|New Digital Comics: The Sincerest Form of Parody & Zero Hour|
|Written by Jen Vaughn | Filed under John Benson, Jack Kamen, EC Comics, digital comics, comiXology, Al Feldstein||26 Feb 2014 2:04 PM|
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Finally, you can stop hitting yourself in the face in bed reading these large tomes! Fantagraphics and comiXology have released The Sincerest Form of Parody available for you to read digitally! Edited by John Benson, this collection includes the best and funniest material from the bandwagon-jumping MAD imitators, with work by Jack Davis, Will Elder, Dick Ayers, Bill Everett, Jack Kirby and many more, plus expert commentary. Casual comics readers are probably familiar with the later satirical magazines that continued to be published in the '60s and '70s, such as Cracked and Sick, but the comics collected in this volume were imitations of the MAD comic book, not the magazine, and virtually unknown among all but the most die-hard collectors. For the first time digitally, Fantagraphics is collecting the best of these comics in an unprecedented collection for only $18.99.
"Some of these pieces can stand up to the best of Mad (or at least match the magazine's average), but even the stories that are clunky and unfunny are fascinating for the way they rip off Mad shamelessly, including all the asides and mini-gags that Will Elder once labeled Mad's 'chicken fat.' It's a testament to how quickly the innovative and subversive can become mainstream." - Noel Murray, The A.V. Club
Also check out Zero Hour and Other Stories illustrated by Jack Kamen.
With his wholesome approach, Kamen stood out amongst the grand-guignol grunge, gritty realism, or futuristic dazzle of his fellow EC cartoonists - but his brilliant editor/writer Al Feldstein found a way to exploit the surface innocence of his style with seemingly nice stories of romance gone horribly wrong, or future fantasies with an unexpectedly brutal twist. And nowhere did Kamen's clean-but-lush graphics work better than in the stories he created for EC's science-fiction comics. There are EVEN a few Ray Bradbury adaptations in this book, for only $22.99!
The fastest hot-to-trot release of online Commentaries & Diversions:
• Review: Good Dog has it this week. Graham Chaffee's return to comics gets a starred review from Publishers Weekly. "Chaffees’s art is both lyrical and dramatic when it needs to be, mixing Craig Thompson and Gilbert Hernandez. As with White Fang and Black Beauty, Chaffee goes inside the psychology of animals without over sentimentalizing and shows why the human/pet relationship is so precious for both sides."
• Review: Diamond Scoop is all over Wake Up, Percy Gloom by Cathy Malkasian. "Malkasian fills the story with multiple levels, never once making any of them obvious. Her experience as an animator shines through as her pencil and panel construction holds an incredible sense of movement inside a graphic novel format.…More than a fable, Percy Gloom is part of story telling myth that can be traced back to campfires around a cave. This is an inspiring work that speaks to all levels of our existence."
• Review: Bob Temuka of the Tearoom of Despair checks out Peter Bagge's Other Stuff. "This book is excellent… the looser Bagge's stuff gets, the better. Other Stuff is funnier than [Everybody Is Stupid Except For Me], even if there is that same sociological satire, because it has Bagge people wigging the fuck out, and nuthin' is funnier than that.."
• Review: Shawn Starr of The Chemical Box reviews 3 New Stories by Dash Shaw. "3 New Stories is a comic which explores the juxtaposition and superimposition of images within the structure of text/drawing based comics (a.k.a. traditional comics) as a means of underlining the thematic nature of it's stories.…Shaw codes the pages of '3 New Stories' with layers of visual subtext that work as an interesting color palette and also through their existence as “images”, create additional layers of meaning to each page and the narrative as a whole."
• Review: Bill Boichel from Copacetic Comics enjoys New School by Dash Shaw. "This purposeful leveling of the high/low, fine/popular distinction in the arts has a specific aim in reinforcing the "message" encoded within the narrative. The basics of the story we are given in New School are about as old school as you can get, centering on two brothers, each sent by their father on a quest to a faraway land. The brothers, Daniel and Luke, are each given names with strong biblical associations. The latter, however, additionally references the modern mythology of Star Wars. This dual reference serves as a key opening the door to New School's narrative strategy."
