• Review: "...Joyce Farmer’s Special Exits depicts old age as a wild, lurching ride from medical crises to euphoric nostalgia to an eerie calm as the end draws near. [...] Aging and dying are rare topics in literature and cinema, let alone in comics, which makes Special Exits an automatic standout. But it would be an excellent book even if the shelves were full of fictionalized memoirs about elder care." – The A.V. Club
• Review: "...[W]ith Special Exits, Farmer delivers a wonderful memoir about her aging parents and their aging process. [...] This is no quick read, nor is it an easy one. It’s intentionally difficult at times, because it’s unflinching. This story will resonate and it will haunt you. But it will also impress you. Farmer doesn’t pull punches, but she doesn’t go for self-pity either. Special Exits is a loving tribute to life’s final moments, and the love that is left behind after we leave." – John Hogan, Graphic Novel Reporter
• Review: "Buz Sawyer: The War in the Pacific covers the first couple of years of the strip... [and] damned if these early Buz Sawyers aren’t still a blast to read, with lots of gorgeous drawings of aircraft and a devil-may-care hero who somehow finds women to snuggle up to and joy to be had even in the Pacific Theater of WWII." – The A.V. Club
It is true: after much foofaraw and mishegas, The Comics Journal #301 went to the printer last week and is due to be available in May. (You may have come across an earlier version of the cover here on our website, but here for the first time is the final version.)
The Journal is reborn. In these 600+ pages: R. Crumb interview & critical roundtable on Genesis; Joe Sacco interview; Jim Woodring, Tim Hensley & Stephen Dixon sketchbooks; Jaffee & Kupperman in conversation; Gerald McBoing Boing; much more.
This volume is guest designed by internationally respected Criterion art director Eric Skillman.
See here for more information on the issue and stay tuned for updates and previews.
First released in 2000, Safe Area Gorazde confirmed Sacco as one of the pre-eminent journalists of his time, and earned him a 2001 Guggenheim Fellowship. Now for its 10th anniversary, Fantagraphics is releasing an expanded hardcover edition which, much like 2007’s Palestine: The Special Edition, supplements the original work with page after page of special features, listed below.
In the wake of his acclaimed Palestine, Joe Sacco spent four months in Bosnia in 1995-1996, immersing himself in the human side of life during wartime, researching stories rarely found in conventional news coverage. The book focuses on the Muslim enclave of Gorazde, which was besieged by Bosnian Serbs during the war; Sacco spent four weeks in Gorazde, entering before the Muslims trapped inside had access to the outside world, electricity or running water.
Features of this special deluxe edition include:
• A lengthy illustrated essay by Joe Sacco on how the project came together.
• A side-by-side comparison of Sacco's reference photos and the final comics panels drawn from them.
• A "Where Are they Now?" update on Gorazde's most colorful characters.
• A long interview with Sacco on Safe Area Gorazde from The Comics Journal.
• Plus of course the complete Safe Area Gorazde including Christopher Hitchens's introduction from the first edition.
2001 Eisner Award WINNER: Best Graphic Album - New
"Of the myriad of books that have appeared about Bosnia, few have told the truth more bravely than Sacco's. He is an immense talent." – The New York Times Book Review
"Harrowing and bleakly humorous, Sacco's account of life during the Balkan conflict is a timeless portrait of ordinary people caught in desperate circumstances. It's also a work of genius in an unlikely genre: journalism in comic book form." – Utne Reader
"Sacco's detailed, personal reporting captures his subject matter more convincingly than photographs or Christiane Amanpour." – Time
"Graphic in every sense of the term, Sacco’s account of everyday life in a city under siege puts one of the twentieth century’s least understood catastrophes in perspective; it’s the best argument around for comics as a journalistic medium." – GQ
Free Bonus: This book is available with an exclusive signed bookplate (pictured above) at no extra charge! See product description for details.
