• Review: "David B.'s newest, The Armed Garden and Other Stories, finds the creator turning his gifts to the world of historical legend. The subject may be different but the artist's mysterious and melancholy style saturates every panel; what's more, the three graphic novellas collected in The Armed Garden provide him with plenty of opportunities to draw the epic battle scenes he so loves.... The Armed Garden and Other Stories is the witty, finely executed work of an artist uniquely capable of capturing both the fervid ecstasy of belief and the dull, heartsick ache left behind once it cools." – Glen Weldon, NPR.org
• Review: "In Mark Twain's Autobiography 1910-2010, Adult Swim contributor and comics creator Michael Kupperman (Snake 'n' Bacon) reworks [Hal] Holbrook's Twain as a Zelig-like immortal cruising through a century of life after his 1910 death.... Some of the tales are hilarious koans of absurdist comedy — Twain as the unknown fourth astronaut on the Apollo 11 mission is fabulous. Although it sometimes has the feel of a Saturday Night Live skit stretched into a feature film — perfect in small doses but unsustainable over a longer haul — the premise is too good to abandon." –Andy Lewis, The Hollywood Reporter (reviewing the book in tandem with Holbrook's memoir Harold: The Boy Who Became Mark Twain)
• Review: "Kupperman is a comedic genius. Filled with deliberately odd syntax, wizards, snarky dialog, vampires, outer space adventures, car UFO chasing, and nearly every significant event of the past one hundred years Mark Twain’sAutobiography [1910-2010] is easily the funniest thing that I have read in a very, very long time. Come to think of it, I don’t think I have ever read anything funnier. Nearly every page had me rolling. It wasn’t just a chuckle or even a hearty guffaw, either. It was maniacal hysterical, snorting, crying, temporarily not breathing, and contorting my body into uncomfortable shapes type of laughing. It’s that goddamn funny. So funny, in fact, that I would be entirely satisfied if Kupperman went ahead and decided to write the biographies of everyone else, ever." – Zack Kruse, A Little Nonsense
• Review: "Love And Rockets: New Stories Vol. 4 contains the conclusion to the recent run of 'The Love Bunglers' stories — again with a heartbreaking digression into the past.... This is incandescent work. At this point, Jaime Hernandez draws comics better than maybe anyone's ever drawn comics. The story is beautifully paced, there are at least two stop and stare sequences in there..., the characters are warm and human and funny, one of the subplots addresses with significant insight and potency Jaime's long-time fascination with the power of memory in providing life with meaning and the ending made me choke up both as a moment with resonance across decades of comics but also for the thematic twist it provides on something we've seen in the last few appearances of Jaime's best character... I don't know that it's something you can pick up out of the blue, but my God, what a remarkable comic. I'm so grateful to have read it." – Tom Spurgeon, The Comics Reporter
• Review: "Congress of the Animals might be my least favorite Woodring book, but it’s still overall strong and compelling. I love the fact that Woodring has made a huge, fundamental change to the world of Frank, and that in doing so it still feels like an old familiar friend. I’m not sure just anyone could have pulled this off so late in the game, but with Woodring it feels like a natural extension of everything we’ve seen up until now. There’s no other comics quite like Woodring’s out there, and I’m forever thankful that we get these amazing, disturbing, wonderful creations from him. After all, a 'merely good' comic from Woodring is still better than most other comics out there." – Greg McElhatton, Read About Comics
• Interview: If you read one interview with Johnny Ryan, make it Jesse Pearson's epic, revealing talk with Johnny at The Comics Journal: "When I was first doing book one of Prison Pit, I felt like even though it was about monster men and fighting and all that shit, it was revealing more about myself than any of my earlier works. I removed a lot of that aggressive humor that was working as my armor."
• Interview:Panel Bound's Matthew Manarino talks to Freeway creator Mark Kalesniko: "I like doing comics, as you saw in Freeway, I like doing some comics with detail, I like to go in and show people a world and paint it and draw it. With Freeway I can take you to downtown Los Angeles and really give you a tour.... With Freeway and even Mail Order Bride I wanted to give you something where it’s not a crude drawing but give you a layout so you really feel like you're there. There is also a joy with that kind of work were you can come back to it over and over again and always find something new." (Mark's advice for submitting work to publishers is great, by the way.)
