You'll wanna hail down one of these wonderful new tees from Jim Woodring, designed for our friends at the non-profit literary organization, Rain Taxi!
I don't even know where to start when it comes to all the great stuff Rain Taxi does for literature. You may already be familiar with their award-winning quarterly-publication Rain Taxi: Review of Books, which is frickin' free all across the nation. But they also power tons of great events, like the annual Twin Cities Book Festival!
So, not only are you sportin' some fine Pushpaw action across your chest, but you're also supporting an awesome organization!
And it looks like they still have some of the Joe Sacco-designed tee in stock, but only in size small!
• Review: "As journalist Avery documents in this cohesive biography-cum-first anthology of the onetime Rolling Stone record review editor’s oeuvre [Everything Is an Afterthought: The Life and Writings of Paul Nelson], Nelson was a gifted early practitioner of new journalism and, though a child of the Sixties folk and rock counterculture, one of its most vocal critics.... Reading his inconceivably insightful profiles of Bruce Springsteen, Leonard Cohen, Warren Zevon, and Rod Stewart helps make sense of a needlessly guilt- and disappointment-laden life — here was a hyper-romantic Midwesterner by birth but a New Yorker by necessity who thought he could transcend mundane cruelties by dedicating himself to the popular arts. Seamlessly incorporating the perspectives of Nick Tosches, Robert Christgau, and Jann Wenner, Avery has crafted both a cautionary tale and a celebration of a noir-influenced writer who deserves a place alongside Lester Bangs for his ability to live, always, in the music. Devotees of folk, establishment rock ’n’ roll, and pulp fiction will rue not having discovered Nelson sooner." – Heather McCormack, Library Journal (Starred Review)
• Review: "[Richard Sala's] latest appetising shocker The Hidden returns to the seamy, scary underbelly of un-life with an enigmatic quest tale... Clever, compelling and staggeringly engaging, this fabulous full-colour hardback is a wonderfully nostalgic escape hatch back to those days when unruly children scared themselves silly under the bedcovers at night and will therefore make an ideal gift for the big kid in your life — whether he/she’s just you, imaginary or even relatively real." – Win Wiacek, Now Read This
• Review: "I had the opportunity to do a Q&A panel with Johnny Ryan at SPX last weekend. One of the more interesting parts of discussion was when Ryan said how each volume of Prison Pit had to have a different vibe or theme so that the different books didn’t feel interchangable. That’s certainly true in volume three, as we see the inclusion of a new character, who, while just as violent and vicious as CF, is completely different in attitude and demeanor. Plus, he has one of the most amazing (and utterly grotesque) resurrection scenes I’ve ever seen. There’s also a neat little bit toward the end where it seems like Ryan is heavily drawing upon the Fort Thunder crowd, particularly Mat Brinkman. All in all, it’s another excellent volume." – Chris Mautner, Robot 6
• Review: "This [fourth] volume [of Prince Valiant] covers the most of the WWII years, 1943-44, when the paper shortage was at its highest. As Brian Kane notes in the introduction, this meant creator Hal Foster had to format the strip so parts could be cut for papers that had been forced to shrink their page count.... Still, while no doubt hampered by this new situation, it did nothing to harm his storytelling skills, and Valiant remains a hugely enjoyable action strip, as Valiant battles a variety of ne’r do wells on a quest to find his true love, Aleta." – Chris Mautner, Robot 6
• Review: "I’ve talked at length before about how good the Mome anthology has been, and while I’m sad to see it come to a close, it’s nice to see it end on such a high note. Seriously, this is the best volume of Mome yet, with standout contributions by Chuck Forsman, Eleanor Davis, Laura Park, Dash Shaw, Jesse Moynihan and Sara Edward-Corbett. But really, there’s not a bad story in this entire book. It might seem weird recommending the last book of a series, but if you gotta only read one of these things, this would be the one." – Chris Mautner, Robot 6
• Interview: Brian Heater's conversation with Drew Friedman at The Daily Cross Hatch continues: "But a couple of guys claimed that I didn’t get their names right, like Don Rickles. His PR guy contacted us and said, 'he’s really angry. His name is not Archibald, it’s Donald Rickles.' So, we said in the second book 'Don Rickles says his name is not Archibald, so that will be corrected in a future volume.' Sid Caesar was annoyed. He called Fantagraphics and started yelling at Kim Thompson, because he claimed his name is not Isaac. He was on the phone with him for half an hour. He was doing Jewish schtick and German dialect. Kim was amazed."
