This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
(Note that this includes some books that haven't been officially announced as shipping yet -- unless we missed it -- but we're pretty confident they've shipped over the last couple of weeks and we got tired of waiting to post the blurbs.)
128-page two-color (with some full color) 7.25" x 10" hardcover • $24.99 ISBN: 978-1-60699-590-7
"I've wanted a collected edition of Sala's version of Snow White ever since it was released in Fantagraphics' great-looking, but difficult to store Ignatz format. And now I'm finally getting it. Merry Christmas to me." – Michael May, Robot 6
528-page black & white (with some color) 7" x 9.5" hardcover • $39.99 ISBN: 978-1-60699-551-8
"A very early contender for manga release of 2013 arrives in the form of The Heart of Thomas, a 524-page all-in-one hardcover compilation of a mid-'70s landmark in Japanese comics-for-girls, Moto Hagio's epic of gnawing desire among sparkling schoolboys." – Joe McCulloch, The Comics Journal
240-page full-color 7.5" x 10.75" hardcover • $39.99 ISBN: 978-1-60699-581-5
"Even older (and somewhat differently-themed) comics can be enjoyed in Weird Horrors & Daring Adventures: The Joe Kubert Archives Vol. 1, a 240-page, Bill Schelly-edited ‘best of' collection for pre-Code genre pieces by the late Kubert." – Joe McCulloch, The Comics Journal
364-page black & white 5.25" x 8" hardcover • $28.99 ISBN: 978-1-60699-594-5
"And then you can just throw finished comics aside entirely in favor of Problematic: Sketchbook Drawings 2004-2012, a 5.25″ x 8″, 364-page collection of Moleskine pieces, 'much of it... too baffling to be harnessed for any practical use,' by the awesome Jim Woodring." – Joe McCulloch, The Comics Journal
136-page two-color 6.5" x 9.25" softcover • $19.99 ISBN: 978-1-60699-541-9
"...[T]here are a lot of good books out this week. The new Tom Kaczynski book Beta Testing the Apocalypse comes most immediately to mind..." – Chris Mautner, Robot 6
"Terror of the present, as Tom Kaczynski collects his excellent short stories of uneasy habitation into Beta Testing the Apocalypse, a 136-page softcover boasting substantial a new piece." – Joe McCulloch, The Comics Journal
"Just read page 1 of Tom @unciv Kaczynski's Beta Testing the Apocalypse published by @fantagraphics Best thing I've read in ages! ONE PAGE!!!" – OK Comics
320-page black & white 7.5" x 10.25" hardcover • $35.00 ISBN: 978-1-60699-504-4
"Struggles of the past, as Texas history returns to print in Jack Jackson's American History Vol. 1: Los Tejanos & Lost Cause, the 320-page first of three hardcover volumes set to collect the entirety of the underground pioneer's nonfiction graphic novels." – Joe McCulloch, The Comics Journal
The sweetest tea of Online Commentaries & Diversions:
• Review:The Atlantic writes on The Heart of Thomas by Moto Hagio. Noah Berlatsky looks at it from every angle, "The boys' love genre, then, freed Hagio and her audience to cross and recross boundaries of identity, sexuality, and gender…Bodies and character flicker in and out, a sequence of surfaces, tied together less by narrative than by the heightened emotions of melodrama—jealousy, anger, trauma, desire, friendship, and love in the heart of Thomas."
• Plug: David Brothers and Comics Alliance posts a preview of The Heart of Thomas plus a few thoughts on Moto Hagio that works outside of his comfort zone. "What there is, though, isdrama. No -- it has melodrama…the sheer level of theatrical drama in this book is enough to keep a skeptic hooked…Heart of Thomas is a trip, and a good one. I wasn't expecting to enjoy it as much as I did, and it was nice to enjoy something outside of my usual comfort zones."
• Plug: Johanna Carlson of Comics Worth Reading is ready for the world to read The Heart of Thomas by Moto Hagio. "This solid hardcover contains the entire classic shojo series, and it’s a must-read for anyone interested in the development of the genre. It’s also surprisingly gripping in its own right…"
• Review: Chris Mautner interviews Jim Woodring's Problematic on Robot 6. "Problematic is both a stroll through Woodring’s unique imagination and an opportunity to see his working process" and Woodring thinks "having a pocket sketchbook on me at all times means fleeting impressions and ideas that might otherwise be lost are captured…Everything I draw is reality-based."
