Happy New Year's! Here's to a great year of books and the next year and the year after that. We salute you and thank you for your friendship and purchases. Some of you sent in photos reading books from this year (and a few past ones).
We'd like to thank everyone involved in making 2012 a spectacular success at Fantagraphics Bookstore & Gallery. Gifted artists, authors, musicians, and curators coalesced to create a stimulating cultural atmosphere at the space.
Thanks to artists Peter Bagge, Gabrielle Bell, Jeffrey Brown, Nathan Bulmer, Charles Burns, Art Chantry, Jack Davis, Michael Dougan, Ellen Forney, Camille Rose Garcia, Ruth Hayes, Gilbert Hernandez, Jaime Hernandez, Tom Kaczynski, David Lasky, Tony Millionaire, Gary Panter, Joe Sacco, Noah Van Sciver, Chris Ware, and Jim Woodring; authors Jim Demonakos, Susan Kirtley, Mark Long, Pat Thomas,and Nico Vassilakos; musicians Geneviève Castrée, Zachary David, Dennis Driscoll, Lori Goldston, Kyle Hanson,and Molly Nilsson; guest curators J. Michael Catron, Max Clotfelter, Michel Gagne, Ben Horak, Cathy Hillenbrand, Tim Miller, Kristy Valenti,and Jen Vaughn; bookstore interns Lillian Beatty and Lillian Morloch; bookstore staff Janice Headley and Russ Battaglia, as well as our retail partners at Georgetown Records.
Most of all we want to thank you - our wonderful patrons - for your enthusiasm and support over the past six years. Cheers!
The most returned sweater of Online Commentaries & Diversions:
• Interview: Tom Spurgeon of the Comics Reporter interviews cartoonist Carol Tyler about her You'll Never Know series about her father, WWII and family bonds. He starts of the interview right, "You've lived with these books for a very long time. How did it feel to get some closure on this work?". Click here for the answers and more.
• Review:Comics Bulletin looks at You'll Never Know Book 3: Soldier's Heart by Carol Tyler. Jason Sacks states "You'll Never Know is a breathtaking graphic novel because Carol Tyler is honest enough to know that stories are seldom as tidy nor as dysfunctional as they seem on TV…It's a tremendously real story straight from the heart, told by a master cartoonist."
• Plug:Comic Book Resources and Brian Cronin investigate the legend around the FBI examining Pogo comic strips searching for hidden messages.
• Plug: Geekosystem has suggestions for our 20% sale like Pogo by Walt Kelly. "Are you a Calvin and Hobbes fan, dear reader?…If you are a fan, we’d point you towards one of the strip’s inspirations, Walt Kelly’s classic Pogo cartoons. By turns razor-edged political satire and old-fashioned slapstick comedy gold, these strips are being given their due."
• Review:Reality Studio looks and relooks at Observed While Falling and The Lost Art of Ah Pook Is Here by Malcolm McNeill on his collaboration with William S. Burroughs. Jan Herman writes "Observed While Falling brings a fresh analytical eye to the familiar Burroughsian fixations — synchronicity and doppelgangers, control systems, the word as virus, the number 23 — that dominate this memoir, while still offering a straightforward chronicle of the author’s relationship with le maître. Luckily for us, McNeill is an artist who can write. Really write.…the hard work, the exhilaration and, ultimately, the frustration of a project that failed to achieve its original goal — is largely treated with brilliant introspection and loving grace."
• Review:Forbidden Planet International continues their Best of 2012 lists. Douglas Noble places Chris Wright's Blacklung on the list. "Unforgettable, and Wright's beautiful, scratchy art is a treat, like EC Segar working with Yuichi Yokoyama designs."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. On Walt Disney's Mickey Mouse: House of Seven Haunts by Floyd Gottfredson, Chris Sims writes, "They're one of the few things that I get excited about to the point of giddiness, and House of the Seven Haunts! was the best volume yet…It's one wild adventure after another, and they're all done with an incredible skill that still holds up almost 80 years later."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. The Furry Trap by Josh Simmons makes the list "The faux-Batman comic, which details the Bat's horrifically misanthropic ways, might be a reason to check out the contents of this hardcover collection of Simmons stories, but the entire volume is full of troubling tales worth your attention…The unexpected happens, consistently, and that's about the only thing you can be sure of," states Tim Callahan.
