Fantagraphics Bookstore & Gallery hosts two of the country’s most accomplished young cartoonists on Saturday, August 10. Josh Simmons and Ben Catmull will appear from 6:00 to 9:00 PM to sign copies of recent publications from Fantagraphics Books.
Ghosts and Ruins is Ben Catmull's follow-up to his wildly popular debut Monster Parade. With a rendering style suggestive of Edward Gorey's gothic masterworks, Catmull ingeniously imagines haunted dwellings and the circumstances of their otherworldly occupants. Ghosts and Ruins provides a perfect complement of exquisite art and enchanting narrative. Josh Simmons’ recent collection of short stories similarly explores a sinister world of undiluted horror. By turns macabre and malevolent, The Furry Trap follows in the footsteps of his gripping graphic novel Jessica Farm. Simmons will also sign copies of his equally compelling minicomcs Habit, Training, and Flayed Corpse.
This event coincides with the festive Georgetown Art Attack. Don’t miss the return of the Trailer Park Trannies drag show at the Georgetown Trailer Park Mall along with other colorful attractions throughout the historic industrial arts corridor.
Ben Catmull and Josh Simmons book signing Saturday, August 10, 6:00 to 9:00 PM Fantagraphics Bookstore & Gallery 1201 S. Vale Street, Seattle, WA 98108 Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM 206.658.0110 | www.facebook.com/fantagraphicsbookstore
Prepare to be fully entertained at Fantagraphics Bookstore in the month of August. On Saturday, August 10 we'll host a haunting reception for Ben Catmull and Josh Simmons. Catmull will sign copies of his new book Ghosts and Ruins, while Simmons will sign his recent collection of horror stories The Furry Trap. Frightening fun coinciding with the colorful Georgetown Art Attack. (Catch the Trailer Park Trannies drag show at the Georgetown Trailer Park Mall.)
On Saturday, August 24, Fantagraphics Bookstore welcomes Brandon Graham. The cartoonist behind popular projects like Prophet, Multiple Warheads, and King City returns to his former Seattle home to sign copies of Walrus from PictureBox press.
Don't miss Fantagraphics Follies at the Bumbershoot Arts Festival on Saturday, August 31. This lively variety show in the format of a late night talk show features diverse works from some of the country's most accomplished cartoonists: Jim Woodring demonstrates his giant pen, Ellen Forney takes a turn on the couch, Eroyn Franklin presents a shadow puppet show, Kelly Froh does a multimedia comedy routine, and Danny Bland performs a beat poetry act. Peter Bagge's Can You Imagine? featuring Steve Fisk is the house band and the host is played by Fantagraphics curator Larry Reid. The festival also includes Death Cab for Cutie, the Breeders, the Zombies, Superchunk, Redd Kross, MGMT and many more. Fun! (Oh yeah, them, too.)
Join us this weekend at CAKE at Center on Halsted in Chicago from Saturday, June 15 through Sunday, June 16th! Table 13-14 is the place to be. We're pumped to announce our special guests, Kim Deitch, Ben Catmull, Charles Forsman, Leslie Stein, Josh Simmons, Tom Kaczynski, Lilli Carré, and Noah Van Sciver! Check out our lush signing schedule:
Our artists will be partaking in programming throughout the weekend, so check out their panels! - See more at: http://www.fantagraphics.com/index.php?option=com_myblog&show=Fantagraphics-at-Stumptown-Comics-Fest-2013-in-Portland.html&Itemid=113#sthash.R89fGTf6.dpuf
We have some lip-bustin' new books to debut at CAKE.
Our cartoonists will be partaking in programming throughout the weekend, so check out their panels!
On Friday, June 14th Kim Deitch has a signing from 6pm-8pm at Chicago Comics. (3244 N Clark)
Saturday, June 15th
Noon-1:00pm // Chris Ware: Special Guest Chris Ware is the author of Jimmy Corrigan - the Smartest Kid on Earth, which received the Guardian First Book Award and was included in the 2002 Whitney Biennial of American Art. His most recent book, Building Stories, was voted a 2012 Top Ten Book of the Year by the New York Times, Time Magazine and Publishers Weekly. Jake Austen, editor of the vital and influential Chicago cultural magazine Roctober, will host Mr. Ware in conversation, speaking on Ware's career and his connection to Chicago and its living comics history.
3:00 - 4:30pm // Eyeworks: Parallel Lines: The Eyeworks Festival of Experimental Animation is a film festival with a focus on abstract animation and unconventional character animation. The festival programs showcase outstanding experimental animation of all sorts: classic films, new works, and rare masterpieces. Founded in 2010 byAlexander Stewart (Library Book, Sideral) and Lilli Carré (Heads or Tails, The Lagoon), Eyeworks is held annually in Chicago, with additional curated programs presented in Chicago and other cities throughout the year. The Eyeworks program showing at CAKE this year, Parallel Lines, features animated work that highlights an overlap between alternative comics and experimental animation. The screening will include both classic and contemporary works on this theme, showcasing narrative and graphic parallels between the two forms. Immediately following the screening there will be a Q&A, with presented animators Kim Deitch, Kevin Eskew, and Leif Goldberg.