• Plug:BoingBoing is ready for Jim Woodring's Problematic to come out. "There are many reasons to be grateful to be alive, and owning this brand new facsimile edition of artist Jim Woodring's Moleskine sketchbooks is as good as any," says Mark Frauenfelder.
• Interview/Review:Publishers Weekly looks at 7 Miles a Second, and Grace Bello interviews artists James Romberger and Marguerite Van Cook on writer David Wojnarowicz, the gay activist who wrote the comic before dying of AIDS-related complications. Romberger is quoted, "It really is so much about what David was about, channeling his anger into a statement…" "The gay experience is not only 'less invisible'—it’s on prime time TV. But the feral energy and raw hunger in 7 Miles a Second still resonate" states Bello.
• Review: Jason Sacks of Comics Bulletin presents 20 Facts and Opinions on Joe Kubert's Weird Horrors & Daring Adventures, edited by Bill Schelly. "Schelly and the always sterling Fantagraphics production team do a nice job of preserving the look and feel of these comics…the master cartoonist was equally at home doing broad humor as intense action/adventure as well as lighter, Archie-style teen humor."
• Review:Comics Alliance and Caleb Goellner continues their Best of 2012 series with Prison Pit Book 4by Johnny Ryan. "It was like looking at a baby book of bad ideas from boyhood as an adult who'd learned to function in polite society…it's bliss to kick back and watch humankind's most immature impulses play out in the safety of Ryan's Prison Pit."
• Review:The Weekly Crisis lists its Top 10 books of 2012 and Johnny Ryan's Prison Pit Book 4 lands at #2. Taylor Pithers states "he is interested in is fighting and hyper violence, which to be fair, would be more acceptable to the masses if it was drawn by Ivan Reis or another one of Geoff Johns' collaborators…Honestly, there isn't a comic that has given me more belly laughs in my entire life."
• Review: Comiks Debris posts its Best of 2012 books and Johnny Ryan'sPrison Pit Book 4 comes in as #8.Marc-Oliver Frisch writes "structurally, Prison Pit reminds me a lot of Jarmusch's The Limits of Control… The artwork looks ugly, crude and perfunctory. The characters eat, shit, fuck and, most of all, fight their way through the book…It's one mean, sick motherfucker of a comic, and I can't wait what happens next."
• Plug: Tucker Stone on The Comics Journal rates his top comics of 2012. Prison Pit Book 4by Johnny Ryan comes in at 18. "…it’s hard to explain how intense the surprise was for a follower of Angry Youth and Ryan’s humiliation comics to open that first Prison Pit…"
• Review:Delphine by Richard Sala gets reviewed on Comic Book Resources. Kelly Thompson claims, "One part comic book and one part fever dream…Rare is the opportunity that I'm so engaged I consider yelling at an inanimate object such as a book…Delphine is also a nice contrast to the unrelentingly bright and happy fairy tales that are so often seen when it comes to modern reinterpretations of those early dark tales."
• Review:The New York Journal of Books thumbs through Spacehawk by Basil Wolverton. "Basil Wolverton rises to the occasion and gives the reader a detailed and hilarious look at megalomania while throwing in some fantastic aerial fight scenes…Fantagraphics Publishing brings Wolverton’s art to the reader in as detailed and perfect a form as possible. Each wave of space, every geometric shape and all the incredibly ugly aliens look better than they ever have in their entire lives," writes Mark Squirek.
• Review: Crave Online looks at Spacehawk by Basil Wolverton. "This is the medium when there were no rules, no event series and no giant corporations standing watch over what the creators were doing. If you love the Golden Age, science fiction and adventure, nothing compares to the world Basil Wolverton put together for Spacehawk," writes Iann Robinson.
• Review: The Weekly Crisis lists its Top 10 books of 2012 and Josh Simmon's The Furry Trap ranks as #1. Taylor Pithers writes, "The Furry Trap is pure exploitation; violent, disgusting, and bound to make you feel uncomfortable but it also does what the best fiction is meant to, it stays with you long after you have put the book down…Simmons is a cartoonist of the highest caliber. This is not a book for the faint hearted, but if you can stomach it will be a true experience."
