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Category >> Joe Sacco

Joe Sacco on Oil and Water
Written by Mike Baehr | Filed under Steve DuinShannon WheelerOil and WaterJoe SaccoComing Attractions 19 Aug 2011 3:05 PM

Oil and Water by Steve Duin and Shannon Wheeler

When the preeminent master of the comics journalism form praises your book of comics reportage, that's gotta feel pretty good. Oil and Water is coming later this year and we're thrilled to have received this advance praise from the great Joe Sacco:

"Reporter Steve Duin and cartoonist Shannon Wheeler visited Louisiana to investigate the Deepwater Horizon oil disaster, and their legwork shows. By contrasting the perspectives of out-of-state do-gooders and hard-bitten locals, Duin and Wheeler tell a nuanced story that goes a long way to evoking what the catastrophe means to those who still live with it." 

Daily OCD: 7/14/11
Written by Mike Baehr | Filed under Shimura TakakoRobert CrumbRick MarschallreviewsMickey MouseMarschall BooksmangaLove and RocketsLou ReedLorenzo MattottiJoe SaccoJim WoodringJacques TardiGilbert HernandezGabrielle BellFloyd GottfredsonFlannery OConnorDisneyDaily OCDChris Ware 15 Jul 2011 12:11 AM

Today's Online Commentary & Diversions:

Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley

Review: "...[F]eisty art-comics publisher Fantagraphics, for its new multivolume hardcover series devoted to Gottfredson’s rarely seen comic-strip work [Walt Disney's Mickey Mouse ], has gone back to the beginning, lavishing upon the cartoonist’s marvelously fluid, thrillingly kinetic serial adventures the same loving attention the company has brought to its benchmark Complete Peanuts library. Given that Fantagraphics is an adult-oriented press, production and restoration values are superlative, as are the more than 60 pages of historical essays and archival features that accompany these peerless black-and-white strips.... Anyone who ventures into this gorgeous 288-page tome will come away with a fresh appreciation for just what made Mickey an all-American comic-strip hero." – Steve Smith, Time Out New York

Review: "Fantagraphics fucking whip ass at knowing what a beautiful book is.... The Mickey Mouse in this collection is a dynamic teenager with a whole lot of strong feelings, and it's both awesome and foreign to see him get mad or feel suicidal.... Fantagraphics are masters at collecting and presenting old comics.... This volume not only presents comics that you probably haven't seen before, but it places them in the proper context with about eight[y] pages of supplementary writing, images, and in-depth explanations that could merit their own little volume." – Nick Gazin, Vice

Interview: Gazin follows up his Vice review of Walt Disney's Mickey Mouse Vol. 1 with a brief chat with series co-editor David Gerstein: "Floyd's greatest achievement... was his portrayal of Mickey himself. Instead of seeing the Mouse as a kind of dull, smiley-faced everyman — the way a lot of people seem to envision him — Floyd portrayed Mickey as what he called 'a mouse against the world.' He was a stubbornly optimistic, imperfect but determined youth trying to prove himself in a competitive, scary, adventurous place. Floyd gave Mickey length and depth."

Wandering Son Vol. 1

Review: "It’s often argued that the key element to any successful manga is a relatable protagonist. Shimura has crafted hers so meticulously and is revealing their natures so carefully that it’s virtually impossible not to be deeply invested in them. In part, it’s the actual portrayal in this volume [of Wandering Son], but it’s also the tremendous potential they have. I want to see them age and mature, struggle and succeed, and find their ways to lives that give them happiness and peace. I don’t think there’s any more a reasonable person could ask of a story like this." – David Welsh, The Manga Curmudgeon

Review: "...[Wandering Son] is an elegantly-crafted, character-driven story that lets us into its characters’ private worlds with both candor and delicacy. We are brought into their lives completely, and though we’re privy to their some of their most private thoughts and fears, there is never a sense that we’re observing them as 'subjects' or invading their privacy—something I often feel when experiencing 'issue'-focused fiction." – Melinda Beasi, Manga Bookshelf

The Raven

Review: "[Mattotti's] enigmatic, brooding scenes [in The Raven] harness the terror and beauty of the texts which span three centuries. They're uncompromising — and that's a quality that has always been applicable to the force that is Lou Reed." – Dean Mayo Davies, AnOther

