• Review: "Another brilliant adaptation of a Jean-Patrick Manchette crime novel by Jacques Tardi. If you liked West Coast Blues, well, you absolutely will love [Like a Sniper Lining Up His Shot]. If you are a crime fan and haven’t read that work yet, you really must as for whatever reason, it is something that tends to get overlooked. Yes, Tardi’s art style is completely unique and can take a little adjusting to if you’re only used to conventional American / UK styles, but give it a go because he brings gritty crime to brutal, realistic life — and indeed equally cold, hard unpleasant death — like few others can." – Jonathan Rigby, Page 45
• Review: "There be monsters; monsters of man’s own making. [The Hidden] is Sala’s second book in colour, rich in red and orange, but it’s the first, I believe, to dispense with all hope and humour — apart from the man with the Marty Feldman eyes. He’s taken the Edward out of Gorey and the tongue from his cheek, replacing it there with shovels, hatchets and stakes!" – Stephen L. Holland, Page 45
• Review: "After a rocky start, the regularly updated, online version of The Comics Journalhas become a much more vital outlet for the serious discussion of comics, primarily thanks to the stewardship of online editors Dan Nadel and Tim Hodler. In its new format, the print Comics Journalis a fine companion to that ongoing effort. With the burden of remaining 'current' lifted by the website, the print Journalis free to explore important works with a depth and seriousness rarely found online." – Patrick Markfort, Articulate Nerd
• Review: "Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history. Editors David Gerstein and Gary Groth have not only scoured the planet for the best surviving artwork on Gottfredson's first epic continuity, which ran in newspapers from April to September of 1930; they've provided background essays (by a raft of experts), vintage press materials and artwork to put it into the context of Walt Disney's burgeoning career, and Mickey Mouse's budding stardom.... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
• Review: "Popeye hawking newspapers? Donald Duck selling gasoline? You'll find them and a whole cavalcade of comic strip characters in Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard. In a hundred-plus pages you are treated to a sampling of cartoon print ads from the 1890s to 1940s. There are short informative blurbs about the cartoonists (some of whom were featured in ads themselves) and the history behind the ads. A great treat for fans of comic strips, Americana, and ephemera." – The Christian Science Monitor "Top Picks"
• Review: "Not long ago a very interesting book was released which aims precisely to investigate and chronicle the parallel paths of comics and advertising from 1870 until 1940 entitled Drawing Power: A Compendium of Cartoon Advertising. Fantagraphics Books offers a hearty volume... which is our guide with text and images to the 'commercial' roots of the comic strip and the amazing work that resulted from comics creators who worked in advertising.... Drawing Power: A Compendium of Cartoon Advertising is a book that will surely pique the interest of those involved in the communication sector, but also all who are drawn to pop culture. An excellent edition from Fantagraphics..." – Lida Tsene, Comicdom (translated from Greek)
• Review: "Richard Sala’s The Hidden is yet another undead saga, though it’s more ambitious than most.... As the backstory deepens, Sala ties The Hidden to older literary traditions, weaving in pieces of folktales and the legend of Frankenstein. Because Sala has had a career-long fascination with B-movies, gothic illustrations, and general ghoulishness, this plot is right in his wheelhouse. But The Hidden isn’t just an entertaining riff on well-worn horror concepts. Taking his cues from Mary Shelley, Sala explores human vanity and arrogance as a way of showing how everything can go so wrong so fast." – Noel Murray, The A.V. Club
• Review: "...Mome 22 concludes the run of one of alt-comics' longest-running and most essential anthologies. Like Weirdo before it, Mome bridged the gap between veteran cartoonists and the new breed... Here’s hoping that as with Zap, Raw, Arcade, and so many that have gone before, another anthology will rise to take Mome’s place. And soon." – Noel Murray, The A.V. Club
• Review: "...Shimura Takako is a master at portraying subtle events in a slice of life story about adolescence that never feels didactic.... One of the things I like about Wandering Son is the way many of the events in the book are simultaneously safe and filled with dramatic tension.... Like the storyline, Shimura’s art is simple but nuanced.... As you’d expect from Fantagraphics, the production quality for Wandering Son is excellent. I hope that more manga is on the horizon from them. While I’ll happily read more cheaply produced manga, it is nice to have a variety of options. Carefully curated manga like Wandering Son is a treat." – Anna Neatrour, Manga Report