The University of Toronto Arts Council presents Joe Sacco as part of the UofT Arts Council 2011 Speakers Series on Thursday, March 17, 2011 at 8pm at Innis Town Hall.
Joe Sacco, the second speaker in the UofT Arts Council 2011 Speakers Series, is one of the world's premier comic book artists and is widely recognized as a central figure in bringing graphic novels and sequential art into the cultural mainstream.
Sacco's work is frequently featured on university syllabi, in programs ranging from English to Political Science to Peace and Conflict Studies.
A Guggenheim fellow, Sacco's work has been profiled by the BBC, Time Magazine and the New York Times.
Trained as a journalist, his storytelling takes the form of "comics journalism" and includes such lauded works as Palestine and Safe Area Goražde.
A book signing will follow Sacco's lecture. All of Sacco's works will be available for sale at the event, courtesy of The Beguiling.
Yeah, we're great, and our books are late. Why, what did you think the headline meant?
Anyway, a new year is upon and it's time to 'fess up about all the late Fantagraphics titles you were expecting to have by now, and don't, because we suck. Specific apologia and weaseling have been added to some titles, others we just pass under mortified silence. 2011 will be better!
The following have been rescheduled: • THE ANTIC CARTOON ART OF T.S. SULLIANT will be reformatted, rethought, re-solicited, and released in early 2012 • FORLORN FUNNIES VOLUME 1 by Paul Hornschemeier will be released in the Summer of 2011 • THE HIDDEN by Richard Sala will be re-solicited and released in July 2011 • HOW TO READ NANCY will be re-solicited and released in 2012 in a vastly expanded version from what we first expected • IS THAT ALL THERE IS? (né MODERN SWARTE, originally announced for 2007) in late Fall 2011: Yes, Joost has turned in all the files and publishers in three countries are synchronizing their watches! • NANCY IS HAPPY will be released in late 2011: It turns out that there was more production work than we anticipated to make the book as perfect as humanly possible.) • POGO VOLUME 1 will be released in the Fall of 2011 - yes, seriously, for real this time
While you're at the store, get the gift of music. Our neighbors at Georgetown Records will give $1.00 off every purchase to Fantagraphics Bookstore customers. Simply show your receipt and save a buck!
Vintage vinyl and comic books. What else could you possibly ask for? Fantagraphics Bookstore & Gallery, along with Georgetown Records, is located at 1201 S. Vale Street in Seattle's groovy Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. We're open on Christmas Eve and New Year's Eve until 4:00 PM. Closed Christmas and New Year's Day. Phone 206.658.0110. See you soon.
Opening December 7 at NYC's prestigious Exit Art gallery, GRAPHIC RADICALS: 30 Years of World War 3 Illustrated, curated by World War 3 Illustrated co-founders Peter Kuper and Seth Tobocman along with Susan Willmarth. This exhibit includes artwork from Peter Bagge, Steve Brodner, Sue Coe, Spain Rodriguez, Joe Sacco, Art Spiegelman, and many, many others. For complete exhibit details and information on the opening reception and schedule of artists' talks, see the full press release after the jump.
• Review: "Angry Beavers creator Schauer displays a knowledge and fondness for the old-school culture of monster movies, and the art [in Rip M.D.] has a nice balance between the macabre and the absurd." – Publishers Weekly (link is temporary)
• Review: "...[I]t’s the combination of form and content, style and substance that makes Poison River – the graphic novel-length 'origin of Luba' story that comprises [Beyond Palomar]’s first two-thirds – one of the most singular, potent, unforgettable comics ever made by anyone, ever. ...[I]n a way, [Love and Rockets X] feels like a riff on the same ideas that drive Poison River, simply filtered through the American/urban/musical milieu normally occupied by Jaime. [...] There aren’t very many comics this affecting, that much I can tell you. You can probably count them on two hands with fingers to spare. I would say I envy the people who still get to read this for the first time, but I just re-read it, and here I sit, knocked on my ass." – Sean T. Collins, Attentiondeficitdisorderly