Drawing Power: A Compendium of Cartoon Advertising 1870s-1940s

Review: "Drawing Power: A Compendium of Cartoon Advertising... is 124 pages of some of the best advertisements from the 1870s to the 1940s. Starring both cartoonists and cartoon characters, the book surveys an immense collection of cartoon advertising, focusing on the commercial roots of the comic strip and the fantastic artwork that came from cartoonists' freelance work in advertising. There are surprising and also familiar examples of products, ad campaigns, widely known catch-phrases, and cartoon figures.... Lovers of vintage advertisements and classic cartoons, you're in for a walk down memory lane..." – Nicole Torres, Print

Love from the Shadows

Review: "Love from the Shadows is somewhat inappropriately titled, as it sounds like a romance, but is really a sci-fi sex mash-up, with a big dash of David Lynch-ian 'what the fuck just happened here?' It’s definitely no chick flick, despite its strong female lead." – Rod Lott, Bookgasm

Congress of the Animals

Review: "Congress of the Animals... [is] Woodring’s second book-length Frank story. Not so overtly horrific as last year’s Weathercraft, but somehow more unsettling to me. Perhaps I’m just traumatized by the destruction of Frank’s house. Fantastic wordless storytelling, as always." – M. Ace, Irregular Orbit

Flannery O'Connor: The Cartoons

Plug: "You may think of Flannery O’Connor as a writer of the sorts of books that are all words, but in her younger days she yearned to be a cartoonist—and she wasn’t half bad. Fantagraphics will publish Flannery O’Connor: The Cartoons in December..." – Brigid Alverson, Robot 6

Jacques Tardi

Survey: At The Guardian, Emine Saner asks a handful of prominent cartoonists to name their favorite graphic novelist, gathering comments from Peter Kuper on Robert Crumb, Bryan Talbot and Martin Rowson on Joe Sacco, Posy Simmonds on Jacques Tardi (pictured), Ariel Schrag on Gabrielle Bell, and Lynda Barry on Chris Ware

Daily OCD: 7/12-13/11
Written by Mike Baehr | Filed under Taking Punk to the MassesShimura TakakoRoy CranereviewsMomemangaLeslie SteinJohnny RyanJoe SaccoJim WoodringHans RickheitDaily OCDCaptain Easyaudio 13 Jul 2011 7:13 PM

Ran out of time to finish yesterday's Online Commentary & Diversions so here's a two-fer:

Wandering Son Vol. 1

Review: "With skill, restraint and a deep sensitivity to the roiling emotions involved, Shimura relates the tale of fifth-grade boy Shuichi, who wants to be a girl, and his classmate Yoshino, a girl who wants to be a boy. This is the first volume of the Japanese saga [Wandering Son] to be published in English, and translator Thorn does great work parsing the complex gender honorifics of the Japanese language. We only just begin to get to know our two leads, but Shimura's approach allows us to feel their confusion, their heartache and — when a perceptive mutual friend orchestrates a plan that starts them down the road to self-acceptance — their quiet, nervous joy." – Glen Weldon, NPR - Monkey See

Review: "Gender roles and cross-dressing are often fodder for laughs in anime and manga, but this is the most serious and thoughtful take I've seen on the subject. And I love how Shimura doesn't make things too angsty for the characters. Maybe that will come later, but for now it's more of a quiet discomfort -- the reader is finding out at the same time as the characters, and it's quite touching. ...Wandering Son is a tender take on a taboo subject. I wish it success in the American market." – Eric Henrickson, The Detroit News - Geek Watch

Review: "Wandering Son by Shimura Takako is a heartfelt story of two people who I desperately feel for and for their families and friends.... The main thing that drew me to this book was the fact that unlike a lot of western media that plays off the fact that a transgender teenager would have to deal with their friends and peers ostracising or bullying them for being different, Wandering Son goes straight for the heart, tackling the more important idea of how the person in the story feels. Reading the first volume, I can feel their awkwardness at them coming to the decision that they are different from other people and that they need to do something about it.... I want to be alongside these characters as they discover who and how they are. I want to see them triumph in ways that many of us never get to. Most of all, I want to be there at the end even if it ends in failure." – Eeeper's Choice

Review (Audio): Phillip of Eeper's Choice, Erica Friedman, and David Welsh (The Manga Curmudgeon) discuss Wandering Son Vol. 1 with hosts Ed Sizemore and Johanna Draper Carlson on the Manga Out Loud podcast. At Manga Worth Reading, Carlson notes "We talk about the value of translation/cultural end notes (which inspired a followup post by David) and the pacing of the series in light of Takako Shimura’s career. It’s a wonderful read that we all enjoyed and recommend."

Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips Vol. 2 (1936-1937)

Review: "Collected in oversize hardbacks that present the pages at their original size, these beautiful books restore one of the original adventure heroes of the strips -- the affable (albeit two-fisted) mercenary who was much more interested in excitement than money or women, which is what he was supposedly after. [Captain] Easy moved through a more innocent — and largely unexplored — world, and there's no better word for this adventure strip than 'charming.'" – Andrew A. Smith, Scripps Howard News

Eye of the Majestic Creature

Review: "...Leslie Stein is a young lady out of Brooklyn, NY who has been crafting literary/illustrative dub versions of her tastes and trials and laying them out in meticulously crafted yet still oodles-of-eye-fun anecdotes and tall tales. Fanta has collected them all into Eye of the Majestic Creature, a big-sized anthology of her work, with color covers and B&W insides and a whole lot of heart reproduced superbly for proper long-term keeping.... Stein's easy-on-the-eyes drawing style shows an affinity for the same greatly defined, goofy universe Pete Bagge's youthful wanderers once trolled though Seattle in... I found it irresistible, and will come back to its gentle humor and delightful glimpses into woozy alt-country gal delights again and again." – Chris Estey, Three Imaginary Girls

Taking Punk to the Masses: From Nowhere to Nevermind - A Visual History from the Permanent Collection of Experience Music Project

Review: "Growing up to this era of punk rock, I feel an initial offense taken to McMurray’s collection of punk rock relics. It seems strange and kitschy to run across a book like Taking Punk to the Masses when you lived it. My first reaction was that we are not a novelty, punk was defined from a purpose and we are that purpose, not an exploitation. But the curious person that I am, I skimmed through it. Then I skimmed through it again. Then I read it. And then I fell in love with it." – Andrew Duncan, ZapTown

The Squirrel Machine

Commentary: At Robot 6, Sean T. Collins comments on the Jim Woodring letter to Hans Rickheit we shared here yesterday: "Woodring, an intrepid chronicler of the underbrain in his own right, clearly recognized a kindred spirit in Rickheit when the younger cartoonist sent him a copy of his elaborate and powerful Fantagraphics graphic novel The Squirrel Machine."

Mome Vol. 19 - Summer 2010

Interview: The Daily Cross Hatch's Brian Heater continues his conversation with Mome editor Eric Reynolds: "My two passions in comics are old strips like Popeye and the great cartoonists that I came of age reading, like Clowes and Charles Burns and the Hernandez Brothers. But, as much as that’s the stuff I dearly love, it’s the new stuff we’re publishing, the new artists, the sort of unexpected things that, on a day to day basis, keep me motivated and keep my interest in publishing, from day to day."

Johnny Ryan

Interview (Audio): Listen to Johnny Ryan's appearance today on the Sara Tea Time podcast

Safe Area Gorazde: The Special Edition

Scene: At El Estupendo Grouchomarxista, Tiago Soares reports (in Portuguese) from a recent São Paolo bookstore appearance by Joe Sacco

Daily OCD: 6/12/11
Written by Mike Baehr | Filed under Zak SallyreviewsPeanutsMickey MouseLewis TrondheimKim ThompsonKevin HuizengaJoe SaccoJim WoodringJasonFrank SantoroFloyd GottfredsonFantagraphics BookstoreDisneyDame DarcyDaily OCDCharles M SchulzBlake BellBill EverettAlex Toth 13 Jun 2011 3:49 AM

Ran out of time on Friday's Online Commentary & Diversions, so it's combined with links from the weekend:

Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley

Review: "Now Fantagraphics has risen to the fore with [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley... It’s a pretty spiffy package, sharply designed and full of smart, well-written essays that provide a rich portrait of the artist and his times, as well as some great comics.... As impressive as Gottfredson's work is, it's in the ancillary materials or 'special features' that makes this book really shine. Editors Gary Groth and David Gerstein have gone the extra mile here... With its shameless abundance of riches, Mickey Mouse Vol. 1 sets a new standard in reprint publication." – Chris Mautner, Robot 6

Plug: "Only a small handful of Gottfredson's collected works have been published and most are out of print. He pioneered a trendsetting style of adventure comics, though in his lifetime remained largely unrecognized.... Fantagraphics has kindly republished a bit of the Gottfredson Mickey run in their new book [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley, beautifully restored [and] repackaged..." – Green Apple Books

