FLOG! Entries tagged 'John Benson'

Four Color Fear strikes prismatic terror in the heart of comiXology

TheJenVaughn

The book that has been sold-out twice in a row comes to you, dear reader, in digital form. Four Color Fear: Forgotten Horror Comics of the 1950s. The finest non-EC horror covers and stories of the pre-code era by artist perennials Jack Cole, Reed Crandall, George Evans, Frank Frazetta, Jack Katz, Al Williamson, Basil Wolverton, and Wallace Wood, collected in a robust and affordable volume. And by volume, we mean four. This book is SO BIG, SO HUGE that we had to break it up into four parts: CMYK for the printing colors Cyan (blue), Magenta, Yellow and Black or parts one, two, three, four.

Editors John Benson and Greg Sadowski have sifted through hundreds of rare books to cherry-pick the most compelling scripts and art, and they provide extensive background notes on the artists, writers, and companies involved in their creation. Digital restoration has been performed with subtlety and restraint, mainly to correct registration and printing errors, with every effort made to retain the flavor of the original comics, and to provide the reader the experience of finding a most delightful read in their dusty, creaky attic. Each part is only 6.99 for 80-something pages bound to terrify and keep you up all night long, glowing from your tablets thanks to comiXology.

"[Its] a wonderfully creepy hurtle through the exuberant, cheerfully gross and icky horror comics that prevailed in the golden, pre-Comics-Code era. ...[T]he art is brilliant: indistinct piles of slimy viscera, purple-green zombies, skull-faced vampires and demons, Satan in a dozen guises, witches and occult symbols, creatures from the eleven hells of the darkest mythos of the human spirit." – Cory Doctorow, Boing Boing

Daily OCD 9/27/12

TheJenVaughn

The saltiest sounds of the ocean's Online Commentaries & Diversions:

• Interview: Dubbing them "The Four Horseman of AltComix" Sean T. Collins interviews Jaime and Gilbert Hernandez, Chris Ware and Dan Clowes all in one go on Rolling Stone. What a beautiful meetup of minds. Ware says, "Well, there are better cartoonists now than there ever have been. I firmly believe that. There's some amazing work being done." While Gilbert laments the change in alt comics, "That's what was missing from alternative comics after us: The art got less and less good."

• Interview (video): George O'Connor with co-host Natalie Kim recap SPX on InkedTV, including an interview with Gilbert Hernandez, and George shows off his Love and Rockets shirt.

• Plug: Dan Clowes is interviewed on what inspires him by the NY Times : "I didn’t really listen to the Kinks growing up at all — I was just vaguely aware of them, like everybody else — so when I was in my mid-20s I bought a couple of their records, just on a whim, and got sort of obsessed with them."

• Review: Comics Alliance reviews Lorenzo Mattotti's newest collaboration The Crackle of the Frost with Jorge Zentner. Sarah Horrocks points out,". . . what you're looking at in The Crackle of the Frost is a largely amazing new Mattotti release for North American audiences, with fantastic art that has to be seen to be believed. It is a work that is better than most of what you can get on the stands on any given Wednesday. But it's also a book that is hurt by how achingly close it gets to its own perfection."

• Review: InkedTV reviews Joe Daly's Dungeon Quest Volumes 1-3 on their new video reviews featuring Natalie Kim and George O'Connor. "You will never find a book or a series of books that is so genetalia-obssessed as this book." Take a gander at our back catalog and you might find more.

• Plug: The Comics Journal lets Philip Nel tell a bit of the tale before the legend of Crockett Johnson, from his biography on the man called Crockett Johnson and Ruth Krauss. Fans have their eyes on the horizon for Johnson's Barnaby, edited by Nel and Eric Reynolds. Nel writes, "But before Barnaby, there was Crockett Johnson. And before Crockett Johnson, there was David Johnson Leisk."

• Plug: The Casual Optimist looks at the most memorable covers of the last four years and Jacob Covey's primo designed Supermen! The First Wave of Comic Book Heroes is included.

• Review: Broken Frontier covers King of the Flies by Mezzo and Pirus. "King Of The Flies by Mezzo & Pirus is one hell of a hardcore comic. It is noir on acid, dark and unrelenting. It is one of the most thorough examinations of the cimmerian darkness the human species can dwell on and it will hit you square in the chest." But what about Book 2? "King Of The Flies 2 : Origin Of The World is maybe even better than its original and though it bears the number 2 it can just as well be read on its own."

• Plug (roadtrip): John Porcellino details the roadtrip to SPX with The Hypo's Noah Van Sciver. They stop by another Fantagraphics artist's home, Tim Lane, and ohh-n-ahh over our twice-sold-out book, Four Color Fear.

Daily OCD 8/17/12

TheJenVaughn

The freshest fried-this-morning Online Commentaries & Diversions:

• Review: Tucker Stone on The Comics Journal gives a thumbs-up to Dungeon Quest Vol. 3 by Joe Daly. "Dungeon Quest–the mumbling stoner counterpart to its methed up metal freak cousin, Prison Pit–has a whole new stack of penis-obsessed pages to play with. It’s tempting to single out one part of this volume to label as best, but that temptation dissipates upon the realization that it’s going to be impossible to pick a winner."

• Review: BookGasm raves about Jacques Tardi's New York Mon Amour. JT Lindroos says, "It shuffles in elements from Tardi’s other books, but distills those familiar ingredients into a wholly unique concoction. . . It’s a love letter to an imaginary city bursting with life, depression and death, a city you love to observe from a distance."

• Interview (audio): BoingBoing's podcast Gweek features Joshua Glenn, editor of Significant Objects, and Top Shelf cartoonist Ed Piskor.

• Plug: Noah Van Sciver finished out the TCJ Comic Diary week with a visit by Gary Groth. Heidi MacDonald of The Beat said nice things about The Hypo: "an extremely well researched look at Abraham Lincoln’s early days as a depressed young lawyer, will be one of the buzz books of the fall."

• Plug: Bleeding Cool and Rich Johnston show off some pages from Today is the Last Day of the Rest of Your Life by Ulli Lust, coming out this fall.

• Interview: Editor of the Steve Ditko and Bill Everett Archives, Blake Bell, shows up on the Distinguished Comic Book Podcast to talk about Ditko, Bill Everett, and the Secret History of Marvel Comics.

• Plug: Robot 6 and Bridget Alverson are excited for both the upcoming Wilfred Santiago books on Michael Jordan and John Brown. "If the images are any indication, Santiago is busting out from the limited palette he used for the Clemente book to full, brilliant color, applied in a bold, painterly style."

• Plug: The Covered blog continues to highlight new versions of Love and Rockets covers. This time it's L&R #50 drawn by Robert Goodin. Check out Goodin's eerie treatment of a classic.

• Plug: The Love and Rockets Northeast Tour is mentioned on BoingBoing. Thanks, Marc!