• Review:NPR and Glen Weldon write on Books of 2012 they haven't told you about. Heads or Tails by Lilli Carré "The whole collection has the feel of a dream in which remembering how to fly is as simple as forgetting that you can't."
• Review: Noel Murray and The A.V. Club write about the Top 10 Fiction books of 2012. Heads or Tails comes in at #7. "Lilli Carré’s stories are like dreamy what-ifs that take the familiar and tweak it."
• Plug: Whitney Matheson of USA Today's Popcandy mentions her favorite things including Heads or Tailsby Lilli Carré: "…a lovely volume from one of my favorite cartoonists that includes several beautifully strange short stories. I'm a longtime fan and even have a framed Carre print hanging in the baby's room."
• Plug: Chris Mautner of Comic Book Resources lists his Best reprint/reissue series of 2012 with many Fantagraphics titles: Spacehawk by Basil Wolverton as #1. "I had more fun reading this than just about anything else this year." #2 was Dal Tokyo by Gary Panter, # 3 was Is That All There Is? by Joost Swarte. #5 was Heads or Tails by Lilli Carré. The Furry Trap by Josh Simmons made the list at #10.
• Interview:The Comics Journal interviews Ron Regé, Jr. on The Cartoon Utopia, evolving comics and more. Regé on his book, "People should use bibilomancy—randomly opening to a page—to access the information if they’d like. Nothing in the book tells you to treat it that way, but I think people will get the idea anyway."
• Interview (audio): Erik Davis and Expanding Mind interview Ron Regé, Jr. on the radio about The Cartoon Utopia! Adventure indeed.
• Review:Comics Bulletin and Jason Sacks investigate Blacklung. "Chris Wright seems to channel Melville or Conrad in this book as he explores the uniquely idiosyncratic world that he creates…nobody has ever created characters that look like the characters in this book, with their strange faces and lumpy, malformed bodies…This slim graphic novel is a dense read unlike anything else you've read in comics."
• Review: Noel Murray and The A.V. Club write about the Top 10 Fiction books of 2012. Athos in America is #5. "Jason’s blank-faced animal-headed characters reveal unexpectedly deep passion via deadpan tales of dislocation."
• Review: Sonia Harris of Comics Book Resources places Love and Rockets: New Stories #5 by Jaime Hernandez and Gilbert Hernandez as #5 of her Top 16 Books of 2012. Harris says,"Watching these people’s lives change on the page, along with the gradual evolution of the Hernandez brother’s art and writing is the closest thing to real life created in a comic book. Nothing on the screen could ever compare to the life and complexity these two men breathe into their characters year after year with such consistent quality and affection."
• Plug: Tucker Stone on The Comics Journal rates his top comics of 2012. Jaime and Gilbert Hernandez have cause to celebrate as Love and Rockets:New Stories #5makes it at #13. "It was great, and of course it was, because it’s them, and it was great for all the same reasons you’d expect it to be…"
• Review:NPR and Glen Weldon write on Books of 2012 they haven't told you about like Wandering Son by Takako Shimura. "Wandering Son is not the kind of manga in which a happy ending is guaranteed… You'll thus be grateful for the moments of realistic, untempered joy Shimura allows her two protagonists here, as you wait with nervous anticipations for the travails that lie ahead for them…"
• Review:Manga Bookshelf recounts its Favorite Manga Series of 2012 including Wandering Son by Takako Shimura. "This series about two transgender children in modern-day Japan has been a favorite since it debuted last year thanks to its delicate, truthful storytelling and understated artwork…Its most recent volume (three) goes a bit darker and deeper, only heightening my interest in the series" says Melinda Beasi.
• Review: Noel Murray and The A.V. Club write about the Top 5 Archival books of 2012. Harvey Kurtzman's Corpse on the Imjin! landed at #1. "Kurtzman book is especially stunning, almost like a coffee-table art-book combined with a literary collection…an anthology with a strong individual perspective that tries to tell the truth about what war is like from the point of view of the people on both sides of the battlefield."
• Review: Noel Murray and The A.V. Club write about the Top 5 Archival books of 2012. Ernie Bushmiller's Nancy Is Happy: Complete Dailies 1946-48: "bristle-headed Nancy and poor slob Sluggo inadvertently irritate the grown-ups in their lives, in scenarios that Bushmiller illustrated with absurd visual gags—so basic that anyone, anywhere, at any time, could get the joke."