Sunday, June 16th
12:30 - 1:30pm // Mega-Solutions to Micro-Publishing: Oily Comics: In the current expansion of the micro-publishing field, Special Guests Oily Comics is a premiere imprint. Operated by Chuck Forsman (The End of the Fucking World, Snake Oil) and Melissa Mendes (Lou, Freddy), Oily Comics features some of the best talent in alternative comics. Joining them on stage will be fellow Special Guest Michael DeForge (Adventure Time, Elizabeth of Canada, Lose), and German cartoonist, Anna Haifisch (The Buddies, Future Tense). CAKE co-organizer Max Morris will moderate this exciting discussion.
2:00 - 3:00pm // Kim Deitch: Special Guest Kim Deitch came from a legacy in the animation field and continues to form a legacy of his own. From the hey-day of the undergrounds, through the breakthrough of Raw, Kim Deitch remains a seminal force in alternative comics. Deitch will be speaking about his new book, The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley, out this year from Fantagraphics. He will be joined by Caitlin McGurk (Good Morning You), librarian at the Billy Ireland Cartoon Library and Museum.
3:30 - 4:30pm // Intimate Anxiety: Beyond the shock tactics of portraying "inappropriate" subject matter in comics, we find the medium is exquisitely suited for grappling with explicit content, unchained from the trappings of taboo. Intimate Anxiety focuses on three artists' ferocious visions of sex and death, made all the more visceral through gorgeous and painstaking details. Special Guest Phoebe Gloeckner sets the standard for work that probes these realms. From her experimental memoir, Diary of a Teenage Girl, to her iconic illustrations for RE/Search to her current work dealing with the ongoing femicide in Cuidad, Juárez, Gloeckner continues to confront difficult realities with groundbreaking graphic integrity. Julia Gfrörer's art vibrates off of the page while crafting oblique erotic worlds laced with terror. Through sparse text and a perfect sense of visual timing, Gfrörer's comics, such as Too Dark to See, Flesh and Bone and Black Is the Color bring language to the unspeakable. Joining them will be Special Guest Heather Benjamin, whose obsessively rendered drawings aim straight for the jugular vein. Author of the cult art zine Sad Sex and contributor to the prolific output of Collective Stench, Benjamin's art delves headfirst into complicated scenarios that are emotionally fraught and sexually feral. Moderated by Caroline Paquita, author of Womanimalistic and founder of Pegacorn Press, Intimate Anxiety is a conversation about the power and truth that lies within impropriety.
So come visit Jacq and all our cartoonists at tables 13-14 this weekend at CAKE! 3656 N Halsted, Chicago, IL 60613
The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read iek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."
The sweetest tea of Online Commentaries & Diversions:
• Review:The Atlantic writes on The Heart of Thomas by Moto Hagio. Noah Berlatsky looks at it from every angle, "The boys' love genre, then, freed Hagio and her audience to cross and recross boundaries of identity, sexuality, and gender…Bodies and character flicker in and out, a sequence of surfaces, tied together less by narrative than by the heightened emotions of melodrama—jealousy, anger, trauma, desire, friendship, and love in the heart of Thomas."
• Plug: David Brothers and Comics Alliance posts a preview of The Heart of Thomas plus a few thoughts on Moto Hagio that works outside of his comfort zone. "What there is, though, isdrama. No -- it has melodrama…the sheer level of theatrical drama in this book is enough to keep a skeptic hooked…Heart of Thomas is a trip, and a good one. I wasn't expecting to enjoy it as much as I did, and it was nice to enjoy something outside of my usual comfort zones."
• Plug: Johanna Carlson of Comics Worth Reading is ready for the world to read The Heart of Thomas by Moto Hagio. "This solid hardcover contains the entire classic shojo series, and it’s a must-read for anyone interested in the development of the genre. It’s also surprisingly gripping in its own right…"
• Review: Chris Mautner interviews Jim Woodring's Problematic on Robot 6. "Problematic is both a stroll through Woodring’s unique imagination and an opportunity to see his working process" and Woodring thinks "having a pocket sketchbook on me at all times means fleeting impressions and ideas that might otherwise be lost are captured…Everything I draw is reality-based."
• Plug:BoingBoing is ready for Jim Woodring's Problematic to come out. "There are many reasons to be grateful to be alive, and owning this brand new facsimile edition of artist Jim Woodring's Moleskine sketchbooks is as good as any," says Mark Frauenfelder.
• Interview/Review:Publishers Weekly looks at 7 Miles a Second, and Grace Bello interviews artists James Romberger and Marguerite Van Cook on writer David Wojnarowicz, the gay activist who wrote the comic before dying of AIDS-related complications. Romberger is quoted, "It really is so much about what David was about, channeling his anger into a statement…" "The gay experience is not only 'less invisible'—it’s on prime time TV. But the feral energy and raw hunger in 7 Miles a Second still resonate" states Bello.
• Review: Jason Sacks of Comics Bulletin presents 20 Facts and Opinions on Joe Kubert's Weird Horrors & Daring Adventures, edited by Bill Schelly. "Schelly and the always sterling Fantagraphics production team do a nice job of preserving the look and feel of these comics…the master cartoonist was equally at home doing broad humor as intense action/adventure as well as lighter, Archie-style teen humor."