The Complete Peanuts 1979-1980 (Vol. 15)

Review: "The latest volume of The Complete Peanuts: 1979-1980 continues with Charles Schulz’s herculean output of his beloved comic strip. Schulz supplies the customary laughs in stand-alone gag strips and some short 'continuing' storylines.... As I have said in previous reviews, Fantagraphics does such a marvelous job with these hardcover Peanuts volumes. From the cover by designer Seth, to the crisp black-and-white reprinting (3 dailies per page, 1 Sunday per page), to the handy index to help you find your favorite strip, Fantagraphics takes creating a permanent archive of this beloved humor strip very seriously. Children of all ages should all get their hands on this American treasure." – Rich Clabaugh, The Christian Science Monitor

Commentary: Mike Sterling makes a few observations about The Complete Peanuts 1979-1980: "SPOILER ALERT: Peppermint Patty gathers evidence and uses skeptical, critical thinking to resolve her particular issue here."

Approximate Continuum Comics

Review: "Some of the very first autobiographical works on the French bande dessinée scene, these little gems were a genuine game-changer for cartoonists and storytellers... Superbly skilled at switching imperceptibly from broad self-parody to cripplingly painful personal revelation, wild surrealism to powerful reportage and from clever humorous observation to howling existentialist inquisition, Trondheim’s cartoon interior catalogue is always a supremely rewarding and enjoyable experience and, as these ancient texts [Approximate Continuum Comics] prove, always has been." – Win Wiacek, Now Read This!

Fire & Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics

Review: "[Blake] Bell is our guide into this rich history of Bill Everett... Bell includes several pieces of artwork and comics that has rarely been seen. A true testament to a man who lived comics throughout his entire life and loved it with a passion...[I]t’s important not only to remember the characters, but the men behind them. Bell’s book here on the life and times of Bill Everett [Fire & Water], and his other biographical material on Steve Ditko, is a testament to that." – Chris Marshall, Collected Comics Library

Congress of the Animals

Plug (Audio): NPR's Glen Weldon gives a shout-out to Jim Woodring's Congress of the Animals on the new episode of the Pop Culture Happy Hour podcast at the NPR Monkey See blog

Setting the Standard: Comics b Alex Toth 1952-1954

Plug: At Robot 6, Michael May's tour of the current Previews catalog takes note of "Setting the Standard: Comics by Alex Toth 1952-1954 – Everyone knows that you’re supposed to revere Alex Toth, because chances are your favorite comics artist already does. Here’s where you find out why."

Safe Area Gorazde: The Special Edition

Interview: Hillary Chute talks to Joe Sacco for The Believer; I'll use their pullquote: "When you draw, you can always capture that moment. You can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. I realize now there’s a lot of power in that."

Interview: The A.V. Club's Sam Adams talks to Joe Sacco: "I think if I hadn’t studied journalism I might have taken a different approach, and I’m not saying my approach is the only way you can tell a story journalistically. But because I actually studied it, detail is important and accuracy is really important, so it’s not just about having an accurate quote. The problem with doing things the way I try to do them is that it’s not just an accurate quote, it’s an accurate image of what a place looks like. An absolute literal group of images? You might as well go to a photographer for that. But whatever interpretation I do of it, it has to be informed by reality."

Interview (Video): Joe Sacco gives a talk and reading and is interviewed by Chris Hedges in these two videos presented by the Lannan Foundation (streaming and downloadable audio are also available at the preceding link; via Forbidden Planet International )

Like a Dog

Interview (Video): Justin Skarhus of Itchy Keen Art Friends talks to Zak Sally and our pal Dylan Williams of Sparkplug Comic Books about D'in' it Y, part 1

Meat Cake

Profile: HiLobrow's Joshua Glenn on Dame Darcy: "If she sounds like too much to handle, that’s because she is; now you know why her comic is called Meat Cake — they’re two decadent foods, so why not combine them? Darcy’s world is a child’s garden of verses overrun by drunken mermaids, grave-robbing French maids, and Vitalis-groomed cads. If this sort of thing sounds like your cup of spooky-kooky tea, read Meat Cake..."