• Feature: In "Graphic Medicine" at Comics Forum, M.K. Czerwiek (RN) spotlights Joyce Farmer's Special Exits in an article on comics dealing with hospice care issues
• Review: "This latest in Fantagraphics' line of books featuring Jacques Tardi and the second of those books to feature an adaptation of the work of Jean-Patrick Manchette is lovely-looking, stylish and bleak as hell.... The short third act, where we learn what becomes of the assassin, proves so ruthlessly depressing it's almost a human rights violation. Tardi's artwork is beautiful here, although you probably already knew that. No one in comics does the frowning face better than Tardi, and Like a Sniper [Lining Up His Shot] proves to be an absolute showcase of down-turned mouths and the unhappy people bearing them.... What a show." – Tom Spurgeon, The Comics Reporter
• Review: "These are two masters at their best [in Like a Sniper Lining Up His Shot]. Crime novelist Manchette pulls no punches in delivering gritty, violent episodes that still can shock even the most jaded reader. Jacques Tardi’s confident, almost brazen artwork is just as dark, cold and gripping. His beautiful fluid lines juxtaposed with the stark ambivalence Martin Terrier, the contract-killer antihero adapts in applying his brutal trade is something that has to be experienced. Get this book!" – "Horatio Hornblower," The Comic Book Snob
• Review: "Undisputable fact: a new full-length Richard Sala book is a literary and comics event that makes you sit up and take notice. It's appointment reading, and ought to demand the attention of any serious enthusiast of the medium.... The newest from Sala is the graphic novel The Hidden... This book is a magic trick, the kind you'll want to share with friends because you can hardly believe what you've witnessed when it's all done.... Around the hundred page mark this book started scaring the living shit out of me. Sala's art is wonderful and holds up to a close analysis.... Like his peers from Fantagraphics' all-star squad, Sala conveys internal truth (fear, pride, jealousy) through body language and a minimum of lines. There's not a jot or gesture wasted on the page, and his color work is loose and instinctive but still pleasing." – R.J. Ryan, Comics Bulletin
• Review: "...[Johnny Ryan] is easily one of the four or five most vital and important cartoonists working today. Prison Pit is like someone making a comic strip out of Mayhem's Live in Leipzig, played at half speed and double the volume your speakers can safely process. If you've never heard that album, then I'll spell it out for you: this is a brutal fucking comic.... The cosmic brutality of Ryan's story is emphasized by his lingering gaze. He doesn't just draw the big action moments, but the lulls and gaps and silences between them. The pace is non-stop, but that doesn't mean it can't slow down. In fact, it's those slowed-down sections that give the skull-smashing and throat-fisting the impact that they deserve." – Patrick Tobin, Multiversity Comics
• Plug: "Prison Pit 2 was TACO’s book of the year in 2010, and Prison Pit 3 is the early frontrunner for 2011. Featuring the series’ characteristic extreme ultra-violence, gore, scatophilia, and brutality, it’s another hit from artist Johnny Ryan." – L.A. TACO
• Review: "Here's the plot of Mark Twain's Autobiography [1910-2010]: Mark Twain, freed from the shackles of mortality, bums around the Twentieth Century doing whatever the hell he feels like and occasionally having untroubling yet far-fetched adventures.... Kupperman maintains a straight face throughout this look into the world that might have been, had Mark Twain roamed the earth, immortal and more than a little strange. This poker-faced treatment of juvenile, abstracted humor pays off in strokes both broad and small." – Patrick Tobin, Multiversity Comics
• Review: "Very few words are needed in Weing's debut graphic novel [Set to Sea] to tell the story of a poet wanna-be who is kidnapped by pirates and learns the ways of the sea through hard labor and even tougher battles. The cross-hatch styling is reminiscent of old engravings and perfectly suits the subject matter. Each page features just one frame, full of detail and atmosphere. With hints of The Odyssey, Moby Dick, Popeye and Treasure Island, Weing has created a modern classic in the pirate genre." – School Library Journal
• Plug: "Artist, editor, entrepreneur, publisher and cartooning auteur; in his 70-year career in comics this pioneering creator has done it all. The deluxe full-color coffee table book [The Art of Joe Kubert] traces Kubert’s history of comics spanning career from 1938 to the present with beautifully reproduced artwork alongside critical commentary." – "Horatio Hornblower," The Comic Book Snob
• Plug: "David B. intertwines history and myth in his carefully crafted tales of magic gods and grand battles. A master storyteller, his bold, timeless artwork and literary senses creates a kind of magic all their own. The Armed Garden and Other Stories collects three epic tales of adventure, faith, power, and love." – "Horatio Hornblower," The Comic Book Snob
• Scene: Daniel Herbert reports on the Friars Club launch party for Drew Friedman's Even More Old Jewish Comedians for The Paris Review: "The crowd’s spirits were high, which seemed due to more than just the release of Friedman’s book, or even the emergence of more canapés. Guests were happy to meet their idols; the comics were happy to convene for an event that wasn’t a funeral. And the celebration of the comedians’ Jewishness was significant."