• Review: IndieWire has a suggestion for you in regards to Micky Mouse Color Sundays by Floyd Gottfredson (edited by Groth and David Gerstein). Jerry Beck writes, "Leave it to Gerstein, with co-editor Gary Groth and the team at Fantagraphics, to reprint these rare strips with the greatest of care. The reproduction of the line art is superb, the coloring is vivid and faithful to the original newspaper printings … stop what you are doing and order this book today. 280 pages of absolute joy."
• Review: KC Carlson of Comics Worth Reading read and weeps (from laughter) in the latest Carl Barks collection, Donald Duck: The Old Castle's Secret. "I read it as a child. Yet I remember clearly every detail about it. Such is the power of Carl Barks’ work. His storytelling is designed to appeal to youngsters as well as folk who are as old as Scrooge.…I laughed so hard that I had to put the book down for a couple of minutes. Sharp-eyed readers should also pay attention to other jokes hidden in what Donald is reading in other stories throughout the book."
• Review: Comics Grinder makes some new meat with Beta Testing the Apocalypse by Tom Kacynski. "Kaczynski’s humor is, at times, acerbic, with an attitude…Read as a whole, the author’s vision comes through as heart-felt, witty, and maybe even, perhaps, genuinely concerned…Architecture is seen as a possible solution to the many ills of one struggling nation," writes Henry Chamberlain.The Austin Chronicle weighs The Adventure of Jodelle by Guy Peellaert. Shannon McCormick writes, "Christ, this thing is gorgeous…Like his American Pop Art idols and comrades, Peellaert’s work smashed distinctions between "high" and ‘low’ modes of art, drawing from the visual language of advertising, cinema, fashion, and youth culture, as well as classical and neo-classical sculpture and architecture."
• Review: Bob Temuka of the Tearoom of Despair checks out Four Color Fear edited by John Benson and Greg Sadowksi. "The flashes of genius amongst the gore in these comics can be breathtaking, and there is still plenty of creepy fun with the rest." While sold out in print (currently), you can still read this digitally via comiXology.
• Review: Stuff I Read This Week and the Darling Dork revisit Maggie the Mechanic by Jaime Hernandez. "A large part of the fun of Love and Rockets is seeing how the Herndandezes grew and developed as creators, with experimentation giving way to clarity of vision…You can look at these characters and still recognize them perfectly well, only sans several decades of growth…there’s still plenty of greatness to be found here."
• Interview (audio): Gilbert Hernandez talks about kids' comics, Love and Rockets, plus D&Q's Marble Season on The Dinner Party.
• Plug (video): Staffer Jen Vaughn speaks very briefly on working for Fantagraphics and comics at TCAF on Comics Bulletin (I apologize for speaking in 3rd person)
The book that has been sold-out twice in a row comes to you, dear reader, in digital form. Four Color Fear: Forgotten Horror Comics of the 1950s. The finest non-EC horror covers and stories of the pre-code era by artist perennials Jack Cole, Reed Crandall, George Evans, Frank Frazetta, Jack Katz, Al Williamson, Basil Wolverton, and Wallace Wood, collected in a robust and affordable volume. And by volume, we mean four. This book is SO BIG, SO HUGE that we had to break it up into four parts: CMYK for the printing colors Cyan (blue), Magenta, Yellow and Black or parts one, two, three, four.
Editors John Benson and Greg Sadowski have sifted through hundreds of rare books to cherry-pick the most compelling scripts and art, and they provide extensive background notes on the artists, writers, and companies involved in their creation. Digital restoration has been performed with subtlety and restraint, mainly to correct registration and printing errors, with every effort made to retain the flavor of the original comics, and to provide the reader the experience of finding a most delightful read in their dusty, creaky attic. Each part is only 6.99 for 80-something pages bound to terrify and keep you up all night long, glowing from your tablets thanks to comiXology.
"[Its] a wonderfully creepy hurtle through the exuberant, cheerfully gross and icky horror comics that prevailed in the golden, pre-Comics-Code era. ...[T]he art is brilliant: indistinct piles of slimy viscera, purple-green zombies, skull-faced vampires and demons, Satan in a dozen guises, witches and occult symbols, creatures from the eleven hells of the darkest mythos of the human spirit." – Cory Doctorow, Boing Boing
The saltiest sounds of the ocean's Online Commentaries & Diversions:
• Interview: Dubbing them "The Four Horseman of AltComix" Sean T. Collins interviews Jaime and Gilbert Hernandez, Chris Ware and Dan Clowes all in one go on Rolling Stone. What a beautiful meetup of minds. Ware says, "Well, there are better cartoonists now than there ever have been. I firmly believe that. There's some amazing work being done." While Gilbert laments the change in alt comics, "That's what was missing from alternative comics after us: The art got less and less good."
