Periodic clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• Jason presents two cover illustrations: one for a biography of Henrik Ibsen, the other for a 1989 issue of a Norwegian fanzine (oh yeah, and the cover for his next Fanta collection What I Did is in there too)
"Greetings, stranger of the future. If you are reading this, it means the written word has survived, that the world of tomorrow still exists, and that for some reason my ramblings are still considered worth reading. My name is Mark Twain, and I write these words to you in the good old days of August 2010."
• Richard Sala presents a whole bunch of production, concept, and storyboard art from his animated serial "Invisible Hands" from MTV's Liquid Television, in 4 installments (so far) hereherehere and here, with commentary
A lot of catching up to do with this batch of clips & strips — click for improved/additional viewing and possible artist commentary at the sources:
• A couple of things Bill Griffith has recently shared on Facebook: the rejected first draft of the home screen for the Zippy Comix iPhone app, and a "lost" Wacky Packages design that Bill says is "almost sacrilegious"
Right Thing the Wrong Way: The Story of Highwater Books
October 1st-October 24th
Opening Reception October 1st 6-9pm
Fourth Wall Project 132 Brookline Ave Boston, MA 02215
For seven years (and one miscounted eighth anniversary party) Highwater Books was snobby, high-concept, iconoclastic, poorly-business modeled publishing company that ran itself into the ground. Highwater published books late, promised them and never published them at all and even withheld its books from distributors on principle. The company asked its artists to fold mini-comics and stand behind convention tables and sell their wares to a public that did not know what to make of them. It hatched plans, plots and schemes, and it may have been the most important comic publisher of the early part of the century. Over those seven or so years, Highwater elevated the concept of design in the comics world; It emphasized independent and DIY attitudes in an increasingly corporate society, and it published some of the most important artists in comics. In October, Fourth Wall Project celebrates Highwater and a selection of its artists with a group art exhibition: Right Thing the Wrong Way: The Story of Highwater Books.
Starting with the opening party on October 1st and on view for three weeks, Right Thing the Wrong Way will display new and archival works by the artists central to Highwater Books: Brian Ralph, Greg Cook, Jef Czekaj, Jordan Crane, Kurt Wolfgang, Marc Bell, Megan Kelso, and Ron Rege. Along with the artists work, there will be an installation celebrating the strange history of the company. The organizers (TD Sidell, Emily Arkin, Brooke Corey, Jef Czekaj, and Greg Cook) will construct a mini-museum within the gallery, displaying ephemera (both finished and unfinished), half formed concept pieces, and plain old junk that made Highwater special. In lieu of a traditional catalog the organizers, in conjunction with Bodega Distribution, have put together an oral history of the company that will manifest in a short-run publication (natch!) for the show. Compiled and edited by Highwater artist and Phoenix art critic Greg Cook, the oral history will act as a companion to the show with the artists and "employees" of Highwater telling the story themselves.
• Review: "This is too much of an event to ignore: Fantagraphics, Seattle’s eclectic and prolific comics publisher,... is publishing its first volume of manga — comics that may be Japan’s most popular and influential art form. [...] A Drunken Dream and Other Stories is a four-decade anthology of graphic short stories by Moto Hagio, the 'founding mother' and premiere creator of shojo manga... Does Hagio’s work justify the hype? Her visual storytelling and graphic invention, by turns fluid, crisp, and stately, certainly do. ...Moto’s other later [stories] do indeed raise manga to literature." – Eric Scigliano, Seattle Met
• Review: "...[F]ew comics fans should have difficulty getting into A Drunken Dream and Other Stories... The stories in A Drunken Dream range from weird, powerful allegories... to dreamy tales of love and loss... But the best pieces here focus on memories of childhood, of playmates treated cruelly or parents and children misunderstanding each other. [...] Few stories in the entire history of the medium have been more overwhelming than 'Hanshin: Half-God,' a tale of conjoined twins — one haggard, one gorgeous — and their spiteful, symbiotic relationship. It’s a potent metaphor rendered with the intensity of an EC comic. [Grade] A-" – The A.V. Club
• Review: "Blake Bell’s Strange and Stranger: The World of Steve Ditko set the recent standard for how to put together a coffee-table book about a legendary comics artist, and Bell takes on another innovator of the medium with Fire & Water: Bill Everett, the Sub-Mariner, and the Birth of Marvel Comics... Because Everett didn’t have as long or as consistent a career as Ditko, Bell doesn’t subject Everett’s work to the keen analysis he brought to Strange and Stranger. But he makes up for the diminished insight with page after page of Everett’s vivid, varied work, showing how it all emanated from a man who was a lot like his most famous creation: a destructive antihero, always a little angry at the puny humans around him. [Grade] B" – The A.V. Club
• Review: "...The Complete Peanuts, Vol. 14: 1977 - 1978... shows just how much Schulz was all over the map during that time. [...] This is still a worthwhile volume of Complete Peanuts, though; it has a charming introduction by Alec Baldwin, the usual top-quality production of the whole Fantagraphics reprint library, and some fun story arcs..." – The A.V. Club
• Review: "Only a brain incubated in the warm, nourishing goo of Looney Tunes and vintage Disney cartoons could have produced Sammy the Mouse. [...] As always, Sally’s use of silent panels and dynamic perspectives guide readers’ eyes toward nightmarish horizons and grotesque situations... A grimy, metaphysical malaise drips from every line of Sally’s lush yet unwholesome artwork, especially when he’s plundering the iconography of innocence and youth in the service of disorienting discomfort. [Grade] A-" – The A.V. Club
• Review: At What Things Do, Jordan Crane writes "In the new issue of Love and Rockets (New Stories, no.3), Jaime has a story called Browntown. It just might be the best thing he’s ever done. In fact, I’d go so far as to say, it just might be the best comic I’ve ever read. Its construction is durable yet intricate, a bunch of simple parts working together flawlessly. It’s put together like a watch."
• Review:Guttersnipe's Shawn Conner on the "Counterculture Comix" exhibit at Bumbershoot last weekend, with photos by Robyn Hanson: "Curated by Larry Reid of Fantagraphics Books, it was an eye-popping display, even if you were familiar, as I was, with most of the work..."
Underwood is a new literary audio zine which presents short stories in a 12" vinyl format, a beautiful idea made even more beautiful by Jordan Crane's gatefold artwork for the current edition. Scans and info from Hard Format, link via our own Jacob Covey.
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