Fantagraphics Bookstore & Gallery

Profile: "I made my quarterly pilgrimage down to the Fantagraphics store in Seattle yesterday, and that store never ceases to amaze anyone who walks into it. From the curator/owner to the punk rock pictures on the wall, to the awesome collection of Fantagraphics titles, traditional comics, underground comics, and some adult stuff tucked away in the back room under the stairs, the entire store is a place to go explore the darker side of comic books." – Dan Morrill, Comics Forge

Ganges #4

Craft: At TCJ.com, Frank Santoro provides a bit of a behind-the-scenes glimpse at the creation of Ganges #4 from a recent visit he had with Kevin Huizenga

Athos in America

Feature: Find out what Kim Thompson's been reading (the image above is one clue/spoiler) as he contributes to this week's "What Are You Reading?" column at Robot 6

The Masters of Collective Reality
Written by janice headley | Filed under Rory HayesJoe SaccoJim WoodringeventsBasil Wolverton 7 Jun 2011 11:13 AM

Did I Do This? Could I Do That?

Things are gettin' trippy over at the Scottsdale Museum of Contemporary Art as they recently kicked off a set of tandem exhibits,  “Us Versus Them” and “Masters of Collective Reality,” curated by Phoenix-based artist Jon Haddock. 

And Haddock's clearly got good taste as the "Masters of Collective Reality" exhibit will feature work from such artists as Rory Hayes, Joe Sacco, Basil Wolverton, and Jim Woodring, whose piece is show above!

Both exhibits run through October 2nd at the Scottsdale Museum of Contemporary Art [7374 East Second Street, Scottsdale, AZ].

The Comics Journal #301 excerpt at TCJ.com: Joe Sacco interview
Written by Mike Baehr | Filed under The Comics JournalpreviewsJoe SaccoGary Groth 6 Jun 2011 2:52 PM

The Comics Journal #301 - Joe Sacco detail

With the much-anticipated arrival of The Comics Journal #301 about a month away, TCJ.com gives you your first real taste of the issue beyond our photo & video teasers: an excerpt from Gary Groth's interview with Joe Sacco about Footnotes in Gaza. Go, read!

The Comics Journal #301 - Previews, Pre-Order
Written by Mike Baehr | Filed under videoTim KreiderTim HensleyThe Comics JournalStephen DixonRobert Crumbpreviewsnew releasesMichael KuppermanJoe SaccoJim WoodringGary GrothAl Jaffee 26 May 2011 8:45 AM

The Comics Journal #301

The Comics Journal #301
Edited by Mike Dean & Kristy Valenti; Gary Groth, Editor in Chief

640-page black & white/color 6.75" x 8.5" softcover • $30.00
ISBN: 978-1-60699-291-3

Ships in: July 2011 (subject to change) — Pre-Order Now

The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of comics as art, and the object of love and devotion among the comics cognescenti — and hate and scorn among the philistines, natch. We published our 300th issue in late 2009 and spent the ensuing year-plus re- conceptualizing the institution as an annual book-length “magazine” — over 600 pages long, chock full of the kinds of criticism, interviews, commentary, and history that has made it the most award-winning and critically lauded magazine in the history of comics.

This volume features a focus on R. Crumb’s most commercially successful project of his career, his comics adaptation of Genesis, including the most extensive interview he’s given on the subject as well as a long critical roundtable among six comics critics reviewing the book and debating each other over its merits; plus:

• An interview with Joe Sacco about his recent journalistic masterpiece, Footnotes in Gaza;

• A peek into the private sketchbooks of (and accompanying interviews with) Jim Woodring, Tim Hensley, and the novelist Stephen Dixon;

• A conversation between Mad Fold-Out creator Al Jaffee and Thrizzle auteur Michael Kupperman;

• A complete full-color reprinting of the 1950s "Gerald McBoing Boing" comic;

• The first significant biographical essay charting the turn-of-the-century cartoonist and illustrator John T. McCutcheon;

• A critical re-assessment of Dave Sim's Cerebus by Tim Kreider

and essays and reviews by R. Fiore, R.C. Harvey, Chris Lanier, Rob Clough, and others.

Over 600 pages long, this is a year's worth of The Comics Journal rolled into one extraordinary objet d'art. As a special treat, this volume is guest designed by internationally respected Criterion art director Eric Skillman. The Comics Journal #301 is no mere magazine but a gigantic compendium covering comics past and present that will shock and delight every truly curious comics reader.