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
112-page two-color 7.5" x 10.75" hardcover • $19.99 ISBN: 978-1-60699-462-7
"The French artist David B. is one of my favorite living cartoonists--he bridges the visual realms of the real and the unreal like nobody else--and the two of these fabulistic stories that appeared in MOME were both extraordinary. Can't wait to see the whole thing." – Douglas Wolk, Comics Alliance
"Collected several short pieces from David B., author of Epileptic and Babel. Excellent!" – Chris Butcher, The Beguiling
"I’m torn between two books from Fantagraphics. On the one hand there’s The Armed Garden by David B. ($19.99) which collects all the short stories that previously ran in early issues of the Mome anthology. I have all of those issues, however, so... [to be continued]" – Chris Mautner, Robot 6
"From the creator of the acclaimed Epileptic comes a collection of historical-based stories — it's history, legend, magic, and gods. Oh yeah, and battles! Epic battles." – Benn Ray (Atomic Books), Largehearted Boy
"Two beautiful and challenging books from Fantagraphics. The first features David B. retelling difficult fables in a way that every single panel is a stop and stare event. The second [see below — Ed.] features Olivier Schrauwen and a suite of stories where deriving even basic meaning doesn't come easy. I'm enamored of both, and have read each one more than once since they arrived." – Tom Spurgeon, The Comics Reporter
232-page full-color 9.25" x 12.25" hardcover • $39.99 ISBN: 978-1-60699-487-0
"Great read...a fine example of the Kubert's work and contributions to the art of sequential story telling. Plus, a great customer of mine, Steve, contributed a bunch of scans of covers and original artwork for this book!" – Joey Belden, Atomik Pop
112-page full-color 8.5" x 10.25" softcover • $19.99 ISBN: 978-1-60699-446-7
"Also in this week's department of Fantagraphics-published, MOME-alumni, ordinarily Francophone artists releasing English-language books: Belgian artist Olivier Schrauwen's The Man Who Grew His Beard, about which I know nothing except that his stuff is beautiful and often plays with variations on the look and pacing of very early 20th-century comic strips." – Douglas Wolk, Comics Alliance
[Continued from above] "...I’ll likely instead go with The Man Who Grew His Beard ($19.99), a collection of short stories by Olivier Schrauwen, most of which also appeared in Mome. Schrauwen’s work has appeared in English before, but in some ways this is his big American debut. His stuff is really sharp and witty and daring and deserves to be seen by a wider audience." – Chris Mautner, Robot 6
"A week with new books by Johnny Ryan, David B, ...Michael Kupperman... but [The Man Who Grew His Beard] is the one" – Floating World Comics
"This collection of stories marks famed Belgian cartoonist Schrauwen's first American graphic novel. Surreal, absurd, he's been justifiably called a post-modern genius. Men on safari encounter an obnoxious hunter, how hair can help us classify personality and more." – Benn Ray (Atomic Books), Largehearted Boy
"Now Kupperman is publishing Mark Twain’s autobiography, covering the years from 1910 - 2010. Of course, Twain’s been dead for a hundred years, but that news may well have been exaggerated. I look forward to seeing how one of our age’s talented satirists handles one of the masters of the form." – James Fulton, Inside Pulse
"Wake up - it's here - Mark Twain's Autobiography, 1910-2010, by @MKupperman from @fantagraphics get the belly sutures ready." – Lucky's Books & Comics
"We'll have this modern masterpiece for sale tomorrow: Mark Twain's Autobiography 1910-2010 by @MKupperman!" – Chapel Hill Comics
"There's also cartoonist (and occasional TV Funhouse contributor) Michael Kupperman's Mark Twain's Autobiography: 1910-2010, which sees the famous author embracing wizard-bestowed immortality and fighting yetis." – Cyriaque Lamar, io9