• Review:Comics Alliance and Caleb Goellner continues their Best of 2012 series with Prison Pit Book 4by Johnny Ryan. "It was like looking at a baby book of bad ideas from boyhood as an adult who'd learned to function in polite society…it's bliss to kick back and watch humankind's most immature impulses play out in the safety of Ryan's Prison Pit."
• Review:The Weekly Crisis lists its Top 10 books of 2012 and Johnny Ryan's Prison Pit Book 4 lands at #2. Taylor Pithers states "he is interested in is fighting and hyper violence, which to be fair, would be more acceptable to the masses if it was drawn by Ivan Reis or another one of Geoff Johns' collaborators…Honestly, there isn't a comic that has given me more belly laughs in my entire life."
• Review: Comiks Debris posts its Best of 2012 books and Johnny Ryan'sPrison Pit Book 4 comes in as #8.Marc-Oliver Frisch writes "structurally, Prison Pit reminds me a lot of Jarmusch's The Limits of Control… The artwork looks ugly, crude and perfunctory. The characters eat, shit, fuck and, most of all, fight their way through the book…It's one mean, sick motherfucker of a comic, and I can't wait what happens next."
• Plug: Tucker Stone on The Comics Journal rates his top comics of 2012. Prison Pit Book 4by Johnny Ryan comes in at 18. "…it’s hard to explain how intense the surprise was for a follower of Angry Youth and Ryan’s humiliation comics to open that first Prison Pit…"
• Review:Delphine by Richard Sala gets reviewed on Comic Book Resources. Kelly Thompson claims, "One part comic book and one part fever dream…Rare is the opportunity that I'm so engaged I consider yelling at an inanimate object such as a book…Delphine is also a nice contrast to the unrelentingly bright and happy fairy tales that are so often seen when it comes to modern reinterpretations of those early dark tales."
• Review:The New York Journal of Books thumbs through Spacehawk by Basil Wolverton. "Basil Wolverton rises to the occasion and gives the reader a detailed and hilarious look at megalomania while throwing in some fantastic aerial fight scenes…Fantagraphics Publishing brings Wolverton’s art to the reader in as detailed and perfect a form as possible. Each wave of space, every geometric shape and all the incredibly ugly aliens look better than they ever have in their entire lives," writes Mark Squirek.
• Review: Crave Online looks at Spacehawk by Basil Wolverton. "This is the medium when there were no rules, no event series and no giant corporations standing watch over what the creators were doing. If you love the Golden Age, science fiction and adventure, nothing compares to the world Basil Wolverton put together for Spacehawk," writes Iann Robinson.
• Review: The Weekly Crisis lists its Top 10 books of 2012 and Josh Simmon's The Furry Trap ranks as #1. Taylor Pithers writes, "The Furry Trap is pure exploitation; violent, disgusting, and bound to make you feel uncomfortable but it also does what the best fiction is meant to, it stays with you long after you have put the book down…Simmons is a cartoonist of the highest caliber. This is not a book for the faint hearted, but if you can stomach it will be a true experience."
• Review:NPR and Glen Weldon write on Books of 2012 they haven't told you about. Heads or Tails by Lilli Carré "The whole collection has the feel of a dream in which remembering how to fly is as simple as forgetting that you can't."
• Review: Noel Murray and The A.V. Club write about the Top 10 Fiction books of 2012. Heads or Tails comes in at #7. "Lilli Carré’s stories are like dreamy what-ifs that take the familiar and tweak it."
• Plug: Whitney Matheson of USA Today's Popcandy mentions her favorite things including Heads or Tailsby Lilli Carré: "…a lovely volume from one of my favorite cartoonists that includes several beautifully strange short stories. I'm a longtime fan and even have a framed Carre print hanging in the baby's room."
• Interview:The Comics Journal interviews Ron Regé, Jr. on The Cartoon Utopia, evolving comics and more. Regé on his book, "People should use bibilomancy—randomly opening to a page—to access the information if they’d like. Nothing in the book tells you to treat it that way, but I think people will get the idea anyway."
• Interview (audio): Erik Davis and Expanding Mind interview Ron Regé, Jr. on the radio about The Cartoon Utopia! Adventure indeed.
• Review:Comics Bulletin and Jason Sacks investigate Blacklung. "Chris Wright seems to channel Melville or Conrad in this book as he explores the uniquely idiosyncratic world that he creates…nobody has ever created characters that look like the characters in this book, with their strange faces and lumpy, malformed bodies…This slim graphic novel is a dense read unlike anything else you've read in comics."
• Review: Noel Murray and The A.V. Club write about the Top 10 Fiction books of 2012. Athos in America is #5. "Jason’s blank-faced animal-headed characters reveal unexpectedly deep passion via deadpan tales of dislocation."
• Review: Sonia Harris of Comics Book Resources places Love and Rockets: New Stories #5 by Jaime Hernandez and Gilbert Hernandez as #5 of her Top 16 Books of 2012. Harris says,"Watching these people’s lives change on the page, along with the gradual evolution of the Hernandez brother’s art and writing is the closest thing to real life created in a comic book. Nothing on the screen could ever compare to the life and complexity these two men breathe into their characters year after year with such consistent quality and affection."