• Plug: Dan Clowes is interviewed on what inspires him by the NY Times : "I didn’t really listen to the Kinks growing up at all — I was just vaguely aware of them, like everybody else — so when I was in my mid-20s I bought a couple of their records, just on a whim, and got sort of obsessed with them."
• Review: Comics Alliance reviews Lorenzo Mattotti's newest collaboration The Crackle of the Frost with Jorge Zentner. Sarah Horrocks points out,". . . what you're looking at in The Crackle of the Frost is a largely amazing new Mattotti release for North American audiences, with fantastic art that has to be seen to be believed. It is a work that is better than most of what you can get on the stands on any given Wednesday. But it's also a book that is hurt by how achingly close it gets to its own perfection."
• Review: InkedTV reviews Joe Daly's Dungeon Quest Volumes 1-3 on their new video reviews featuring Natalie Kim and George O'Connor. "You will never find a book or a series of books that is so genetalia-obssessed as this book." Take a gander at our back catalog and you might find more.
• Plug: The Comics Journal lets Philip Nel tell a bit of the tale before the legend of Crockett Johnson, from his biography on the man called Crockett Johnson and Ruth Krauss. Fans have their eyes on the horizon for Johnson's Barnaby, edited by Nel and Eric Reynolds. Nel writes, "But before Barnaby, there was Crockett Johnson. And before Crockett Johnson, there was David Johnson Leisk."
• Review: Broken Frontier covers King of the Flies by Mezzo and Pirus. "King Of The Flies by Mezzo & Pirus is one hell of a hardcore comic. It is noir on acid, dark and unrelenting. It is one of the most thorough examinations of the cimmerian darkness the human species can dwell on and it will hit you square in the chest." But what about Book 2? "King Of The Flies 2 : Origin Of The World is maybe even better than its original and though it bears the number 2 it can just as well be read on its own."
• Plug (roadtrip): John Porcellino details the roadtrip to SPX with The Hypo's Noah Van Sciver. They stop by another Fantagraphics artist's home, Tim Lane, and ohh-n-ahh over our twice-sold-out book, Four Color Fear.
The freshest fried-this-morning Online Commentaries & Diversions:
• Review: Tucker Stone on The Comics Journal gives a thumbs-up to Dungeon Quest Vol. 3 by Joe Daly. "Dungeon Quest–the mumbling stoner counterpart to its methed up metal freak cousin, Prison Pit–has a whole new stack of penis-obsessed pages to play with. It’s tempting to single out one part of this volume to label as best, but that temptation dissipates upon the realization that it’s going to be impossible to pick a winner."
• Review: BookGasm raves about Jacques Tardi's New York Mon Amour. JT Lindroos says, "It shuffles in elements from Tardi’s other books, but distills those familiar ingredients into a wholly unique concoction. . . It’s a love letter to an imaginary city bursting with life, depression and death, a city you love to observe from a distance."
• Plug: Noah Van Sciver finished out the TCJ Comic Diary week with a visit by Gary Groth. Heidi MacDonald of The Beat said nice things about The Hypo: "an extremely well researched look at Abraham Lincoln’s early days as a depressed young lawyer, will be one of the buzz books of the fall."
• Plug: Bleeding Cool and Rich Johnston show off some pages from Today is the Last Day of the Rest of Your Life by Ulli Lust, coming out this fall.
• Interview: Editor of the Steve Ditko and Bill Everett Archives, Blake Bell, shows up on the Distinguished Comic Book Podcast to talk about Ditko, Bill Everett, and the Secret History of Marvel Comics.
• Plug: Robot 6 and Bridget Alverson are excited for both the upcoming Wilfred Santiago books on Michael Jordan and John Brown. "If the images are any indication, Santiago is busting out from the limited palette he used for the Clemente book to full, brilliant color, applied in a bold, painterly style."
• Plug: The Covered blog continues to highlight new versions of Love and Rockets covers. This time it's L&R #50 drawn by Robert Goodin. Check out Goodin's eerie treatment of a classic.
• Plug: The Love and Rockets Northeast Tour is mentioned on BoingBoing. Thanks, Marc!