Russ informs us that punk legend Exene Cervenka of X fame dropped by Fantagraphics Bookstore on Monday evening with Phil Alvin of the Blasters to do some record and comix shopping. Visiting Seattle to perform at Neumos with X bandmate John Doe, Exene was reportedly pleased to find a copy of Talk to Her, a collection of interviews conducted by Krisitne McKenna. Exene is interviewed, along with counterculture celebrities like Lou Reed, Joey Ramone, Allen Ginsberg, Johnny Rotten, Joe Strummer, Chrissie Hynde, Joe Sacco, Elvis Costello, Walter Hopps, and Richard Hell, among others. The book includes portraits of interview subjects by Charles Burns, Daniel Clowes, Tony Millionaire and more. Pick one up. You won't be able to put it down.
When the preeminent master of the comics journalism form praises your book of comics reportage, that's gotta feel pretty good. Oil and Water is coming later this year and we're thrilled to have received this advance praise from the great Joe Sacco:
"Reporter Steve Duin and cartoonist Shannon Wheeler visited Louisiana to investigate the Deepwater Horizon oil disaster, and their legwork shows. By contrasting the perspectives of out-of-state do-gooders and hard-bitten locals, Duin and Wheeler tell a nuanced story that goes a long way to evoking what the catastrophe means to those who still live with it."
• Review: "...[F]eisty art-comics publisher Fantagraphics, for its new multivolume hardcover series devoted to Gottfredson’s rarely seen comic-strip work [Walt Disney's Mickey Mouse ], has gone back to the beginning, lavishing upon the cartoonist’s marvelously fluid, thrillingly kinetic serial adventures the same loving attention the company has brought to its benchmark Complete Peanuts library. Given that Fantagraphics is an adult-oriented press, production and restoration values are superlative, as are the more than 60 pages of historical essays and archival features that accompany these peerless black-and-white strips.... Anyone who ventures into this gorgeous 288-page tome will come away with a fresh appreciation for just what made Mickey an all-American comic-strip hero." – Steve Smith, Time Out New York
• Review: "Fantagraphics fucking whip ass at knowing what a beautiful book is.... The Mickey Mouse in this collection is a dynamic teenager with a whole lot of strong feelings, and it's both awesome and foreign to see him get mad or feel suicidal.... Fantagraphics are masters at collecting and presenting old comics.... This volume not only presents comics that you probably haven't seen before, but it places them in the proper context with about eight[y] pages of supplementary writing, images, and in-depth explanations that could merit their own little volume." – Nick Gazin, Vice
• Interview: Gazin follows up his Vice review of Walt Disney's Mickey Mouse Vol. 1 with a brief chat with series co-editor David Gerstein: "Floyd's greatest achievement... was his portrayal of Mickey himself. Instead of seeing the Mouse as a kind of dull, smiley-faced everyman — the way a lot of people seem to envision him — Floyd portrayed Mickey as what he called 'a mouse against the world.' He was a stubbornly optimistic, imperfect but determined youth trying to prove himself in a competitive, scary, adventurous place. Floyd gave Mickey length and depth."