Video & Photo Slideshow Preview (view in new window):

One issue not enough? Get on board with a money-saving 3-issue subscription, which also gets you access to the online TCJ back-issue archives at TCJ.com

Daily OCD: 5/6-5/10/11
Written by Mike Baehr | Filed under reviewsPrince ValiantPeter BaggeMoto HagioMickey MousemangaLeslie SteinJoyce FarmerJoe SaccoJoe DalyHal FosterGilbert HernandezGahan WilsonFrank SantoroFloyd GottfredsonDisneyDaily OCD 11 May 2011 12:59 AM

Catching up on our Online Commentary & Diversions:

Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley

Review: "...Fantagraphics Books’ new Walt Disney’s Mickey Mouse: “Race to Death Valley” contains all you need to know to revel in the very different, deeply pleasurable work of [Floyd] Gottfredson. Working with one of the most famous — and most anodyne — cartoon characters in the world, Gottfredson turned the grinning, goody-goody Mouse into a plucky, even reckless adventurer, his smile transformed from a people-pleasing smirk into a challenge to the world.... Gottfredson drew Mickey with a nosy snout and the bright eyes of an adrenalin junkie. The mouse’s diminutive size inspired Gottfredson to have the character attempt daredevil races, leaping stunts, and develop a flurry-fisted fighting style.... This beautiful volume gives the Great Rodent his humanity." – Ken Tucker, Entertainment Weekly

Review: "Fantagraphics does a very smart thing with [Walt Disney’s Mickey Mouse Vol. 1], packing it full of historical materials to set the story for the comic strip. Having David Gerstein edit it is, of course, the smartest thing they could have done.... Simply put, it's the most extensive collection of 'extras' I've ever seen in one of these comic strip reprint series to date.... Reproductions are as great as you could ever hope for from material that's 80 years old and originally printed in the inkiest of newspapers you could imagine.... It's a kick to see this more interesting version of Mickey running around, saying and doing politically incorrect things. It's amazing to see how much detail an artist could pack into a small series of panels like this. But, most of all, it's a whole lot of fun." – Augie De Blieck Jr., Comic Book Resources

Review: "This is, first of all, superb material.... Way back when, [Mickey Mouse] had a continuity and some darn good stories, illustrated with dynamic and expressive art. It was everything you could have wanted a newspaper strip to be, including being quite funny at times...and even suspenseful. The book itself is perfect and by that I mean I can't think of a single way it could have been improved. The reproduction is sharp. The editorial material fills you in nicely about the history of the strip, plus there are articles that discuss its merits and significance. The volume itself is handsome and will look good on your shelf." – Mark Evanier

Plug: "You can download 19 pages from Fantagraphics' upcoming Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson now. I'm looking forward to this book, the first volume in a complete reprinting of Gottfredson's work on the Mouse." – Pop Culture Safari

Walt Disney's Mickey Mouse - Free Comic Book Day 2011

Plugs: Some great press mentions for our Walt Disney's Mickey Mouse Free Comic Book Day comic, including the AP's Matt Moore and Whitney Matheson of USA Today Pop Candy, who says "This is sort of what FCBD is about, isn't it? Fantagraphics presents Floyd Gottfredson's amazing old Mickey strips from 1935 that are still entertaining today. Perfect for all ages..." The Wright Opinion's Brendan Wright says "The line work is beautiful and fluid, with plenty of panels that are funny to look at without reading the words. Thorough as always with this type of project, Fantagraphics has provided both an intro by David Gerstein an an appreciation of Gottfredson by classic Disney animator and official Disney Legend Floyd Norman."

Isle of 100,000 Graves

Review: "For Isle of 100,000 Graves, the cartoonist Jason works with a writer, Fabien Vehlmann, for what is at least the first time in his strong North American publishing run. It's a fun collaboration over which to muse because it's hard to tell exactly what Vehlmann brings to the table. The writer has grasped onto Jason's use of deadpan humor and wistful character moments to an uncanny degree.... Because of this deliberate care in both building their personalities and working from them in terms of how they react to certain story moments, both leads come across as incredibly endearing. A story-ending plot twist almost gets lost in a by-that-point hilarious one-liner about the methods used in bringing it about." – Tom Spurgeon, The Comics Reporter

Eye of the Majestic Creature

Review: "Underground-influenced comics fall into certain patterns — idiosyncratic art, rambling tales of daily life, copious use of mood-altering substances — but [Leslie] Stein makes hers [Eye of the Majestic Creature] fresh with the addition of a talking guitar.... Stein’s style is very readable, with sparse linework and a lead character that resembles a more tripped-out Little Orphan Annie, with huge blank buttons for eyes. Stein’s settings and other characters show more detail, especially in the complex stippling, demonstrating her outward focus.... Her world is full, even if it’s one that’s a bit off-kilter..." – Publishers Weekly