• Interview: Casey Burbach interviews editor John Benson on fanzine Squa Tront's issue #13 (forty years after issue #1 came out) and the EC collections that have been published: "I thought that the color in the latest “EC Archives” series was pretty bad, at least in the book that I saw – not appropriate for comics of that era. . . The Fantagraphics series will be produced with quality and taste, I’m sure. Hopefully, with a different distribution set-up, going into bookstores, they may also reach a new audience."

• Review (audio): The Comic Books are Burning in Hell podcast recently chatted up Johnny Gruelle's Mr. Twee-Deedle edited by Rick Marschall. Around the 38 minute mark is where they predict ". . . it'll wind up a real contender for 2012's 'thru the cracks' award for most sadly obscure release. . ." Let's avoid ANY books falling through the cracks, check out this broadsheet-sized wonder today!

• Review: The Australian checks out Flannery O'Connor: The Cartoons, edited by Kelly Gerald. Owen Heitmann says, "Flannery O'Connor: The Cartoons is primarily of historical interest, documenting the early development of the first postwar female writer to merit inclusion in the Library of America series. Editor Kelly Gerald has taken this archival approach to heart, reproducing apparently every extant example of O'Connor's cartooning, even doodles from later handwritten letters."

Squa Tront back issues back in stock!

mike

We rather inconveniently sold out of all of our back issues of Squa Tront: The EC Comics Magazine just before the brand new 13th issue came out, but we've just managed to get our hands on a limited supply of issues 10, 11 and 12! (And we mean limited: we have 2 copies of #12!) These are the last of 'em so get them while you still can!

Daily OCD 6.25.12

TheJenVaughn

The most in vogue Online Commentaries and Diversions:

•Interview (audio): Perk up your ears to the soothing interview of Angelman's creator, Nicolas Mahler, on the Inkstuds podcast. Robin McConnell covers all the bases with Mahler: "[My] main influence is American newspaper comics from the 30s, this was what I discovered when I about was 15-16. It was Krazy Kat and Windsor McCay, those were the things that were important to my drawing style. Wouldn't you have guessed from looking at my drawings?"

•Preview: JK Parkin, Robot6, talks up a preview of The Adventures of Venus by Gilbert Hernandez. This previously uncollected work will also have a new story! Can you spot all the references?

•Review: The sweetest review is up on Sequential Tart of The Adventures of Venus. Sheena McNeil gives the book a thumbs-up for kids: "I love that this graphic novel is full of characters from different cultures with different appearances. Venus and her sister live with their bodybuilder-like mom and no dad, Venus's rival, Gilda Gonzalez, is Hispanic and her crush, Yoshio, is Asian. It's refreshing to see all these different types of people together and getting along normally."

•Plug: Book Patrol teases with a few pictures of Jewish Images in the Comics by Fredrik Strömberg. Michael Lieberman says, "Spanning five centuries and featuring over 150 images the book becomes an instant essential reference. . . Who knew Golem was a super-hero?"

•Review: The Comics Bulletin sat down to a round-table review of E.C. Segar's Popeye Vol. 1: "I Yam What I Yam". Columnists Jason Sacks, Daniel Elkin, Danny Djeljosevic and Zack Davisson loved the large format (except for night-time readin' in bed). Sacks says, "There's a depth to these characters, too. They may be incredibly self-involved and aggressive, but there's this odd sort of internal integrity to them that makes them lovable."

•Plug: Glenn Perrett of Simcoe mentions The Sincerest Form of Parody, edited by John Benson, and the juicy ordering details. "You can return to the era when these magazines [Mad, Flip, Nuts, Panic, Madhouse] were popular with The Sincerest Form of Parody which features 'The Best 1950's Mad Inspired Satirical Comcs'."

•History: Reminiscing about comics created and read in the 80's, The Comics Reporter reviews Dalgoda. Created by writer Jan Strnad and art by Dennis Fujitake, Tom Spurgeon states,"It was leisurely paced, and had a genial tone; it was neither pompous nor self-loathing. The art featured that somewhat peculiar, can-still-spot-it-across-the-room Fantagraphics coloring from that era. In fact, Fujitake's art, with its blend of mainstream rendering values, meticulous environmental detail and humorous exaggeration, is what lingers on in memory." You gotta love those striking logo colors.

New Comics Day 6/6/12: Angelman, Black Images, Squa Tront; Castle Waiting, L&R Locas reprints

mike

This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.

For a change of pace let's kick things off with...

"CONFLICT OF INTEREST RESERVOIR: Nicolas Mahler parodies the superhero comics industry in his characteristic style with Angelman, a 96-page color hardcover; $18.99. A new softcover edition of Fredrik Strömberg’s Black Images in the Comics (I’ve read and enjoyed the 2003 edition) offers valuable insights on a large collection of depictions; $19.99. And editor John Benson presents Squa Tront #13, an all-new 48-page fanzine on things EC and related; $9.99." – Joe McCulloch, The Comics Journal

Angelman
by Nicolas Mahler

96-page full-color 7" x 9.75" hardcover • $18.99
ISBN: 978-1-60699-534-1

"A really weird, somewhat adorable little book by the Austrian artist Nicolas Mahler that I am happy to suspect is as close as Fantagraphics is ever going to come to publishing superhero comics. It's a minimalist reaction against, and parody of, mainstream comics' conventions of character, storytelling, drawing, design, financial structure, interaction with their readers... it's attractively executed for sure, and pretty funny..." – Douglas Wolk, ComicsAlliance

"Lotsa good, splurge-worthy stuff this week, including... Angelman, a rather cutting (if you look at the cover you’ll see I’m making a pun here) superhero parody from Austrian cartoonist Nicolas Mahler..." – Chris Mautner, Robot 6

"For my splurge item, I’m going to take Mautner’s recommendation and grab Nicolas Mahler’s Angelman. I can use some cutting superhero parody this week." – Michael May, Robot 6

"A funny and biting take on superhero comics — or as I often like to spell them, 'sooperhero comics.' Angelman has powers like empathy and enemies like Gender-Bender (a plastic surgeon). A minimal yet endearing art style — and a biting look at superhero comics, fans and the business behind them." – Benn Ray (Atomic Books), Largehearted Boy

"I did not expect to see a nice-looking Fantagraphics hardcover featuring Nicolas Mahler's work, so this was a pleasant surprise." – Tom Spurgeon, The Comics Reporter

Black Images in the Comics (Softcover Ed.)
by Fredrik Strömberg

304-page black & white 6" x 6" softcover • $19.99
ISBN: 978-1-60699-562-4

"...I’m definitely curious enough about Fredrik Stromberg’s Black Images in the Comics (Fantagraphics, $19.99) to pick it up; comics’ early racism is often ignored, so I’m looking forward to learning more, and then getting depressed about it." – Graeme McMillan, Robot 6