• Plug: Tucker Stone on The Comics Journal rates his top comics of 2012. Jaime and Gilbert Hernandez have cause to celebrate as Love and Rockets:New Stories #5makes it at #13. "It was great, and of course it was, because it’s them, and it was great for all the same reasons you’d expect it to be…"
• Review:NPR and Glen Weldon write on Books of 2012 they haven't told you about like Wandering Son by Takako Shimura. "Wandering Son is not the kind of manga in which a happy ending is guaranteed… You'll thus be grateful for the moments of realistic, untempered joy Shimura allows her two protagonists here, as you wait with nervous anticipations for the travails that lie ahead for them…"
• Review:Manga Bookshelf recounts its Favorite Manga Series of 2012 including Wandering Son by Takako Shimura. "This series about two transgender children in modern-day Japan has been a favorite since it debuted last year thanks to its delicate, truthful storytelling and understated artwork…Its most recent volume (three) goes a bit darker and deeper, only heightening my interest in the series" says Melinda Beasi.
• Review: Noel Murray and The A.V. Club write about the Top 5 Archival books of 2012. Harvey Kurtzman's Corpse on the Imjin! landed at #1. "Kurtzman book is especially stunning, almost like a coffee-table art-book combined with a literary collection…an anthology with a strong individual perspective that tries to tell the truth about what war is like from the point of view of the people on both sides of the battlefield."
• Review: Noel Murray and The A.V. Club write about the Top 5 Archival books of 2012. Ernie Bushmiller's Nancy Is Happy: Complete Dailies 1946-48: "bristle-headed Nancy and poor slob Sluggo inadvertently irritate the grown-ups in their lives, in scenarios that Bushmiller illustrated with absurd visual gags—so basic that anyone, anywhere, at any time, could get the joke."
• Review: Nick Gazin of VICE has a pretty fuckin' fancy (his words) edition of The Clouds Above by Jordan Crane. "Jordan Crane is a cartoonist with supreme abilities. He's great at making lines, hand text, and backgrounds and stuff…This is beautifully colored also. Did I mention Jordan Crane's great color sense? His colors are good."
• Review: Steve Donaghue enjoys Prince Valiant Vol. 1 by Hal Foster on Open Letters Monthly. "The ambition becomes most emphatic the more you scrutinize the work. Foster often said he put in between 50 and 60 hours a week on creating the strip, and it shows in these magnificent reproductions, done in a sturdy hardcover with oversized pages and entirely restored colors and shadings."
• Plug:Record Collector magazine (UK) picks Listen, Whitey! by Pat Thomas as one of the top 12 books of 2012. "A socio-polictal account of American racial struggles...an extraordinary study of the way the message of [the Black Panther] movement was recounted and defined on vinyl. "In-depth" doesn't begin to describe it."
• Plug: Tucker Stone on The Comics Journal rates his top comics of 2012. Dungeon Quest 3 by Joe Daly makes the mark at 17. "in times like these, with sandwiches like mine, you have to root for the one who brung you, and that’s dick jokes. Dungeon Quest had so many of them, and they were all wonderful."
Happy New Year's! Here's to a great year of books and the next year and the year after that. We salute you and thank you for your friendship and purchases. Some of you sent in photos reading books from this year (and a few past ones).
The most returned sweater of Online Commentaries & Diversions:
• Interview: Tom Spurgeon of the Comics Reporter interviews cartoonist Carol Tyler about her You'll Never Know series about her father, WWII and family bonds. He starts of the interview right, "You've lived with these books for a very long time. How did it feel to get some closure on this work?". Click here for the answers and more.
• Review:Comics Bulletin looks at You'll Never Know Book 3: Soldier's Heart by Carol Tyler. Jason Sacks states "You'll Never Know is a breathtaking graphic novel because Carol Tyler is honest enough to know that stories are seldom as tidy nor as dysfunctional as they seem on TV…It's a tremendously real story straight from the heart, told by a master cartoonist."
• Plug:Comic Book Resources and Brian Cronin investigate the legend around the FBI examining Pogo comic strips searching for hidden messages.
• Plug: Geekosystem has suggestions for our 20% sale like Pogo by Walt Kelly. "Are you a Calvin and Hobbes fan, dear reader?…If you are a fan, we’d point you towards one of the strip’s inspirations, Walt Kelly’s classic Pogo cartoons. By turns razor-edged political satire and old-fashioned slapstick comedy gold, these strips are being given their due."
• Review:Reality Studio looks and relooks at Observed While Falling and The Lost Art of Ah Pook Is Here by Malcolm McNeill on his collaboration with William S. Burroughs. Jan Herman writes "Observed While Falling brings a fresh analytical eye to the familiar Burroughsian fixations — synchronicity and doppelgangers, control systems, the word as virus, the number 23 — that dominate this memoir, while still offering a straightforward chronicle of the author’s relationship with le maître. Luckily for us, McNeill is an artist who can write. Really write.…the hard work, the exhilaration and, ultimately, the frustration of a project that failed to achieve its original goal — is largely treated with brilliant introspection and loving grace."