Hate Annual #9

Review: "Peter Bagge continues the saga of Lisa and Buddy Bradley and their son Harold in Hate Annual #9.... Peter Bagge has always made you care for these characters no matter what crazy problems they had. He has this rare gift of getting his readers to empathize with the drawings on the page and realizing them as real people.... Bagge shows us a very human side to the characters he creates and mirrors life in a sometimes painful way.... As we live our lives, we can look at these pages and see a little bit of ourselves in the drawn panels. This is what makes this series, and all previous ones, stand the test of time and remain a great read. Rating: 8.5" – The Comic Book Critic

Interview: The Daily Cross Hatch continues serializing the transcript of Brian Heater's MoCCA panel conversation with Peter Bagge: "I started drawing Buddy in 1980, when he was a member of The Bradleys. He was always 10 years younger than me. He started out as an adolescent — not always exactly 10 years. That’s on purpose, because that 10 years gives me space. When you’re going through a crisis or a rough time, it’s not funny, but 10 years later, you can look at the whole situation more objectively and find the humor in it."

Dungeon Quest, Book 2

Review: "[Joe Daly's] latest, award-winning, on-going project Dungeon Quest is a delightful combination of nerdy discipline and pharmaceutical excess... Happily marrying the sensibilities of post-grunge, teenaged waste-lads... with the meticulous and finicky obsessions of role-playing gamers and the raw thrill of primal myths, this captivating and wittily indulgent yarn is enchantingly rendered in solid, blocky friendly black and white and garnished with lashings of smart-ass attitude. Strength: vulgar. Intelligence: witty. Dexterity: compelling. Mana: absolutely. Status: unmissable." – Win Wiacek, Now Read This!

Palestine [with FREE Signed Bookplate]

Plug: Rehmat's World looks at Joe Sacco's Palestine

Gahan Wilson: Fifty Years of Playboy Cartoons [Bonus Exclusive Signed Print]

Interview: The Daily Cross Hatch begins serializing another of Brian Heater's MoCCA panel conversations, this time with Gahan Wilson: "The people who do horror stories and grim stuff are remarkably sweet people.... It was very odd. Why are horror writers like this? And it suddenly occurred to me — of course, what horror writers are writing about is the vulnerability of themselves and their readers and everybody and how fragile everything is.... They’re experts at being scared. If they weren’t experts at being scared, they wouldn’t write about being scared and scare other people."

Moto Hagio

Interview: If you read Japanese, enjoy excerpts from a conversation between Moto Hagio and her colleague Ryoko Yamagishi from Otome Continue Vol. 6 presented at Poco Poco

Joyce Farmer

Feature: All this week, the "Cartoonist's Diary" column at The Comics Journal is written by Joyce Farmer

Yeah!

Feature: Eye of the Majestic Creature creator Leslie Stein is the guest contributor in the latest installment of "What Are You Reading?" at Robot 6. Among her picks: Yeah! by Peter Bagge & Gilbert Hernandez: "Gilbert’s illustrations are excellent and Bagge’s writing is funny, as per usual."

TCJ.com

Craft: Frank Santoro's new "Layout Workbook" at TCJ.com examines some Hal Foster Prince Valiant pages

Daily OCD: 5/2/11
Written by Mike Baehr | Filed under Wilfred SantiagoreviewsPrince ValiantPeter BaggeMomeKim DeitchJoe SaccoJim WoodringHal FosterFrank SantoroDaily OCD21 2 May 2011 8:10 PM

Today's Online Commentary & Diversions:

21: The Story of Roberto Clemente

Review: "More than anything, ...21 is a book of huge ambition and formal daring. The storytelling is kaleidoscopic, leaping from Clemente’s final game in 1972 to his childhood to his 1960s heyday and back again, with time out for portraits of both the steel city and the Caribbean island that he loved so much. But for all his overt displays of (admittedly dazzling) technique, Santiago never loses track of his story. Though it’s not an ideal starting point for readers unfamiliar with Clemente’s life and significance — the treatment is far too idiosyncratic and personal for that, though newcomers will find the extensive bibliography useful — it hangs on strong narrative threads. [...] 21: The Story of Roberto Clemente is a mammoth achievement..." – Jack Feerick, Kirkus Reviews

Congress of the Animals

Interview: Comic Book Resources' Shaun Manning talks to Jim Woodring about the Nibbus Maximus and his new graphic novel: "'The story Congress of the Animals is one I've wanted to tell for a long time. In a lot of ways it's the most personal of the Frank stories and it breaks some aspects of the Frank mold,' Woodring said. 'There's a lot going on that may not be apparent, but I operate on the theory that is, there is something there people will pick up on it even if they don't see it directly. And that if they are sufficiently interested in puzzling it out, the meaning will become apparent.'"