"A fascinating survey of... comics from the past 100 years from all over the world all featuring black characters. Each entry includes an accompanying essay. Overall, a compelling look at the changing role of race in comics and therefore culture. – Benn Ray (Atomic Books), Largehearted Boy

Squa Tront #13
edited by John Benson

48-page black & white/color 8.5" x 11" softcover • $9.99
ISBN: 978-1-60699-571-6

"...Fantagraphics has the latest issue of Squa Tront, the longest-running EC-focused crit/fan mag evar. At $10, that’s certainly at least worth a flip-through." – Chris Mautner, Robot 6

"I've read this and it was as surprise for me. I generally adore Squa Tront, and magazines that use a specific focus to build a perspective on comics more generally. I thought this a strong issue just for the presentation of Jack Davis war-era cartooning. This is the kind of thing I want to do with my own relationship to comics when I grow up." – Tom Spurgeon, The Comics Reporter

Maggie the Mechanic (Love and Rockets Library — Locas Book 1)
by Jaime Hernandez

272-page black & white 7.5" x 9.25" softcover • $14.95
ISBN: 978-1-56097-784-1

The Girl from H.O.P.P.E.R.S. (Love and Rockets Library — Locas Book 2)
by Jaime Hernandez

272-page black & white 7.5" x 9.25" softcover • $14.95
ISBN: 978-1-56097-851-0

"So you hear people talking all the time about Jaime Hernandez and how he's one of the most amazing cartoonists working in the English language and all that, and there are so many Love and Rockets collections in so many formats, and where do you start? If you're one of the people who prefers to start at the beginning, there is a new printing of this stout little paperback [Maggie the Mechanic] out this week, which collects his earliest, sci-fi/punk-type 'Locas' and 'Mechanics' stories, as well as a new printing of the second volume, The Girl From H.O.P.P.E.R.S., in which he hits the groove in which he's stayed most of the time since then. I never get tired of re-reading these." – Douglas Wolk, ComicsAlliance

"I will... buy everything Jaime Hernandez does just short of new printings. I'd sure check my damn bookshelves to make sure I had one, though. This early material reads quite well in those paperbacks, I think." – Tom Spurgeon, The Comics Reporter

Castle Waiting Vol. 1
by Linda Medley

456-page black & white 5.5" x 8" hardcover • $29.95
ISBN: 978-1-56097-747-6

Daily OCD: 6/1/12

mike

Today's Online Commentary & Diversions:

• Preview/Interview: At Print Magazine, Michael Dooley presents a bunch of pages of The Sincerest Form of Parody: The Best 1950s Mad-Inspired Satirical Comics and has a quick Q&A with editor John Benson: "When Isaac Asimov edited his massive Before the Golden Age anthology of 1930s science fiction... he relied entirely on his memories of reading the stories when they first appeared, and that's how he made his selections. Similarly, Jules Feiffer largely relied on his memories of the stories from his original reading when making selections for his seminal The Great Comic Book Heroes in 1965. Like the Asimov and Feiffer books, The Sincerest Form of Parody is partly an exercise in nostalgia, so in making my selections, I think it's fair to give some consideration to my reaction to the material when I first saw it."

• Review: "...Fantagraphics recently unlocked whatever crate must have been used to house Mr. Twee Deedle: Raggedy Ann's Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle. Over a foot long and over a foot-and-a-half tall, the hardcover features the most beautiful endpapers in recent memory. Gruelle’s artwork is full of whimsy, presented in both the richest nostalgic color and black and white. The narrative involves two children on a journey through a magical land as guided by a wood sprite, but this is truthfully an art book. It’s meant to be read sprawled out on the floor, the only surface in an average reader’s home that is likely large enough to properly balance this fine luxury. Rick Marschall provides a lengthy, informative essay that is lavishly accompanied by further illustrations." – Alex Carr, Omnivoracious

• Review: "In an age of indie-comics dependent upon the banality of the everyday, a hesitant realism, Rickheit eschews reality in favor of the impossible, a state of existence that is truly fantastical. But this is not a utopia, this is a world entirely of the body, though not only the body of human beings, but the body of all living meat, of anything that breathes and shits. This is a world of pure imagination, of subconscious desires let loose with an acutely detailed drawing style. And ultimately, [Folly]’s a perfect work for those who refuse to float away from their bodies but are ready to let their heads go where-ever one can find the new." – Invisible Mike, HTMLGIANT

• Tweet of the Day: "I just read The Furry Trap by Josh Simmons; I'll be on the Internet the rest of the day looking for instructions on how to boil my eyes." – Tom Spurgeon (@comicsreporter)

Daily OCD: 5/25-5/28/12

mike

The latest Online Commentary & Diversions:

• Feature: At Print magazine, Michael Dooley spotlights the new 13th issue of Squa Tront — "...Squa Tront has set itself out to explore every facet of EC's history, through stimulating, in-depth journalism, scholarly analyses, critiques, bios, interviews, and, of course, illustrations. Under the supervision of its current editor, John Benson, it has established a high standard for fanzine professionalism, in both literary content and production values." — with a generous sampling of images and an interview with Benson: "But really, as far as Squa Tront goes, what sustains my interest most is probably my love of print media and the pleasure of creating a physical package."

• Plug: "A new issue of Squa Tront is a rare and special event, not to be missed." – Bud Plant

• Review: "Oftentimes the first volume of an archival project gets greeted with a lot of ballyhoo while later volumes fail to get any ink, even though the later books represent the subject in question better than the earlier, more fumbling work. So let this serve as notice that the third volume of the Blake Bell-edited series [The Steve Ditko Archives] is the best one yet, showing Ditko in 1957, about to turn 30 and learning to deploy his distinctive faces and abstract shapes in the service of stories with real flow. ...[T]he nightmarish visions of stories like 'The Man Who Lost His Face' and 'The Last One' are classic Ditko, with off-kilter panel designs and anguished figures conveying a sense of sanity slipping away." – Noel Murray, The A.V. Club

• Review: "...Blood of Palomar is a thrilling book... Hernández’s writing and artwork are excellent. The black-and-white pen work is perfect — there are a vividness and richness to the action, story, and scenes already that would likely be drowned in color. With 34 characters and multiple story threads, a first read can be dizzying, yet all is exquisitely kept in balance. Though certainly most characters are not given much depth, the large cast gives the sense of a real community. The main characters are complex, flawed, and fascinating.... Blood of Palomar haunted my thoughts long after I finished reading." – Michael Stock, The Capeless Crusader

• Plug: "How to best demonstrate the awesome might of Fantagraphics' new Johnny Gruelle collection, Mr. Twee Deedle?... It's more akin to flipping the pages of a wallpaper sampler than a collection of historic comics.... It dominates the largest clear surface in my house — the kitchen island — like a B-52 bomber somehow parked astride an aircraft carrier's deck. And then you open it up. ...[T]he art on the page is massive, but filled with delicate details.... Many of the strips are illustrated from eye-level of small children, and the natural world around the characters seems almost life-sized." – John Mesjak, My 3 Books