• Review:Forbidden Planet International continues their Best of 2012 lists. Douglas Noble places Chris Wright's Blacklung on the list. "Unforgettable, and Wright's beautiful, scratchy art is a treat, like EC Segar working with Yuichi Yokoyama designs."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. On Walt Disney's Mickey Mouse: House of Seven Haunts by Floyd Gottfredson, Chris Sims writes, "They're one of the few things that I get excited about to the point of giddiness, and House of the Seven Haunts! was the best volume yet…It's one wild adventure after another, and they're all done with an incredible skill that still holds up almost 80 years later."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. The Furry Trap by Josh Simmons makes the list "The faux-Batman comic, which details the Bat's horrifically misanthropic ways, might be a reason to check out the contents of this hardcover collection of Simmons stories, but the entire volume is full of troubling tales worth your attention…The unexpected happens, consistently, and that's about the only thing you can be sure of," states Tim Callahan.
• Plug:NO releases its Best Comics of 2012 list and Sean Collins breathtakingly writes about The Furry Trap, "Josh Simmons shits in your heart, again and again in ways that grow exponentially more refined and chilling as the book progresses. A perfect statement of rancid intent."
• Review:Comics Alliance announced their Stephanie Brown Memorial awards. Designer Dylan Todd writes on Barack Hussein Obama by Steven Weissman. "There's something vaguely Peanuts-esque at work here, with a cast of recognizable characters… all with their own quirks and personalities, all delivering punchlines while the specter of death and soul-crushing doubt hangs over their heads. It's funny, but like any good comedy, it's tied up in uncomfortable and relatable truths…It's surreal, nonsensical, and a little depressing -- so, huh, maybe it's an accurate portrayal of political life in the 21st century after all."
• Review: Timothy Callahan of Comic Book Resources looks back on 2012 and Steven Weissman's Barack Hussein Obama is #20 on his Best Of list. "It's just such a fragmented work of narrative, but Weissman plays with repetition and transformation in a near-musical way, and that ends up mattering most…This comic is difficult to discuss without sounding ridiculous, but I can't stop thinking about its unsettling strangeness."
• Review:Paste Magazine's guest writers Nathan Bulmer and Kevin Huizenga pick out some of our books as the Best of 2012 including Steven Weissman's Barack Hussein Obama, Jason's Athos in America, and Chris Wright's Blacklung. Bulmer looks at Weissman, "I have so many feelings about this book. This, to me, is the most gorgeous book of the year and is one that I will be returning to often."
• Plug: Geekosystem has suggestions for our 20% sale like Athos in America by Jason. "Fact: New Jason books are weird, funny, and always bring something new and unexpected to the table. Conjecture: This book probably deserves a place on your shelf…"
• Review: KC Carlson of Comics Worth Reading dives not into a vault of money but Carl Barks' books. While reading Uncle Scrooge: "Only a Poor Old Man"she can't help but write,"One way or another, all of these stories are classics (if not masterpieces) of early comic book storytelling. And not just for kids." When flipping to Donald Duck: "A Christmas for Shacktown" Carlson notes,"It’s probably one of the least sentimental Christmas stories around (and thus a favorite of many fans). It features an early example of Scrooge’s lack of charity, counterbalanced by his steadfast work ethic…I can’t say enough about how much I love these new Fantagraphics collections of this 'should always be in print' Carl Barks material."
• Review: Andrew Wheeler over at Anticks Musings enjoys Peanuts Vol. 17: 1983-1984 by THE Charles M. Schulz. Wheeler states, "they're reliably funny and occasionally moving. The deep sadness that used to manifest in Charlie Brown now comes up, less rawly, . . . For work done by the same one man, day after day, more than thirty years after he started that project, that's not just impressive, it's amazing."
• Review (video): Jon Longhi in episode 2 of Having a Book Moment features Spacehawk by Basil Wolverton "who was an amazing underground cartoonist with exp, surrealist view of reality that created some of the I think, most unique comics ever invented. . ."
• Review:Robot 6 enjoys SpacehawkbyBasil Wolverton. Chris Mautner writes "Wolverton’s Spacehawk has a vitality — at times it practically throbs with life — that the more static Stardust simply does not have. Spacehawk not only the best reprint project of the year, it’s the best reprint project of the past several years. It’s a revelation."
• Review:Comics Alliance announced their Best Comics of 2012. Basil Wolverton's Spacehawk "remind[s] you of some kind of Buck Rogers Technicolor serial as designed by Robert Crumb…Spacehawk is the freakishly charming sideshow to the more popular main event, but everyone who's seen its wonders would find themselves bored with what the guy in the big hat in the center ring is babbling on about," writes Tim Callahan
• Review:Comics Bulletin and Jason Sacks give Spacehawk by Basil Wolverton a rating of 4.5 outta 5 stars. "This book is really fucking exhilarating and awesome and eye-popping, and you have to add it to your bookshelf if you loved I Shall Destroy All the Civilized Planets…Spacehawk is lunatic, manic genius."
