|VICE interviews Ryan|
|Written by Eric Reynolds | Filed under Johnny Ryan||11 Aug 2009 8:43 AM|
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Category >> Johnny Ryan
A fresh batch of Online Commentary & Diversion:
• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Johnny Ryan. The imagination reels: "Well, there was one joke, now that I think of it, with Galactus that had to be altered a little bit. I don't know if I should reveal the joke—it might ruin the experience. But it was this little detail for that joke that I initially put there, and they were like, 'Eh, can you change that a bit?'"
• Review: "...Tales Designed to Thrizzle... is not all tradition; it's largely a satire, a satire of a pulp fiction oeuvre that didn't take itself that seriously to begin with. Kupperman's humor — a mix of genre, non-sequitur and nonsense — is a kind of laughter in the void, wonderfully lucid and slightly sickening... That Kupperman so masterfully plays to and upsets expectation makes Thrizzle that much funnier and finer. With stunts such as a Twain & Einstein crime-fighting partnership, Kupperman is all goofball, all the time. But Kupperman's line, even in shaping locomotive-sized garden snails, is weighty. And the weight of five years of Thrizzle, is, well, as formidable as a locomotive-sized garden snail." - John Reed, Art in America
• Review: "The story [in Delphine] surrounded me and carried me away to a very real world. It's a cartooned, exaggerated world, but a real world nonetheless... The layouts are impeccable: very clear and superbly paced... I noticed that the story GREW in my mind when I took breaks from reading, allowing me to immerse myself in the story like a dream." - Frank Santoro, Comics Comics
• Review: "...Fletcher Hanks [was] one of the greatest comic book talents you’ve never heard of. Working in the earliest years of comics (1939-1941) Hanks’ contributions walked on the darker side of comic books in a way that managed to take on a timeless quality... In this collection is the work that makes Hanks so incredibly special to the world of comic books. The physiognomics of his evildoers, the strange retributions they suffer at the hands of the heroes, is all really powerful stuff... You Shall Die by Your Own Evil Creation! is an incredible testament to what comic books were once capable of... If you want to understand the essence of comic books in their purest form then pick up You Shall Die by Your Own Evil Creation! and learn." - Iann Robinson, Crave Online
• Plug: "The pieces in The Bradleys are broadly satirical and funny, marked by Bagge’s rubbery art style and a sarcastic tone that should appeal immediately to anyone with a prior awareness of The Simpsons or Looney Tunes. They’re also good stories, full of sharp observations about the impossible expectations that govern the dynamics of a nuclear family, as well as the way a good used Yardbirds record can make a crappy day better." - Noel Murray, The A.V. Club "Recommended First Comics"
• Plug: "All my exploration of the Moon/Ba axis came out of reading their pretty great Comics Journal interview in [#298]. I love it when an interview is so well-done that it convinces me to sample writers and artists whose work I haven't read before." - Alan David Doane, Comic Book Galaxy
• Plugs: The Comics Reporter's massive roundup of notable Fall 2009 books includes a bunch of our stuff
• Plug: Tom Spurgeon is funny
• Things to see: Where is where the Wild Things are? At the video arcade, of course
Are you ready to enter the PRISON PIT? The first original graphic novel from master of the gross-out Johnny Ryan is an over-the-top orgy of escalating ultraviolence and perversity as intergalactic monster criminals battle for supremacy in a barren negative zone! This book is now available for pre-order in our online shop following its sell-out debut at Comic-Con last month. Dip your toe in the Pit by downloading our 12-page PDF preview. This book will be in stock and shipping in about 2-3 weeks, and in stores approximately 4 weeks later (subject to change).
Once again our webcomics updates fell victim to other activities for a couple weeks (namely Comic-Con this time around), but we're back with a new batch today:
Picking up where we left off: you'll feel for Chubby as never before in this week's installment of Steven Weissman's in-progress pages from "Blue Jay," an epic 51-page story from Chocolate Cheeks, the next collection of the Yikes! gang's adventures....
After you stop at our Comic-Con booth (#1716), head down the aisle to #1732 and check out the many awesome things for sale from Johnny Ryan, Jordan Crane, Steven Weissman, Buenaventura Press, Mark Todd and Esther Pearl Watson! We've already spotlighted Jordan's and Johnny's new goods...
Among the many awesome things Mark and Esther will have for sale will be this limited deluxe edition of Unlovable Vol. 1 with a glow-in-the-dark silkscreened dustjacket and the Pretty in Pink-style Tammy Pierce silkscreen print (also glow-in-the-dark!) shown below. (Not going to Comic-Con? Don't despair, you can order them on Mark and Esther's site funchicken.com.)
