I always was very fond of the mini-comics format -- take two to four 8 1/2 x 11 sheets, fold them once, staple, and voilà! You have an adorable little 5 1/2 x 8 1/2 comic book for mere pennies. But I could never really figure out what to do with this old-school, low-tech format.
For this catalog season, we have created 21 "FBI•MINI" booklets (most in this format, although there are a few oddities), as premiums for customers who order books directly from us. They are available free with the purchase of their "matching" book or books -- or for those customers who've already bought those books but are desperate to get the FBI•MINI, free with the purchase of $50 worth of any other Fantagraphics mail-order merchandise.
If any of these catch your interest (and if you're reading this blog surely at least one of them will) you can click right on any of them to a more detailed listing on our website -- or just click right here and all 21 will pop up for you to peruse.
• Review: "This collection of stories [The Man Who Grew His Beard] is a wonderful example of how an animator’s eye, artist’s hand, and storyteller’s vision can combine in a series of stylistic experiments that harken to a previous age of comics, but speak to the contemporary world we live in.... What’s impressive is the ease with which Schrauwen moves among various styles, affording him an extraordinarily wide range of visual tools... Sometimes looking like a throwback to vintage comics and sometimes like a clever homage to the Kama Sutra, this collection is, at all times, the work of a master storyteller." – Publishers Weekly (Starred Review)
• Review: At Robot 6, Graeme McMillan compares and contrasts Kevin Huizenga's Ganges with the work of Eddie Campbell, concluding "Ganges #4 isn’t a quick read, and it isn’t necessarily an easy read. But it’s a great one, and it’s something that everyone should be picking up and reading. It’ll keep you awake at nights." McMillan also discusses Ganges #4 with co-host Jeff Lester on the new episode of the Wait, What? podcast
• Interview: At Publishers Weekly, James Romberger (who also happens to be a contributor to Mome) talks with Gary Groth about our series of Carl Barks collections and all things Barks: "Barks’ comics somehow flourished within the strictures he was given. His imagination allowed him to either use or ignore those boundaries to his advantage, just as, in a more interior way, [Charles] Schulz’s imagination allowed him so much play within the strictures he chose. Barks’ work could be absurdist, satirical, or farcical within an adventure setting, a travelogue, a domestic comedy while maintaining those small, innate human values that reposed within his characters."
• Profile: At Publishers Weekly, Steve Bunche, who says "Fantagraphics has done readers a great favor by releasing the first full collection of Nuts, the hilarious cult strip by famed Playboy and National Lampoon cartoonist Gahan Wilson," chats with Wilson about the strip: "...[P]eople seal off as they become adults and are no longer open to understanding. It's really sad to see happening. They get to take in less and less of what's around them and become more isolated. I mean, you go to your high school reunion and see the once-alive faces of the people you grew up with and you say, 'My god! What happened to Bob and Susan!' and whomever and it's just incredibly sad. Neil Gaiman's phrase, 'being surrounded by mad giants,' pretty succinctly sums it all up."
• Plug: "A few weeks ago, I wrote a column about the comic strip Pogo. I lamented the lack of current Pogo anthologies — the old ones are practically rare books, and priced to match. Well, dog my cats, now comes a brand-new book, a compilation of the entire first year of strips, daily and Sunday, from Fantagraphics Books. Pogo: Through the Wild Blue Wonder by Walt Kelly may not be available in bookstores yet, but your friendly neighborhood bookseller would be happy to order it for you. It's a hefty volume, and will leave even the most dyspeptic Pogo fan wide-eyed with wonder and gratitude." – Jon Carroll, San Francisco Chronicle
• Plug: Last night when John Hodgman was in town on his current book tour we presented him with a copy of Tony Millionaire's 500 Portraits, in which a drawing of him appears and about which he subsequently had this to say in part: "This makes me astonished and happy and embarrassed, for Tony Millionaire is one of our true genii. And too, look, right there on the same page is my old friend John Sellers! And Borges! And you were there, too, Cthulhu! I don’t know how those other guys crashed our party, though. In any case, you should go out and get this book. It’s absolutely beautiful, painstaking, and weird, inside and out, just like I imagine Tony is himself: the ORIGINAL deranged millionaire."
