These books have been out for a while and some low-res images have been floating around but I've been waiting, waiting, waiting for designer Paul Buckley to post them on his Flickr page in all their high-res glory and at last my patience is rewarded! Behold Ivan Brunetti's and Jordan Crane's amazing cover illustrations for the new Penguin Classics Deluxe Editions of the Roald Dahl classics Charlie and the Chocolate Factory and James and the Giant Peach, now available at bookstores near you. But this isn't even the half of it! There's back covers, spines and flaps too — see the full layout of Charliehere and Jameshere.
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UPDATE 11/9: Unfortunately, Jordan Crane has to cancel his Toronto appearance, but will hopefully reschedule soon... Stay tuned!
We're excited to announce that long-time comics icon Jordan Crane will be making his first-ever appearance in Toronto on Thursday, December 1st! This is not to be missed!
The awesome crew at The Beguiling bookstore will be hosting Jordan at Clinton's Tavern [ 693 Bloor Street ] for a presentation and discussion of his long history in comics and design. The event kicks off at 8 PM, with Jordan being interviewed on stage, and a Q&A and signing will follow. If you forget your copies of Uptight, there will be books to purchase at the Tavern!
And, earlier that day at 5 PM, you can bring your little ones to Little Island Comics for a signing of his new children's book Keep Our Secrets, written and illustrated by Jordan!
And did we mention? Both events are FREE! Who knows how long it will be before Jordan returns to Toronto? Don't miss out -- go meet him while you can!
They'll be signing copies of the new First Second title Nursery Rhyme Comics, an anthology featuring 50 classic nursery rhymes as depicited by 50 of your favorite comic artists. And their original artwork will be on display tonight for the signing!
So, don't sit on a wall and have a great fall, or fetch a pail of water and go tumbling after --- just head to Secret Headquarters [ 3817 W Sunset Blvd, Los Angeles ] tonight at 7 PM!
• Tim Lane's poster for the St. Louis International Film Festival (along with its conceptual inspiration)
• Steven Weissman and Jordan Crane are putting together an elementary school haunted house for some LUCKY KIDS and here's Steven's flyer for it with Jordan's logo for the school (from Steven via email); also from Steven, his latest "I, Anonymous" spot and Stincker sketchin'
• A fun Dave Cooper gig poster for his friend's band (via Facebook)
This is the artwork Jordan Crane has donated to The Divine Invasion, the ongoing efforts to defray the late Dylan Williams's medical expenses through the sale of original art, much of which with a Philip K. Dick theme. It's looking at you, it can read your mind. You have less than a day to cast your bid.
• Review: "As journalist Avery documents in this cohesive biography-cum-first anthology of the onetime Rolling Stone record review editor’s oeuvre [Everything Is an Afterthought: The Life and Writings of Paul Nelson], Nelson was a gifted early practitioner of new journalism and, though a child of the Sixties folk and rock counterculture, one of its most vocal critics.... Reading his inconceivably insightful profiles of Bruce Springsteen, Leonard Cohen, Warren Zevon, and Rod Stewart helps make sense of a needlessly guilt- and disappointment-laden life — here was a hyper-romantic Midwesterner by birth but a New Yorker by necessity who thought he could transcend mundane cruelties by dedicating himself to the popular arts. Seamlessly incorporating the perspectives of Nick Tosches, Robert Christgau, and Jann Wenner, Avery has crafted both a cautionary tale and a celebration of a noir-influenced writer who deserves a place alongside Lester Bangs for his ability to live, always, in the music. Devotees of folk, establishment rock ’n’ roll, and pulp fiction will rue not having discovered Nelson sooner." – Heather McCormack, Library Journal (Starred Review)
• Review: "[Richard Sala's] latest appetising shocker The Hidden returns to the seamy, scary underbelly of un-life with an enigmatic quest tale... Clever, compelling and staggeringly engaging, this fabulous full-colour hardback is a wonderfully nostalgic escape hatch back to those days when unruly children scared themselves silly under the bedcovers at night and will therefore make an ideal gift for the big kid in your life — whether he/she’s just you, imaginary or even relatively real." – Win Wiacek, Now Read This
• Review: "I had the opportunity to do a Q&A panel with Johnny Ryan at SPX last weekend. One of the more interesting parts of discussion was when Ryan said how each volume of Prison Pit had to have a different vibe or theme so that the different books didn’t feel interchangable. That’s certainly true in volume three, as we see the inclusion of a new character, who, while just as violent and vicious as CF, is completely different in attitude and demeanor. Plus, he has one of the most amazing (and utterly grotesque) resurrection scenes I’ve ever seen. There’s also a neat little bit toward the end where it seems like Ryan is heavily drawing upon the Fort Thunder crowd, particularly Mat Brinkman. All in all, it’s another excellent volume." – Chris Mautner, Robot 6
• Review: "This [fourth] volume [of Prince Valiant] covers the most of the WWII years, 1943-44, when the paper shortage was at its highest. As Brian Kane notes in the introduction, this meant creator Hal Foster had to format the strip so parts could be cut for papers that had been forced to shrink their page count.... Still, while no doubt hampered by this new situation, it did nothing to harm his storytelling skills, and Valiant remains a hugely enjoyable action strip, as Valiant battles a variety of ne’r do wells on a quest to find his true love, Aleta." – Chris Mautner, Robot 6
• Review: "I’ve talked at length before about how good the Mome anthology has been, and while I’m sad to see it come to a close, it’s nice to see it end on such a high note. Seriously, this is the best volume of Mome yet, with standout contributions by Chuck Forsman, Eleanor Davis, Laura Park, Dash Shaw, Jesse Moynihan and Sara Edward-Corbett. But really, there’s not a bad story in this entire book. It might seem weird recommending the last book of a series, but if you gotta only read one of these things, this would be the one." – Chris Mautner, Robot 6
• Plugs: "Last weekend, I was at Small Press Expo... and went on a blind spree at Fantagraphics with Four Color Fear, an Alex Toth collection, some books by Jordan Crane and an impulsively bought Jacques Tardi book because CBLDF’s Alex Cox told me I needed it." [Good ol' Alex – Ed.] – Kevin Colden, Robot 6
• Interview: Brian Heater's conversation with Drew Friedman at The Daily Cross Hatch continues: "But a couple of guys claimed that I didn’t get their names right, like Don Rickles. His PR guy contacted us and said, 'he’s really angry. His name is not Archibald, it’s Donald Rickles.' So, we said in the second book 'Don Rickles says his name is not Archibald, so that will be corrected in a future volume.' Sid Caesar was annoyed. He called Fantagraphics and started yelling at Kim Thompson, because he claimed his name is not Isaac. He was on the phone with him for half an hour. He was doing Jewish schtick and German dialect. Kim was amazed."
Director Seth Craven has taken the tender, lovely Jordan Crane comic The Last Lonely Saturday and has turned it into a film! I have not seen it yet, but just the still above is getting me choked up, so that's probably for the best.
Like our tiny 4" X 6" book, the film, too, is a tiny eight minutes.
Like the (nearly) wordless panels of Crane's novella, Craven's movie has no dialogue.
And, like Crane's comic creation... this film will probably make me cry!
The Last Lonely Saturday makes its film debut this Friday, August 12th as part of theHollyShorts film festival at the Laemmle's Sunset 5 in West Hollywood [8000 Sunset Blvd] at 5:00 PM. Bring tissues.
Our weekly strips from Kupperman & Weissman, plus links to other strips from around the web. Running a bit late this week due to your humble compiler being a bit under the weather.
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