• Review: Nick Gazin of VICE has a pretty fuckin' fancy (his words) edition of The Clouds Above by Jordan Crane. "Jordan Crane is a cartoonist with supreme abilities. He's great at making lines, hand text, and backgrounds and stuff…This is beautifully colored also. Did I mention Jordan Crane's great color sense? His colors are good."
• Review: Steve Donaghue enjoys Prince Valiant Vol. 1 by Hal Foster on Open Letters Monthly. "The ambition becomes most emphatic the more you scrutinize the work. Foster often said he put in between 50 and 60 hours a week on creating the strip, and it shows in these magnificent reproductions, done in a sturdy hardcover with oversized pages and entirely restored colors and shadings."
• Plug:Record Collector magazine (UK) picks Listen, Whitey! by Pat Thomas as one of the top 12 books of 2012. "A socio-polictal account of American racial struggles...an extraordinary study of the way the message of [the Black Panther] movement was recounted and defined on vinyl. "In-depth" doesn't begin to describe it."
• Plug: Tucker Stone on The Comics Journal rates his top comics of 2012. Dungeon Quest 3 by Joe Daly makes the mark at 17. "in times like these, with sandwiches like mine, you have to root for the one who brung you, and that’s dick jokes. Dungeon Quest had so many of them, and they were all wonderful."
• Plug: Johanna Carlson of Comics Worth Reading notes the softcover edition of Castle Waiting Vol. 1 by Linda Medley. "The original hardcover was one of my best of 2006; it’s a gorgeous twist on fairy tales, concentrating on daily life instead of big events, which makes it charming."
Time for your first new-release recap of 2013, and we've got a fine variety for you (as usual). In the past month we've received the new paperback edition of Vol. I of Linda Medley's Castle Waiting, the hardcover collection of Richard Sala's Delphine, the eagerly-anticipated The Heart of Thomas by Moto Hagio, Jim Woodring's sketchbook art book Problematic, and classic vintage Joe Kubert in Weird Horrors & Daring Adventures. Creepy! Fantastical! Romantic! Sometimes all three!
What's more, you can get these books -- and everything else we offer -- for 20% off right now during our New Year's Deja Vu Sale! Just use coupon code DEJAVU when checking out. Don't delay -- Saturday, January 5 is the last day for these savings! (More details here.)
Remember, our New Releases page always lists the 20 most recent arrivals, and our Upcoming Arrivals page has dozens of fut ure releases available for pre-order.
Castle Waiting is the story of an isolated, abandoned castle, and the eccentric inhabitants who bring it back to life. A fable for modern times, it is a fairy tale that’s not about rescuing the princess, saving the kingdom, or fighting the ultimate war between Good and Evil — but about being a hero in your own home. The opening chapter tells the origin of the castle itself, which is abandoned by its princess in a comic twist on “Sleeping Beauty” when she rides off into the sunset with her Prince Charming. The castle becomes a refuge for misfits, outcasts, and others seeking sanctuary, playing host to a lively and colorful cast of characters that inhabits the subsequent stories, including a talking anthropomorphic horse, a mysteriously pregnant Lady on the run, and a bearded nun.
Linda Medley lavishly illustrates Castle Waiting in a classic visual style reminiscent of Arthur Rackham and William Heath Robinson. Blending elements from a variety of sources — fairy tales, folklore, nursery rhymes — Medley tells the story of the everyday lives of fantastic characters with humor, intelligence, and insight into human nature. Castle Waiting can be read on multiple levels and can be enjoyed by readers of all ages.
A mysterious traveler gets off the train in a small village surrounded by a thick sinister forest. He is searching for Delphine, who vanished with only a scrawled-out address on a scrap of paper as a trace.
Richard Sala takes the tale of Snow White and stands it on its head, retelling it from Prince Charming's perspective (the unnamed traveler) in a contemporary setting. This twisted tale includes all the elements of terror from the original fairy tale, with none of the insipid saccharine coating of the Disney animated adaptation: Yes, there will be blood.
Originally serialized as part of the acclaimed international "Ignatz" series, Delphine is executed in a rich and ominous duotone that shows off Sala's virtuosity — punctuated with stunning full-color chapter breaks.