• Review:Delphine by Richard Sala gets BoingBoinged. Mark Frauenfelder writes, "I've long admired the gothy work of cartoonist Richard Sala. He delicately balances the line between horror and humor as few can. His latest graphic novel, Delphine, is his darkest effort to date."
• Review: Comic Book Resources counts down the Top 100 Comics of 2012 and includes The Hypo by Noah Van Sciver at #54. Brian Cronin states "Van Sciver spotlights a fascinating time in Lincoln's life where he barely resembles the man who would one day become one of the most famous presidents in U.S. history…The artwork is strong, as is the research." Cronin's own Top 10 Comics of 2012 listed Van Sciver at #2.
• Review:Panel Patter lists the Favorite Graphic Novels of 2012 and Noah Van Sciver is #2 for The Hypo. Rob McMonigal writes "Given that Van Sciver specializes in characters who are at their wit's end and have horrible things going on in their lives, he's picture perfect in his presentation."
• Interview: Tom Spurgeon interviews editor and fan Marc Sobel on living life breathing Love and Rockets at the Comics Reporter. Sobel started writing, critiquing the Hernandez Brothers work, interviewing them that led to writing and co-editing The Love and Rockets Reader and The Love and Rockets Companion, coming out next year.Sobel pondered, "I decided to read Love & Rockets in its original format and blog about each issue as a way to teach myself about one of the medium's classics while still keeping active as a writer."
• Review:Comic Book Resources counts down the Top 100 Comics of 2012 and #35 is Love and Rockets: New Stories #5. "…the Bros turned in another installment of comics that are simultaneously agonizing to witness and darkly funny while they’re serving up stone-cold dramatic situations," writes Brian Warmoth
• Plug:Gilbert Hernandez receives some attention from Sean T. Collins at Carnival of Souls in regards to upcoming Julio's Day and D&Q's Marble Season. "A now-completed collection of work he serialized during Love & Rockets‘ second volume and a pseudoautobiography, these could send him in the direction of critical and audience reappraisal that the outré sex and violence of his recent comics have denied him."
• Interview (video): As part of the 30th Anniversary celebration, Vegas Seven posted a short interview with Gilbert and Jaime Hernandez conducted at Alternative Reality Comics in Las Vegas.
• Plug: Glyn Dillon writes the Best of the Year 2012 for Forbidden Planet International and shares the love for Jaime Hernandez's God and Science. "I'm not really a fan of the super hero genre, but he delivers it in such a fun way, it's hard to resist it's charm. It almost feels as though it's from an alternative universe, a universe where super hero comics are good."
• Review:The Chicago Tribune gets all fancy to read our EC Library Comics: Corpse on the Imjin by Harvey Kurtzman and Came the Dawn by Wallace Wood. "Kurtzman often evinces a grim humor in these war comics, they don't elicit laughs. His beautiful line-work — thick black strokes and quick black curves — captures the grit of battle and its aftermath: Corpses reach up from rubble, cones of fire erupt from gun barrels." Michael Robbins continues, "Wood's alternately claustrophobic and desolate brushwork lurches into life: spreading puddles and slanting rain, Rock Hudson jawlines and Jane Wyman curves, vertiginous angles, hallucinatory things with too many eyes."
•Plug:NO releases its Best Comics of 2012 list and Sean T Collins recommends Prison Pit 4 by Johnny Ryan. "Choose your monsters-transforming-and-pursuing-ultimate-murder poison: if you favour grossness, reality-breaking sci-fi and heavy manga inflections, go with Ryan."
• Plug:Michael Kupperman'sTales Designed to Thrizzle #8 is ranked 81 out of the Top 100 Comics of 2012 according to Comic Book Resources. "The latest 'Tales Designed to Thrizzle' very well might be the funniest edition of the annual comic yet! Kupperman's outrageously unpredictable sense of humor is on full force in this issue" states Brian Cronin. Cronin's own Top 10 Comics of 2012 listed Kupperman at #4.
• Review:Comic Attack bangs out the Best 15 All-Ages Titles of 2012. Hal Foster's Prince Valiant is on the list as Drew says "the detail and quality of the art alone along with the more literary form of narration provided the base and inspiration for dozens of artists and imitators after that, all these years still being just as entertaining as when first published, here from Fantagraphics never looking as good as collected before."
• Review: Nick Hanover of Comics Bulletin sits awhile with Tom Kaczynski's new book. Beta Testing the Apocalypse "is weird as all fuck and funny as all shit, a Singles Going Steady for the art comix crowd that merges Burroughs' cut-up commentary with Ballard's keen tech consumer insight and siliconic wit…is where we should be looking if we want to know what comes next, if we want to discern which hip priest had their ear closer to the ground."
• Interview:The Comics Journal's Tim Holder interviews Tom Kaczynski (cartoonist of Beta Testing the Apocalypse)on his comics and publishing endeavors.
• Plug: Jade at the D&Q Bookstore holds onto some serious love for Lilli Carré's Heads or Tails. "Her stories always incorporate some sense of magic realism, where bizarre occurrences are treated as if they were just another aspect of daily life. Equally impressive is Carré’s artistic versatility, always finding the appropriate style, palette and medium to tell her dreamy tales."