"Did you know that Mark Twain hunted the yeti? Met the Bionic Man? Was involved with in the x-rated film industry? Using Twain's surprise hit autobiography as inspiration, Kupperman's wit goes to town on on America's beloved humorist." – Benn Ray (Atomic Books), Largehearted Boy
"This Michael Kupperman book is mostly prose rather than comics, but it's funny enough not even the biggest comics purist will care. I'd read an entire book of Kupperman listing stupid names of people that Mark Twain ran with in 1970s discos." – Tom Spurgeon, The Comics Reporter
120-page black & white 6.5" x 8.5" softcover • $12.99 ISBN: 978-1-60699-497-9
"...Johnny Ryan's Prison Pit Book 3 brutally meanders into stores. In this third volume of scifi horror, taciturn mutants — whose dialogue is mostly swearing — beat the living snot out of each other in a desolate hell dimension. It's violence and excretion and demonic mutation as unadulterated Dadaism." – Cyriaque Lamar, io9
"Although Johnny Ryan’s Prison Pit Book 3 has seen small scale releases here and there since SDCC, it should finally be popping up in your local comic shop today. The Prison Pit books have been some of the most insane/gross/badass/hilarious reading materials that I have ever had the pleasure of consuming, and, from the look of the above previews, Book 3 will not disappoint." – Ben Spencer, Nerd City
"Ryan dumps professional wrestling, video games, grindhouse movies, Gary Panter, and Kentaro Miura into a fetid lava flow and pulls out another disturbingly funny book." – Benn Ray (Atomic Books), Largehearted Boy
Couldn't break these up:
"Splurge: I’d probably pick up some of the other Fantagraphics books out this week, including the Mark Twain Autobiography by Michael Kupperman (note: it’s not really Mark Twain’s autobiography), Prison Pit Vol. 3 and the coffee-table-sized Art of Joe Kubert." – Chris Mautner, Robot 6
"CONFLICT OF INTEREST RESERVOIR: Jesus, look at this. Okay. The Man Who Grew His Beard is the first-ever North American release by the awesome, awesome Olivier Schrauwen (a Dutch-language release was published by Bries in 2010), collecting seven wildly funny and disarmingly melancholic stories, some seen in MOME; $19.99. The Armed Garden and Other Stories collects three other MOME stories, excellent allegorical religio-political adventure fantasies by L’Association co-founder David B.; $19.99. Prison Pit Book 3 sees Johnny Ryan’s decadent action series introduce new personalities and some fine new stylistics; $12.99. Mark Twain’s Autobiography 1910-2010 is a new 160-page comics/prose/illustration mix by Michael Kupperman, starring one of his fondest favorites; $19.99. And The Art of Joe Kubert is a 232-page illustrated overview of the works of the man of the title, edited by biographer Bill Schelly; $39.99. Now I have even less hair. Fuck you, Archie." – Joe McCulloch, The Comics Journal
Our own Ian Burns has joined me in the exclusive "Theme Sketchbook of Frank Oz Puppet Characters Club" with his own super-impressive book of Animal from The Muppet Show (my personal second-favorite member of The Electric Mayhem, after Zoot), which is giving my Yoda collection a serious run for its money. Here are some Fantagraphics-relevant entries as posted by Ian on the Versus the Moon blog (where he posts 2 new ones a week, so keep checking back):