The setting: A boys' boarding school in Germany, sometime in the mid-20th Century. One winter day, fourteen year-old Thomas Werner falls from a lonely pedestrian overpass to his death, immediately after sending a single, brief letter to another boy at the school:
To Juli, one last time. This is my love. This is the sound of my heart. Surely you must understand.
Thus begins Moto Hagio's The Heart of Thomas — one of the most compelling and enigmatic manga graphic novels ever created, and a pioneer in the popular boys'-romance "shounen-ai" genre. Thomas's death (was it an accident? Suicide? Or even murder?) immediately throws the school into turmoil, while his letter sets off a chain of emotional upheaval both for the recipient and an ever-expanding circle of friends, family, and teachers, as secrets are revealed and shared. And then a new boy who looks exactly like Thomas shows up at school…
Unabashedly romantic and emotionally complex, The Heart of Thomas features an unusual, richly imagined setting and a cast of memorable characters. This timeless masterpiece is now finally available to American readers.
Order this book and receive this FBI•MINI comic shown here as a FREE bonus! Click here for details. Limit one per customer while supplies last.
If you are one of the fortunate thousands who enjoy untangling the enigmatic images that fill Jim Woodring's comics and drawings, Problematic is just the book for you to put under your pillow and dream on.
Woodring is a devotee of the pocket-sized Moleskine sketchbook and has filled at least one per month since 2004. Quick concept sketches, figure studies, self-challenges, finished drawings, revenge portraits and caricatures, scene tryouts... everything goes into these idea batteries.
Problematic provides the adventurous viewer with a bounty of unfiltered, hand-captured glimpses of life by an artist that Publishers Weekly called "a modern master of hallucinatory cartoon fables." Lots of this material re-emerges in the form of pictures and storylines but much of it is just too baffling to be harnessed for any practical use. Of course, these untamable notions are the best and most interesting ones; and there are plenty of them here in the 300-page brick of Problematic.
Problematic is a rollicking amalgam of reportage (i.e. the man who blew his arm off), speculative anatomy, fancy women, make-a-face games, picture-puzzles, gags, riffs and burlesques. Catalogue and exhibition simultaneously, Problematic is your best bet for a brief, energizing stroll in a distinctively enjoyable neighborhood.
Joe Kubert sealed his reputation as one of the greatest American comicbook cartoonists of all time with the four-color adventures of Sgt. Rock of Easy Company, Enemy Ace, and Tarzan, all done for DC Comics during the 1960s and 1970s (themselves already the subject of archival editions)... but he had been working in comics since the 1940s. In fact, young Kubert produced an exciting, significant body of work as a freelance artist for a variety of comic book publishers in the postwar era, in a glorious variety of non-super hero genres: horror, crime, science fiction, western, romance, humor, and more.
For the first time, 33 of the best of these stories have been collected in one full-color volume, with a special emphasis on horror and crime. The Kubert work in this book is that of a burgeoning talent attacking the work with tremendous panache, and in the process, developing a style that became one of the most distinctive in the medium.
Since these stories were written and drawn in the pre-Comics Code era, they are more thrilling, violent and sexy (by contemporary standards) than much of his later, Code-constrained work. And just the titles of the comic books from which these stories are taken are wonderfully evocative of a bygone era of four-color fun: Cowpuncher, Abbott and Costello Comics, Three Stooges, Eerie, Planet Comics, Meet Miss Pepper, Strange Terrors, Green Hornet Comics, Whack, Jesse James, Out of This World, Crime Does Not Pay, Weird Thrillers, Police Lineup, and Hollywood Confessions.
As with Fantagraphics’ acclaimed Steve Ditko and Bill Everett Archives series, Weird Horrors and Daring Adventures boasts state-of-the-art restoration and retouching, and an extensive set of historical notes and an essay by the book’s editor Bill Schelly, author of the Art of Joe Kubert art book and Man of Rock Kubert biography.
Joe Kubert sealed his reputation as one of the greatest American comicbook cartoonists of all time with the four-color adventures of Sgt. Rock of Easy Company, Enemy Ace, and Tarzan, all done for DC Comics during the 1960s and 1970s (themselves already the subject of archival editions)... but he had been working in comics since the 1940s. In fact, young Kubert produced an exciting, significant body of work as a freelance artist for a variety of comic book publishers in the postwar era, in a glorious variety of non-super hero genres: horror, crime, science fiction, western, romance, humor, and more.