Steven will have a new set of his adorable "Tiny Joe & Junior" prints (preview more on his blog)...
...and Johnny, Steven, Mark, and Esther will all have new Stinckers! Phoo! Bring yer pocketbook!
Back to the Online Commentary & Diversions:
• Review: "[Fletcher] Hanks' groove, taken back to back like this, is unsettling... It can be downright creepy. Generally, when you talk about a comic auteur's 'issues,' you're talking page count, not whether he has his head screwed on straight. It's multiplied by Hanks' art style, which at first seems crude but is actually quite stylized and consistent. Many images, such as troupes of unfortunates flying in hurtling, screaming weightlessness, have the impact of nightmares... And the twisted comics universe once inhabited by Fletcher Hanks is eerie and unsettling, and fascinating in what it reveals about the man with the pen." - Burl Burlingame, Honolulu Star-Bulletin
• Review: "Tales Designed to Thrizzle Vol. 1, [Michael] Kupperman's recent collection, is brimming with such a dense compilation of Dada-inspired plots, fake ads and comic book covers that it takes a repeated read-through to absorb the book's potent aura of absurdity... Reading Thrizzle is an expeditious experience, and like all treks you will feel exhausted and somehow improved by this entire gut-busting experience... Tales Designed to Thrizzle is beyond recommendation..." - Ascot Smith, examiner.com
• Review: "Jason is one of the relatively few working artists that even a jaded, cynical, complain-first critic like me will happily declare a true master cartoonist, without reservation. Jason is—how to put this?—good. Really, really, really good... So, Low Moon? It’s Jason. It’s new. It’s obviously really, really good, you know?" - J. Caleb Mozzocco, Newsarama
• Review: "Low Moon takes 'funny animals' comics in a disturbingly deadpan direction. The bipedal canines and birds that populate these five short tales somehow convey with their blank eyes, flat expressions and minimal movements a whole seething current of emotional subtext. The title story, first serialized in the New York Times Sunday Magazine, mixes Gary Cooper frontier heroics with chess, and it is no less strange or hilarious than the other vignettes, which play with tropes lifted from science fiction, film noir and Jazz Age romance." - "The Best in Comic Books," Michael Berry, San Francisco Chronicle
• Review: "The new Prince Valiant crackles from the page with an energy and enthusiasm that positively dares anyone to deny this strip’s rightful place in the history of the form. Yes, this is another great day for comics history and most definitely a venture worth supporting into the future." - Guttergeek
• Review: "Uptight #3 -- This comic book made me nuts... Look how goddamned beautiful that cover is... That cover illustrates the first part of a new story Crane is working on, 'Vicissitude,' and Holy Jesus it is one of the best stories I've read this year. I'm a tough sell when it comes to out-and-out fiction in comics, but the unbelievably compelling artwork totally drew me into this fantastic story... damn if that cover and those first few, tantalizing pages aren't like some new, more addictive form of crack cocaine you ingest through your eyeballs. By looking at this comic book. God DAMN, I want more 'Vicissitude.' Don't let another day go by without making sure you're getting Uptight #3." - Alan David Doane
• Interview: "I've long felt Peter Bagge is a significant figure in American comedy in addition to deserving his lofty stature in alternative comics, and I'll interview him any chance I get." - Tom Spurgeon, The Comics Reporter; "I was never allowed to play fast and lose with the truth, much to my occasional creative chagrin! Other than that they allowed me to express myself pretty freely, even if some folks on their staff disagreed with some of the points I was making." - Peter Bagge, from the interview, discussing the Reason editiorial process
• Plug: "I don’t always agree with [Peter Bagge's] position [in Everybody Is Stupid Except for Me], but his exploration is always great. And hearing other opinions and positions (especially well-informed like his), is almost always worthwhile." - Corey Blake
• Plugs: "I am slowly making my way through three recent reprints from Fantagraphics... the three books in question are Humbug, Blazing Combat, and Prince Valiant. Humbug’s easily the best of the three, as it includes so many all-time great cartoonists (Kurtzman, Jaffee, Elder, etc.) at the peak of their powers and ambitions, but the other two are worthwhile, too. With people like Wood, Toth, and Heath involved, I knew the art would be fantastic in Blazing Combat, but I’ve been surprised at the quality of Archie Goodwin’s writing... it’s much more satisfying than expected. I’ve barely begun with Prince Valiant... So far, it’s much more fluid and enjoyable than I would’ve guessed — beautiful work..." - guest columnist Timothy Hodler (Comics Comics), Robot 6
• Events: The Inland Valley Daily Bulletin reports that a new Peanuts exhibit, "Snoopy as the World War I Flying Ace," just opened at the Museum of History and Art in Ontario, CA (via The Daily Cartoonist)
• Things to see (and buy in the future): Some teasers for the next batch of Stinckers are debuting. Do you like Johnny Ryan? Do you like horror movies? Then Johnny has a sneak peek for you. And the Stinckers blog gives a glimpse of Esther Pearl Watson's Unlovable series!