• Review: "As journalist Avery documents in this cohesive biography-cum-first anthology of the onetime Rolling Stone record review editor’s oeuvre [Everything Is an Afterthought: The Life and Writings of Paul Nelson], Nelson was a gifted early practitioner of new journalism and, though a child of the Sixties folk and rock counterculture, one of its most vocal critics.... Reading his inconceivably insightful profiles of Bruce Springsteen, Leonard Cohen, Warren Zevon, and Rod Stewart helps make sense of a needlessly guilt- and disappointment-laden life — here was a hyper-romantic Midwesterner by birth but a New Yorker by necessity who thought he could transcend mundane cruelties by dedicating himself to the popular arts. Seamlessly incorporating the perspectives of Nick Tosches, Robert Christgau, and Jann Wenner, Avery has crafted both a cautionary tale and a celebration of a noir-influenced writer who deserves a place alongside Lester Bangs for his ability to live, always, in the music. Devotees of folk, establishment rock ’n’ roll, and pulp fiction will rue not having discovered Nelson sooner." – Heather McCormack, Library Journal (Starred Review)
• Review: "[Richard Sala's] latest appetising shocker The Hidden returns to the seamy, scary underbelly of un-life with an enigmatic quest tale... Clever, compelling and staggeringly engaging, this fabulous full-colour hardback is a wonderfully nostalgic escape hatch back to those days when unruly children scared themselves silly under the bedcovers at night and will therefore make an ideal gift for the big kid in your life — whether he/she’s just you, imaginary or even relatively real." – Win Wiacek, Now Read This
• Review: "I had the opportunity to do a Q&A panel with Johnny Ryan at SPX last weekend. One of the more interesting parts of discussion was when Ryan said how each volume of Prison Pit had to have a different vibe or theme so that the different books didn’t feel interchangable. That’s certainly true in volume three, as we see the inclusion of a new character, who, while just as violent and vicious as CF, is completely different in attitude and demeanor. Plus, he has one of the most amazing (and utterly grotesque) resurrection scenes I’ve ever seen. There’s also a neat little bit toward the end where it seems like Ryan is heavily drawing upon the Fort Thunder crowd, particularly Mat Brinkman. All in all, it’s another excellent volume." – Chris Mautner, Robot 6
• Review: "This [fourth] volume [of Prince Valiant] covers the most of the WWII years, 1943-44, when the paper shortage was at its highest. As Brian Kane notes in the introduction, this meant creator Hal Foster had to format the strip so parts could be cut for papers that had been forced to shrink their page count.... Still, while no doubt hampered by this new situation, it did nothing to harm his storytelling skills, and Valiant remains a hugely enjoyable action strip, as Valiant battles a variety of ne’r do wells on a quest to find his true love, Aleta." – Chris Mautner, Robot 6
• Review: "I’ve talked at length before about how good the Mome anthology has been, and while I’m sad to see it come to a close, it’s nice to see it end on such a high note. Seriously, this is the best volume of Mome yet, with standout contributions by Chuck Forsman, Eleanor Davis, Laura Park, Dash Shaw, Jesse Moynihan and Sara Edward-Corbett. But really, there’s not a bad story in this entire book. It might seem weird recommending the last book of a series, but if you gotta only read one of these things, this would be the one." – Chris Mautner, Robot 6
• Interview: Brian Heater's conversation with Drew Friedman at The Daily Cross Hatch continues: "But a couple of guys claimed that I didn’t get their names right, like Don Rickles. His PR guy contacted us and said, 'he’s really angry. His name is not Archibald, it’s Donald Rickles.' So, we said in the second book 'Don Rickles says his name is not Archibald, so that will be corrected in a future volume.' Sid Caesar was annoyed. He called Fantagraphics and started yelling at Kim Thompson, because he claimed his name is not Isaac. He was on the phone with him for half an hour. He was doing Jewish schtick and German dialect. Kim was amazed."