• Plug:NO releases its Best Comics of 2012 list and Sean Collins breathtakingly writes about The Furry Trap, "Josh Simmons shits in your heart, again and again in ways that grow exponentially more refined and chilling as the book progresses. A perfect statement of rancid intent."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. Designer Dylan Todd writes on Barack Hussein Obama by Steven Weissman. "There's something vaguely Peanuts-esque at work here, with a cast of recognizable characters… all with their own quirks and personalities, all delivering punchlines while the specter of death and soul-crushing doubt hangs over their heads. It's funny, but like any good comedy, it's tied up in uncomfortable and relatable truths…It's surreal, nonsensical, and a little depressing -- so, huh, maybe it's an accurate portrayal of political life in the 21st century after all."
• Review: Timothy Callahan of Comic Book Resources looks back on 2012 and Steven Weissman's Barack Hussein Obama is #20 on his Best Of list. "It's just such a fragmented work of narrative, but Weissman plays with repetition and transformation in a near-musical way, and that ends up mattering most…This comic is difficult to discuss without sounding ridiculous, but I can't stop thinking about its unsettling strangeness."
• Review:Paste Magazine's guest writers Nathan Bulmer and Kevin Huizenga pick out some of our books as the Best of 2012 including Steven Weissman's Barack Hussein Obama, Jason's Athos in America, and Chris Wright's Blacklung. Bulmer looks at Weissman, "I have so many feelings about this book. This, to me, is the most gorgeous book of the year and is one that I will be returning to often."
• Plug: Geekosystem has suggestions for our 20% sale like Athos in America by Jason. "Fact: New Jason books are weird, funny, and always bring something new and unexpected to the table. Conjecture: This book probably deserves a place on your shelf…"
• Review: KC Carlson of Comics Worth Reading dives not into a vault of money but Carl Barks' books. While reading Uncle Scrooge: "Only a Poor Old Man"she can't help but write,"One way or another, all of these stories are classics (if not masterpieces) of early comic book storytelling. And not just for kids." When flipping to Donald Duck: "A Christmas for Shacktown" Carlson notes,"It’s probably one of the least sentimental Christmas stories around (and thus a favorite of many fans). It features an early example of Scrooge’s lack of charity, counterbalanced by his steadfast work ethic…I can’t say enough about how much I love these new Fantagraphics collections of this 'should always be in print' Carl Barks material."
• Review: Andrew Wheeler over at Anticks Musings enjoys Peanuts Vol. 17: 1983-1984 by THE Charles M. Schulz. Wheeler states, "they're reliably funny and occasionally moving. The deep sadness that used to manifest in Charlie Brown now comes up, less rawly, . . . For work done by the same one man, day after day, more than thirty years after he started that project, that's not just impressive, it's amazing."
• Review (video): Jon Longhi in episode 2 of Having a Book Moment features Spacehawk by Basil Wolverton "who was an amazing underground cartoonist with exp, surrealist view of reality that created some of the I think, most unique comics ever invented. . ."
• Review:Robot 6 enjoys SpacehawkbyBasil Wolverton. Chris Mautner writes "Wolverton’s Spacehawk has a vitality — at times it practically throbs with life — that the more static Stardust simply does not have. Spacehawk not only the best reprint project of the year, it’s the best reprint project of the past several years. It’s a revelation."
• Review:Comics Alliance announced their Best Comics of 2012. Basil Wolverton's Spacehawk "remind[s] you of some kind of Buck Rogers Technicolor serial as designed by Robert Crumb…Spacehawk is the freakishly charming sideshow to the more popular main event, but everyone who's seen its wonders would find themselves bored with what the guy in the big hat in the center ring is babbling on about," writes Tim Callahan
• Review:Comics Bulletin and Jason Sacks give Spacehawk by Basil Wolverton a rating of 4.5 outta 5 stars. "This book is really fucking exhilarating and awesome and eye-popping, and you have to add it to your bookshelf if you loved I Shall Destroy All the Civilized Planets…Spacehawk is lunatic, manic genius."
• Review:Delphine by Richard Sala gets BoingBoinged. Mark Frauenfelder writes, "I've long admired the gothy work of cartoonist Richard Sala. He delicately balances the line between horror and humor as few can. His latest graphic novel, Delphine, is his darkest effort to date."