• Commentary: At Comic Book Resources, Laura Sneddon, who is documenting her experiences in the postgraduate Comic Studies program at the University of Dundee in Scotland, looks at Joe Sacco's Palestine and Safe Area Gorazde as the course turns its focus to "Documentary Comics"
• Review: "One of the greatest comic strips of all time and a peak in visual splendor and breath-taking adventure, the story of Prince Valiant's 30+ year odyssey is getting a marvelous presentation in Fantagraphics' series of books, which just reached Volume 4.... What might surprise modern readers is the relative complexity of Valiant, who grows and matures subtly over the years. The strip is violent, sexy, serious, droll and above all eye-catching.... The pleasure of how solidly and carefully [these volumes] are made is part of the pleasure of reading them. You feel like a little kid as you prop the giant volume up and literally dive into the tale that fills your vision, much as kids and adults did more than 70 years ago. It's a worthy presentation for one of the most important and entertaining works in comic strip history." – Michael Giltz, The Huffington Post
• Interview:Vice's Liz Armstrong talks with Ron Regé Jr. about his upcoming book The Cartoon Utopia: "I'm not interested in making a bunch of storyboards or writing a script. Comics are the visual representation of language. So comics are the most ancient and the most vital and most important art form that humanity has ever known. It's also the oldest. Cave paintings, having the form of an image that represents an idea, is what comics are. I wrote an essay called, 'Fuck Other Forms of Art.'"
• Interview (Audio): Speaking of Mike Dawson-hosted podcasts, John Kerschbaum sits in on the new episode of The Ink Panthers with Dawson and co-host Alex Robinson
• Culture: Jeet Heer reports on the Iowa Comics Conference at The Comics Journal, featuring the Hernandez Brothers, Joe Sacco, Gary Groth and others. On the new issue of Love and Rockets: New Stories: "Everyone, of course, has been raving about Jaime’s story in this issue, which like the magnificent 'Browntown' in L&R #3 is one of best comics ever done. I’ll freely confess that at the end of the new issue when I saw how Jaime had tied together the fates of Hopey, Maggie, and Ray I started crying like a baby. ...Gilbert’s recent comics have the protean energy and relentless will to reinvention that rivals the Crumb of Weirdo and Hup."
• Commentary:Robot 6's Sean T. Collins spotlights Heer's article and adds his own thoughts: "The only thing more striking than the fact that Jaime set this career-defining hurdle for himself is that he freaking cleared it.... It's worth noting that in his contribution to New Stories #4, Gilbert takes Fritz to a place of potential finality not unlike the one that his brother Jaime's leading players occupy at the end of 'The Love Bunglers.' Yeah, it’s really quite a comic."
• Analysis: At Robot 6, Matt Seneca examines page 89, by Jaime Hernandez, from Love and Rockets: New Stories #4: "It’s a wonderful meeting of form and content: a completely unified page on the subject of unification, a single unit made up of eight perfectly chosen, gorgeously cartooned panels, each one complete in itself as a composed single drawings. This is comics at the highest level, with nothing wasted and everything on the page done as well as it possibly could be."
• Plug: Kim Thompson points out that ActuaBD "referred to our Gil Jordan edition as 'très beau,' which is nice."
3:15-4:15 PM // Preservation and Presentation: The Art and Business of Comics Publishing: Join our fearless leader Gary Groth in panel with Peggy Burns (Drawn and Quarterly) and Craig Yoe (YOE! Books). [ University Capitol Centre 2520D ]
7:30 PM // Joe Sacco: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
1:30-3:30 PM // Editing Comics Criticism and Scholarship: This round table discussion features Gary Groth, along with John Lent (Editor, The International Journal of Comic Art) and Frenchy Lunning (Editor, Mechademia) [ University Capitol Centre 2520D ]
7:30 PM // Gilbert & Jaime Hernandez: Keynote Lecture and UI Lecture Committee Featured Speaker [ Shambaugh Auditorium ]
You can view the entire schedule of events at the University of Iowa website. If you read this FLOG and live in Iowa, you better be there!
You'll wanna hail down one of these wonderful new tees from Jim Woodring, designed for our friends at the non-profit literary organization, Rain Taxi!
I don't even know where to start when it comes to all the great stuff Rain Taxi does for literature. You may already be familiar with their award-winning quarterly-publication Rain Taxi: Review of Books, which is frickin' free all across the nation. But they also power tons of great events, like the annual Twin Cities Book Festival!
So, not only are you sportin' some fine Pushpaw action across your chest, but you're also supporting an awesome organization!
And it looks like they still have some of the Joe Sacco-designed tee in stock, but only in size small!