For the first time, 33 of the best of these stories have been collected in one full-color volume, with a special emphasis on horror and crime. The Kubert work in this book is that of a burgeoning talent attacking the work with tremendous panache, and in the process, developing a style that became one of the most distinctive in the medium.
Since these stories were written and drawn in the pre-Comics Code era, they are more thrilling, violent and sexy (by contemporary standards) than much of his later, Code-constrained work. And just the titles of the comic books from which these stories are taken are wonderfully evocative of a bygone era of four-color fun: Cowpuncher, Abbott and Costello Comics, Three Stooges, Eerie, Planet Comics, Meet Miss Pepper, Strange Terrors, Green Hornet Comics, Whack, Jesse James, Out of This World, Crime Does Not Pay, Weird Thrillers, Police Lineup, and Hollywood Confessions.
As with Fantagraphics’ acclaimed Steve Ditko and Bill Everett Archives series, Weird Horrors and Daring Adventures boasts state-of-the-art restoration and retouching, and an extensive set of historical notes and an essay by the book’s editor Bill Schelly, author of the Art of Joe Kubert art book and Man of Rock Kubert biography.
The luckiest Powerball ticket of Online Commentaries & Diversions:
• Review:Drawn's John Martz is ready for Heads or Tails. "Lilli Carré is one of those cartoonists who has been putting out plenty of great work. . . She’s a master of short stories, so this collection is a welcome addition to my bookshelves. Rainbow Moment, a smartly-crafted story of nested memories all told in different colour palettes is the stand out work, and worth the price of admission alone."
• Review: John Martz of Drawn looks at Barack Hussein Obama. "Steven Weissman has been posting his odd comic strip, named after and starring a Bizarro-Universe version of Barack Hussein Obama . . . and it quickly became one of my favourite comics online. . . Obama’s re-election, if anything, hopefully means another four years of this strange and delightful oddity."
• Plug: On Librairie D + Q, staffer Helen lists Wandering Son Vol. 3 in her picks for 2012. "Shimura Takako treats her two young, trans* protagonists (or an approximation of "trans*", in the context of Japanese gender politics and identities) with gentleness, but does not fall into the trap of painting an overly rosy picture of their experience . . . while [they navigate] the general difficulties and anxieties of tween-hood."
• Plug: Maria Popova creates her 10 Best Design Books of 2012 and reiterates her love of Significant Objects on Brain Pickings. " 'The universe is made of stories, not atoms,' poet Muriel Rukeyser famously remarked. Hardly anyone can back this bombastic proclamation with more empirical conviction than [editors] Rob Walker and Joshua Glenn."
• Review:Geekrocker looks at Gabriella Giandelli's Interiorae. Wee Claire says, "Giandelli's pale ghostly illustrations reflect the sombre, mysterious mood Giandelli skilfully creates. This isn't a story about great feats of human strength or otherworldly adventures, this is a simple tale about real human lives.. . . Interiorae shows us that if we look hard enough, there's a little bit of magic waiting around every darkened corner."
• Plug:Chris Butcher recommends you pre-order 7 Miles a Second. "James Romberger and Marguerite Van Cook do a phenomenal job at bringing [writer David Wojnarowicz's] story to life, and this is a vital and important piece of gay history that had been denied to me as a gay teen, and which has been out of print for far too long."
• Plug:Boing Boing posted their 2012 Gift Guide and included two of our books again, Is That All There Is?by Joose Swarte. "This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure." Mark Frauenfelder also includes Joe Kubert's Weird Horrors that showcases "his versatility in a variety of genres, including horror, humor, and romance."
• Plug: Recordings from The Last Vispo 's Seattle book launch are encamped here! Thanks to Greg Bem for posting.
• Review: Avid fan and writer Benjamin Herman rereads Love and Rockets, while making some great conclusions on the way. "[Duck Feet] was my first real exposure to Gilbert’s stories of Luba and the denizens of the Latin American village of Palomar, and I really enjoyed it. Gilbert’s writing was full of character, containing a distinctive voice, his artwork imbued with real atmosphere. . . Gilbert expertly crafted an almost epic tale that spans across a generation, giving us very real, flawed, dysfunctional characters." For Jaime's work "one of the key elements of Jaime’s stories is the process of growing up, of maturing, the struggle to become an adult and leave childhood behind. Maggie and Hopey both have to face the choice of pursuing long-term adult relationships or continuing teenage flings."