• Review: Comic Book Resources counts down the Top 100 Comics of 2012 and includes The Hypo by Noah Van Sciver at #54. Brian Cronin states "Van Sciver spotlights a fascinating time in Lincoln's life where he barely resembles the man who would one day become one of the most famous presidents in U.S. history…The artwork is strong, as is the research." Cronin's own Top 10 Comics of 2012 listed Van Sciver at #2.
• Review:Panel Patter lists the Favorite Graphic Novels of 2012 and Noah Van Sciver is #2 for The Hypo. Rob McMonigal writes "Given that Van Sciver specializes in characters who are at their wit's end and have horrible things going on in their lives, he's picture perfect in his presentation."
• Interview: Tom Spurgeon interviews editor and fan Marc Sobel on living life breathing Love and Rockets at the Comics Reporter. Sobel started writing, critiquing the Hernandez Brothers work, interviewing them that led to writing and co-editing The Love and Rockets Reader and The Love and Rockets Companion, coming out next year.Sobel pondered, "I decided to read Love & Rockets in its original format and blog about each issue as a way to teach myself about one of the medium's classics while still keeping active as a writer."
• Review:Comic Book Resources counts down the Top 100 Comics of 2012 and #35 is Love and Rockets: New Stories #5. "…the Bros turned in another installment of comics that are simultaneously agonizing to witness and darkly funny while they’re serving up stone-cold dramatic situations," writes Brian Warmoth
• Plug:Gilbert Hernandez receives some attention from Sean T. Collins at Carnival of Souls in regards to upcoming Julio's Day and D&Q's Marble Season. "A now-completed collection of work he serialized during Love & Rockets‘ second volume and a pseudoautobiography, these could send him in the direction of critical and audience reappraisal that the outré sex and violence of his recent comics have denied him."
• Interview (video): As part of the 30th Anniversary celebration, Vegas Seven posted a short interview with Gilbert and Jaime Hernandez conducted at Alternative Reality Comics in Las Vegas.
• Plug: Glyn Dillon writes the Best of the Year 2012 for Forbidden Planet International and shares the love for Jaime Hernandez's God and Science. "I'm not really a fan of the super hero genre, but he delivers it in such a fun way, it's hard to resist it's charm. It almost feels as though it's from an alternative universe, a universe where super hero comics are good."
• Review:The Chicago Tribune gets all fancy to read our EC Library Comics: Corpse on the Imjin by Harvey Kurtzman and Came the Dawn by Wallace Wood. "Kurtzman often evinces a grim humor in these war comics, they don't elicit laughs. His beautiful line-work — thick black strokes and quick black curves — captures the grit of battle and its aftermath: Corpses reach up from rubble, cones of fire erupt from gun barrels." Michael Robbins continues, "Wood's alternately claustrophobic and desolate brushwork lurches into life: spreading puddles and slanting rain, Rock Hudson jawlines and Jane Wyman curves, vertiginous angles, hallucinatory things with too many eyes."
•Plug:NO releases its Best Comics of 2012 list and Sean T Collins recommends Prison Pit 4 by Johnny Ryan. "Choose your monsters-transforming-and-pursuing-ultimate-murder poison: if you favour grossness, reality-breaking sci-fi and heavy manga inflections, go with Ryan."
• Plug:Michael Kupperman'sTales Designed to Thrizzle #8 is ranked 81 out of the Top 100 Comics of 2012 according to Comic Book Resources. "The latest 'Tales Designed to Thrizzle' very well might be the funniest edition of the annual comic yet! Kupperman's outrageously unpredictable sense of humor is on full force in this issue" states Brian Cronin. Cronin's own Top 10 Comics of 2012 listed Kupperman at #4.
• Review:Comic Attack bangs out the Best 15 All-Ages Titles of 2012. Hal Foster's Prince Valiant is on the list as Drew says "the detail and quality of the art alone along with the more literary form of narration provided the base and inspiration for dozens of artists and imitators after that, all these years still being just as entertaining as when first published, here from Fantagraphics never looking as good as collected before."