• Review: "It’s often argued that the key element to any successful manga is a relatable protagonist. Shimura has crafted hers so meticulously and is revealing their natures so carefully that it’s virtually impossible not to be deeply invested in them. In part, it’s the actual portrayal in this volume [of Wandering Son], but it’s also the tremendous potential they have. I want to see them age and mature, struggle and succeed, and find their ways to lives that give them happiness and peace. I don’t think there’s any more a reasonable person could ask of a story like this." – David Welsh, The Manga Curmudgeon
• Review: "...[Wandering Son] is an elegantly-crafted, character-driven story that lets us into its characters’ private worlds with both candor and delicacy. We are brought into their lives completely, and though we’re privy to their some of their most private thoughts and fears, there is never a sense that we’re observing them as 'subjects' or invading their privacy—something I often feel when experiencing 'issue'-focused fiction." – Melinda Beasi, Manga Bookshelf
• Review: "[Mattotti's] enigmatic, brooding scenes [in The Raven] harness the terror and beauty of the texts which span three centuries. They're uncompromising — and that's a quality that has always been applicable to the force that is Lou Reed." – Dean Mayo Davies, AnOther
• Review: "Drawing Power: A Compendium of Cartoon Advertising... is 124 pages of some of the best advertisements from the 1870s to the 1940s. Starring both cartoonists and cartoon characters, the book surveys an immense collection of cartoon advertising, focusing on the commercial roots of the comic strip and the fantastic artwork that came from cartoonists' freelance work in advertising. There are surprising and also familiar examples of products, ad campaigns, widely known catch-phrases, and cartoon figures.... Lovers of vintage advertisements and classic cartoons, you're in for a walk down memory lane..." – Nicole Torres, Print
• Review: "Love from the Shadows is somewhat inappropriately titled, as it sounds like a romance, but is really a sci-fi sex mash-up, with a big dash of David Lynch-ian 'what the fuck just happened here?' It’s definitely no chick flick, despite its strong female lead." – Rod Lott, Bookgasm
• Review: "Congress of the Animals... [is] Woodring’s second book-length Frank story. Not so overtly horrific as last year’s Weathercraft, but somehow more unsettling to me. Perhaps I’m just traumatized by the destruction of Frank’s house. Fantastic wordless storytelling, as always." – M. Ace, Irregular Orbit
• Plug: "You may think of Flannery O’Connor as a writer of the sorts of books that are all words, but in her younger days she yearned to be a cartoonist—and she wasn’t half bad. Fantagraphics will publish Flannery O’Connor: The Cartoons in December..." – Brigid Alverson, Robot 6
Ran out of time to finish yesterday's Online Commentary & Diversions so here's a two-fer:
• Review: "With skill, restraint and a deep sensitivity to the roiling emotions involved, Shimura relates the tale of fifth-grade boy Shuichi, who wants to be a girl, and his classmate Yoshino, a girl who wants to be a boy. This is the first volume of the Japanese saga [Wandering Son] to be published in English, and translator Thorn does great work parsing the complex gender honorifics of the Japanese language. We only just begin to get to know our two leads, but Shimura's approach allows us to feel their confusion, their heartache and — when a perceptive mutual friend orchestrates a plan that starts them down the road to self-acceptance — their quiet, nervous joy." – Glen Weldon, NPR - Monkey See
• Review: "Gender roles and cross-dressing are often fodder for laughs in anime and manga, but this is the most serious and thoughtful take I've seen on the subject. And I love how Shimura doesn't make things too angsty for the characters. Maybe that will come later, but for now it's more of a quiet discomfort -- the reader is finding out at the same time as the characters, and it's quite touching. ...Wandering Son is a tender take on a taboo subject. I wish it success in the American market." – Eric Henrickson, The Detroit News - Geek Watch
• Review: "Wandering Son by Shimura Takako is a heartfelt story of two people who I desperately feel for and for their families and friends.... The main thing that drew me to this book was the fact that unlike a lot of western media that plays off the fact that a transgender teenager would have to deal with their friends and peers ostracising or bullying them for being different, Wandering Son goes straight for the heart, tackling the more important idea of how the person in the story feels. Reading the first volume, I can feel their awkwardness at them coming to the decision that they are different from other people and that they need to do something about it.... I want to be alongside these characters as they discover who and how they are. I want to see them triumph in ways that many of us never get to. Most of all, I want to be there at the end even if it ends in failure." – Eeeper's Choice
• Review (Audio): Phillip of Eeper's Choice, Erica Friedman, and David Welsh (The Manga Curmudgeon) discuss Wandering Son Vol. 1 with hosts Ed Sizemore and Johanna Draper Carlson on the Manga Out Loud podcast. At Manga Worth Reading, Carlson notes "We talk about the value of translation/cultural end notes (which inspired a followup post by David) and the pacing of the series in light of Takako Shimura’s career. It’s a wonderful read that we all enjoyed and recommend."