Aieee! We've fallen so behind on things that we've been neglecting our weekly webcomics updates for a while now. Our apologies to our readers and to the wonderful artists who agreed so generously to let us present their work. But enough groveling, here's a brand new batch!
Picking up where we left off: Chubby's horror is our horror in this week's installment of Steven Weissman's in-progress pages from "Blue Jay," an epic 51-page story from Chocolate Cheeks, the next collection of the Yikes! gang's adventures....
Holy moly there's a lot of links today! There's a few major interviews in today's Online Commentary & Diversions, so let's lead off with those:
• Interview: At Amazon's Omnivoracious blog, Heidi Broadhead talks to our own Kim Thompson about translating the works of Jason ("His latest collection, Low Moon... has filmic moments and comic pathos that have set a new standard for me for short fiction") and other Eurocomics. Sample quote: "But I'm also more invested in these books because I work so hard on them, and in many cases, of course, such as Tardi, I'm literally fulfilling a childhood dream by translating them."
• Interview: "Carol Tyler is one of the best cartoonists currently working. She has been for years... Earlier this year Tyler released the first of an expected three volumes that seek to explore her father's time in World War II. You'll Never Know: A Good And Decent Man gently peels back the layers on these seminal experiences while at the same time providing an earnest portrait of the artist and her most important relationships during the time she started on the project. Tyler combines the unflinching eye of the late underground with the self-deprecating portrait of the alternative comics movement with the poetic qualities that some of the best post-alternatives are able to wring from their art. I really love Carol Tyler's work, and I was delighted she agreed to talk to me." - Tom Spurgeon, The Comics Reporter
• Interview: "In a perfect and just world, John Kerschbaum would be one of its most famous cartoonists." - Rob Clough, presenting his Q&A with Kerschbaum from The Comics Journal #295. Sample quote: "And when you're doing work for kids you just leave out the cursing… and tits - no tits."
• Review: "Wolverton... had a knack, too, for nightmarish drama... [He] saved his most enthralling pieces for the Bible. An ordained minister for a wacky Oregon church, he produced, in the mid 1950s, a series of apocalyptic scenes for the Book of Revelations; men and women, foregrounded in close-up, writhe under dominant skies of fire, plague, and war." - Robert Shuster, The Village Voice, on the Wolverton exhibit at Gladstone Gallery; hat tip once again to Drew Friedman
• Review: "Jason's unique skill of meshing cut-out Hollywood genres with fleeting moments of missed opportunities is like a unique cocktail - one part Hitchcock, one part Kubrick with a dash of Woody Allen... Low Moon is a slow-moving delight. Jason has crafted a perfectly executed yarn that is at once both familiar and bizarre. This collection is an exceptional entryway for reader still unaware of one of sequential arts greatest contributors." - Ascot J. Smith, examiner.com
• Review: "Known for his ability to convey melancholic, deadpan humor, Jason is as on top of his game as ever with this release... Each story expresses a different degree of the author’s range, mixing dark or mature themes with absurdity to varying degrees... Since it demonstrates Jason’s range and is priced fairly modestly..., Low Moon makes for a great starting point for those unfamiliar with Jason’s work." - Anthony Farruggia, examiner.com
• Review: "Jason's work is something to be revered... His comics are stark and morbid and often hilarious. Low Moon presents five beautifully illustrated stories that show a mastery of the craft... The stories range from violent to funny to sad, and the tragedies, murders, and pratfalls therein never seem out of the ordinary. It all fits into four rectangular panels on each page that seem like they were drawn to make you understand something more." - Gabe Bullard, PLAYBACK:stl
• Review: "Ho!... promises the most degenerate and juvenile one-panel gag comics ever penned by a working college professor... You're either loving it or deeply concerned for the author." - Byron Kerman, PLAYBACK:stl
• Review: "Kevin Huizenga introduces a relatable and unusual story with his quirky sequel to the first Ganges in the 'Ignatz' series from Fantagraphics. A tale about morality, realism, and video games, Ganges [#2] spins a web of confusion for those universal questions that lurk at the edge of our minds... 'Pulverize' makes a bold attempt to portray how living in a technological age can confuse as well as enlighten you to great lengths. Touching and unique, Huizenga creates a quirky story for the win." - Melissa Kay, Girls Entertainment Network