• Review: Nick Hanover of Comics Bulletin sits awhile with Tom Kaczynski's new book. Beta Testing the Apocalypse "is weird as all fuck and funny as all shit, a Singles Going Steady for the art comix crowd that merges Burroughs' cut-up commentary with Ballard's keen tech consumer insight and siliconic wit…is where we should be looking if we want to know what comes next, if we want to discern which hip priest had their ear closer to the ground."
• Interview:The Comics Journal's Tim Holder interviews Tom Kaczynski (cartoonist of Beta Testing the Apocalypse)on his comics and publishing endeavors.
• Plug: Jade at the D&Q Bookstore holds onto some serious love for Lilli Carré's Heads or Tails. "Her stories always incorporate some sense of magic realism, where bizarre occurrences are treated as if they were just another aspect of daily life. Equally impressive is Carré’s artistic versatility, always finding the appropriate style, palette and medium to tell her dreamy tales."
• Review:Cosmic Comix reviews The Crackle of the Frost by Mattotti and Zentner. "The story itself is amazing. It’s a story about loneliness, loss, and, most of all, fear…It’s a rare feat in which the words, although separate from the picture, are in perfect synch with it… If you are looking for a book that truly pushes the comics medium, then this is the book for you," writes David Lee.
•Review: Music magazine Ugly Things Issue 34 reviews Kevin Avery's book. Alan Bisbort writes "Everything is an Afterthought would, in another age, be considered 'essential reading' for anyone even remotely hip…these bokos remind us of how deeply some people cared for the music and its larger pop culture that many of us now take for granted."
• Plug: Geekosystem has suggestions for our 20% sale like Joe Sacco's book. "Safe Area Gorazde is a great introduction to his work and to the concept of comics journalism as a whole. This new special edition with notes from the author, updates on the characters, and a behind the scenes look at the creative process is must-own material.
• Plug: Geekosystem has suggestions for our 20% sale like I Shall Destroy All Civilized Planets by Fletcher Hanks. "Weirdness on the highest scale prevails in these collections…these delightfully strange relics deserve a place in the library of any comics art history completist or student of the medium."
• Plug: Filth and Fabulations looks at books for 2013 and The Astonishing Exploits of Lucien Brindavoine by Jacques Tardi is on there. "This book is perhaps a slightly less mature piece than some of Tardi's later self-authored work, but it is filled with a vibrancy and a dark humor that makes it a thing not to be missed, especially so for those who enjoy his amusing riffs on traditional genre pastiches, with a nice dose of violence and sarcasm thrown in". In addition to Goddamn this War! by Tardi and Jean-Pierre Verney. "It looks very promising, and seems to be more of a single narrative spanning the entirety of the war, rather than the looser vignette-style format of the earlier book."
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
The first bit of frost of Online Commentaries & Diversions:
• Review (video):Last Gasp's John Longhi reviews The Lost Art of Ah Pook by Malcom McNeill, a story originally created with William Burroughs. Longhi says, "I can see why Burroughs wanted to work with McNeill because he's one of the few guys who could capture the crazy wacked out details of his story writing. . . [It contains] all the wonderful social discord that made his writing fantastic."
• Review:Blacklung by Chris Wright gets high marks on Paste Magazine. Sean Edgar says, "Blacklung is a weird, compelling creation, telling a harrowing story of redemption and savagery through art that could initially pass as adorable before you get to the tongue necklaces. Highly recommended for those with strong stomachs."
• Review:School Library Journal announces their BEST BOOKS OF 2012 and in the graphics novels section, Noah Van Sciver's The Hypo is listed. "Van Sciver makes Lincoln real by picturing one of the hardest times in his younger life. . . Dickens-style squalor and melodrama plus Austen-style romance, all done in gritty cross-hatching."
• Plug:The NY Times listed Flannery O'Connor: The Cartoons at the top of the Best Bathroom Reads of 2012. Dwight Garner believes "the prints collected here are droll and strange." Two of our favorite words to describe Fantagraphics-style creators such as Flannery O'Connor.
• Review: Roughly translated from Ediciones La Cupula, Jaime Hernandez's God and Science: Return of the Ti-Girls is reviewed. "Theexcitementthat overwhelms usafter readingeach of theinstallments ofthe sagaof [Ti-Girls] isdirectly proportional to itsartistic excellence,histalentas a storytellerandhuman greatnessthat livesin his cartoons."