• Plug: "Comics have long been home to a variety of races, be it alien or underground or from an alternate dimension. But in the 100-plus year history of comics, one of the toughest for creators to portray accurately is that of black characters. And now Fantagraphics is putting back in print a key work examining that strained relationship, Fredrik Strömberg‘s Eisner-nominated Black Images in the Comics: A Visual History." – Chris Arrant, Robot 6

• Interview (Audio): Pat Thomas was on BBC Radio's Front Row Daily last Friday talking about his book Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 — follow the link and "it's the one that says 'Tracey Emin; news from Cannes' — I'm on for about 10 minutes at the end," instructs Pat

• Commentary: Robot 6's Chris Mautner takes you back to "Comics College" with another of his handy reader's guides, this time to the work of Charles Burns

Daily OCD: 4/30/12

mike

Today's Online Commentary & Diversions:

• Review: "Austrian cartoonist Nicholas Mahler cheerfully spoofs superheroes and modern comic-book publishing with Angelman... These kinds of jokes about the venality of superhero industry have been made many times before, but Mahler’s little squiggly characters are adorable, and his gags are genuinely funny, especially as poor little Angelman gets more and more loaded down with quirks and complications. Angelman is a satire, yes, but it also revels to some extent in the goofiness of revamps, retcons, and all the other gimmicks that keep mainstream comics afloat." – Noel Murray, The A.V. Club

• Review: "The Matthias Wivel-edited anthology Kolor Klimax: Nordic Comics Now offers a generous sampling of recent work by new and veteran cartoonists from Sweden, Finland, Norway, and Denmark.... Overall, it’s a fine survey of creators who are largely unknown here in the States." – Noel Murray, The A.V. Club

• Review: "Spain Rodriguez is one of the legends of the original underground comics wave, and he tells his own origin story in Cruisin’ with the Hound: The Life and Times of Fred Tooté, a collection of short stories about coming of age in Buffalo in the ’50s and ’60s. ...Cruisin’ with the Hound... gives a real flavor both of Rodriguez’s work — which was so different in its point of view than the other underground comics of the late ’60s and early ’70s — and from whence it came." – Noel Murray, The A.V. Club

• Review: "It's over. And I am so sad. Fantagraphics's breathtaking reprints of some of the greatest comic strips of all time -- E.C. Segar's fabulously wonderful Popeye -- comes to a conclusion with this amazing sixth volume, a perfect collection of comics art that brings joy literally from cover to cover. From the latest spectacular die-cut front cover to the awesomely odd letter reprinted on the inside back cover, the final volume of the adventures of the sailor man and his friends, enemies and pets is pure joy and bliss, a deliriously charming collection... There was no world quite like the insane world that E.C. Segar created in Popeye. And that world is pure magic." – Jason Sacks, Comics Bulletin

• Review: "One of the most beloved comic strips of all time, Charles Schulz's Peanuts chronicled the adventures of Charlie Brown and friends for nearly five decades. Fantagraphics has been working for a few years now on a massive reissue of the entire strip, and their latest edition, The Complete Peanuts 1983-1984, collects work from the post-'classic' Peanuts era of the '60s. While it wouldn't be unfair to expect a bit of staleness at this stage, these later comics remain consistently witty and entertaining, and reflect Schulz's continued mastery of comedic timing within a four-panel layout.... Consistently subtle yet always timely, after 30 years, Schulz still had a winning formula on his hands." – Phil Guie, Critical Mob

• Interview (Audio): Podcaster Jason Barr: "Johnny Ryan guests on this addition of A.D.D. We talk about political correctness, illustration, growing up outside Boston, religion, wanting to be a priest, childhood loves, hating Doonesbury, having a funny family, not giving a shit, confrontational art, marriage & why people are afraid of Johnny Ryan among many other topics."

• Feature: "Love and Rockets has probably been my favorite comic book series for over a decade now. Though it’s been running since the early '80s, I didn’t discover it until Penny Century #1 came out in the late 90s -- I was immediately drawn to the cover art (as seen here), and the story within wasn’t at all what I expected. Of course, I immediately started reading all the collections starting from the beginning, so I could figure out who these characters were and discover their rich backstories." – Alicia Korenman, Chapelboro

• Plug: "Available now is an exceptional collection that just might have missed your attention. I have particularly enjoyed [The Sincerest Form of Parody].... This collects the 30 best stories from all the wild comics that came out to compete with EC's original Mad Comics, in 1953-55.... Plus I enjoy every project editor John Benson writes about. He offers fascinating insights into each of these disparate titles, interesting facts about the artists and even what they were spoofing." – Bud Plant

• Plug: On YALSA's The Hub blog, Emily Calkins includes Wandering Son by Shimura Takako on their list of graphic novels featuring LGBTQ characters

Squa Tront: The EC Comics Magazine #13 - Previews

mike

Squa Tront #13
edited by John Benson

48-page black & white/color 8.5" x 11" softcover • $9.99
ISBN: 978-1-60699-571-6

Ships in: May 2012 (subject to change) – This item will be available to order simultaneous with its release to comic shops.

Five years in the making and meticulously edited by John Benson, Squa Tront returns with a profusion of rare and interesting features from the EC era: the story behind Basil Wolverton’s first EC art; Howard Nostrand’s last interview; art from the unpublished third issue of Flip; Jack Davis’s WWII cartoons; plus EC era art by Wallace Wood, John and Marie Severin, Harvey Kurtzman, and Roy Krenkel. The longest running EC historical magazine and a perfect companion to Fantagraphics’ new series of EC reprints.

Download and read a 6-page PDF excerpt (1.7 MB) including the Table of Contents.

Video & Photo Slideshow Preview (view in new window):

Daily OCD Extra: April 2012 Booklist reviews

mike

In this month's issue of Booklist you can find reviews of three of our recent releases, excerpted below:

Amazing Mysteries: The Bill Everett Archives Vol. 1, edited by Blake Bell: "Dating from 1938–42, most [stories] feature superheroes designed to compete with the then-new Superman, such as Amazing-Man, who gained his powers from the Tibetan monks who raised him; the Flash Gordon-derived Skyrocket Steele; and Hydroman, who could transform himself into a waterspout. The stories and artwork are laughably crude by modern standards, although no more so than those in other comic books from the period. But even the earliest ones show traces of the sleek polish that would become Everett’s hallmark. By the later stories, his mature style is firmly in place, a sign that future volumes in the series will be of even greater interest." – Gordon Flagg

Krazy & Ignatz 1922-1924: At Last My Drim of Love Has Come True by George Herriman: "Herriman’s graphically dazzling, ineffably beguiling creation remains unequaled a century after its first appearance, and the 13 volumes amassing his three decades’ worth of fanciful Sunday funnies are mandatory purchases for any comics-art collection. This volume is filled out with Herriman rarities, including his first daily comic strips, from 1903, and the full run of Us Husbands, a far-more-conventional Sunday strip about married life that Herriman drew throughout 1926." – Gordon Flagg

