It's that time of year again! The time of year where a flock of Fantagraphics artists participate in the annual Giant Robot Post-It Show, and like last year, it will be curated by the inspirational husband-wife team of Esther Pearl Watson and Mark Todd.
The Giant Robot Post-It Show 7 runs from December 10th through 29th at GR2 [ 2062 Sawtelle Blvd., Los Angeles, CA ] with an opening reception event on Saturday, December 10th from 6:30 - 10:00 PM. It's "cash-and-carry," so don't forget your bag-and-board!
You can all have Female Trouble this coming Friday, November 11th as our friends at Meltdown Comics kick off their latest exhibit, Pretty? Pretty? A Divine Art Show -- a tribute to the one-and-only John Waters ingenue!
That's a sneak peek of one of Johnny Ryan's pieces above, and as he mentions on his blog, the other "is a 'mixed media' piece [he] can’t reveal just yet." (Mike Baehr to me, "I hope it's Johnny in drag!")
The opening reception for Pretty? Pretty? A Divine Art Show is from 8:00 - 11:00 PM, featuring a live DJ, free booze, drag’s finest performers and more special Divine-themed surprises. The exhibit runs through November 17th at Meltdown Comics [ 7522 Sunset Boulevard, Los Angeles ].
A fan named Ross Adams went and got himself a tattoo of the Caligulon symbol from Johnny Ryan's Prison Pit Book 3, and then Johnny went and tweeted about it. No word as to whether Adams can now shoot destructive/transfigurative rays from his shin.
• Review: "This is hugely imaginative, exultantly silly, gag-a-minute writing that manages to comment on the popular culture of the last century while willfully wallowing in it — Python with a wry dose of Pynchon.... Were you, dear reader, to ask me if the brevity of [Mark Twain's Autobiography 1910-2010]'s chronologically arranged but narratively stand-alone chapters made it an ideal book for bathroom reading, I would call you a coarse, disgusting pig-person, demand that you leave my office, and wipe down the chair you'd been sitting in. ... But, yes." – Glen Weldon, NPR Monkey See
• Interview:SF Weekly's Casey Burchby, who says "Drawing inspiration from Mad among other influences, Kupperman's brand of humor is punchy and ridiculous... Like the best satire, it reflects a vision of our world that is simultaneously accurate and abstracted. Kupperman's new book, Mark Twain's Autobiography 1910 - 2010, comes from the same comedic source," talks to Michael Kupperman: "Some of my comedic influences are deliberately funny, others are not. The unwittingly bad, the pompously ineffectual, the flimsily maudlin -- these are all genres I warm to. The Sunday comics page on 9/11 this year was a good example. Like it does anyone any good to see Hagar and Momma weeping."
• Review: "I literally dropped everything to read this thing.... Volume three in Ryan’s madcap ultra-violent combat comic [Prison Pit] is firmly in the vein, so to speak, of the first installment: No-holds-barred body-horror battle between monster-men who look like refugees from an alternate-universe He-Man whose house artist was Pushead instead of Earl Norem.... It is... a series fixated not just on surviving the present moment on a narrative level, but on drawing that moment out to ludicrous lengths on a visual level. Its action is defined by page after page of grotesque bodily transformations depicted beat by gruesome beat.... The introduction of the 'arch enemy' is a tantalizing link to the past for a story that draws so much of its power from living (and dying) in the now." – Sean T. Collins, The Comics Journal
• Review: "Everything Is an Afterthought presents a vision of the heyday of rock journalism, times that have long past.... The story Kevin Avery tells is of someone who believed passionately in the art that moved him... Few of the artists profiled in the selected works do much for me — late ‘70s Rod Stewart, Jackson Browne, [Warren] Zevon — but Nelson writes about each with such care and insight that I went back to listen to all of them again." – Alex Rawls, Offbeat
• Review: "Oddly enough, the title, its font and also the cover art of The Man Who Grew His Beard made me think of the 1985 book The Man Who Mistook His Wife for a Hat by neurologist Oliver Sacks describing the case histories of some of his patients, which given the completely insane collection of shorts in this book, both in terms of the stories and art, may not be entirely coincidental, I suspect. If surreal, single-panel humorist David Shrigley were ever to do comics, this is exactly what they would be like, to the point that I had to do a quick google search to check Olivier Schrauwen wasn’t a nom de plume for Mr. Shrigley. He isn’t." – Jonathan Rigby, Page 45
• List:Comics Bulletin includes Palomar by Gilbert Hernandez among their "Top Ten Comics to Share with Your Boyfriend and/or Girlfriend": "Palomar is really defined by its characterization, with the town's mayor Luba and her family often acting as the center. The stories set in Palomar are a large part of why Love & Rockets became such an important work as they showed how the scope of novels could be applied to the medium."
• Profile: At Trouble with Comics, Alan David Doane details his appreciation of the work of Bernard Krigstein, noting: "A few years ago, Fantagraphics Books released B. Krigstein: Volume One by Greg Sadowski. This oversized hardcover artbook/biography is one of the finest of its kind ever released, and although Krigstein’s story is largely one of restriction and boundaries, it should be noted that B. Krigstein Vol. 1 is not a depressing book. Its author was meticulous in his creation of a lasting, vital document of the subject, a man who took life and art very seriously and suffered greatly for both. The book is, in fact, a celebration of the life and work of Bernard Krigstein, and even if you think you know who that is, I guarantee you that by the time you get to the end of the book, you’re going to know the man and his work one hell of a lot better."