• Review:Lanacion reviews the writings and works of Alexander Theroux (Laura Warholic, Estoniaand The Strange Case of Edward Gorey) and translated, barely, Matias Serra Bradford states, "If left as an untreated rarity,AlexanderTherouxseemsmysteriousto the fantasticand impossible point of determiningthe trajectoryofa particle and itsposition."
• Review:The Snipe News looks at Joe Sacco's Journalism collection. "the decade’s worth of stories. . . are most notable not from any kind of torn-from-the-headlines sensationalism but for the empathy the author brings to his subjects. . . . Sacco has a feel for displaced persons in general."
This just in! PEN Center USA announced the winners of the 2012 Literary Awards and Joe Sacco takes home the Graphic Literature award for Outstanding Body of Work. A "distinguished panel of writers, editors, critics, and journalists judge the Literary Awards" which will be given out on October 22nd, 2012 at the 22nd Annual Literary Awards Festival in California. Joe Sacco is best known for his gripping comics journalism by telling the stories from inside war zones; observing, witnessing and documenting all that he sees. From his strip Centrifugal Bumble-Puppy in The Comics Journal of yore to his newest book, Journalism published by Metropolitan Books, Sacco is a comics force of nature.
The fresh-popped Online Commentaries & Diversions:
• Review:Publishers Weekly discusses The Hypo by Noah Van Sciver, "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . .This characterization of Lincoln is thoroughly human and identifiable, tracking a shadowy but formative period in the very uneven life of a man who shows little signs of becoming known as one of the greatest Americans. A thoroughly engaging graphic novel that seamlessly balances investigation and imagination." Wow!
• Plug: Noah Van Sciver's diary comics are showing up at The Comics Journal. Enjoy Day #1, Day #2 and Day #3.
• Plug:Comics Alliance JUMPED at the chance to be the first to comment on Naked Cartoonists. Senior writer Chris Sims comments, "Have you ever wanted to see Dilbert creatorScottAdams naked? Yeah, we haven't either, but apparently [Gary Groth] thought that was a good idea . . . joining artists like Will Eisner, For Better Or For Worsecreator Lynn Johnston, Jeff Smith (feel free to make your own Bone joke here) and . . . legendary MAD artist Sergio Aragones."
• Review:The Mary Sue names Moto Hagio's A Drunken Dream and Other Stories one of the 10 Feminist Manga to Read, that is licensed in the USA. Kellie Foxx-Gonzalez says,"Hagio is not only a storyteller, she is undoubtedly a feminist author, using her manga to explore gender, power, and women’s issues. If extended metaphors in manga as an avenue to explore philosophical questions is as appealing to you as it is to me, please, don’t hesitate to pick up this anthology."
• Commentary: Shannon O'Leary of Publishers Weekly says,". . . with No Straight Lines , the most definitive collection of queer comics to date, [Justin] Hall and Fantagraphics have made the voluminous but largely hidden history of LBGT (lesbian, bi-sexual, gay, transgender) comics finally visible as well."
• Review:The Awl and Kim O'Connor talk about autobio comics and include such underground greats like Aline Kominsky Crumb, Carol Tyler in addition to Chris Ware and Joe Sacco. While on the subject of Aline: "An important part of her project was to promote self-loathing as normal and even funny in an era when to do so was extremely unfashionable." O'Connor touched on the rawness of Chris Ware's work,"there's this sense of playful geometry that's deeply satisfying, even if it sometimes gives you the impression the artist's memory palace looks a lot like the Container Store. But the central delight in reading Jimmy Corrigan, as in all of Ware's work, is how it's painfully awkward and incredibly cool at the same time."
• Review: Rob Clough on the High-Low reviews Jim Woodring's Congress of the Animals: ". . . is interesting because it's much more linear a narrative than most of his comics.. . .Unlike the typical Frank story, there's a greater sense of urgency to Frank's wanderings, as he encounters many temptations and pitfalls along his journey to a destination unknown to even him."