We're still reeling from the amazing weekend Fantagraphics had at the 2011 Small Press Expo earlier this month! Kim's awesome wife has some photos she's gonna share with us later, but in the meantime, here's some photos, thanks to our friends at the SPX Facebook page!
• Review: "...21’s eloquence is visual, and it is a very real eloquence. The character of Roberto Clemente is nearly hugged to death in this particular portrayal: he’s virtuous and charming and earnest and respectful to elders, and thus kind of dull. But the world around him is alive, and Santiago’s expressive (and occasionally, bracingly expressionistic) approach to portraying Clemente’s wild athletic genius ensures that it remains thrillingly present. Santiago’s art is impressively mutable and subtle, with the early scenes in Carolina in particular and the off-field action in general drawn with a clean, evocative realism and the baseball action shading towards the comics-y abstract.... [A] fitting and vital tribute." – David Roth, Los Angeles Review of Books
• Review: "If you're onboard for the third installment of something so purposefully vile as Prison Pit, you know what you're getting into. You're not going to be shocked by violence and gore, but you're still going to have a great time... We get a collection of creatures and monsters beating the shit out of each other in the most juvenile way possible, but Johnny Ryan does such a handsome job of designing these creatures to be as ugly and awful as possible. It's an ugliness that you see in the margins of your seventh-grade notebook when you were drawing pictures of horrible things because this was the only thing that could excite you during social studies or whatever, and it's exciting to look at because you never know what you're going to see next." – Geoffrey Lapid, Death-Ray Ozone
• Review: "Another brilliant adaptation of a Jean-Patrick Manchette crime novel by Jacques Tardi. If you liked West Coast Blues, well, you absolutely will love [Like a Sniper Lining Up His Shot]. If you are a crime fan and haven’t read that work yet, you really must as for whatever reason, it is something that tends to get overlooked. Yes, Tardi’s art style is completely unique and can take a little adjusting to if you’re only used to conventional American / UK styles, but give it a go because he brings gritty crime to brutal, realistic life — and indeed equally cold, hard unpleasant death — like few others can." – Jonathan Rigby, Page 45
• Review: "There be monsters; monsters of man’s own making. [The Hidden] is Sala’s second book in colour, rich in red and orange, but it’s the first, I believe, to dispense with all hope and humour — apart from the man with the Marty Feldman eyes. He’s taken the Edward out of Gorey and the tongue from his cheek, replacing it there with shovels, hatchets and stakes!" – Stephen L. Holland, Page 45
• Review: "After a rocky start, the regularly updated, online version of The Comics Journalhas become a much more vital outlet for the serious discussion of comics, primarily thanks to the stewardship of online editors Dan Nadel and Tim Hodler. In its new format, the print Comics Journalis a fine companion to that ongoing effort. With the burden of remaining 'current' lifted by the website, the print Journalis free to explore important works with a depth and seriousness rarely found online." – Patrick Markfort, Articulate Nerd
• Review: "Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history. Editors David Gerstein and Gary Groth have not only scoured the planet for the best surviving artwork on Gottfredson's first epic continuity, which ran in newspapers from April to September of 1930; they've provided background essays (by a raft of experts), vintage press materials and artwork to put it into the context of Walt Disney's burgeoning career, and Mickey Mouse's budding stardom.... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
• Review: "Popeye hawking newspapers? Donald Duck selling gasoline? You'll find them and a whole cavalcade of comic strip characters in Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard. In a hundred-plus pages you are treated to a sampling of cartoon print ads from the 1890s to 1940s. There are short informative blurbs about the cartoonists (some of whom were featured in ads themselves) and the history behind the ads. A great treat for fans of comic strips, Americana, and ephemera." – The Christian Science Monitor "Top Picks"
• Review: "Not long ago a very interesting book was released which aims precisely to investigate and chronicle the parallel paths of comics and advertising from 1870 until 1940 entitled Drawing Power: A Compendium of Cartoon Advertising. Fantagraphics Books offers a hearty volume... which is our guide with text and images to the 'commercial' roots of the comic strip and the amazing work that resulted from comics creators who worked in advertising.... Drawing Power: A Compendium of Cartoon Advertising is a book that will surely pique the interest of those involved in the communication sector, but also all who are drawn to pop culture. An excellent edition from Fantagraphics..." – Lida Tsene, Comicdom (translated from Greek)
