The kids' tense hideout continues in this week's installment of Steven Weissman's in-progress pages from "Blue Jay," an epic 51-page story from Chocolate Cheeks, the next collection of the Yikes! gang's adventures....
We begin the R. Kelly-inspired (not really) sequence in this week's installment of Steven Weissman's in-progress pages from "Blue Jay," an epic 51-page story from Chocolate Cheeks, the next collection of the Yikes! gang's adventures....
Due to the somewhat obsessive nature of my link gathering, I had the idea to start calling these posts "Daily OCD: Online Commentary & Diversions." What do you think, readers? Too cutesy-poo? Offensive to sufferers of real OCD?
• List: The Comics Reporter's Tom Spurgeon names "The Ten All-Time Best Long-Running Comics Series," with Love and Rockets Vol. I at #2 ("The best long-running and organic artistic achievement in serial comic book form... The Hernandez Brothers inspired and outworked a greatest generation of comics auteurs. Jaime and Gilbert Hernandez are each among that handful of artists who must be given serious consideration when talking about the best cartoonists working. In Love & Rockets each created fictional worlds for the ages and used them as a vehicle for enormous artistic development, lapping the majority of their peer group. One so inclined could argue with seriousness a top 25 of American graphic novels where 1/3 of the titles listed came from this series") and Acme Novelty Library at #8 ("...a mind-bending achievement... ACME punched right in the scrotum the notion that every issue of a single comic book series had to look like the others... Its primary value is that it presented [Chris] Ware's giant talent to enough of an audience to bring him thousands of hardcore fans... Ware can dream up a single-page that if it were the only thing he ever published people might still know his name")
• List: The A.V. Club's Noel Murray offers commentary on Spurge's list ("There’s no one definitive L&R storyline; it’s just story after amazing story, accumulating over the past three decades like personal correspondence. [...] Ware... turn[ed] comic books into a kind of readable sculpture...") and lobbies for the inclusion of Johnny Ryan's Angry Youth Comix
• Review: "Miss Lasko-Gross' self-caricature in her autobio stories [in A Mess of Everything] is an interesting mash-up of a typical teen with low self-esteem and that of an indignant outsider determined to make her increasingly confident voice heard -- and loudly. [...] Lasko-Gross' greatest strengths as an artist are her character design, gesture and use of body language. It's the way she stages her characters that makes looking at each page interesting... I love the touch of the exaggerated and the grotesque that she injects into her drawings, distorting faces and bodies to reflect emotional tumult." - Rob Clough
• Review: "Formerly-suppressed, entirely classic, these stories [in Blazing Combat] are all solid examples of comic storytelling and craftsmanship... [T]he teams here make things look too easy. Not surprising since we’re talking about master artists like Toth, Frazetta, Severin, Crandall and others. The stories have all aged surprisingly well... Highly recommended..." - Matt Maxwell, Robot 6
• Events: Portland, your Free Comic Book Day cup runneth over, as Andrice Arp and the other contributors to the excellent free anthology comic Bird Hurdler will be appearing at various locations throughout town -- Andrice has the full itinerary and details on her blog
The kids search for safe ground in this week's installment of Steven Weissman's in-progress pages from "Blue Jay," an epic 51-page story from Chocolate Cheeks, the next collection of the Yikes! gang's adventures....
And in our current 5-day chunk of Martin Kellerman's Rocky, we take a break from the daily strips to present a story running 4 full pages, starting yesterday and continuing through Tuesday of next week. Be sure to come back Tuesday to catch the full story before it disappears!
• Review: "...[T]he primitive funnybooks rescued from obscurity by Greg Sadowski in Supermen! The First Wave of Comic Book Heroes 1936-1941 contain within their awesomely naïve and rudimentarily brilliant pages all the seeds of the postmodern graphic novel... Compounded equally from pulp fiction, movies, newspaper strips, and sheer desperate commercial-deadline-brainstorm lunacy, these early superhero tales created their own fresh synthetic mythology and compositional tools on the fly." - Paul DiFilippo, The Barnes & Noble Review
• Review: "[Bottomless Belly Button] reads almost like a John Updike novel... [Dash Shaw] really utilizes the medium to its fullest capacity..." - Benn Ray (Atomic Books) on WYPR (Baltimore public radio - streaming audio)
• Review: "[The Wolverton Bible] is fascinating read; it's a fascinating document by one of the most important illustrators of the 20th century." - Benn Ray (Atomic Books) on WYPR (Baltimore public radio - streaming audio - same link as above)
• Review: "Fantagraphics’ collection of the four issues of Blazing Combat blew me away from the start. The size and heft of the hardback reminded me of my textbooks from my school days. And once I cracked open the book, I found myself getting a hell of an education with this one."- Tim O'Shea, Robot 6, "What Are You Reading?"
