While you're at the store, get the gift of music. Our neighbors at Georgetown Records will give $1.00 off every purchase to Fantagraphics Bookstore customers. Simply show your receipt and save a buck!
Vintage vinyl and comic books. What else could you possibly ask for? Fantagraphics Bookstore & Gallery, along with Georgetown Records, is located at 1201 S. Vale Street in Seattle's groovy Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. We're open on Christmas Eve and New Year's Eve until 4:00 PM. Closed Christmas and New Year's Day. Phone 206.658.0110. See you soon.
Opening December 7 at NYC's prestigious Exit Art gallery, GRAPHIC RADICALS: 30 Years of World War 3 Illustrated, curated by World War 3 Illustrated co-founders Peter Kuper and Seth Tobocman along with Susan Willmarth. This exhibit includes artwork from Peter Bagge, Steve Brodner, Sue Coe, Spain Rodriguez, Joe Sacco, Art Spiegelman, and many, many others. For complete exhibit details and information on the opening reception and schedule of artists' talks, see the full press release after the jump.
• Review: "Angry Beavers creator Schauer displays a knowledge and fondness for the old-school culture of monster movies, and the art [in Rip M.D.] has a nice balance between the macabre and the absurd." – Publishers Weekly (link is temporary)
• Review: "...[I]t’s the combination of form and content, style and substance that makes Poison River – the graphic novel-length 'origin of Luba' story that comprises [Beyond Palomar]’s first two-thirds – one of the most singular, potent, unforgettable comics ever made by anyone, ever. ...[I]n a way, [Love and Rockets X] feels like a riff on the same ideas that drive Poison River, simply filtered through the American/urban/musical milieu normally occupied by Jaime. [...] There aren’t very many comics this affecting, that much I can tell you. You can probably count them on two hands with fingers to spare. I would say I envy the people who still get to read this for the first time, but I just re-read it, and here I sit, knocked on my ass." – Sean T. Collins, Attentiondeficitdisorderly
Portland-based writer, publisher, and bookseller Chloe Eudaly and renowned cartoonist and journalist Joe Sacco, author of Palestine and Footnotes in Gaza, will discuss comics and journalism in a casual and lively presentation on Sunday, August 1 at the Portland Art Museum. This program is offered in conjunction with the exhibition The Bible Illuminated: R. Crumb's Book of Genesis, on view through September 19.
What: Joe Sacco and Chloe Eudaly in Conversation When: Sunday, August 1, 2 p.m. Where: Portland Art Museum, Whitsell Auditorium Ticketing: $5 Museum members, $12 non-members. Tickets available at portlandartmuseum.org or at the Museum's box office.
• Review: "In Weathercraft, his first foray into graphic-novel territory, Seattle denizen Jim Woodring employs his repertory troupe of ambiguous, liminal characters — Frank, Manhog, Pupshaw, and Pushpaw — to tell the kind of Pilgrim's Progress tale that David Lynch might have conjured up if he were a cartoonist. ... Impermanence, the conundrum of physical senses that guide and ensnare at the same time, the challenge of a rational response to an irrational universe — all this and more await the returning fan or the open-minded acolyte in Woodring's best work yet. And for an artist of his caliber, that's saying something." – Damian Van Denburgh, Critical Mob
• Review: "Loaded with hipster irony, profanity and long digressive conversations, it’s a loving tribute to half-repudiated childhood pleasures. ... At times, Dungeon Quest captures the anything-goes wanderlust of Calvin & Hobbes — if Calvin’s fantasies were real, set in rundown Los Angeles neighborhoods and loaded with swearing." – Jason Thompson, The Comics Journal
• Review: "The relationship stuff all rings true, and when it gets weird at the end, it doesn’t seem random and arbitrary, and that’s a difficult trick to pull off. ... I found Werewolves [of Montpellier] to be a delightful read; no profound life lessons were learned, but Jason’s storytelling is first-rate and life lessons are overrated anyway." – Johnny Bacardi, Popdose
• Reviewer:On his blog, Jason reviews the film Léon Morin, prêtre
• Review: "Deep within the barroom psychosis, Lane looks into the abyss and thinks about spitting into it. The drive that leads to destruction can also be a powerful and satisfying personal experience. While each story in Abandoned Cars ties together in a thick knot of dread, the best story sees Lane go on a blatantly autobiographical adventure, and head out for an adventure by jumping on trains." – Bob Temuka, The Tearoom of Despair
• Review: "Many books have been written about World War I, but few can truly worm their way into your head like Jacques Tardi’s It Was the War of the Trenches. … The tales here are devastating and heartbreaking, and often disturbing, but readers will nonetheless have a hard time putting it down." – Holly Scudero, Sacramento Book Review
• Review: "Perhaps there is something in Charlie Brown, that the longer I read his adventures, the more I become a fatalist. I look at the history of Europe and I know that there are frequent periods of relative peace, such as the past 60 years in Poland. And since they are rare, sooner or later they can suddenly end." – Konrad Hildebrand, Motyw Drogi (translated from Polish)
• Review: "This, then, was my introduction to the idiosyncratic and fantastically imagined worlds of Jaime and Gilbert Hernandez. ... While the stories and art of each Hernandez brother is unique, they shine extra bright by being juxtaposed, one to the other. Altogether: these rambling, lingering tales are bewitching." – Anna Clark, Isak
• Review: "...[In A Mess of Everything, Miss] Lasko-Gross covers the usual Holden Caulfield territory with brevity and an eye for detail. Her cartooning is very expressive and the book is coloured in subdued wash-like tones of brown, grey and blue that enhance the emotional impact of her cringe-worthy struggles for independence and individuality." – Bryan Munn, Sequential
• Plug: "[Roberta] Gregory is the cartoonist responsible for the comic series Naughty Bits, which is one of the best comic series I've ever read. Seriously, Life's a Bitch is one of my favorite comics ever. It's basically a biography of one normal — albeit kinda hateful — woman, and it's insightful, funny, and true." – Paul Constant, The Stranger (previewing an event on Saturday that, alas, we didn't know about in advance)
• Reviewer:Laura Warholic author Alexander Theroux looks at a new biography of Jack London for The Wall Street Journal: "Readers can be pardoned for thinking it seems not improbable that London, given the chance, would punch Mr. Haley in the nose."