• Review: "[Jason] has proven over the years that no character, no genre, no classic plot is safe when he is in the room... Once again, [in Low Moon,] Jason squeezes an abundance of tension from scenes stripped of background noise and faces drained of emotion... [C]ount me among those who feels lucky to return time and again to Jason's cartoons, wondering when and if his winning streak will ever end." - Steve Duin, The Oregonian
• Review: "The King of Persia [by Walt Holcombe, collected in Things Just Get Away from You] is a gem of a book. The black and white artwork is whimsical and lush, with lovely crosshatching. The dialogue ranges from lyrical to comical within the same page, or even the same panel. There are wordless sequences in which the strength of the artwork shines. The story is bittersweet... it's packed full of humor and melancholy, each strengthened by its juxtaposition with the other." - Little Bits of Everything
Public confusion surrounding the overwhelming critical regard that the WATCHMEN graphic novel continues to be held in amongst those who haven't read the book but paid good money to see the feature film is rampant. "Wait, are comics for kids, or aren't they?" many have asked. Now that these people have seen WATCHMEN the movie, how do they erase it from memory and avoid wantonly dismissing the entire medium from which it sprung? We're here to help. Point them in the right direction with Fantagraphics Books' new "AFTER WATCHMEN, CLEANSE YOUR PALATE" program.. Please visit our homepage for more information on these fine "essentials" from Fantagraphics Books, perfect for anyone who sees WATCHMEN on film and can't believe that comics are worth taking seriously.
• Review: For Robot 6, Chris Mautner waxes rhapsodic about Humbug: "It's very easy with a book of this nature to engage in wild hyperbole... And yet, how else to talk about a project of this nature, a large collection of work featuring some of the most stellar cartoonists of their day, originally edited by one of the most important and influential humorists (and I really don't think this is hyperbole here - I'd put him up there with Richard Pryor in terms of significance) of the 20th century?... Something should be said about the packaging and restoration work, which is nothing short of astounding... I think it’s pretty safe to say that this collection will be on my top ten/best books of 2009 list at the end of the year. Really, how could it not? Apparently I like it more than breathing."
• List: From GQ, another one of those ubiquitous "what to read after Watchmen" lists, this one with The Girl from HOPPERS by Jaime Hernandez ("Hoppers... makes Gotham and Metropolis seem as bland as Scranton"), Safe Area Gorazde by Joe Sacco ("Graphic in every sense of the term... it’s the best argument around for comics as a journalistic medium"), and Bottomless Belly Button by Dash Shaw ("honest, meditative"), as well as work by Jessica Abel and Charles Burns
(Disclaimer: Signature plates are limited in quantity and available only while supplies last. In the event that we run out, signature plates will not be backordered. Bookplates are not available separately from their respective books and are only available to individual consumers.)
Praised by The New York Times, Brill's Content and Publisher's Weekly, Safe Area Gorazde is the long-awaited and highly sought after 240-page look at war in the former Yugoslavia. Sacco (the critically-acclaimed author of Palestine) spent five months in Bosnia in 1996, immersing himself in the human side of life during wartime, researching stories that are rarely found in conventional news coverage. The book focuses on the Muslim-held enclave of Gorazde, which was besieged by Bosnian Serbs during the war. Sacco lived for a month in Gorazde, entering before the Muslims trapped inside had access to the outside world, electricity or running water. Safe Area Gorazde is Sacco's magnum opus and with it he is poised too become one of America's most noted journalists. The book features an introduction by Christopher Hitchens, political columnist for The Nation and Vanity Fair.
The new Seventh softcover printing (2008) features an all-new cover design by Adam Grano.