The Sincerest Form of Parody: The Best 1950s MAD-Inspired Saritical Comics, edited by John Benson: "MAD historian Benson presents 32 stories and nine covers from the copycats fielded by nine publishers, and at the end of the book discusses them. If you read the stories before the notes and you’re a devotee of the early MAD, you’ll have recognized the imitative qualities Benson points out, such as how MAD’s Jack Davis and Bill Elder had the drawing styles that were aped, and how Elder’s habit of adding what he called chicken fat — jokey signs, bits of business going on in the background, incongruous decoration — to every panel was swallowed whole by the knockoffs. But as Benson tells us, none of the pretenders quite 'got' MAD or, more important, its nearly sole writer, Harvey Kurtzman, whose all-important 'touch' lay in his jaundiced, derisive, smart attitude toward American commercial culture. Prime Americana." – Ray Olson

Advancing into Spring

mike

March/April advance shipments bring May/June books... Our shelves are starting to groan with advance copies of upcoming arrivals that have come in over the last couple of weeks. Above, the softcover edition of Stephen Dixon's short story collection What Is All This? (it's prose, folks), the softcover edition of Fredrik Strömberg's Black Images in the Comics, and (also below) Nicolas Mahler's Angelman...

...our biggest trim-size book ever, the hunormous Mr. Twee Deedle – Raggedy Ann's Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle (big book, big title)...

...the 5th volume of our beautiful, beloved, bestselling hardcover collections of Hal Foster's Prince Valiant...

...and from editor John Benson, to whet your appetite for our upcoming series of EC Comics reprints, a brand new issue of EC fanzine Squa Tront (dig that krazy Kurtzman art on the cover)!

Daily OCD: 3/28-4/2/12

mike

Just beginning to catch up on Online Commentary & Diversions:

• Profile: With his big new art book out and his museum retrospective on the way, Daniel Clowes gets the New York Times profile treatment from Carol Kino: "Mr. Clowes can create a striking face with a few deftly placed lines or brush strokes, often seizing on some specific characteristic that summons up an indelible personality. Think of Enid Coleslaw, the snarky teenage anti-heroine of Ghost World, and her big, black nerdy-hip glasses; they cover most of her face, but they can’t conceal the tiny shifts in expression that loudly telegraph her mood."

• List: Daniel Clowes may be headed for a museum retrospective, but he is neither dead nor retired — but that doesn't stop Flavorwire's Elona Jones from naming 10 candidates to carry the torch of "his storytelling skills, interest in surrealism, and eye for biting observations," including Jason, who "receives international acclaim for his brilliant storytelling."

• Preview/Review: Boing Boing previews 2 stories from The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics, with Cory Doctorow saying "Today marks the publication of Fantagraphics' magnificent archaeological comicsology… Many of these are racier, grosser, and meaner than even MAD dared. There’s also an engrossing appendix of annotations from editor John Benson…"

• Review: "The John Benson-edited anthology The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics assembles largely forgotten work by the likes of Jack Davis, Will Elder, Ross Andru, and Jack Kirby, parodying everything from Mickey Spillane novels to Rex Morgan, M.D. Some of these pieces can stand up to the best of Mad (or at least match the magazine’s average), but even the stories that are clunky and unfunny are fascinating for the way they rip off Mad shamelessly, including all the asides and mini-gags that Will Elder once labeled Mad’s 'chicken fat.' It’s a testament to how quickly the innovative and subversive can become mainstream." – Noel Murray, The A.V. Club

• Review: "Next to Pogo, the newspaper comics collection that fans have been most anticipating would be Ernie Bushmiller’s Nancy, which over the past few decades has garnered a reputation as the purest distillation of the gag cartoon, a triumph of minimalism... Nancy Is Happy: Dailies 1943-1945 joins Bushmiller’s magnum opus in full swing ... Bushmiller’s genius [was] to make everything in his strip so basic that anyone, anywhere, at any time, could get the joke." – Noel Murray, The A.V. Club

• Review (Video): Video blogger Robert Crayola looks at Nancy Is Happy: "If you like comics or comic strips especially and you haven't read Nancy or if you have and you just want more, I think you'll enjoy this.... Hopefully we can get many more volumes of this. I hope you support it. It's a great book."

• Review: "One of the signature achievements of ’80s alt-comics, Drew and Josh Alan Freidman’s Any Similarity to Persons Living or Dead Is Purely Coincidental: An Anthology of Comic Art, 1979-1985 is now back in print in a spiffy new edition that doesn’t really add anything to the original, but is still a necessary addition to any library that doesn’t already have a copy.... Drew Friedman’s stipple-heavy photo-realism and his brother Josh’s gleefully cruel humor combine to craft an alternate history of American entertainment that’s preposterous and yet feels true. Even now, decades after other cartoonists and comedians have tapped this well, the Friedmans’ pioneering work in the field of 'brattily dicking around with icons' remains unparalleled." – Noel Murray, The A.V. Club

• Plug: Boing Boing's Mark Frauenfelder gives Drew Friedman a platform to hype his upcoming NYC art show at Scott Eder Gallery in Brooklyn and re-release of Any Similarity to Persons Living or Dead Is Purely Coincidental

• Review: "Folly... serve[s] as a good introduction to Rickheit’s beautifully ugly visions, of a world where cute girls and humanoid stuffed animals commit atrocities against oozing flesh. With a drawing style that resembles Jason Lutes and Charles Burns, and a storytelling style similar to Jim Woodring and Al Columbia, Rickheit excels in making nightmares lucid. Some characters recur from story to story in Folly, but really this book is just page after page of beautiful images juxtaposed with wounds and excreta. The single-mindedness of Rickheit’s approach — and the level of detail he applies to it — is impressively horrifying." – Noel Murray, The A.V. Club

• Review: "...[A] heck of a ride... Jason might not be to everyone’s taste, but those who have acquired it will find Isle of 100,000 Graves to be a small but satisfying banquet." – No Flying No Tights

• Reviews: Chris Spector's Midwest Record rounds up reviews of new & recent Fantagraphics releases by Carl Barks, Jack Davis, Gahan Wilson, Pat Thomas, Johnny Gruelle, Ernie Bushmiller and E.C. Segar

• Plugs: The Los Angeles Times Hero Complex's Emily Rome and Geoff Boucher spotlight the L.A. Times Book Prizes graphic novel nominees, including Celluloid by Dave McKean and Congress of the Animals by Jim Woodring

• Profile: The Salt Lake Tribune's Ben Fulton introduces Kevin Avery and his books on Paul Nelson, including Everything Is an Afterthought, which Avery will be signing at two events in Utah next week

• Interview (Audio): Pat Thomas appears on the Wax Poetics "Bad Data" podcast to discuss Listen Whitey! The Sights and Sounds of Black Power 1965-1975