• Review: "Collected in oversize hardbacks that present the pages at their original size, these beautiful books restore one of the original adventure heroes of the strips -- the affable (albeit two-fisted) mercenary who was much more interested in excitement than money or women, which is what he was supposedly after. [Captain] Easy moved through a more innocent — and largely unexplored — world, and there's no better word for this adventure strip than 'charming.'" – Andrew A. Smith, Scripps Howard News
• Review: "...Leslie Stein is a young lady out of Brooklyn, NY who has been crafting literary/illustrative dub versions of her tastes and trials and laying them out in meticulously crafted yet still oodles-of-eye-fun anecdotes and tall tales. Fanta has collected them all into Eye of the Majestic Creature, a big-sized anthology of her work, with color covers and B&W insides and a whole lot of heart reproduced superbly for proper long-term keeping.... Stein's easy-on-the-eyes drawing style shows an affinity for the same greatly defined, goofy universe Pete Bagge's youthful wanderers once trolled though Seattle in... I found it irresistible, and will come back to its gentle humor and delightful glimpses into woozy alt-country gal delights again and again." – Chris Estey, Three Imaginary Girls
• Review: "Growing up to this era of punk rock, I feel an initial offense taken to McMurray’s collection of punk rock relics. It seems strange and kitschy to run across a book like Taking Punk to the Masseswhen you lived it. My first reaction was that we are not a novelty, punk was defined from a purpose and we are that purpose, not an exploitation. But the curious person that I am, I skimmed through it. Then I skimmed through it again. Then I read it. And then I fell in love with it." – Andrew Duncan, ZapTown
• Commentary: At Robot 6, Sean T. Collins comments on the Jim Woodring letter to Hans Rickheit we shared here yesterday: "Woodring, an intrepid chronicler of the underbrain in his own right, clearly recognized a kindred spirit in Rickheit when the younger cartoonist sent him a copy of his elaborate and powerful Fantagraphics graphic novel The Squirrel Machine."
• Interview:The Daily Cross Hatch's Brian Heater continues his conversation with Mome editor Eric Reynolds: "My two passions in comics are old strips like Popeyeand the great cartoonists that I came of age reading, like Clowes and Charles Burns and the Hernandez Brothers. But, as much as that’s the stuff I dearly love, it’s the new stuff we’re publishing, the new artists, the sort of unexpected things that, on a day to day basis, keep me motivated and keep my interest in publishing, from day to day."
Ran out of time on Friday's Online Commentary & Diversions, so it's combined with links from the weekend:
• Review: "Now Fantagraphics has risen to the fore with [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley... It’s a pretty spiffy package, sharply designed and full of smart, well-written essays that provide a rich portrait of the artist and his times, as well as some great comics.... As impressive as Gottfredson's work is, it's in the ancillary materials or 'special features' that makes this book really shine. Editors Gary Groth and David Gerstein have gone the extra mile here... With its shameless abundance of riches, Mickey Mouse Vol. 1 sets a new standard in reprint publication." – Chris Mautner, Robot 6
• Plug: "Only a small handful of Gottfredson's collected works have been published and most are out of print. He pioneered a trendsetting style of adventure comics, though in his lifetime remained largely unrecognized.... Fantagraphics has kindly republished a bit of the Gottfredson Mickey run in their new book [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley, beautifully restored [and] repackaged..." – Green Apple Books
• Review: "The latest volume of The Complete Peanuts: 1979-1980 continues with Charles Schulz’s herculean output of his beloved comic strip. Schulz supplies the customary laughs in stand-alone gag strips and some short 'continuing' storylines.... As I have said in previous reviews, Fantagraphics does such a marvelous job with these hardcover Peanuts volumes. From the cover by designer Seth, to the crisp black-and-white reprinting (3 dailies per page, 1 Sunday per page), to the handy index to help you find your favorite strip, Fantagraphics takes creating a permanent archive of this beloved humor strip very seriously. Children of all ages should all get their hands on this American treasure." – Rich Clabaugh, The Christian Science Monitor
• Commentary: Mike Sterling makes a few observations about The Complete Peanuts 1979-1980: "SPOILER ALERT: Peppermint Patty gathers evidence and uses skeptical, critical thinking to resolve her particular issue here."
• Review: "Some of the very first autobiographical works on the French bande dessinée scene, these little gems were a genuine game-changer for cartoonists and storytellers... Superbly skilled at switching imperceptibly from broad self-parody to cripplingly painful personal revelation, wild surrealism to powerful reportage and from clever humorous observation to howling existentialist inquisition, Trondheim’s cartoon interior catalogue is always a supremely rewarding and enjoyable experience and, as these ancient texts [Approximate Continuum Comics] prove, always has been." – Win Wiacek, Now Read This!
