Since Fantagraphics and comiXology shook hands that fateful weekend last summer, the hits just keep a-galloping through the gate. Here are the books we have kickin' around in our digital stable ready to be rode hard, combed down and fed oats (in the form of your high-star ratings).
Here's a run-down of the digital comics we currently have available to read on your tablets, iPads, eReaders, myPads, ThinkTouches and more. Click on titles to be taken to their page at comiXology.
Memoirs of the artist's misspent youth. Raunchy, hilarious, and often violent as hell, an unsentimentally nostalgic trip to half a century ago — the anti- Happy Days, set to a true rock ’n’ roll beat. - See more at: http://www.fantagraphics.com/index.php?keyword=cruisin%27+with+the+hound&search_type=titles&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.zYJMZj3B.dpuf7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook.
Note that most of these books are available at your local comic book store or our website in print form but we know you have to save that shelf space. Every Wednesday we have 1-2 new digital releases, sometimes same-day releases as the book. Buy a book for yourself or someone you love today.
* Other People's Publications ** Yeah, You Know Me.
Not only am I thrilled when a new issue of Cometbus comes out, but I'm thrilled to find it on the shelves of our very own Fantagraphics Bookstore & Gallery!
Aaron's up to issue 55 now, wow, and this one boasts a most beautiful wraparound cover by our own Jordan Crane. "Pen Pals" is the story of Aaron and Yula, his Ukranian friend. It's gorgeous, beautifully-written, and I can't believe it's only three stupid bucks.
Get yours while supplies last at the Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
The best looping GIF of Online Commentaries & Diversions:
• Review: Publishers Weekly gives a Starred Review to Messages in a Bottle by B. Krigstein. "Krigstein’s stories are sometimes epic and sprawling, sometimes compressed and confined…His mastery of chiaroscuro, and his dramatic composition and layout, applied across a very wide range of subject matter, are what make this gorgeous collection so essential."
• Review:The AV Club also shows extreme love for the comics of B. Krigstein in his new collection Messages in a Bottle. Noel Murray writes, "Krigstein treated each assignment as a chance to put theory into practice, and even among EC’s formidable roster of stylists, Krigstein stands out as one for whom the words around the pictures almost don’t matter, because the art’s so mesmerizing that it’s hard to pay attention to anything else…"
• Review: The Advocate warms up to the reading of Gilbert Hernandez's Julio's Day. Jacob Anderson-Minshall writes "Hernandez is able to illustrate that those events had a global reach and dramatically impacted the lives of everyone — including the people in Julio’s life…A remarkable accomplishment that is likely to find its way on numerous Best of 2013 lists and garner Hernandez more well deserved awards and accolades, Julio’s Day is, at its heart, a gay story."
• Plug:Philip Nel plugs our latest volume of The Comics Journal #302 and it's interview -- the last interview-- with children's book author and illustrator Maurice Sendak. "Above all, in reading Groth’s interview, it’s great to hear Maurice’s voice — his salty, funny, grumpy, insightful, irascible voice — just one last time."
• Review: Neal Wyatt of the Library Journal looks at the new books coming out this year from Fantagraphics. "Browsing the Fantagraphics spring catalog underscores the myriad of styles and literary approaches that graphic novelists and artists explore—be it Anders Nilsen’s near metaphorical images or Dash Shaw’s crowded and kaleidoscopic landscapes." He singles out Good Dog by Graham Chaffee, The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley by Kim Deitch, Lost Cat by Jason, New School by Dash Shaw ("Known for his frenetic and inventive artwork…") and The End by Anders Nilson.
• Plug: Dash Shaw appeared on Tumblr's Editorial Tumblr. He looks very nice, all working hard on comics and such.
• Plug: The Austin Public Library highlighted two of our books on their blog. On Jordan Crane's The Last Lonely Saturday, Betsey Blanche described as "The artwork is simple – drawn in mostly red and yellow – but full and effective." They also pulled out Lilli Carré's The Lagoon: "It’s another haunting but beautiful book about a family, mysteries, and the power of legends."