• Interview (Video): Monte Schulz sits down to discuss his new novel The Big Town with host Fred Klein on the Literary Gumbo video podcast

• Commentary: Monte Schulz is writing a new blog at The Huffington Post, and for his first entry he tells you "What the 1920s Was Really Like" based on his research of the decade for his novel The Big Town

• Analysis: More from The Hooded Utilitarian critical roundtable on Jaime Hernandez's "Locas" stories — Corey Creekmur on the role of memory and Jason Michelitch on the gaps in the stories

• Contest: At Design Observer Rob Walker writes more about the Studio 360 Significant Objects writing contest

• Scene: Ashley Cook of Giant Fire Breathing Robot reports from our "Northwest Noir: Seattle's Legacy of Counterculture Comix" panel at Emerald City Comicon

New Comics Day 3/28/12: The Sincerest Form of Parody, Cinema Panopticum

mike

The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics
by various artists; edited by John Benson

192-page full-color 7.25" x 10.25" softcover • $24.99
ISBN: 978-1-60699-511-2

"Before there were knockoffs of MAD-the-magazine like Cracked and Crazy... there were a whole lot of knockoffs of MAD-the-comic-book, like Whack, Nuts, Eh, Unsane... This John Benson-edited anthology collects work from a bunch of them." – Douglas Wolk, ComicsAlliance

"On the historical side, Fantagraphics brings us The Sincerest Form of Parody: The Best 1950s MAD Inspired Satirical Comics ($24.99). KC’s working on a review that we’ll have for you shortly [since posted here – Ed.]." – Joanna Draper Carlson, Comics Worth Reading

"I was well aware of the number of imitators that attempted to capitalize on Kurtzman and company’s success early on, but didin’t know much more than that. Were any of these comics any good? Hopefully this book will let me know." – Chris Mautner, Robot 6

"Editor John Benson follows up 2010′s excellent Four Color Fear: Forgotten Horror Comics of the 1950s [John Benson provided editorial consultation and contributed to the back matter for Four Color Fear, but the book was edited by Greg Sadowski – Ed.] with The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics, culling choice bits from humor magazines by Atlas, Charlton, Harvey and the like; $24.99." – Joe McCulloch, The Comics Journal

"The success of MAD Magazine lead to a number of 1950s knock-offs. This book collects some of the of the finest examples of non-MAD parody comics, featuring work by Jack Davis, Will Elder, Jack Kirby, Dick Ayers, Bill Everett, Bob Powell, and many more. Portzebie!" – Benn Ray (Atomic Books), Largehearted Boy

Cinema Panopticum (Softcover Ed.)
by Thomas Ott

104-page black & white 6.5" x 9.25" softcover • $16.99
ISBN: 978-1-60699-485-6

"And readers that missed out on Thomas Ott’s 2005 collection of wordless works can now enjoy a softcover edition of Cinema Panopticum; $16.99." – Joe McCulloch, The Comics Journal

"Love reading comics but find all the words a drag? Then Thomas Ott's wordless, gorgeous and haunting scratchboard horror stories are just the thing for you." – Benn Ray (Atomic Books), Largehearted Boy

"I assume this is a new edition of the Thomas Ott, in which case I already have it. If you don't, those books tend to hold up really well over time." – Tom Spurgeon, The Comics Reporter

The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics - Previews, Now in Stock

mike

Now available for immediate shipment from our mail-order department:

The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics
by various artists; edited by John Benson

192-page full-color 7.25" x 10.25" softcover • $24.99
ISBN: 978-1-60699-511-2

See Previews / Order Now

"What, me imitated?"

When MAD became a surprise hit as a comic book in 1953 (after the early issues lost money!) other comics publishers were quick to jump onto the bandwagon, eventually bringing out a dozen imitations with titles like FLIP, WHACK, NUTS, CRAZY, WILD, RIOT, EH, UNSANE, BUGHOUSE, and GET LOST. The Sincerest Form of Parody collects the best and the funniest material from these comics, including parodies of movies (20,000 Leagues Under the Sea, From Here To Eternity), TV shows (What's My Line, The Late Show), comic strips (Little Orphan Annie, Rex Morgan), novels (I, the Jury), plays (Come Back, Little Sheba), advertisements (Rheingold Beer, Charles Atlas), classic literature ("The Lady or the Tiger"), and history (Pancho Villa). Some didn't even try for parody, but instead published odd, goofy, off-the-wall stories.

These earnest copiers of MAD realized that Will Elder's cluttered "chicken fat" art was a good part of MAD’s success, and these pages are densely packed with all sorts of outlandish and bizarre gags that make for hours of amusing reading. The "parody comics" are uniquely "'50s," catching the popular culture zeitgeist through a dual lens: not only reflecting fifties culture through parody but also being themselves typical examples of that culture (in a way that Harvey Kurtzman’s MAD was not).

This unprecedented volume collects over 30 of the best of these crazy, undisciplined stories, all reprinted from the original comics in full color. Editor John Benson (who wrote the annotations for the first complete MAD reprints, and interviewed MAD editor Harvey Kurtzman in depth several times over the years) also provides expert, profusely illustrated commentary and background, including comparisons of how different companies parodied the same subject.

Artists represented include Jack Davis, Will Elder, Norman Maurer, Carl Hubbell, William Overgard, Jack Kirby, Dick Ayers, Bill Everett, Al Hartley, Ross Andru & Mike Esposito, Hy Fleischman, Jay Disbrow, Howard Nostrand, and Bob Powell.

Casual comics readers are probably familiar with the later satirical magazines that continued to be published in the '60s and '70s, such as Cracked and Sick, but the comics collected in this volume were imitations of the MAD comic book, not the magazine, and virtually unknown among all but the most die-hard collectors. For the first time, Fantagraphics is collecting the best of these comics in a single, outrageously funny volume.

Download and read a 14-page PDF excerpt (6.1 MB) which includes the Table of Contents.

Video & Photo Slideshow Preview (view in new window):

Daily OCD: 3/19-3/22/12

mike

What happens when you have to miss a couple of days of the comics internet is that it takes you almost the whole rest of the week to get fully caught up on Online Commentary & Diversions:

• List: Library Journal's Martha Cornog gives a nice shout-out to Carl Barks and recommends Oil and Water by Steve Duin & Shannon Wheeler as one of "30 Graphic Novels for Earth Day 2012": "Wheeler’s atmospheric, ink-washed greys capture eccentric residents from crabbers to a pelican-rescue team, and Duin’s script catches the ironic resiliency of people exploited by the very industry that feeds them.... Valuable for high schoolers and adults as a glimpse into the crisis, and for general sensitization to environmental issues."