• Review:Cosmic Comix reviews The Crackle of the Frost by Mattotti and Zentner. "The story itself is amazing. It’s a story about loneliness, loss, and, most of all, fear…It’s a rare feat in which the words, although separate from the picture, are in perfect synch with it… If you are looking for a book that truly pushes the comics medium, then this is the book for you," writes David Lee.
•Review: Music magazine Ugly Things Issue 34 reviews Kevin Avery's book. Alan Bisbort writes "Everything is an Afterthought would, in another age, be considered 'essential reading' for anyone even remotely hip…these bokos remind us of how deeply some people cared for the music and its larger pop culture that many of us now take for granted."
• Plug: Geekosystem has suggestions for our 20% sale like Joe Sacco's book. "Safe Area Gorazde is a great introduction to his work and to the concept of comics journalism as a whole. This new special edition with notes from the author, updates on the characters, and a behind the scenes look at the creative process is must-own material.
• Plug: Geekosystem has suggestions for our 20% sale like I Shall Destroy All Civilized Planets by Fletcher Hanks. "Weirdness on the highest scale prevails in these collections…these delightfully strange relics deserve a place in the library of any comics art history completist or student of the medium."
• Plug: Filth and Fabulations looks at books for 2013 and The Astonishing Exploits of Lucien Brindavoine by Jacques Tardi is on there. "This book is perhaps a slightly less mature piece than some of Tardi's later self-authored work, but it is filled with a vibrancy and a dark humor that makes it a thing not to be missed, especially so for those who enjoy his amusing riffs on traditional genre pastiches, with a nice dose of violence and sarcasm thrown in". In addition to Goddamn this War! by Tardi and Jean-Pierre Verney. "It looks very promising, and seems to be more of a single narrative spanning the entirety of the war, rather than the looser vignette-style format of the earlier book."
The last peanut of a day of Online Commentaries & Diversions aka the news you missed while present shopping, latke eating and flying:
• Review: The Comics Journal and Rucker crack the two books focusing on Malcom McNeill and William S. Burrough's artistic collaboration, Observed While Falling (the memoir) and The Lost Art of Ah Pook is Here. (the art book) "The art is awesome, the memoir is engaging. . .Ah Pook is in a characteristic style of Burroughs’s middle period. He mixes a true-adventure story with bitter anti-establishment scenarios, gay sexual fantasies, science-fictional visualizations of chimerical mutants, and apocalyptic visions of a biological plague. . .The results are staggering—the best pictures of dicks that I’ve ever seen. . . ."
On the memoir "One of the pleasures of McNeill’s memoir, Observed While Falling, is reading about hear about his conversations with Burroughs. Old Bill laid down some tasty aphorisms. . . Ah Pook is a word/image virus. Study these new books and enjoy the disease."
• Interview:Jaime and Gilbert Hernandez of Love and Rockets are interviewed by Tim Hodler, Dan Nadel and Frank Santoro on The Comics Journal. Jaime talks about becoming more popular cartoonists, "So Gilbert and I kind of set up our own ground where we go. We go, you love Raw? Raw’s East Coast? Love and Rockets is West Coast. And they go, 'So West Coast is primitive and old-fashioned?' Fine. It’s not art school."
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On the Love and Rockets Library Collection, by Gilbert and Jaime Hernandez Andy Khouri states, “This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order."
• Review: Douglas Wolk reviews Harvey Kurtzman’s EC stories in Corpse on the Imjin! for the New York Times. "Kurtzman’s writing could be bombastic — nearly all of these stories’ titles end in exclamation points — but, as the United States became mired in the Korean War, his reeling disgust at the horrors of war (and his thick, slashing brush strokes) made for shockingly bold rhetoric."
•Review:The Atlantic lists Mark Twain's Autobiography 1910-2010 by Michael Kupperman as one of The Best Books I Read This Year. Chris Heller says "Kupperman’s brilliance isn’t just in his humor, though. Mark Twain’s Autobiography is meant to be read in small doses, no more than half a dozen pages at a time. Trust me: You don’t want to gorge on a book that’s this weirdly amusing. But after a peek into Kupperman’s hysterically twisted mind, you’ll keep wanting to go back for more."
• Review:Comics Bulletin releases its 2012 Best Graphic Novel List and The Hypo by Noah Van Sciver makes it. "Van Sciver's toolkit includes the pens and pins of pathos and pain, self-doubt and angst, as much as it contains determination and fortitude. The Lincoln of The Hypo transcends his time, place, and even (or maybe especially) his name. . . It stands as a true example of the capabilities of this medium to deliver stories in a truly visceral manner," writes Daniel Elkin.
• Review:Unshelved comics review The Hypo by Noah Van Sciver. Gene Ambaum writes,"The mood of Lincoln’s life in Springfield, Illinois, is well-expressed via the rough-hewn, cross-hatched skies, floorboards, and backgrounds."