• Review: "Richard Sala’s The Hidden is yet another undead saga, though it’s more ambitious than most.... As the backstory deepens, Sala ties The Hidden to older literary traditions, weaving in pieces of folktales and the legend of Frankenstein. Because Sala has had a career-long fascination with B-movies, gothic illustrations, and general ghoulishness, this plot is right in his wheelhouse. But The Hidden isn’t just an entertaining riff on well-worn horror concepts. Taking his cues from Mary Shelley, Sala explores human vanity and arrogance as a way of showing how everything can go so wrong so fast." – Noel Murray, The A.V. Club
• Review: "...Mome 22 concludes the run of one of alt-comics' longest-running and most essential anthologies. Like Weirdo before it, Mome bridged the gap between veteran cartoonists and the new breed... Here’s hoping that as with Zap, Raw, Arcade, and so many that have gone before, another anthology will rise to take Mome’s place. And soon." – Noel Murray, The A.V. Club
• Review: "...Shimura Takako is a master at portraying subtle events in a slice of life story about adolescence that never feels didactic.... One of the things I like about Wandering Son is the way many of the events in the book are simultaneously safe and filled with dramatic tension.... Like the storyline, Shimura’s art is simple but nuanced.... As you’d expect from Fantagraphics, the production quality for Wandering Son is excellent. I hope that more manga is on the horizon from them. While I’ll happily read more cheaply produced manga, it is nice to have a variety of options. Carefully curated manga like Wandering Son is a treat." – Anna Neatrour, Manga Report
• Review: "Jason’s deadpan, anthropomorphic characters make his books must-reads for me.... I'd give [Isle of 100,000 Graves] to my daughter... and my wife... in hopes that, after laughing at the Hangman’s Academy’s students, teachers, and administrators, they’ll agree to dress up in multi-colored hoods and carry instruments of torture next Halloween." – Gene Ambaum, The Unshelved Book Club
• Review: "Chun fills his collections with the best cartoons – the ones that can still delight readers, and Covey uses his lively and inventive design sense to make these old cartoons fresh and vital. With The Pin-Up Art of Humorama, Chun and Covey will once again make you believe that the art of Humorama is still alive and kicking – although the line ceased to exist decades ago. [Grade:] A" – Leroy Douresseaux, I Reads You
• Review: "This Fantagraphics edition collects the first two French albums of Les Aventures Extraordinaires d’Adèle Blanc-Sec (Pterror Over Paris and The Eiffel Tower Demon) in a large format hardback edition, and it’s beautifully presented. First released in 1976, Jacques Tardi’s story has a timeless quality, set in an alternative, steam-punk universe, shortly before World War I.... Tardi’s art recreates the scenery beautifully, with stunning backdrops bringing the architecture and beauty of Paris to life. ...[A] compelling and enjoyable mystery story with an alternative Victorian feel." – Grovel
• Review: "Comic fanboys have read Sgt. Rock or The Howling Commandos which are realistic in many ways, but there was a time when a comic mag got down right truthful. I’m speaking of Blazing Combat #1-4 (1965-66, Warren) and recently Fantagraphics collected the run in both hardcover and softcover. Blazing Combat was an anthology comic that showed the very dark and very real side of war. A loose followup to the EC Comics War genre books, it showed US G.I.’s dying in terrible ways, commanders giving orders with little regard for consequences and the militaristic definition of collateral damage. Jim Warren let it all hang out when it came to editing Archie Goodwin’s writing... Of course Goodwin is a genius and I’m usually more of a word-man when it comes to comics, but this time it’s the art that captured my attention. It’s a who’s-who of monster talent..." – Chris Marshall, Collected Comics Library
• Review: "Fred [the Clown] is a figure of innocence, a lovelorn sad sack who keeps getting hit by custard pies — and, even harder, by life — over and over again, but keeps standing back up to go on. Langridge mostly tells his story in short wordless comics stories... in his usual style, a crisp modern interpretation of the classic '20s animation look... They're slapsticky stories of a sad clown, using the accouterments of vaudeville and early Hollywood, that nonetheless feel entirely new and fresh and funny. I don't know how Langridge does it, but he does it very very well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "You must buy @DaveMcKean's NSFW book 'CELLULOID' at your local comics or book store. Or in a plain brown wrapper..." – Neil Gaiman
• Preview/Plug:Comicsphere re-formats and re-presents one of our previews of Johnny Ryan's Prison Pit Book 3 to their readers, with Josh West saying "This is set to be 120 pages of ‘once you see it, it can’t ever be unseen’ scenarios and, honestly, Comicsphere couldn’t be more excited! Unbelievably unpredictable, violent, satirical and likely to entertain more than anything else on the shelves through September, the Prison Pit makes Hell look like nothing more than a relaxing Sunday morning stroll through a (really hot) meadow."