• Review: "When I brought Pogo home from the bookstore on a Sunday afternoon, I called my daughters over, and we lay on the floor in the living room and read it together. I read it aloud, because half of the fun of Pogo is hearing the fantastic dialogue penned by Kelly, and my daughters loved it. I’m sure there were things that went over their heads — jokes that rely on experiences they haven’t had, references to past events, wordplay that’s a little too sophisticated. But the beauty of the strip is that does work on so many levels. There’s slapstick humor, cute little talking animals, and keen observations on the human condition — the last made easier to swallow perhaps because the characters aren’t people, as human as they may be." – Jonathan Liu, Wired – GeekDad

• Review: "[Jason] populates his tales with brightly clad cats and dogs and ducks, but their misbehavior is unmistakably human.... [Athos in America] is... consummately worth reading for its three gems: the lovely title story, the self-portrait 'A Cat From Heaven' and the wonderful 'Tom Waits on the Moon,' in which Jason carefully maps the crossed paths of four lonely people." – Sam Thielman, Newsday

• Review: "Despair threatens to overwhelm the creator’s usual tales of longing [in Athos in America]. In 'A Cat From Heaven,' his characteristic unrequited love story gives way to a somewhat depressing look at a self-absorbed cartoonist named Jason’s bitter relationship. Mercifully, the rest of the collection is a little more playful, from a couple noir parodies to the highlight, 'Tom Waits on the Moon,' in which four solipsistic stories converge in a tragic act." – Mike Sebastian, Campus Circle

• Review: "The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics is a wonderful book collecting the best stories of the beginnings of a favorite comic book genre — and I can’t emphasize this enough — it’s put together by people who know what they’re doing. Plus, it’s designed to fit on your bookshelf right next to your MAD Archives volumes. I can’t believe that you haven’t already picked this up! Are you unsane?!?" – K.C. Carlson, Comics Worth Reading

• Review: "If [Wandering Son] Vol. 1 was a masterclass in people not wanting to accept the status quo within their own minds, Vol. 2 shows the uncertainty of the waiting world. The way that Nitori and Takatsuki fumble forward with no plan is painful and endearing. They know the two of them are better together but there’s the problem of dealing with classmates, family and teachers. It’s not easy and well done to Takako for not short-circuiting the process. It’s not easy writing characters in distress but it’s wonderful to read it. If you can recognise the character’s pain and sympathise despite your differences, it proves you’re human and so is the author.... So much of what we read is a kind of literary false economy. We put in so much and get so little out of it. Wandering Son asks so little of you and you get so much out of it.... It is a wonderful, sweet, heartbreaking window into being different, young, unsure, afraid and human." – Eeeper's Choice

• Review: "[The Man Who Grew His Beard]’s a big batch of critic-friendly comic strips, comics which resemble curios excavated from some none-too-defined European past and more often than not have all the daring shallow-space visual syntax of a Garfield strip. They’re less stories than contraptions that wear their artifice and structure on their sleeve, like those medieval homunculi which transparently show their cogs and mechanisms while making their programmed movements." – Rich Baez, It's Like When a Cowboy Becomes a Butterfly

• Review: "Action! Mystery! Thrills!... beautifully resurrects all the Golden Age favorites, from superheroes to killer robots to cowboys and occult Nazis. This time capsule collection of cover art spans from 1933-45... An index in the back gives the fascinating stories behind the covers, while the full-page, color reproductions reveal them for what they are: works of art." – Mike Sebastian, Campus Circle

• Review: "Primarily known for his ghoulish comic strips in Playboy and The New Yorker, Gahan Wilson showed his tender side (kind of) with Nuts. Originally a series of one-page vignettes running in National Lampoon, Nuts is presented here in its entirety as a classic warts-and-all reminiscence of childhood, from sick days to family gatherings, the joys of candy to the terrors of the dark basement." – Mike Sebastian, Campus Circle

• Review: "R. Crumb hit it big in the ‘60s alternative Comix scene with his creation of Fritz the Cat (originally conceived as an adolescent). The feline protagonist remained Crumb’s avatar for lambasting American culture until a lackluster film adaptation prompted some divine retribution from his creator. The Life and Death of Fritz the Cat collects all of Fritz’s essential stories." – Mike Sebastian, Campus Circle

• Analysis: The Hooded Utilitarian's critical roundtable on Jaime Hernandez rolls on with entries from Derik Badman; the author of our forthcoming Love and Rockets Companion, Marc Sobel; and (Mome 22 contributor) James Romberger

• Awards: GalleyCat reports that Author Kathryn Kuitenbrouwer, contributor to Significant Objects, has won the $1,000 Sidney Prize, which rewards "the author of the best new American story," and has a link to an excerpt from the winning story

• Opinions: Robert Crumb's got 'em! In the third installment of the "Crumb On Others" series, he lets you know exactly what he thinks of a bunch of prominent personalities, from Hitler to Ghandi (in whose homeland Crumb can be seen above) and from Kurtzman to Van Gogh

• Interview: When The Comics Journal posted the Q&A with Bill Griffith conducted by Gary Panter, I called it the must-read of the day, and it still stands as your must-read of the week: "I’ve only taken LSD twice in my life. Once on the beach in Martha’s Vineyard in 1967, which was pleasant, but not ego-shattering or anything. And once in New York after I’d started doing comics. All I remember about the second time was, I got hemorrhoids."

• Interview: Who better to talk to Matthias Wivel, editor of our Scandinavian comics anthology Kolor Klimax, than Steffen Maarup, editor of our Danish comics anthology From Wonderland with Love? A taste: "Putting together a good anthology is similar to making a good mixtape. Whatever the individual merits of a piece, it won’t do to include it if it doesn’t somehow work for the anthology as a whole. There has to be a consistent idea or tone to the book, which doesn’t mean that there can’t be dissonance — there’s some of that in Kolor Klimax, and I think for the better — but the individual parts still have to generate something greater than their sum. It’s incredibly difficult to achieve, but also a lot of fun." Read more at The Metabunker

• Interview (Audio): Blake Bell joins host Chris Marshall on the Collected Comics Library Podcast for a discussion about Bill Everett and Steve Ditko

Daily OCD: 2/13/12

mike

Today's Online Commentary & Diversions:

• List: Critic Rob Clough names his Top Fifteen Comic Books of 2011 on his High-Low blog, including Love & Rockets: New Stories #4 at #1...

"Gilbert's stories are typically excellent in this issue, as he manages a certain luridness in one story that brings sexuality to the fore, and goes the other direction in a more oblique, subtle story. Of course, the story that got everyone buzzing was the second half of Jaime's "The Love Bunglers", which is an ending for this thirty-year cycle of stories--and one where Jaime sticks the landing with authority."

...Ganges #4 by Kevin Huizenga at #4...

"Huizenga's work is restrained and even playful in its approach but wildly ambitious in terms of its content, and he continues to successfully mine work left untouched by other cartoonists."

...Hate Annual #9 by Peter Bagge at #8...