• Review: "Jason’s deadpan, anthropomorphic characters make his books must-reads for me.... I'd give [Isle of 100,000 Graves] to my daughter... and my wife... in hopes that, after laughing at the Hangman’s Academy’s students, teachers, and administrators, they’ll agree to dress up in multi-colored hoods and carry instruments of torture next Halloween." – Gene Ambaum, The Unshelved Book Club
• Review: "Chun fills his collections with the best cartoons – the ones that can still delight readers, and Covey uses his lively and inventive design sense to make these old cartoons fresh and vital. With The Pin-Up Art of Humorama, Chun and Covey will once again make you believe that the art of Humorama is still alive and kicking – although the line ceased to exist decades ago. [Grade:] A" – Leroy Douresseaux, I Reads You
• Review: "This Fantagraphics edition collects the first two French albums of Les Aventures Extraordinaires d’Adèle Blanc-Sec (Pterror Over Paris and The Eiffel Tower Demon) in a large format hardback edition, and it’s beautifully presented. First released in 1976, Jacques Tardi’s story has a timeless quality, set in an alternative, steam-punk universe, shortly before World War I.... Tardi’s art recreates the scenery beautifully, with stunning backdrops bringing the architecture and beauty of Paris to life. ...[A] compelling and enjoyable mystery story with an alternative Victorian feel." – Grovel
• Review: "Comic fanboys have read Sgt. Rock or The Howling Commandos which are realistic in many ways, but there was a time when a comic mag got down right truthful. I’m speaking of Blazing Combat #1-4 (1965-66, Warren) and recently Fantagraphics collected the run in both hardcover and softcover. Blazing Combat was an anthology comic that showed the very dark and very real side of war. A loose followup to the EC Comics War genre books, it showed US G.I.’s dying in terrible ways, commanders giving orders with little regard for consequences and the militaristic definition of collateral damage. Jim Warren let it all hang out when it came to editing Archie Goodwin’s writing... Of course Goodwin is a genius and I’m usually more of a word-man when it comes to comics, but this time it’s the art that captured my attention. It’s a who’s-who of monster talent..." – Chris Marshall, Collected Comics Library
• Review: "Fred [the Clown] is a figure of innocence, a lovelorn sad sack who keeps getting hit by custard pies — and, even harder, by life — over and over again, but keeps standing back up to go on. Langridge mostly tells his story in short wordless comics stories... in his usual style, a crisp modern interpretation of the classic '20s animation look... They're slapsticky stories of a sad clown, using the accouterments of vaudeville and early Hollywood, that nonetheless feel entirely new and fresh and funny. I don't know how Langridge does it, but he does it very very well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "You must buy @DaveMcKean's NSFW book 'CELLULOID' at your local comics or book store. Or in a plain brown wrapper..." – Neil Gaiman
• Preview/Plug:Comicsphere re-formats and re-presents one of our previews of Johnny Ryan's Prison Pit Book 3 to their readers, with Josh West saying "This is set to be 120 pages of ‘once you see it, it can’t ever be unseen’ scenarios and, honestly, Comicsphere couldn’t be more excited! Unbelievably unpredictable, violent, satirical and likely to entertain more than anything else on the shelves through September, the Prison Pit makes Hell look like nothing more than a relaxing Sunday morning stroll through a (really hot) meadow."
• Interview:Comic Book Resources' Tim Callahan has a wide-ranging conversation with Johnny Ryan about Prison Pit and other topics: "I guess I have this fascination with stories where the 'hero' is not a hero at all. He's a loser or an idiot or a scumbag, but somehow the author makes us give a shit about him or her.... I think this is a strain that also runs through my work. It's about bad people, doing bad things, but I try and trick people into caring about or liking these people."
• Preview/Plug:Comicsphere gives the same treatment as above to our excerpt of Jacques Tardi & Jean-Patrick Manchette's Like a Sniper Lining Up His Shot, with Josh West saying "...Jacques Tardi returns to the world of guns, crime, betrayal and bloodshed with this stunning, grisly, and remarkably faithful interpretation of Manchette’s last completed crime thriller."
"Athos in America – Jason returns to The Last Musketeer and includes other Jasony stories like 'The Brain That Wouldn’t Virginia Woolf.'"