• Review: "[Blake] Bell is our guide into this rich history of Bill Everett... Bell includes several pieces of artwork and comics that has rarely been seen. A true testament to a man who lived comics throughout his entire life and loved it with a passion...[I]t’s important not only to remember the characters, but the men behind them. Bell’s book here on the life and times of Bill Everett [Fire & Water], and his other biographical material on Steve Ditko, is a testament to that." – Chris Marshall, Collected Comics Library
• Interview: Hillary Chute talks to Joe Sacco for The Believer; I'll use their pullquote: "When you draw, you can always capture that moment. You can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. I realize now there’s a lot of power in that."
• Interview:The A.V. Club's Sam Adams talks to Joe Sacco: "I think if I hadn’t studied journalism I might have taken a different approach, and I’m not saying my approach is the only way you can tell a story journalistically. But because I actually studied it, detail is important and accuracy is really important, so it’s not just about having an accurate quote. The problem with doing things the way I try to do them is that it’s not just an accurate quote, it’s an accurate image of what a place looks like. An absolute literal group of images? You might as well go to a photographer for that. But whatever interpretation I do of it, it has to be informed by reality."
• Profile:HiLobrow's Joshua Glenn on Dame Darcy: "If she sounds like too much to handle, that’s because she is; now you know why her comic is called Meat Cake — they’re two decadent foods, so why not combine them? Darcy’s world is a child’s garden of verses overrun by drunken mermaids, grave-robbing French maids, and Vitalis-groomed cads. If this sort of thing sounds like your cup of spooky-kooky tea, read Meat Cake..."
• Profile: "I made my quarterly pilgrimage down to the Fantagraphics store in Seattle yesterday, and that store never ceases to amaze anyone who walks into it. From the curator/owner to the punk rock pictures on the wall, to the awesome collection of Fantagraphics titles, traditional comics, underground comics, and some adult stuff tucked away in the back room under the stairs, the entire store is a place to go explore the darker side of comic books." – Dan Morrill, Comics Forge
Things are gettin' trippy over at the Scottsdale Museum of Contemporary Artas they recently kicked off a set of tandem exhibits, “Us Versus Them” and “Masters of Collective Reality,” curated by Phoenix-based artist Jon Haddock.
With the much-anticipated arrival of The Comics Journal #301 about a month away, TCJ.com gives you your first real taste of the issue beyond our photo & video teasers: an excerpt from Gary Groth's interview with Joe Sacco about Footnotes in Gaza. Go, read!
The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of comics as art, and the object of love and devotion among the comics cognescenti — and hate and scorn among the philistines, natch. We published our 300th issue in late 2009 and spent the ensuing year-plus re- conceptualizing the institution as an annual book-length “magazine” — over 600 pages long, chock full of the kinds of criticism, interviews, commentary, and history that has made it the most award-winning and critically lauded magazine in the history of comics.
This volume features a focus on R. Crumb’s most commercially successful project of his career, his comics adaptation of Genesis, including the most extensive interview he’s given on the subject as well as a long critical roundtable among six comics critics reviewing the book and debating each other over its merits; plus:
• An interview with Joe Sacco about his recent journalistic masterpiece, Footnotes in Gaza;
• A peek into the private sketchbooks of (and accompanying interviews with) Jim Woodring, Tim Hensley, and the novelist Stephen Dixon;
• A conversation between Mad Fold-Out creator Al Jaffee and Thrizzle auteur Michael Kupperman;
• A complete full-color reprinting of the 1950s "Gerald McBoing Boing" comic;
• The first significant biographical essay charting the turn-of-the-century cartoonist and illustrator John T. McCutcheon;
• A critical re-assessment of Dave Sim's Cerebus by Tim Kreider
and essays and reviews by R. Fiore, R.C. Harvey, Chris Lanier, Rob Clough, and others.
Over 600 pages long, this is a year's worth of The Comics Journal rolled into one extraordinary objet d'art. As a special treat, this volume is guest designed by internationally respected Criterion art director Eric Skillman. The Comics Journal #301 is no mere magazine but a gigantic compendium covering comics past and present that will shock and delight every truly curious comics reader.