• Review: "If nothing else, Supermen! puts Fletcher Hanks’ career in perspective... These are comics designed to make you tear your hair out waiting for the next issue, just to see if these guys could top themselves. Great fun all around." - Tom Bondurant, Robot 6, "What Are You Reading?" (same link as above)
• Review: "Jason is an expert at expressing a complex idea with simple visuals and dialogue. Most of his works contain little to no dialogue, actually -- entire stories can be read in facial expressions, twitches, color changes and movements. The entirety of Tell Me Something contains 7 lines of dialogue. It tells the story of 2 lovers and the trials they go through to be together, using dual layered story arcs differentiated simply by the panel borders to convey depth and reshape the story into an intriguing form." - The Inside Flap [Ed. note: Tell Me Something is out of print, but will be collected along with other Jason stories in a forthcoming hardcover]
• List: For Robot 6, Chris Mautner names "Six ‘retired' artists we'd like to see return to comics," including Brian Biggs ("...Frederick and Eloise [brings] a whimsical, storybook approach that never seem[s] overly twee or sweet. Indeed, [it is] often grounded by some dark undercurrents, not to mention backed by some serious artistic chops"), Dave Cooper ("Surreal, mind-warping books like Suckle, Ripple and his ongoing series Weasel, which chronicled a number of sweaty, paunchy, disturbingly neurotic and oversexed characters, had Cooper earning acclaim equal to the likes of Clowes and Ware"), and Mary Fleener ("...[S]he remains one of the most original voices in comics, with an art style that’s completely her own (no one draws a sex scene like her)." [Note to Mautner: Mary Fleener had a new comics story titled "Niacin" in Hotwire Comics Vol. 2, which we put out last year])
• Interview: At Robot 6, Tim O'Shea talks to Esther Pearl Watson about Unlovable Vol. 1. Choice quote: "I was a lot like Tammy and still am. It’s everything I fear."
That unknown menace is still menacing in this week's installment of Steven Weissman's in-progress pages from "Blue Jay," an epic 50-page story from Chocolate Cheeks, the next collection of the Yikes! gang's adventures....
All this week and next week we're bringing you a sneak peek at our Fall 2009 - Winter 2010 schedule of releases! Today's excerpt from our latest book distributor's catalog includes a couple of books that we just teased you on yesterday — now you can get the full scoop on those plus one more: Johnny Ryan's original graphic novel Prison Pit; Gahan Wilson: 50 Years of Playboy Cartoons; and Conceptual Realism: In the Service of the Hypothetical, the new art book from Robert Williams. (Note that all the info in this catalog is subject to change along the way to the books' release, including release dates, prices, cover art, book specs, etc.) Click here to download the PDF!
• Review: PLAYBACK:stl analyzes Comics Are for Idiots! by Johnny Ryan: "Ryan's loathing of the precious, the celebrity-obsessed, the hypocritical, and so on bleeds thru the best of these sorts of cartoons... Ryan's yen for out-offending every book he's done before is really just more righteous anger dressed up as sick comedy."
• Review: The Comics Reporter on Blazing Combat: "Like many of the best reprint projects... this republication of the four-issue Warren war magazine into spiffy hardcover form features work that you can't easily buy anywhere else, is historically significant and offers its buyers a lot of very good comics... Blazing Combat is simply a handsome, well-presented selection of very good comics that for having them around we're all a bit richer as comics readers. I'm glad it's here."
• Review: Rob Clough examines Mome Vol. 14, saying the issue "juxtapos[es] stories with ambiguous images and endings to create a dizzying and fascinating array of visual styles... The balance struck by editors Eric Reynolds and Gary Groth between unpublished, up-and-coming artists, alt-comics legends with short stories to publish and international stars with stellar work that needed translation has been a delicate one, but when everything comes together just so (especially in... this issue), then Mome becomes a crucial component in understanding alt-comics as they stand today."
• Review: NPR.org on Humbug: "Certainly, Fantagraphics, the exemplary Seattle-based archivists of comics and comic-strip history, couldn't have lavished more care in restoring Humbug's yellowing pages had they been original Shakespeare folios... it serves to fill in the missing piece on a seminal period of satiric shenanigans and to evoke an era when making nose-thumbing comedy was the work of smart alecks in creased slacks, pressed white shirts and skinny ties. It'd make a helluva TV series; you could even call it Mad Men."