• Review:The Critcal Mob released their short list of summer reads and a few Fantagraphics titles made the cut. Paul Guie looks at Flannery O'Connor: The Cartoons: "O'Connor's artwork is frequently abstract and raw-looking. . .Nevertheless, her cartoons are always pleasing to look at thanks to the author's strong sense of composition. Panels are rarely cluttered by unnecessary lines, and O'Connor frequently frames her characters with an eye toward visual balance." Peanuts latest volume is also on Guie's radar: ". . . these later comics remain consistently witty and entertaining, and reflect Schulz's continued mastery of comedic timing within a four-panel layout.. . .Consistently subtle yet always timely, after 30 years, Schulz still had a winning formula on his hands." Last but not least, Guie takes Buddy Does Seattle to the beach,"Bagge's artwork [takes] the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos."
• Commentary: Best Cover EVER on Forbidden Planet according to Richard: "The absolute iconic image. The raw power. Jaime’s incredible use of black in his art. The faces of the crowd. The stagediver (in heels) who’s just left the stage. But most of all, it’s the best comic cover ever because I swear that I’ve never looked at this cover and NOT heard the music they’re playing." The next best thing for Richard? Buying the new shirt featuring the cover of Issue 24.
• Plug:Comics Alliance and Caleb Goellner collect the most recent Adventure Time covers. James Hindle PLAYS an homage to Jaime Hernandez's distinctive cover. Check it out!
• Review:io9 recently created a list of the 10 Comic Characters Cooler than Batman. Jaime Hernandez's Maggie (the Mechanic) and Jacques Tardi's Adele Blanc-Sec topped the list. "Maggie is a survivor, who never stops kicking ass even she's dealing with depression and heartbreak." says Charlie Jane Anders and in reference to Adele Blanc-Sec:"She's a writer in pre-World War I Paris, which automatically makes her cool. . . She's not afraid to shoot guns, drink the hard stuff, or smoke like a man. She spent World War I in cryogenic suspension and then rocked the 1920s."
• Plug:The Last Vispo's editor Nico Vassilakis recently curated an online group of visual artists called Ten Turkish Visual Poets at Trickhouse.
• Interview: The powerful and deft Friedman brothers were interviewed about Any Similarity to Persons Living or Dead is Purely Coincidental by William Michael Smith of the Houston Press. Josh Alan Friedman talks about his brother's artwork,"Originally [Drew Friedman] worked with stippling technique, using a rapidograph pen. Bent over a desk like a watchmaker, doing thousands of dots. A technique made famous by 'Sunday in the Park with Georges' Seurat, but strictly shunned by art schools in the 20th century."
• Plug: Ron Regé, Jr. is up to something sneaky! At We Can Do It.
•Interview (audio): NPR affliate 89.c KPCC interviewed both Significant Objects' editor Joshua Gleen and contributor Mark Frauenfelder (of BoingBoing and MAKE). Madeleine Brand says, "One's man trash is another man's treasure, especially if it comes with a really good story."
•Review:The Comics Journal shakes down Flannery O'Connor: The Cartoons, edited by Kelly Gerald.
•Interview (video):Bill Moyers interviews on comics journalist Joe Sacco "I'm not interested in tears, I'm not even interested in sentimentality. But I am interested in telling peoples' stories who are repressed or are poor." Sacco and collaborator Chris Hedges will join Bill Moyers for a chat TONIGHT, Wednesday, July 25 at 2 PM ET.
•Commentary: More insight on upcoming books from Fantagraphics as Bleeding Cool covered the SDCC Fantagraphics/D&Q panel. On Chris Wright's Black Lung:"The story was hard to follow, but that’s a good thing, because it sounds like the sort of surreal, go for broke, graphic storytelling that readers expect when they buy a Fantagraphics book. . . lyrical, anthropomorphic, violent and layered. Enough praise couldn’t be shed for this book. . ." On Ron Rege, Jr.'s Cartoon Utopia: "Beings from the future try to help us evolve, sending us messages, trying to show us what life can be like without “forced entertainment” (i.e. television). Drawn in an idiosyncratic, gorgeous, dense style. . ."
•Review:The Comics Journal locks their tractor beam onto Josh Simmon's collection called The Furry Trap. Brandon Soderberg says, "Josh Simmons’ work eschews the cheap thrills and glib cynicism of most horror comics. . .Simmons is a belligerent cartoonist, drawing without censure, adding a nervous energy to an ostensibly pleasant, bubbly style — like Gary Panter doing Where’s Waldo?, or Peanuts with all the existential despair laid completely bare. And he’s fully dedicated to simple, panel-to-panel pay-off, . . ."