• Plugs:Graphic Novel Reporter includes almost everything we have coming out over the next 3 months in their "Great Graphic Novels of Fall 2011" roundup, particularly the Adult Fiction and Nonfiction categories (though we feel we should point out that Alexander Theroux's Estonia is neither fiction nor a graphic novel)
• Plug: "We’re over halfway done, and have moved into the last 20 years of the strip with the release of The Complete Peanuts: 1981 to 1982. Can you believe how fast time is flying? Kudos to Fantagraphics for maintaining the incredibly high standard of quality and presentation they established at the outset, with this entry featuring an introduction from cartoonist Lynn Johnston. More!" – Ken Plume, FRED
• Interview:Newsarama's Albert Ching talks to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010: "One other character I frequently think of when doing Twain — writing that book, or doing him in Thrizzle — is Dave Thomas from SCTV doing Walter Cronkite. Which in some ways is very similar — this kind of roguish, semi-self-befuddled character, roaming around having adventures."
• Interview:The Daily Cross Hatch's Brian Heater begins a multi-part chat with Drew Friedman: "Basically when Monte Beauchamp who edits those books invited me to do a book, I thought about what I like to draw the most. I like to draw comedians and old Jews. So I put those two together and started working on them between assignments over a year. I just got pleasure in drawing them. I could put aside any annoying assignment I had and just get down to drawing those old Jewish faces. That’s what it came down to."
• Interview:Washington City Paper's Mike Rhode had a little pre-SPX Q&A with Noah Van Sciver: "I'm excited to stop by the Fantagraphics table and say hello to those guys and see what's new." Well shucks!
• Lore: "’71 was a weird year for me. I never had quite so many women coming and going, as I did that year in the apartment I shared with Gary. But I was still drinking too much and just overdoing it in general, hedonistically speaking. I was getting very little good work done (gosh, I wonder why?) and was generally pretty miserable." – Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com forges into the 1970s
• Staff picks: Our own Ambassador of Awesome (and funniest Flogger) Janice Headley is the guest contributor to this week's Robot 6 "What Are You Reading?" column
Prison Pit blends Angry Youth Comix creator Johnny Ryan’s fascination with WWE wrestling, grindhouse cinema, first person action video games, Gary Panter’s “Jimbo” comics, and Kentaro Miura’s “Berserk” Manga into a brutal and often hilarious showcase of violence like no other comic book ever created. Even the lead character’s name, which is only one letter away from “Cannibal Duckface” (hint: “Cannibal” is correct) is unprintable.
Prison Pit is so deranged and twisted that even the author’s plot description, while admirably reflecting the spirit of the book, has to be edited into a sea of asterisks in order to be bearable to normal human beings: “A mysterious new a**hole has descended into the Prison Pit. He’s looking for Cannibal F***face and he wants revenge. Revenge for what? Probably for some f***ed up evil s***. But before he can get his hands on the CanMan he’s got to battle his way through some pretty vicious motherf***ers. S***’s about to get real.”
Well, yes, exactly.
Advance Praise:
"Hey are you doing any more scary guys made out of tar ripping each other's dicks off? You know why I like those? Because you don't have to read all them stupid words and stuff. Right? Haa ha, hey Johnny wanna come over and play? Ha Ha!" – Tony Millionaire
• Review: "In this Golden Age of Comic Strip Reprints, Gottfredson's Mickey Mouse was, I had long assumed, the one that had gotten away.... It should go without saying that Fantagraphics has done their usual stellar job in regards to editorial presentation... and design... In addition to over two and a half year's worth of the strip, the book contains an impressive amount of introductory material and contextual essays... There are other neat bonus features, such as cover images from foreign editions collecting storylines from the strip. As for the comics themselves, they entertain on a couple of levels. First, it should be of interest to comics fans as one of the Great Comic Strips Of All Time.... The comic strip should also be of great interest to Disney aficionados, as it represents one of the earliest transitions of the animated characters into another medium..." – Patrick Markfort, Articulate Nerd
• Review: "This is a comic book that feels like a video nasty. Its characters could well have been discovered from drawings scratched into school desks, its plot may well have been cribbed from the insane diary of a 9 year old. But that is what makes the 2 volumes of Prison Pit (published to date) so brilliant and unique. Writer/Artist Johnny Ryan has taken all those dreams, that desensitisation to violence, and our eagerness to doodle the grotesque, and turned it into a full ongoing epic.... Prison Pit is insane; it is a title that simply shouldn’t exist outside of a teenager’s head. But it does, and it’s brilliant. A forgotten level of comedic violence, an absence of exposition and dialogue that all reduces down into a paste of pure barbaric fun." – Kevin Scully, Comicsphere
• Industry: At The Comics Reporter, Eric Reynolds, Peter Bagge and others comment on the imminent shuttering of seminal (and awesomely named) Atlanta alt-comics/music outlet Criminal Records
• The first page of a feature graphic story Tim Lane is doing for the Riverfront Times, to appear later this month, plus some of Tim's sketches for the story
• Louis C.K. fan art on Josh Simmons & Wendy Chin's Quackers blog (I'm not sure who did it — I'm guessing Wendy... and if you don't watch Louie you should) — meanwhile Josh has a couple new doodles on his The Furry Trap blog
That loving portrait of the incomparable Tony Millionaire can be found in the collection Heroes & Villains, out now from Zero+ Publishing. In fact, photographers Tatiana Wills and Roman Cho captured quite a few of our beloved artists in this volume! Take a look:
A book release and signing party is going on tonight in L.A., and an exhibition of selected photographs with contact sheets and Polaroids will be on view! I can't wait to see more!