• Plugs: Martha Cornog of Library Journal spotlights some of our upcoming releases in the latest "Graphic Novels Prepub Alert":
The Life and Death of Fritz the Cat by Robert Crumb: "Crumb's infamous and ever-horny Fritz has been reprinted before, but not recently and never in hardcover.... An underground classic, with touches of critical brilliance amid its college-kid-wannabe plots."
The Crumb Compendium by Carl Richter: "Mr. Natural turns 45 next year, as many years as his creator Robert Crumb has been publishing. Fantagraphics is billing this compendium as the 'definitive reference guide' to Crumb's oeuvre, covering published comics plus other artwork, merchandise, articles and interviews, characters, and photographs. Richter is a Crumb collector who served as consultant to Fantagraphics on The Complete Crumb Comics set, and Crumb himself helped out. Hey, guys, keep on truckin'!"
Young Romance: The Best of Simon & Kirby's 1940s-'50s Romance Comics by Joe Simon & Jack Kirby, ed. by Michel Gagné: "The guys who created Captain America also jump-started romance comics with several vanguard series. Top selling until the Comics Code clashed with '60s permissiveness, the genre captured feminine readers even if plots and characters tended to push patriarchal sex roles and a Stepford Wives take on coupledom."
• Review: "Sala’s work is like a fusion of Hergé and Charles Addams, yielding a simple, cartoon-like style that makes his moments of gothic horror all the more disturbing. ...[The Hidden] is a beautifully pulpy and incredibly imaginative book that gives a fresh spin on a well-used set-up." – Publishers Weekly
• Review/Interview:SF Weekly's Casey Burchby, who says "Richard Sala's new full color graphic novel, The Hidden, fuses two classic horror tropes — the story of Frankenstein's monster, and the ever-popular zombie apocalypse — into a new form that is surprisingly free of cliché and enriched with a strange sensitivity, owing far more to the classic horror literature of the 19th and early 20th centuries than it does to more contemporary EC horror comics, slasher flicks, or Stephen King," talks to Sala, who says "...as I began to write the book, elements of it started to seem oddly autobiographical — on some kind of psychological level, that is — and I realized the story had become less about Frankenstein specifically and more about the act of creation and its consequences."
• Review: "This French artist's unabashedly campy tribute to Jules Verne's proto-steampunk adventure yarns [The Arctic Marauder] is all about the art — spectacularly composed black-and-white evocations of arctic landscapes and Victorian contraptions.... Tardi has drawn a tribute to a venerable genre that partakes of its wonders while poking gentle fun at its preposterous twists and turns. The result is pure fun." – Laura Miller, "The Best New Graphic Novels," Salon
• Review: "Ryan’s line work is at its best in some parts of this volume, showing the ability to continually come up with inventive weird visuals. The first half of the book is nothing but new forms of violence and strange creatures that become different strange creatures. Every page brings a new visual that you will never, ever be able to forget. The second half shows off more minimalist compositions, giving the book an interesting asymmetry. The only bad thing about Prison Pit Book 3 coming out is that it will be another year until Book 4 is released, especially with the cliffhanger that this volume ends on." – Chad Nevett, Comic Book Resources
• Review: "Johhny Ryan’s artwork on Prison Pit could be described as cartoonish, but to be honest it’s better described as looking like the insane doodling of a madman, as found etched upon the walls of his padded cell — I would not be surprised to find out that this book was ghost-written by Charles Manson!... Ryan draws gore like no one else, and his creature designs are the stuff of nightmares — one of the monsters in the latter part of the story makes Cthuhlu look like a character from a children’s story!... Prison Pit: Book 3 is a comic unlike anything you’ve ever read before — the plot is outlandish, and the artwork is violent, bloody, gory, and completely unapologetic in its brutality.... Rating: 10 out of 10" – Edward Kaye, Newsarama
• Commentary:Robot 6's Sean T. Collins comments on the must-read Comics Journal interview with Johnny Ryan: "I’ve spent years enjoying Ryan’s scabrously offensive humor comics like Angry Youth Comix and Blecky Yuckerella, as well as his extravagantly vicious action comic Prison Pit, and I’ve often wondered where his search-and-destroy ethos originated.... Thanks to Pearson and Ryan’s jawdroppingly candid conversation, I finally feel like I understand..., at least a little."
• (Not a) Review (Per Se): "This isn't a formal review, per se, but instead a few gut-reaction thoughts on the remarkable new issue of Love & Rockets: New Stories (#4). I've never bothered to do this before in a review, but the nature of this issue demands that I note that there are spoilers below." – Rob Clough, High-Low
• Review (Audio): The Extra Sequential podcast discusses "the whacky and funny Fantagraphics collection of Carl Barks’ much loved 1940s Donald Duck stories," Walt Disney's Donald Duck: Lost in the Andes: "We tell you why creator Carl Barks is loved for his storytelling prowess and surprisingly funny and absurd humour in his Donald, Scrooge, etc. tales..."
• Interview:Comic Book Resources' Tim O'Shea has a funny and informative Q&A with Michael Kupperman: "Actually I’ve been hearing from [Twain] a lot. I thought that one meeting would be it, but since then he keeps reappearing, asking for help dealing with today’s publishing industry. He’s written a new novel called Prairie Rumpus, which I feel is dated in its use of slang and locale. Meanwhile I’ve got a lot of interest in my novel The Fart Vampires, a lotta heat building up."
• Commentary: At About.com Manga, Deb Aoki reports on our publishing announcement regarding Moto Hagio's The Heart of Thomas (note that the "The" was initially left off our announcement by mistake), calling it a "very exciting development" and saying "Fans of A Drunken Dream and Other Stories will also be glad to hear that Matt Thorn, the translator of this critically acclaimed book will also be handling the editing/translation duties on this title as well."