"This was Bagge's first feature-length Buddy Bradley story in years, and it's a doozy. Buddy, Lisa and young Harold visit Lisa's parents in a story called 'Hell,' and Bagge truly pulls out all the stops in depicting extreme familial weirdness. His dialogue is as sharp as ever, his line is quite lively and his uncanny ability to depict the creeping weirdness of suburbia is even more disturbing than in the initial run of New Jersey stories in Hate."

...and Tales Designed to Thrizzle #7 by Michael Kupperman at #11:

"Kupperman's 'Quincy, M.E.' story in this issue is a tour-de-force of twisting narrative structures and just plain crazy silliness. Kupperman's art has become increasingly bland as his aesthetic references have changed from 1920s comic strips to 1950s comic books, forcing the reader to perform double-takes at the crazy juxtapositions he creates. If his comics aren't as visually exhausting and exciting as they once were, he still provides an avalanche of ideas and jokes for the reader to sort through."

• Review: "Norwegian cartoonist Jason has returned with more full-color stories populated by lonely, and at times sociopathic, anthropomorphic characters. Cats, dogs, and ducks steal, fight, murder, and drink themselves into oblivion. Although brimming with black humor, the tales are far from ridiculous; the disjunction between the cute creatures and their actions often serves to highlight the despair inherent in their lives. Text is light, as the images drive the narratives. In these spare, mute panels, infused with flat oranges, greens, and browns, small movements covey great meaning and emotion.... Visually exciting, at times hilarious and at times devastating, Athos in America will only add to Jason’s well-deserved reputation as a star of the graphic novel world." – Publishers Weekly

• Review: "This volume [Amazing Mysteries: The Bill Everett Archives Vol. 1] provides an illuminating look at the artist’s numerous attempts at catching Sub-Marineresque lightning in a bottle for a second time, a task that mostly eluded him. The comics studios of the golden age were product mills that threw any idea against the wall in hope it would stick, and Everett did much the same. Forgotten sci-fi and superhero creations, as well as forays into westerns, historical retellings, and crime comics, populate this loaded volume, which reads like it fell straight out of some four-color twilight zone." – Publishers Weekly

• Review: "Over 150 pages of reprints, a brilliant back-of-the-book by Benson running 26 pages, and an introduction by my old buddy, cartoonist/historian Jay Lynch..., this book is a welcome addition to any comics library.... [I]f nothing else, The Sincerest Form of Parody saves you a lot of time separating the wheat from the chaff. But in and of itself, it is a very worthy book – entertaining on his own, and critical from a historical point of view. You should check this one out..." – Mike Gold, ComicMix

• Review: "[Jordan] Crane’s comic, The Last Lonely Saturday, explores the trials and release of life after loss. Crane’s story beautifully follows a husband’s weekly ritual to pay respect to his wife. In no more than a few pages, Crane retells the husband and wife’s entire history. From the comic’s meticulous book design, with its quaint size and the rounded, hand-lettered type in the first pages, readers can expect the story to be heart-warming. But Crane pulls at readers’ heartstrings with surprising grace. While the story is rooted in the traditional American cliché of lovers reunited in the afterlife, the story is told deftly." – Juan Fernandez, The Tartan (via Robot 6)

• Review: "[Freeway] captures the frustration of being stuck in traffic, particularly the array of images (violent and otherwise) that traffic brings to my mind (even better than Falling Down). Like me, Alex also relieves his frustrations with a lot of swearing." – Gene Ambaum, The Unshelved Book Club

• Plug: "I ran into animator Michel Gagné at the Annie Awards last week (where he picked up an Annie for Best Video Game, Insanely Twisted Shadow Planet) and asked him about his next project. Turns out Gagne had been toiling on a labor of love (literally) that has just gone on sale this week.... That book, Young Romance: the Best of Simon & Kirby’s Romance Comics, is not the usual thing we endorse here at Cartoon Brew – but as a life-long Jack Kirby fan and oddball comic book buff, this project is right up my alley.... I’ve ordered my copy and highly recommend it, sight unseen. Thanks, Michel!" – Jerry Beck, Cartoon Brew

• Plug: "Joe Simon and Jack Kirby created Captain America but they literally created the romance comic genre. The pages [of Young Romance] were packed with dialogue and dramatic art as women fought for love." – Will Harris, KOMO News

• Plug: Anime News Network picks up the news of Wandering Son Vol. 1's inclusion on the ALA GLBT Round Table's Rainbow List, pointing out that it's the first manga ever to make the list

• History: At The New York Times Local East Village Blog, Kim Deitch writes about The East Village Other's Joel Fabrikant

Daily OCD: 2/8/12

mike

Today's Online Commentary & Diversions:

• Review: "And now, Fantagraphics has packaged some of the best movie parodies in this ripely-colored book [The Sincerest Form of Parody]. But these aren't Mad comics. They're the imitators which popped up on newsstands in the 1950s -- comic books like Whack, Nuts!, Crazy, Bughouse and Unsane.... Most of the comics in the pages of this book are understandably dated for today's web-weaned generation who may have never heard of I, Jury ('My Gun Is the Jury by Melvie Splane'), What's My Line? ('What's My Crime?'), or Come Back, Little Sheba ('Come Back Bathsheba'), but that doesn't drain these parodies of their punch." – David Abrams, The Quivering Pen

• Plug: "Most of the 21 stories in this great new book collection [Young Romance] haven't been compiled before, and if you're not familiar with them, you're in for thrill after melodramatic thrill. My favorite: 'Norma, Queen of the Hot Dogs.'" – Michael Galucci, Cleveland Scene

• Interview: Mark Kalesniko talks about his latest graphic novel Freeway at the FLIP animation blog; that site's Steve Moore says "Mark Kalesniko’s graphic novel Freeway is a truly brilliant, hilarious look at the hunched and goofy lifestyle in our industry's ground zero. His humor is wickedly honest, his storytelling unflinching."

What's in the January 2012 Diamond Previews

mike

The new Diamond Previews catalog came out yesterday and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in March 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.

This month's Spotlight item is Nicolas Mahler's superhero spoof Angelman: Fallen Angel, an excerpt of which we are currently serializing here on our website; the new edition of Drew & Josh Alan Friedman's long-out-of-print classic Any Similarity to Persons Living or Dead Is Purely Coincidental is "Certified Cool"; and the issue also includes the new volume of Roy Crane's Buz Sawyer; the collected edition of Gabriella Giandelli's acclaimed "Ignatz" comic Interiorae; the long-awaited new issue of the EC Comics scholarship magazine Squa Tront; and not one but two collections of literary prose stories, the eagerly-anticipated Significant Objects book and Stephen Dixon's What Is All This?, now in a softcover edition.

See them all here!

Hey Look!

kimt

Guess what classic... well, it seems almost wrong to call something this slickly designed and smartly edited and overall wonderful a "fanzine," but let's go with "fanzine" anyway... so guess which classic fanzine is returning after a five-year hiatus this Spring?