• Review: "As journalist Avery documents in this cohesive biography-cum-first anthology of the onetime Rolling Stone record review editor’s oeuvre [Everything Is an Afterthought: The Life and Writings of Paul Nelson], Nelson was a gifted early practitioner of new journalism and, though a child of the Sixties folk and rock counterculture, one of its most vocal critics.... Reading his inconceivably insightful profiles of Bruce Springsteen, Leonard Cohen, Warren Zevon, and Rod Stewart helps make sense of a needlessly guilt- and disappointment-laden life — here was a hyper-romantic Midwesterner by birth but a New Yorker by necessity who thought he could transcend mundane cruelties by dedicating himself to the popular arts. Seamlessly incorporating the perspectives of Nick Tosches, Robert Christgau, and Jann Wenner, Avery has crafted both a cautionary tale and a celebration of a noir-influenced writer who deserves a place alongside Lester Bangs for his ability to live, always, in the music. Devotees of folk, establishment rock ’n’ roll, and pulp fiction will rue not having discovered Nelson sooner." – Heather McCormack, Library Journal (Starred Review)
• Review: "[Richard Sala's] latest appetising shocker The Hidden returns to the seamy, scary underbelly of un-life with an enigmatic quest tale... Clever, compelling and staggeringly engaging, this fabulous full-colour hardback is a wonderfully nostalgic escape hatch back to those days when unruly children scared themselves silly under the bedcovers at night and will therefore make an ideal gift for the big kid in your life — whether he/she’s just you, imaginary or even relatively real." – Win Wiacek, Now Read This
• Review: "I had the opportunity to do a Q&A panel with Johnny Ryan at SPX last weekend. One of the more interesting parts of discussion was when Ryan said how each volume of Prison Pit had to have a different vibe or theme so that the different books didn’t feel interchangable. That’s certainly true in volume three, as we see the inclusion of a new character, who, while just as violent and vicious as CF, is completely different in attitude and demeanor. Plus, he has one of the most amazing (and utterly grotesque) resurrection scenes I’ve ever seen. There’s also a neat little bit toward the end where it seems like Ryan is heavily drawing upon the Fort Thunder crowd, particularly Mat Brinkman. All in all, it’s another excellent volume." – Chris Mautner, Robot 6
• Review: "This [fourth] volume [of Prince Valiant] covers the most of the WWII years, 1943-44, when the paper shortage was at its highest. As Brian Kane notes in the introduction, this meant creator Hal Foster had to format the strip so parts could be cut for papers that had been forced to shrink their page count.... Still, while no doubt hampered by this new situation, it did nothing to harm his storytelling skills, and Valiant remains a hugely enjoyable action strip, as Valiant battles a variety of ne’r do wells on a quest to find his true love, Aleta." – Chris Mautner, Robot 6
• Review: "I’ve talked at length before about how good the Mome anthology has been, and while I’m sad to see it come to a close, it’s nice to see it end on such a high note. Seriously, this is the best volume of Mome yet, with standout contributions by Chuck Forsman, Eleanor Davis, Laura Park, Dash Shaw, Jesse Moynihan and Sara Edward-Corbett. But really, there’s not a bad story in this entire book. It might seem weird recommending the last book of a series, but if you gotta only read one of these things, this would be the one." – Chris Mautner, Robot 6
• Interview: Brian Heater's conversation with Drew Friedman at The Daily Cross Hatch continues: "But a couple of guys claimed that I didn’t get their names right, like Don Rickles. His PR guy contacted us and said, 'he’s really angry. His name is not Archibald, it’s Donald Rickles.' So, we said in the second book 'Don Rickles says his name is not Archibald, so that will be corrected in a future volume.' Sid Caesar was annoyed. He called Fantagraphics and started yelling at Kim Thompson, because he claimed his name is not Isaac. He was on the phone with him for half an hour. He was doing Jewish schtick and German dialect. Kim was amazed."
Russ informs us that punk legend Exene Cervenka of X fame dropped by Fantagraphics Bookstore on Monday evening with Phil Alvin of the Blasters to do some record and comix shopping. Visiting Seattle to perform at Neumos with X bandmate John Doe, Exene was reportedly pleased to find a copy of Talk to Her, a collection of interviews conducted by Krisitne McKenna. Exene is interviewed, along with counterculture celebrities like Lou Reed, Joey Ramone, Allen Ginsberg, Johnny Rotten, Joe Strummer, Chrissie Hynde, Joe Sacco, Elvis Costello, Walter Hopps, and Richard Hell, among others. The book includes portraits of interview subjects by Charles Burns, Daniel Clowes, Tony Millionaire and more. Pick one up. You won't be able to put it down.
When the preeminent master of the comics journalism form praises your book of comics reportage, that's gotta feel pretty good. Oil and Water is coming later this year and we're thrilled to have received this advance praise from the great Joe Sacco:
"Reporter Steve Duin and cartoonist Shannon Wheeler visited Louisiana to investigate the Deepwater Horizon oil disaster, and their legwork shows. By contrasting the perspectives of out-of-state do-gooders and hard-bitten locals, Duin and Wheeler tell a nuanced story that goes a long way to evoking what the catastrophe means to those who still live with it."