• Review: "My choice for the greatest comic strip in history would be Hal Foster's epic adventure strip Prince Valiant. And now Fantagraphics is reprinting the series in a series of spiffy, oversized hardcover collections, with the first volume out this week. And even though I own the whole 40-volume set of the Foster-drawn pages that Fantagraphics published in the 1990s, I’m perfectly happy to buy this new series, with larger pages, better-quality paper, and much better-quality coloring... It’s excellent stuff, and I look forward to enjoying it all over again." - Michael Rawdon, Fascination Tangents
• Review: "The most influential adventure strip ever produced, Foster's gorgeous Prince Valiant inspired generations of artists. While the Sunday-only strip has been reprinted several times, this edition contains for the first time images shot from Foster's own color engraver's proofs. Published at the strip's original dimensions and complete with an introduction by Hal Foster biographer Brian M. Kane and the insightful 1969 Hal Foster interview with Fred Schreiber, the hardcover Prince Valiant Vol. 1: 1937-1938 finally presents these lush tales in a format worthy of the material." - Rick Klaw, The SF Site - Nexus Graphica
• Review: "Like H.L. Mencken, [Peter] Bagge favors a scorched-earth satirical attack, tearing down arguments by ridicule as much as reason. Unlike Mencken, Bagge's work is more playful and less likely to attempt to install himself as a know-it-all (even if he thinks he does) because of his nebbishy self-portrayal... It's rare to see a cartoonist branch out into this kind of second act of a career with this much flourish and skill... his work here [in Everybody Is Stupid Except for Me] demands a reader's attention every bit as much as the more famous editorial cartoonists in America... Best of all, Bagge is still funny... and this is a very good thing for both his hardcore fans and new readers alike." - Rob Clough
• Review: "[Peter] Bagge made his reputation with the wicked social satire of Hate, but since 2001 he’s also produced these short comics [in Everybody Is Stupid Except for Me] for the libertarian magazine Reason... His visual style—in which people are all huge-mouthed, squinty-eyed, rubber-limbed caricatures—is turned up all the way to 'jeer'; it’s also pretty funny on its own. Bagge aims his (constitutionally protected) satirical blunderbuss at both the left and the right, and occasionally points it at fellow libertarians and even himself." - Publishers Weekly
• Review: "...Norwegian cartoonist Jason’s latest wheeze of a graphic novella [I Killed Adolf Hitler] invents a time-travelling professional assassin who attempts to exterminate the Fuhrer with predictably bizarre results... The deadpan humour, pared-down plotting and simple illustrations featuring Jason’s trademark zoomorphic characters make for a brisk and extremely enjoyable read." - 2012
• Plug: "There's some great material in [Everybody Is Stupid Except for Me], whether you agree with the opinions or not, since Bagge does some great cartooning and good journalism, providing hilarious insights into topics like art, public transportation, homelessness, and gun ownership." - Matthew J. Brady
• Plug: "I'm really looking forward to the hardcover of Prince Valiant as the online stuff shows this to be the best reproduction I have ever seen of the book. The Hal Foster years (especially for the first decade or more) are a great story and stunning artwork." - Comics And... Other Imaginary Tales
• Plug: "[Love and Rockets] was like an underground Archie, with Hispanic characters, plus it was literally oozing with a sensuality that simply couldn't be found in mainstream funnybooks... If you have the opportunity to pick up any L&R comics, I highly recommend it, as it is still some of the consistently very best comics that is being produced." - Robert J. Sodaro (former Fantagraphics employee)
• Plug: "I’m currently reading through the latest issue of The Comics Journal, number 298... I’m really looking forward to the interview with Thriller artist Trevor Von Eeden. Also, the Percy Crosby Skippy strips included in the gallery section are a wonder." - Chris Mautner, Robot 6; also, their guest contributor this week is Paul Karasik
• Things to see: Comic Book Resources presents a bunch of work by Terry LaBan (whose Fantagraphics titles are all out of print)
• Things to see: Johnny Ryan fan art from Norway
Strips, Scripts and Scapes: Contemporary Comix in Southern California
June 22 - August 22
I missed this Riverside Art Museum show in time to post for the opening, but the show includes Sammy Harkham, Johnny Ryan, John Pham, Mike Bertino, Travis Millard, Rusty Jordan, Souther Salazar, Brent Harada, Walt Holcombe, Martin Cendreda, Mary Fleener (story by Harvey Pekar), Taylor McKimens, Roberta Gregory, Mark Todd, Esther Pearl Watson, and Megan Whitmarsh.