• Interview: Casey Burbach interviews editor John Benson on fanzine Squa Tront's issue #13 (forty years after issue #1 came out) and the EC collections that have been published: "I thought that the color in the latest “EC Archives” series was pretty bad, at least in the book that I saw – not appropriate for comics of that era. . . The Fantagraphics series will be produced with quality and taste, I’m sure. Hopefully, with a different distribution set-up, going into bookstores, they may also reach a new audience."
• Review (audio): The Comic Books are Burning in Hell podcast recently chatted up Johnny Gruelle's Mr. Twee-Deedle edited by Rick Marschall. Around the 38 minute mark is where they predict ". . . it'll wind up a real contender for 2012's 'thru the cracks' award for most sadly obscure release. . ." Let's avoid ANY books falling through the cracks, check out this broadsheet-sized wonder today!
• Review: The Australian checks out Flannery O'Connor: The Cartoons, edited by Kelly Gerald. Owen Heitmann says, "Flannery O'Connor: The Cartoons is primarily of historical interest, documenting the early development of the first postwar female writer to merit inclusion in the Library of America series. Editor Kelly Gerald has taken this archival approach to heart, reproducing apparently every extant example of O'Connor's cartooning, even doodles from later handwritten letters."
We rather inconveniently sold out of all of our back issues of Squa Tront: The EC Comics Magazine just before the brand new 13th issue came out, but we've just managed to get our hands on a limited supply of issues 10, 11 and 12! (And we mean limited: we have 2 copies of #12!) These are the last of 'em so get them while you still can!
The most in vogue Online Commentaries and Diversions:
•Interview (audio): Perk up your ears to the soothing interview of Angelman's creator, Nicolas Mahler, on the Inkstuds podcast. Robin McConnell covers all the bases with Mahler: "[My] main influence is American newspaper comics from the 30s, this was what I discovered when I about was 15-16. It was Krazy Kat and Windsor McCay, those were the things that were important to my drawing style. Wouldn't you have guessed from looking at my drawings?"
•Review: The sweetest review is up on Sequential Tart of The Adventures of Venus. Sheena McNeil gives the book a thumbs-up for kids: "I love that this graphic novel is full of characters from different cultures with different appearances. Venus and her sister live with their bodybuilder-like mom and no dad, Venus's rival, Gilda Gonzalez, is Hispanic and her crush, Yoshio, is Asian. It's refreshing to see all these different types of people together and getting along normally."
•Plug: Book Patrol teases with a few pictures of Jewish Images in the Comics by Fredrik Strömberg. Michael Lieberman says, "Spanning five centuries and featuring over 150 images the book becomes an instant essential reference. . . Who knew Golem was a super-hero?"
•Review: The Comics Bulletin sat down to a round-table review of E.C. Segar's Popeye Vol. 1: "I Yam What I Yam". Columnists Jason Sacks, Daniel Elkin, Danny Djeljosevic and Zack Davisson loved the large format (except for night-time readin' in bed). Sacks says, "There's a depth to these characters, too. They may be incredibly self-involved and aggressive, but there's this odd sort of internal integrity to them that makes them lovable."
•Plug: Glenn Perrett of Simcoe mentions The Sincerest Form of Parody, edited by John Benson, and the juicy ordering details. "You can return to the era when these magazines [Mad, Flip, Nuts, Panic, Madhouse] were popular with The Sincerest Form of Parody which features 'The Best 1950's Mad Inspired Satirical Comcs'."
•History: Reminiscing about comics created and read in the 80's, The Comics Reporter reviews Dalgoda. Created by writer Jan Strnad and art by Dennis Fujitake, Tom Spurgeon states,"It was leisurely paced, and had a genial tone; it was neither pompous nor self-loathing. The art featured that somewhat peculiar, can-still-spot-it-across-the-room Fantagraphics coloring from that era. In fact, Fujitake's art, with its blend of mainstream rendering values, meticulous environmental detail and humorous exaggeration, is what lingers on in memory." You gotta love those striking logo colors.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
For a change of pace let's kick things off with...