•Plug: Summer art sales continue, this time with Johnny Ryan's A Famous Night (gig posters for concerts the never happened). Buy one for your walls and never have to entertain you in-laws at home again.
•Review:Comic Book Resources focuses on Barry Windsor-Smith's The Freebooters. While examining the first page, Greg Burgas said,"It’s amazing that Barry Windsor-Smith didn’t go blind drawing this page and the two that follows it, but luckily for readers, he managed to produce many beautiful pages after this. This is a fantastic way to begin this comic. . ."
The most-current Online Commentaries & Diversions:
•Interview:MTV Geek questions Noah Van Sciver about his new graphic novel, The Hypo, and why he chose to focus on the man before the president. ". . . it’s important to see who [Lincoln] became, or I should say how he became is more spectacular when you think about who he was, and where he came from, because I don’t even know if that’s possible anymore, to come from nothing and then become a president, you know?"
•Review: Drew on ComicAttack.net reviews kid-friendly The Adventures of Venus by Gilbert Hernandez. "It’s not quite Betty and Veronica, but it’s not quite Calvin and Hobbes; it’s that special place in between that catches that transition from childhood into adolescence, which doesn’t get captured on the comic book page much, and is a rare treat that Hernandez delivers here to such perfection."
•Interview (audio):ABC News Radio's Sherry Preston interviews Daniel Clowes (at the 30 minute mark) as his work is on display at the Oakland Museum of California. "I was more interested in kinda funny comics and comics about real life situations. And I thought it made no sense that there weren't comics about every subject you can imagine." You'll love the following story.
•Commentary: TURN IT OUT in clothes inspired by Daniel Clowes' Ghost World and America's two favorite juveniles on Trent.
•Plug:Follow the White Rabbit eloquently mentions Jacques Tardi's New York Mon Amour. A rough translation might say, "Altogether, a perfect Edition for the lovers of this French author that already amazed us at 'The cry of the people,' 'The war of trenches' or 'The extraordinary adventures of Adèle Blanc-Sec'."
•Commentary: Chris Mautner of Robot 6 gives a nice mention to Michael Kupperman's Tales Designed to Thrizzle #8. "A pretty solid issue overall, the best and funniest part being the opening segment, a parody of coloring books, this time involving trains that … well, it’s not fit for polite conversation, really."
•Review: Greg Burgas of Comic Book Resources breaks down one beautiful page by Archie Goodwin and Alex Toth from Blazing Combat. "This story shows off [Toth's] strengths very nicely, because it’s one of the bleaker stories in the volume (none of them are happy; I mean “bleak” in that the landscape is stripped of vegetation and is dotted with destroyed building, giving this story its post-Apocalyptic tenor) and Toth does very well with that."
•Plug:The Daily Beast features an excerpt from Joe Sacco and Chris Hedges' new book Days of Destruction, Days of Revolt. In this article, they "detail the effects of coal mining in West Virginia, a state destroyed by mountaintop removal."
•Interview: Peering from under a swell hat, Noah Brand from The Good Men Project interviews TCJ contributer and cartoonist Tim Kreider on the art of writing. "Cartooning also seems to allow me to express a much sillier, stupider, more puerile part of my personality than writing. I get all stiff and serious and writerly when I sit down to write prose."
The last time we were lucky to have a visit from Joe was in 2007, when he and our Store Manager/Curator Larry Reid discussed Palestine: The Special Edition. You can watch video from that here. And, as you'll see in the video below, it was another riveting discussion, this time with our head honcho Gary Groth at the helm!
(Sadly, I missed the first couple of minutes of their talk, sorry!)
You can also check out some more beautiful shots from our new Editorial Intern Matt Burke (and some not-as-beautiful iPhone shots from me), both below, and on the Fantagraphics Flickr feed!
Gary Groth rocks the mic // photo credit: Matt Burke
The crowd before the Q&A began // photo credit: Matt Burke
Joe chats with local cartoonist Kelly Froh while Fantagraphics' own Russ Battaglia gives a grin
Joe signs a book for Marketing Director Mike Baehr
If you can't wait for the official release date, the Fantagraphics Bookstore & Gallery is the only place on the planet where you can get it before June 19th! I bet your Dad would like a copy! We're located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
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