LAUNCH LA Thursday, September 1st, 7-10 pm 125 East 6th Street Los Angeles, CA 90013
I am pleased as punch to present to you the Fantagraphics low-down for the 2011 Small Press Expo, happenin' September 10th & 11th in Bethesda, Maryland!
We're bringing so many beautiful new books with us, and most of these listed below aren't even in stores yet!
And while you're at the Fantagraphics table, picking up these excellent new titles, why not get them signed by the artists? Many will be there! Check out our action-packed signing schedule below:
And surely you've taken note of our doozy of a panel schedule by now, right? If not, check it out on the Flog! Print it out, and carry it in your pocket, or perhaps stash it in this stunning Jim Woodring SPX exclusive tote bag? In fact, you'll wanna bring an extra tote bag to carry all our incredible debuts, plus, did I mention there will be some bargain boxes?
So, be sure to stop by and say hi to Kim, Gary, and Conrad! See you at SPX!
120-page black & white 6.5" x 8.5" softcover • $12.99 ISBN: 978-1-60699-497-9
Ships in: September 2011 (subject to change) — Pre-Order Now
Prison Pit blends Angry Youth Comix creator Johnny Ryan’s fascination with WWE wrestling, grindhouse cinema, first person action video games, Gary Panter’s “Jimbo” comics, and Kentaro Miura’s “Berserk” Manga into a brutal and often hilarious showcase of violence like no other comic book ever created. Even the lead character’s name, which is only one letter away from “Cannibal Duckface” (hint: “Cannibal” is correct) is unprintable.
Prison Pit is so deranged and twisted that even the author’s plot description, while admirably reflecting the spirit of the book, has to be edited into a sea of asterisks in order to be bearable to normal human beings: “A mysterious new a**hole has descended into the Prison Pit. He’s looking for Cannibal F***face and he wants revenge. Revenge for what? Probably for some f***ed up evil s***. But before he can get his hands on the CanMan he’s got to battle his way through some pretty vicious motherf***ers. S***’s about to get real.”
Well, yes, exactly.
Advance Praise:
"Hey are you doing any more scary guys made out of tar ripping each other's dicks off? You know why I like those? Because you don't have to read all them stupid words and stuff. Right? Haa ha, hey Johnny wanna come over and play? Ha Ha!" – Tony Millionaire
• Review: "...[T]he stories [in Maggie the Mechanic], of course, suck you in, because they're absurd and funny and warm, and even though they're the kind of stories where it's not a question of whether the good guys will win, only when they will, they're well told and well plotted, and I was sad when they ended. Apparently they're meant to be the sci-fi version of magical realism, which is neat, but the dinosaurs and aliens and rocket ships were far less interesting than seeing the girls get drunk and run around, or even just try to decide what to wear. I guess Jaime came to the same conclusion, because it seems he started phasing out the sci-fi stuff shortly after the issues in this volume." – Oriana Leckert, Chicago Center for Literature and Photography
• Interview:Ain't It Cool News's Mark L. Miller (a.k.a. "Ambush Bug"), who says "I love me some Prison Pit. If you havn’t checked out this amazingly graphic comic book series, you don’t know what kick-ass really is yet," met up with Johnny Ryan at Comic-Con to talk about the series: "...I do have certain ideas that I want to hit, but I also like to be a little spontaneous too, so I’m never really sure what I’m going to come up with. Sometimes I’ll even have an idea and then when I get to the point of using the idea, I’m like 'this idea isn’t fucked up enough. I’ve got to fuck it up a bit more.' (laughs) 'I’ve got to increase the fucked uppedness about it.' So six books seems to be the goal, but depending on how I feel at that point I might continue."
• Commentary:The Comics Reporter's Tom Spurgeon, following up on yesterday's news, contacted our own Kim Thompson for some additional details about the status of our new Pogo reprint series
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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