"CONFLICT OF INTEREST RESERVOIR: Nicolas Mahler parodies the superhero comics industry in his characteristic style with Angelman, a 96-page color hardcover; $18.99. A new softcover edition of Fredrik Strömberg’s Black Images in the Comics (I’ve read and enjoyed the 2003 edition) offers valuable insights on a large collection of depictions; $19.99. And editor John Benson presents Squa Tront #13, an all-new 48-page fanzine on things EC and related; $9.99." – Joe McCulloch, The Comics Journal
96-page full-color 7" x 9.75" hardcover • $18.99
"A really weird, somewhat adorable little book by the Austrian artist Nicolas Mahler that I am happy to suspect is as close as Fantagraphics is ever going to come to publishing superhero comics. It's a minimalist reaction against, and parody of, mainstream comics' conventions of character, storytelling, drawing, design, financial structure, interaction with their readers... it's attractively executed for sure, and pretty funny..." – Douglas Wolk, ComicsAlliance
"Lotsa good, splurge-worthy stuff this week, including... Angelman, a rather cutting (if you look at the cover you’ll see I’m making a pun here) superhero parody from Austrian cartoonist Nicolas Mahler..." – Chris Mautner, Robot 6
"For my splurge item, I’m going to take Mautner’s recommendation and grab Nicolas Mahler’s Angelman. I can use some cutting superhero parody this week." – Michael May, Robot 6
"A funny and biting take on superhero comics — or as I often like to spell them, 'sooperhero comics.' Angelman has powers like empathy and enemies like Gender-Bender (a plastic surgeon). A minimal yet endearing art style — and a biting look at superhero comics, fans and the business behind them." – Benn Ray (Atomic Books), Largehearted Boy
"I did not expect to see a nice-looking Fantagraphics hardcover featuring Nicolas Mahler's work, so this was a pleasant surprise." – Tom Spurgeon, The Comics Reporter
304-page black & white 6" x 6" softcover • $19.99
"...I’m definitely curious enough about Fredrik Stromberg’s Black Images in the Comics (Fantagraphics, $19.99) to pick it up; comics’ early racism is often ignored, so I’m looking forward to learning more, and then getting depressed about it." – Graeme McMillan, Robot 6
"A fascinating survey of... comics from the past 100 years from all over the world all featuring black characters. Each entry includes an accompanying essay. Overall, a compelling look at the changing role of race in comics and therefore culture. – Benn Ray (Atomic Books), Largehearted Boy
48-page black & white/color 8.5" x 11" softcover • $9.99
"...Fantagraphics has the latest issue of Squa Tront, the longest-running EC-focused crit/fan mag evar. At $10, that’s certainly at least worth a flip-through." – Chris Mautner, Robot 6
"I've read this and it was as surprise for me. I generally adore Squa Tront, and magazines that use a specific focus to build a perspective on comics more generally. I thought this a strong issue just for the presentation of Jack Davis war-era cartooning. This is the kind of thing I want to do with my own relationship to comics when I grow up." – Tom Spurgeon, The Comics Reporter
272-page black & white 7.5" x 9.25" softcover • $14.95
272-page black & white 7.5" x 9.25" softcover • $14.95
"So you hear people talking all the time about Jaime Hernandez and how he's one of the most amazing cartoonists working in the English language and all that, and there are so many Love and Rockets collections in so many formats, and where do you start? If you're one of the people who prefers to start at the beginning, there is a new printing of this stout little paperback [Maggie the Mechanic] out this week, which collects his earliest, sci-fi/punk-type 'Locas' and 'Mechanics' stories, as well as a new printing of the second volume, The Girl From H.O.P.P.E.R.S., in which he hits the groove in which he's stayed most of the time since then. I never get tired of re-reading these." – Douglas Wolk, ComicsAlliance
"I will... buy everything Jaime Hernandez does just short of new printings. I'd sure check my damn bookshelves to make sure I had one, though. This early material reads quite well in those paperbacks, I think." – Tom Spurgeon, The Comics Reporter
456-page black & white 5.5" x 8" hardcover • $29.95
Today's Online Commentary & Diversions:
• Preview/Interview: At Print Magazine, Michael Dooley presents a bunch of pages of The Sincerest Form of Parody: The Best 1950s Mad-Inspired Satirical Comics and has a quick Q&A with editor John Benson: "When Isaac Asimov edited his massive Before the Golden Age anthology of 1930s science fiction... he relied entirely on his memories of reading the stories when they first appeared, and that's how he made his selections. Similarly, Jules Feiffer largely relied on his memories of the stories from his original reading when making selections for his seminal The Great Comic Book Heroes in 1965. Like the Asimov and Feiffer books, The Sincerest Form of Parody is partly an exercise in nostalgia, so in making my selections, I think it's fair to give some consideration to my reaction to the material when I first saw it."