• Review:The Comicbook Pusherman looks at 21: The Story of Roberto Clemente by Wilfred Santiago. "…as a comic it absolutely crackles. The art is stunning. Santiago clearly captures baseball's (and Clemente's) unique energy and the Americas of the '50s and '60s and most distinctly the Puerto Rico of the 30s and 40s," says Jeffrey O. Gustafson.
• Plug: Get ready, MoCCA tablers. Gary Groth is on the esteemed jury for the Awards of Excellence starting up this year so reported by The Beat. Bring your A-game books printed on some uncoated paper.
• Plug (video): Our own Publicity Director, Jacq Cohen, is captured on film at Comic Con India on the Wandering Violinist talking about Joe Sacco's Palestine.
• Plug: Peter Bagge writes an article on cartoonist Al Capp at Reason.
• Plug: Bob Temuka and the Tearoom of Despair pick the perfect albeit spoiler of a panel from Hate by Peter Bagge.
• Seattle, WA: Comics collective Intruder will be launching the fifth volume of their quarterly newspaper at Cairo, featuring a cover by our very own Tony Ong, with comics inside by staffer Jason T. Miles, freelancer David Lasky, and former staffer Alexa Koenings! (more info)
The L.A. Zine Fest will be held at the Ukrainian Cultural Center at 4315 Melrose Avenue.
And the night before, Saturday, February 16th, catch Esther Pearl Watson doing a comics reading at the L.A. Zine Fest Reading and Rock Spectacular at Footsies [ 2640 N Figueroa Street ]!
H/T to Kelly Froh of Short Run Seattle for bringing this to my attention!
The wait is over. Jordan Crane's long sold-out Uptight issues #1 and 2 (plus 3 and 4) are now available via comiXology for your eyes' delight. Adult melancholia and delightful all-ages adventures go side-by-side in this versatile, masterful one-man anthology in stunning black and white detail. Each volume has its own jewels like the tragic ghost story "Take Me Home" in Issue #2. A fan of The Clouds Above? Be sure to check out Simon and Jack's continueing adventures in #4. For the low price of $2.99, you can enjoy solid storytelling and exquisitely drawn comics.
"Luscious... elegant... I fairly swooned." – The Comics Reporter
"There's something very friendly and reassuring about his drawing style. Jordan Crane is without a doubt one of the best guys in the alt comix game right now and my only criticism of him is that I wish he turned out more work. Jordan's making the comics that everyone else is trying to make but unlike them, he's succeeding at it." - Nick Gazin, Vice
"It speaks to Crane’s versatility that he can pull off a slice-of-life relationship story and a fable in the same comic book." – Rob Clough, The Comics Journal
The book might not be out until October but you can peruse the table of contents of The Best American Comics 2012, edited by Françoise Mouly, now!
Created by series editors, Jessica Abel and Matt Madden, this year's Best American Comics honors many Fantagraphics authors. Not only is there a Gary Panter cover but the inclusion of Jimbo, Joyce Farmer's Special Exits, Jim Woodring's Congress of the Animals, Jaime Hernandez's Love Bunglers from Love and Rockets, Michael Kupperman as well as Charles Burns, Blab's Nora Krug, Hotwire's David Sandlin, Jordan Crane, Jonathan Bennett, Renee French, David Collier and Chris Ware.
Harold and Maude FINALLY on Criterion AND with cover art by Jordan Crane? Somebody pinch me! (And then gimme 30 bucks so I can run out and buy it when it's released next month.)
"Gilbert's stories are typically excellent in this issue, as he manages a certain luridness in one story that brings sexuality to the fore, and goes the other direction in a more oblique, subtle story. Of course, the story that got everyone buzzing was the second half of Jaime's "The Love Bunglers", which is an ending for this thirty-year cycle of stories--and one where Jaime sticks the landing with authority."
"Huizenga's work is restrained and even playful in its approach but wildly ambitious in terms of its content, and he continues to successfully mine work left untouched by other cartoonists."
"This was Bagge's first feature-length Buddy Bradley story in years, and it's a doozy. Buddy, Lisa and young Harold visit Lisa's parents in a story called 'Hell,' and Bagge truly pulls out all the stops in depicting extreme familial weirdness. His dialogue is as sharp as ever, his line is quite lively and his uncanny ability to depict the creeping weirdness of suburbia is even more disturbing than in the initial run of New Jersey stories in Hate."
