jason pulls off some nice storytelling tricks when you aren't looking. ... The pacing of his story is refreshing, never getting bogged down, never moving too fast." – Augie De Blieck Jr., Comic Book Resources
• Interview: At Fatally Yours, Sarah Jahier has an enlightening Q&A with Dame Darcy: "My Dad is an artist, so is my uncle, brother, and a lot of my family. We are related to John Wilkes Booth and many of the guys in my family look like him (like a handsome villain). I [attribute] a lot of my family’s talent and good looks to Booth but also the craziness." I did not know that! (via The Beat)
• Profile: At Comix 411, Tom Mason profiles E.C. Segar's Popeye protegé, Bud Sagendorf
• Comic Book Resources presents a nice, juicy 5-page sample of Adastra in Africa by Barry Windsor-Smith and discusses the origin of the book as part of their series of posts on "Comic Book Legends"
• Look forward to Laura Park's entries to Picture Book Report, where a variety of artists will be posting illustrations inspired by their favorite books — looks like there's going to be a lot of great stuff, gonna bookmark that site