• Review: "...Fantagraphics recently unlocked whatever crate must have been used to house Mr. Twee Deedle: Raggedy Ann's Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle. Over a foot long and over a foot-and-a-half tall, the hardcover features the most beautiful endpapers in recent memory. Gruelle’s artwork is full of whimsy, presented in both the richest nostalgic color and black and white. The narrative involves two children on a journey through a magical land as guided by a wood sprite, but this is truthfully an art book. It’s meant to be read sprawled out on the floor, the only surface in an average reader’s home that is likely large enough to properly balance this fine luxury. Rick Marschall provides a lengthy, informative essay that is lavishly accompanied by further illustrations." – Alex Carr, Omnivoracious
• Review: "In an age of indie-comics dependent upon the banality of the everyday, a hesitant realism, Rickheit eschews reality in favor of the impossible, a state of existence that is truly fantastical. But this is not a utopia, this is a world entirely of the body, though not only the body of human beings, but the body of all living meat, of anything that breathes and shits. This is a world of pure imagination, of subconscious desires let loose with an acutely detailed drawing style. And ultimately, [Folly]’s a perfect work for those who refuse to float away from their bodies but are ready to let their heads go where-ever one can find the new." – Invisible Mike, HTMLGIANT
The latest Online Commentary & Diversions:
• Feature: At Print magazine, Michael Dooley spotlights the new 13th issue of Squa Tront — "...Squa Tront has set itself out to explore every facet of EC's history, through stimulating, in-depth journalism, scholarly analyses, critiques, bios, interviews, and, of course, illustrations. Under the supervision of its current editor, John Benson, it has established a high standard for fanzine professionalism, in both literary content and production values." — with a generous sampling of images and an interview with Benson: "But really, as far as Squa Tront goes, what sustains my interest most is probably my love of print media and the pleasure of creating a physical package."
• Review: "Oftentimes the first volume of an archival project gets greeted with a lot of ballyhoo while later volumes fail to get any ink, even though the later books represent the subject in question better than the earlier, more fumbling work. So let this serve as notice that the third volume of the Blake Bell-edited series [The Steve Ditko Archives] is the best one yet, showing Ditko in 1957, about to turn 30 and learning to deploy his distinctive faces and abstract shapes in the service of stories with real flow. ...[T]he nightmarish visions of stories like 'The Man Who Lost His Face' and 'The Last One' are classic Ditko, with off-kilter panel designs and anguished figures conveying a sense of sanity slipping away." – Noel Murray, The A.V. Club
• Review: "...Blood of Palomar is a thrilling book... Hernández’s writing and artwork are excellent. The black-and-white pen work is perfect — there are a vividness and richness to the action, story, and scenes already that would likely be drowned in color. With 34 characters and multiple story threads, a first read can be dizzying, yet all is exquisitely kept in balance. Though certainly most characters are not given much depth, the large cast gives the sense of a real community. The main characters are complex, flawed, and fascinating.... Blood of Palomar haunted my thoughts long after I finished reading." – Michael Stock, The Capeless Crusader
• Plug: "How to best demonstrate the awesome might of Fantagraphics' new Johnny Gruelle collection, Mr. Twee Deedle?... It's more akin to flipping the pages of a wallpaper sampler than a collection of historic comics.... It dominates the largest clear surface in my house — the kitchen island — like a B-52 bomber somehow parked astride an aircraft carrier's deck. And then you open it up. ...[T]he art on the page is massive, but filled with delicate details.... Many of the strips are illustrated from eye-level of small children, and the natural world around the characters seems almost life-sized." – John Mesjak, My 3 Books
• Plug: "Comics have long been home to a variety of races, be it alien or underground or from an alternate dimension. But in the 100-plus year history of comics, one of the toughest for creators to portray accurately is that of black characters. And now Fantagraphics is putting back in print a key work examining that strained relationship, Fredrik Strömberg‘s Eisner-nominated Black Images in the Comics: A Visual History." – Chris Arrant, Robot 6
• Interview (Audio): Pat Thomas was on BBC Radio's Front Row Daily last Friday talking about his book Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 — follow the link and "it's the one that says 'Tracey Emin; news from Cannes' — I'm on for about 10 minutes at the end," instructs Pat