"Kupperman's 'Quincy, M.E.' story in this issue is a tour-de-force of twisting narrative structures and just plain crazy silliness. Kupperman's art has become increasingly bland as his aesthetic references have changed from 1920s comic strips to 1950s comic books, forcing the reader to perform double-takes at the crazy juxtapositions he creates. If his comics aren't as visually exhausting and exciting as they once were, he still provides an avalanche of ideas and jokes for the reader to sort through."
• Review: "Norwegian cartoonist Jason has returned with more full-color stories populated by lonely, and at times sociopathic, anthropomorphic characters. Cats, dogs, and ducks steal, fight, murder, and drink themselves into oblivion. Although brimming with black humor, the tales are far from ridiculous; the disjunction between the cute creatures and their actions often serves to highlight the despair inherent in their lives. Text is light, as the images drive the narratives. In these spare, mute panels, infused with flat oranges, greens, and browns, small movements covey great meaning and emotion.... Visually exciting, at times hilarious and at times devastating, Athos in America will only add to Jason’s well-deserved reputation as a star of the graphic novel world." – Publishers Weekly
• Review: "This volume [Amazing Mysteries: The Bill Everett Archives Vol. 1] provides an illuminating look at the artist’s numerous attempts at catching Sub-Marineresque lightning in a bottle for a second time, a task that mostly eluded him. The comics studios of the golden age were product mills that threw any idea against the wall in hope it would stick, and Everett did much the same. Forgotten sci-fi and superhero creations, as well as forays into westerns, historical retellings, and crime comics, populate this loaded volume, which reads like it fell straight out of some four-color twilight zone." – Publishers Weekly
• Review: "Over 150 pages of reprints, a brilliant back-of-the-book by Benson running 26 pages, and an introduction by my old buddy, cartoonist/historian Jay Lynch..., this book is a welcome addition to any comics library.... [I]f nothing else, The Sincerest Form of Parody saves you a lot of time separating the wheat from the chaff. But in and of itself, it is a very worthy book – entertaining on his own, and critical from a historical point of view. You should check this one out..." – Mike Gold, ComicMix
• Review: "[Jordan] Crane’s comic, The Last Lonely Saturday, explores the trials and release of life after loss. Crane’s story beautifully follows a husband’s weekly ritual to pay respect to his wife. In no more than a few pages, Crane retells the husband and wife’s entire history. From the comic’s meticulous book design, with its quaint size and the rounded, hand-lettered type in the first pages, readers can expect the story to be heart-warming. But Crane pulls at readers’ heartstrings with surprising grace. While the story is rooted in the traditional American cliché of lovers reunited in the afterlife, the story is told deftly." – Juan Fernandez, The Tartan (via Robot 6)
• Review: "[Freeway] captures the frustration of being stuck in traffic, particularly the array of images (violent and otherwise) that traffic brings to my mind (even better than Falling Down). Like me, Alex also relieves his frustrations with a lot of swearing." – Gene Ambaum, The Unshelved Book Club
• Plug: "I ran into animator Michel Gagné at the Annie Awards last week (where he picked up an Annie for Best Video Game, Insanely Twisted Shadow Planet) and asked him about his next project. Turns out Gagne had been toiling on a labor of love (literally) that has just gone on sale this week.... That book, Young Romance: the Best of Simon & Kirby’s Romance Comics, is not the usual thing we endorse here at Cartoon Brew – but as a life-long Jack Kirby fan and oddball comic book buff, this project is right up my alley.... I’ve ordered my copy and highly recommend it, sight unseen. Thanks, Michel!" – Jerry Beck, Cartoon Brew
• Plug: "Joe Simon and Jack Kirby created Captain America but they literally created the romance comic genre. The pages [of Young Romance] were packed with dialogue and dramatic art as women fought for love." – Will Harris, KOMO News
![The Last Lonely Saturday [Hardcover Ed.]](components/com_virtuemart/show_image_in_imgtag.php?filename=bookcover_llones.jpg&newxsize=145&newysize=&fileout= "The Last Lonely Saturday [Hardcover Ed.]")