240-page full-color 7.5" x 10.75" hardcover • $39.99 ISBN: 978-1-60699-581-5
Ships in: December 2012 (subject to change) — Pre-Order Now
Joe Kubert sealed his reputation as one of the greatest American comicbook cartoonists of all time with the four-color adventures of Sgt. Rock of Easy Company, Enemy Ace, and Tarzan, all done for DC Comics during the 1960s and 1970s (themselves already the subject of archival editions)... but he had been working in comics since the 1940s. In fact, young Kubert produced an exciting, significant body of work as a freelance artist for a variety of comic book publishers in the postwar era, in a glorious variety of non-super hero genres: horror, crime, science fiction, western, romance, humor, and more.
For the first time, 33 of the best of these stories have been collected in one full-color volume, with a special emphasis on horror and crime. The Kubert work in this book is that of a burgeoning talent attacking the work with tremendous panache, and in the process, developing a style that became one of the most distinctive in the medium.
Since these stories were written and drawn in the pre-Comics Code era, they are more thrilling, violent and sexy (by contemporary standards) than much of his later, Code-constrained work. And just the titles of the comic books from which these stories are taken are wonderfully evocative of a bygone era of four-color fun: Cowpuncher, Abbott and Costello Comics, Three Stooges, Eerie, Planet Comics, Meet Miss Pepper, Strange Terrors, Green Hornet Comics, Whack, Jesse James, Out of This World, Crime Does Not Pay, Weird Thrillers, Police Lineup, and Hollywood Confessions.
As with Fantagraphics’ acclaimed Steve Ditko and Bill Everett Archives series, Weird Horrors and Daring Adventures boasts state-of-the-art restoration and retouching, and an extensive set of historical notes and an essay by the book’s editor Bill Schelly, author of the Art of Joe Kubert art book and Man of Rock Kubert biography.
The cuddliest cat at the shelter of Online Commentaries & Diversions:
• Review:Body Literature reviews The Last VispoAnthology: Visual Poetry 1998-2008 edited by Nico Vassilakis & Crag Hill. Stephan Delbos writes "The Last Vispo Anthology is strange. It is also challenging, eclectic, confounding, erudite, punchy, and, by turns, beautiful. . .overall there is an elegiac note to this anthology, which extends from the title to the feeling, put forth by several of the essays, that visual poetry is facing a turning point.. .visual poetry is the bastard hermaphrodite of arts and letters. In a good way."
• Review:David Fournol looks at The Cavalier Mr. Thompson by Rich Tommaso, a rough translation states, "Exemplified by its beautiful design and the use of only two colors gives the book a slightly dated, authentic look. . . Describing and illustrating people's lives is a major talent of Rich Tommaso's. It is a process that has already been perfected in another of his works. . ."
• Review:Los Angeles I'm Yours gets Barack Hussein Obama by Steven Weissman in a big way. Kyle Fitzpatrick says, "The novel follows a gangly Barack Hussein Obama who is a constant prankster and has absolutely no manners. . . It’s a dark world and Obama is the smarmy asshole king. . . It’s a great pre-election graphic novel with some great, dark laughs."
• Review:Comic Book Resources and Tim Callahan looks at two books from the 'W' section of his library.Barack Hussein Obama by Steven Weissman "seems part of a larger movement (from IDW's Artist's Editions to years of Kramers Ergot) to signify the artwork as the end result rather than as a means of producing an end result. . . And Weissman's work demands ingestion and interpretation rather than declaration. Oh, it's good, too, if that has any meaning after all that abstraction." On Wallace Wood's Came the Dawn from the EC Library, Callahan posits, "This is a serious-looking, important comic, for serious-minded, important people. This isn't some lascivious spectacle. Heck, there's only one female on the cover, and she's facing away from us. No one is carrying around any chopped-off heads or limbs. There's no blood anywhere. No shrieking to be seen."