Hate Annual #9

Interview: The Daily Cross Hatch continues serializing the transcript of Brian Heater's MoCCA panel conversation with Peter Bagge: "I still have ideas for [Buddy] and Lisa. I always have ideas for them. But what I also told myself is that I never want to just do the same character forever. You’re fortunate if you wind up doing something that’s popular. It’s rare for a cartoonist to land on something that’s popular enough that you could do it forever. Maybe I’m projecting, but I always felt sorry for daily strip cartoonists, who — you think up the Lockhorns, and you have to do the Lockhorns forever. They must always be on the verge of suicide."

Safe Area Gorazde: The Special Edition

Commentary: Robot 6's Chris Mautner takes you to "Comics College" with a reader's guide to the work of Joe Sacco: "The novelty of Sacco’s particular niche tends to obscure some of his rather significant qualities as an artist and storyteller. He’s an endlessly inventive cartoonist, capable of creating incredible detailed vistas that give readers a definitive sense of place and time. He’s capable of moving from near-photo-like realism to a Basil Wolverton-ish exaggeration that can perfectly capture, say, a sweaty, crowded night club. In short, he’s an amazingly gifted craftsman, one of the best people making comics out there today."

Prince Valiant Vol. 3: 1941-1942

Analysis: "...Prince Valiant is so lush, so rich on a panel by panel basis that I often find a nine-grid of it is just enough for the day, something that unfolds and unfolds in your head long after you've set it aside. Foster makes a world with his artwork, layering in meticulous details that are never arbitrary or belabored, always enhancing the impact of the pictures' content." – Matt Seneca, Death to the Universe

Kim Deitch

Commentary: At The Comics Journal, Sean Rogers on the work of Kim Deitch as illuminated by The Kim Deitch Files

TCJ.com

Craft: Frank Santoro 's latest Layout Workbook for TCJ.com looks at the proportions of his Mome stories

Bill Blackbeard - photo by R.C. Harvey

Tribute: Margalit Fox pens the New York Times obituary of Bill Blackbeard

Daily OCD: 4/22/11
Written by Mike Baehr | Filed under Stephen DeStefanoreviewsPopeyePeanutsJoe SaccoEC SegarDaily OCDCharles M Schulz 22 Apr 2011 7:18 PM

Today's Online Commentary & Diversions:

Lucky in Love Book 1: A Poor Man's History

Review: "Stephen DeStefano is nominated for the 2011 Eisner Awards for his artwork on this book [Lucky in Love Book 1] and understandably so. [...] His style on this book works so well, the feel and mood of the 1940's is dutifully established. The exaggeration in his cartoony style on this book especially with the characters is both hilarious and beautiful. From the linework, to the panel and page design, DeStefano just did an amazing job. Simply beautiful work here. The kind of work that leaves you lingering over every little line or design." – P.D. Houston, Renderwrx Productions

Safe Area Gorazde: The Special Edition

Plug: "After I read and loved Footnotes in Gaza, I had to get [Safe Area Gorazde: The Special Edition], right? It looks pretty flippin’ awesome, plus for this edition, there’s a lot of frontmatter by Sacco in which he discusses the circumstances in Bosnia in the early 1990s." – Greg Burgas, Comic Book Resources

Popeye Vol. 5:   The Complete Peanuts 1979-1980 (Vol. 15)

Plugs: "It’s an embarrassment of riches from the fine folks at Fantagraphics as they deliver not one, but two fantastic comic collections for aficionados to dive into. Not only do we get the 15th volume of The Complete Peanuts covering the years 1979-1980 and featuring an intro from Al Roker, but we also get the 5th volume of EC Segar’s Popeye, Wha’s A Jeep, which introduces us to the magical Jeep. Both volumes? Brilliant." – Ken Plume, FRED Entertainment


Hanselmann Tour

Simon Hanselmann on U.S. Tour - poster

Cute Boys Alert: Simon Hanselmann, Michael DeForge and Patrick Kyle on Tour. Click here for tour details!

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