• Interview:Comic Book Resources' Tim Callahan has a wide-ranging conversation with Johnny Ryan about Prison Pit and other topics: "I guess I have this fascination with stories where the 'hero' is not a hero at all. He's a loser or an idiot or a scumbag, but somehow the author makes us give a shit about him or her.... I think this is a strain that also runs through my work. It's about bad people, doing bad things, but I try and trick people into caring about or liking these people."
• Preview/Plug:Comicsphere gives the same treatment as above to our excerpt of Jacques Tardi & Jean-Patrick Manchette's Like a Sniper Lining Up His Shot, with Josh West saying "...Jacques Tardi returns to the world of guns, crime, betrayal and bloodshed with this stunning, grisly, and remarkably faithful interpretation of Manchette’s last completed crime thriller."
"Athos in America – Jason returns to The Last Musketeer and includes other Jasony stories like 'The Brain That Wouldn’t Virginia Woolf.'"
• Plugs:Graphic Novel Reporter includes almost everything we have coming out over the next 3 months in their "Great Graphic Novels of Fall 2011" roundup, particularly the Adult Fiction and Nonfiction categories (though we feel we should point out that Alexander Theroux's Estonia is neither fiction nor a graphic novel)
• Plug: "We’re over halfway done, and have moved into the last 20 years of the strip with the release of The Complete Peanuts: 1981 to 1982. Can you believe how fast time is flying? Kudos to Fantagraphics for maintaining the incredibly high standard of quality and presentation they established at the outset, with this entry featuring an introduction from cartoonist Lynn Johnston. More!" – Ken Plume, FRED
• Interview:Newsarama's Albert Ching talks to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010: "One other character I frequently think of when doing Twain — writing that book, or doing him in Thrizzle — is Dave Thomas from SCTV doing Walter Cronkite. Which in some ways is very similar — this kind of roguish, semi-self-befuddled character, roaming around having adventures."
• Interview:The Daily Cross Hatch's Brian Heater begins a multi-part chat with Drew Friedman: "Basically when Monte Beauchamp who edits those books invited me to do a book, I thought about what I like to draw the most. I like to draw comedians and old Jews. So I put those two together and started working on them between assignments over a year. I just got pleasure in drawing them. I could put aside any annoying assignment I had and just get down to drawing those old Jewish faces. That’s what it came down to."
• Interview:Washington City Paper's Mike Rhode had a little pre-SPX Q&A with Noah Van Sciver: "I'm excited to stop by the Fantagraphics table and say hello to those guys and see what's new." Well shucks!
• Lore: "’71 was a weird year for me. I never had quite so many women coming and going, as I did that year in the apartment I shared with Gary. But I was still drinking too much and just overdoing it in general, hedonistically speaking. I was getting very little good work done (gosh, I wonder why?) and was generally pretty miserable." – Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com forges into the 1970s
• Staff picks: Our own Ambassador of Awesome (and funniest Flogger) Janice Headley is the guest contributor to this week's Robot 6 "What Are You Reading?" column
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