• Plug: Chris Mautner of Robot 6 looks through our next season catalog. The Endby Anders Nilson, I tend to consider this book. . . to be his best work to date, an absolutely shattering and deeply moving account of dealing with loss and grief." On The Cabbie Vol. 2by Marti, Mautner mentions, "Oh man, I seriously love me some Cabbie. I don’t think the first volume exactly sold like hotcakes, but I’m glad to see their continuing on with Marti’s ultra-dark Chester Gould homage." In reference toStorm P.: A Century of Laughter: "Kim Thompson is going to school us all in the world of Eurocomics or die trying. I, for one, am always eager to learn, however. This coffee-table book features the work of Danish gag cartoonist Robert Storm Petersen, whose work is reminiscent of O. Soglow and other New York cartoonists from the same era."
• Plug:Boing Boing covers a few of their favorite books. Mark Frauenfelder enjoyed flipping through Weird Horrors and Daring Adventuresby Joe Kubert, edited by Bill Schelly. "Best known for Sgt. Rock,Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." In regards to the Is That All There Is? by Joose Swarte Frauenfelder admits, "I prefer his work over Hergé's (don't shoot me). This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure."
• Review: Jason Sacks of Comics Bulletin interviews Justin Hall, editor of No Straight Lines, on queer comics, teaching comics and preserving history. Hall says, "I think in general the queer comics underground is – if you could categorize it with anything, there is a directness and honesty to the work – a real rawness that's quite impressive. I think that comes out of the feminist underground comics: Wimmen’s Comix, Tits and Clits, etc."
• Review:Gay Comics List talks about No Straight Lines, edited by Justin Hall. Francois Peneaud says, "Hall wisely chose to follow a (more or less) chronological path instead of anything fancier, but that doesn’t mean he has nothing interesting to say, far from it. The tension between specialized comics (by which I mean comics made by and for a specific group of people) and mainstream audience, the evolution from the urgent need for visibility to the creation of complexified issues and characters, all these and more are covered in a few pages."
• Review: Editor Kim Thompson speaks to World Literature Today about translating Nicholas Mahler's Angelman and other books in the Fantagraphics library. "Humor is far more difficult to translate than anything else. If you translate a dramatic sequence and your words or rhythm aren’t quite right, it still can work."
• Review:Page 45 enjoys Special Exits by Joyce Farmer. "No punches are pulled, this is life, specifically the twilight years and subsequent demise of elderly parents, told with such honesty, candour and compassion that I actually find myself welling up again as I'm typing this. . . SPECIAL EXITS becomes a testament to the human spirit and the value of a positive outlook on life, especially in one's latter years when faced with failing health," says Jonathan.
• Review:The Comics Reporter enjoys Buz Sawyer Vol. 2: Sultry's Tigerby Roy Crane. Tom Spurgeon says, "To get the obvious out of the way, this book has some almost impossibly beautiful cartooning in it. Even for someone like me that finds the basic visual approach of Buz Sawyer less thrilling than the more rugged, crude cartooning of Crane's Wash Tubbs work, there are several panels of stop and whistle variety."
While we're still mourning the passing of the great Joe Kubert, it's now our distinct pleasure to take you back to the early days of his incredible career with Weird Horrors & Daring Adventures: The Joe Kubert Archives Vol. 1, compiling 33 of the best of his pre-Code freelance stories for the first time. Edited by the preeminent Kubert expert Bill Schelly (acclaimed author of the Kubert bio Man of Rock and The Art of Joe Kubert), and produced and restored to the usual Fantagraphics standard, it's an essential volume for the serious comics library and a heck of a lot of fun to boot. Pre-orders for the book will ship in about 2 months and it should be on the shelves shortly after that. Extensive previews are on the way; in the meantime enjoy a free 22-page excerpt, with the Table of Contents and 3 complete stories (plus a glorious cover repro), right here.
Our production department has been cranking away and all the rest of our books coming out in 2012 (and one for next year) are now at the printer. I have a bunch of new cover images and excerpts to share, so let's take a peek, shall we?
Tales Designed to Thrizzle Vol. 2 by Michael Kupperman — the 2nd hardcover collection of the hit series that sets the standard for contemporary humor comics, collecting issues 5-8 plus a full issue's worth of new material! Yuk your way through a free 16-page sample! Avaliable online in mid-December, in stores late December/early January!
The fully charged Online Commentaries & Diversions:
• Review:School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."
• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."
• Review:AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"
• Review: Nick Gazin at Vice looksSexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."
• Plug:Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.
• Review:San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.
• Review:Chicago Tribune likes the premise of the Significant Objectseditedby Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."
• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lungbefore it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."
• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."
• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!
• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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