• Review: "...[F]eisty art-comics publisher Fantagraphics, for its new multivolume hardcover series devoted to Gottfredson’s rarely seen comic-strip work [Walt Disney's Mickey Mouse ], has gone back to the beginning, lavishing upon the cartoonist’s marvelously fluid, thrillingly kinetic serial adventures the same loving attention the company has brought to its benchmark Complete Peanuts library. Given that Fantagraphics is an adult-oriented press, production and restoration values are superlative, as are the more than 60 pages of historical essays and archival features that accompany these peerless black-and-white strips.... Anyone who ventures into this gorgeous 288-page tome will come away with a fresh appreciation for just what made Mickey an all-American comic-strip hero." – Steve Smith, Time Out New York
• Review: "Fantagraphics fucking whip ass at knowing what a beautiful book is.... The Mickey Mouse in this collection is a dynamic teenager with a whole lot of strong feelings, and it's both awesome and foreign to see him get mad or feel suicidal.... Fantagraphics are masters at collecting and presenting old comics.... This volume not only presents comics that you probably haven't seen before, but it places them in the proper context with about eight[y] pages of supplementary writing, images, and in-depth explanations that could merit their own little volume." – Nick Gazin, Vice
• Interview: Gazin follows up his Vice review of Walt Disney's Mickey Mouse Vol. 1 with a brief chat with series co-editor David Gerstein: "Floyd's greatest achievement... was his portrayal of Mickey himself. Instead of seeing the Mouse as a kind of dull, smiley-faced everyman — the way a lot of people seem to envision him — Floyd portrayed Mickey as what he called 'a mouse against the world.' He was a stubbornly optimistic, imperfect but determined youth trying to prove himself in a competitive, scary, adventurous place. Floyd gave Mickey length and depth."
• Review: "It’s often argued that the key element to any successful manga is a relatable protagonist. Shimura has crafted hers so meticulously and is revealing their natures so carefully that it’s virtually impossible not to be deeply invested in them. In part, it’s the actual portrayal in this volume [of Wandering Son], but it’s also the tremendous potential they have. I want to see them age and mature, struggle and succeed, and find their ways to lives that give them happiness and peace. I don’t think there’s any more a reasonable person could ask of a story like this." – David Welsh, The Manga Curmudgeon
• Review: "...[Wandering Son] is an elegantly-crafted, character-driven story that lets us into its characters’ private worlds with both candor and delicacy. We are brought into their lives completely, and though we’re privy to their some of their most private thoughts and fears, there is never a sense that we’re observing them as 'subjects' or invading their privacy—something I often feel when experiencing 'issue'-focused fiction." – Melinda Beasi, Manga Bookshelf
• Review: "[Mattotti's] enigmatic, brooding scenes [in The Raven] harness the terror and beauty of the texts which span three centuries. They're uncompromising — and that's a quality that has always been applicable to the force that is Lou Reed." – Dean Mayo Davies, AnOther
• Review: "Drawing Power: A Compendium of Cartoon Advertising... is 124 pages of some of the best advertisements from the 1870s to the 1940s. Starring both cartoonists and cartoon characters, the book surveys an immense collection of cartoon advertising, focusing on the commercial roots of the comic strip and the fantastic artwork that came from cartoonists' freelance work in advertising. There are surprising and also familiar examples of products, ad campaigns, widely known catch-phrases, and cartoon figures.... Lovers of vintage advertisements and classic cartoons, you're in for a walk down memory lane..." – Nicole Torres, Print
• Review: "Love from the Shadows is somewhat inappropriately titled, as it sounds like a romance, but is really a sci-fi sex mash-up, with a big dash of David Lynch-ian 'what the fuck just happened here?' It’s definitely no chick flick, despite its strong female lead." – Rod Lott, Bookgasm
• Review: "Congress of the Animals... [is] Woodring’s second book-length Frank story. Not so overtly horrific as last year’s Weathercraft, but somehow more unsettling to me. Perhaps I’m just traumatized by the destruction of Frank’s house. Fantastic wordless storytelling, as always." – M. Ace, Irregular Orbit
• Plug: "You may think of Flannery O’Connor as a writer of the sorts of books that are all words, but in her younger days she yearned to be a cartoonist—and she wasn’t half bad. Fantagraphics will publish Flannery O’Connor: The Cartoons in December..." – Brigid Alverson, Robot 6
Ran out of time to finish yesterday's Online Commentary & Diversions so here's a two-fer:
• Review: "With skill, restraint and a deep sensitivity to the roiling emotions involved, Shimura relates the tale of fifth-grade boy Shuichi, who wants to be a girl, and his classmate Yoshino, a girl who wants to be a boy. This is the first volume of the Japanese saga [Wandering Son] to be published in English, and translator Thorn does great work parsing the complex gender honorifics of the Japanese language. We only just begin to get to know our two leads, but Shimura's approach allows us to feel their confusion, their heartache and — when a perceptive mutual friend orchestrates a plan that starts them down the road to self-acceptance — their quiet, nervous joy." – Glen Weldon, NPR - Monkey See
• Review: "Gender roles and cross-dressing are often fodder for laughs in anime and manga, but this is the most serious and thoughtful take I've seen on the subject. And I love how Shimura doesn't make things too angsty for the characters. Maybe that will come later, but for now it's more of a quiet discomfort -- the reader is finding out at the same time as the characters, and it's quite touching. ...Wandering Son is a tender take on a taboo subject. I wish it success in the American market." – Eric Henrickson, The Detroit News - Geek Watch
• Review: "Wandering Son by Shimura Takako is a heartfelt story of two people who I desperately feel for and for their families and friends.... The main thing that drew me to this book was the fact that unlike a lot of western media that plays off the fact that a transgender teenager would have to deal with their friends and peers ostracising or bullying them for being different, Wandering Son goes straight for the heart, tackling the more important idea of how the person in the story feels. Reading the first volume, I can feel their awkwardness at them coming to the decision that they are different from other people and that they need to do something about it.... I want to be alongside these characters as they discover who and how they are. I want to see them triumph in ways that many of us never get to. Most of all, I want to be there at the end even if it ends in failure." – Eeeper's Choice
• Review (Audio): Phillip of Eeper's Choice, Erica Friedman, and David Welsh (The Manga Curmudgeon) discuss Wandering Son Vol. 1 with hosts Ed Sizemore and Johanna Draper Carlson on the Manga Out Loud podcast. At Manga Worth Reading, Carlson notes "We talk about the value of translation/cultural end notes (which inspired a followup post by David) and the pacing of the series in light of Takako Shimura’s career. It’s a wonderful read that we all enjoyed and recommend."
• Review: "Collected in oversize hardbacks that present the pages at their original size, these beautiful books restore one of the original adventure heroes of the strips -- the affable (albeit two-fisted) mercenary who was much more interested in excitement than money or women, which is what he was supposedly after. [Captain] Easy moved through a more innocent — and largely unexplored — world, and there's no better word for this adventure strip than 'charming.'" – Andrew A. Smith, Scripps Howard News
• Review: "...Leslie Stein is a young lady out of Brooklyn, NY who has been crafting literary/illustrative dub versions of her tastes and trials and laying them out in meticulously crafted yet still oodles-of-eye-fun anecdotes and tall tales. Fanta has collected them all into Eye of the Majestic Creature, a big-sized anthology of her work, with color covers and B&W insides and a whole lot of heart reproduced superbly for proper long-term keeping.... Stein's easy-on-the-eyes drawing style shows an affinity for the same greatly defined, goofy universe Pete Bagge's youthful wanderers once trolled though Seattle in... I found it irresistible, and will come back to its gentle humor and delightful glimpses into woozy alt-country gal delights again and again." – Chris Estey, Three Imaginary Girls
• Review: "Growing up to this era of punk rock, I feel an initial offense taken to McMurray’s collection of punk rock relics. It seems strange and kitschy to run across a book like Taking Punk to the Masseswhen you lived it. My first reaction was that we are not a novelty, punk was defined from a purpose and we are that purpose, not an exploitation. But the curious person that I am, I skimmed through it. Then I skimmed through it again. Then I read it. And then I fell in love with it." – Andrew Duncan, ZapTown
• Commentary: At Robot 6, Sean T. Collins comments on the Jim Woodring letter to Hans Rickheit we shared here yesterday: "Woodring, an intrepid chronicler of the underbrain in his own right, clearly recognized a kindred spirit in Rickheit when the younger cartoonist sent him a copy of his elaborate and powerful Fantagraphics graphic novel The Squirrel Machine."
• Interview:The Daily Cross Hatch's Brian Heater continues his conversation with Mome editor Eric Reynolds: "My two passions in comics are old strips like Popeyeand the great cartoonists that I came of age reading, like Clowes and Charles Burns and the Hernandez Brothers. But, as much as that’s the stuff I dearly love, it’s the new stuff we’re publishing, the new artists, the sort of unexpected things that, on a day to day basis, keep me motivated and keep my interest in publishing, from day to day."