• Review: Tim Callahan has nothing but love for Spacehawkby Basil Wolverton on Comic Book Resources. He states, "Wolverton's world is a weird and ugly and beautifully innocently horrible charmingly delightful one, and it has more in common with the absurd genre riffs from something like Pendleton Ward's Adventure Time or Jesse Moynihan's Forming or Tom Gauld's Goliath than it does the bland superhero melodrama of 'Marvel Mystery Comics'."
• Review:Comics Bulletin's Favorite Reprints Books of 2012 include Gary Panter's Dal Tokyo and our Carl Barks reprints. In reference to Carl Barks' Uncle Scrooge and Donald Duck, "I would not hesitate to say that Fantagraphics’ reprints of Barks’ Duck comics may very well be the best collection series that any comic company is doing today! . . Each story is funny, smart and just plain fun and Fantagraphics treat each and every panel on the page with care and detail," states Nick Boisson. Jason Sacks writes "[Dal Tokyo is] a freaking godsend from the reprint editors at Fantagraphics because it unearthed an amazing, surreal, brilliant lost classic that's like an artifact from some amazing parallel dimension.. . Readers are asked to bring our perceptions to these pages, to bring our intelligence and passion and appreciation for abstraction and love for everything that feels different and yet the same as everyday life."
• Review:School Library Journal files Walt Disney's Donald Duck: A Christmas for Shacktownby Carl Barks in the Dewey (Huey and Louey) decimal of their hearts. J. Caleb Mozzocco says "[It] features another 200 pages of master cartooning from 'The Good Duck Artist' in a nicely produced bookshelf- or backpack-ready hardcover edition. . . the Barks books are great comics for kids and adult fans of the medium."
• Review: Uncle Scrooge: Only a Poor Old Man makes the Best of or Our Favorite Books of 2012 list on the Village Voice. Alan Scherstuhlstates, “Sprightly, inventive, wise, and more exciting than 60-year-old-duck tales should be, Barks's work already stands at the top of any list of history's greatest comics. It should also rank high among stories, period.”
• Review:Brooklyn Based thinks Sexytime edited by Jacques Boyreau is for youand suggests books for reading and giving. "This book is a journey into the aesthetic of porn," states Jon Reiss.
• Interview: Alex Dueben interviews Lilli Carré on Comic Book Resources about comics and animation. "I loved designing and arranging the [Heads or Tails]. Figuring out which pieces to include and the best order for them took quite a while, since I wanted each story to speak to the one before and after it, and to have a good flow despite the shift in styles. It was like making a high-stakes mix tape."
• Review: North Adams Transcript and John Seven look at Heads or Tails by Lilli Carré. "The multi-faceted Lilli Carre -- author, illustrator, animator -- presents stories that are as gentle as they are cryptic, in which the darkness of her themes meld perfectly with the sweetness of her style. . .Carre’s short work is collected and celebrated, revealing a creator of power, easily on the level with lauded types like Chris Ware."
• Review:Hooded Utilitarian makes it through Josh Simmons' The Furry Trap (probably with all the lights on in the house). James Romberger writes it is “packed cover to cover with shudders that cannot be anticipated, that grow worse as they progressively become less clearly defined. The last narrative is the most frightening because it is a straightforwardly articulated bit of cinematography on paper that, as with the most effective of suspenseful creations, gains in impact from what is never shown, the reader’s mind having already been prepared by the foregoing tales to expect the worst.”
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On The Complete Peanuts Collection box setsby Charles M Schulz. Andy Khouri writes, “Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf.”
• Review:School Library Journal looks at Charlie Brown’s Christmas Stocking by Charles M. Schulz. J. Caleb Mozzocco says, "Schulz’s Peanuts has always been unique in its ability to speak to audiences of adults and children simultaneously. . . Nice then to have a comic that can speak to kids, adults and the little kids the adults used to be all at the same time—even if only for a quick 40 pages or so."
• Review: HeroesOnline looks at The Complete Syndicated Pogo Vol. 2 "Bona Fide Balderdash" by Walt Kelly. “Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time. The artwork is stunning, the pacing is fast, the characters simply come alive on the page; the plot-lines are crazy and labyrinthine and above all hilarious . . . Fantagraphics does the Kelly oeuvre proud with beautiful production values and insightful introductory material,” states Andy Mansell.
• Review:Dungeon Quest 3 by Joe Daly is the Best ofYear 2012 on the Forbidden Planet International site.Clark Burscough writes, “Deceptively simple looking artwork contains hidden depths, and the mythology that Joe Daly is building up around these characters and their world is starting to get properly out there.. . And on top of that – it’s laugh out loud funny. I can’t go into precisely why, because it’s also laugh out loud filthy. Something for everyone in these books.”
• Interview:Comic Book Resources and Alex Dueben interview James Romberger on his collaboration of 7 Miles a Second (and Post York). On his love of New York-centric books, “It is strange that I'll get used to an aspect of the landscape, but so often, I will come out to find it gone and replaced with something completely different. Still, I also love that shifting quality and the multiculturalism of the city; it is my primary subject,” says Romberger.
• Review:Listen, Whitey!on NPR Music for its MUSIC compilation. Matt Sullivan, assistant to author Pat Thomas, talks to Michaelangeo Matos about the project to accompany the book. "There's no way that Sony or EMI were going to [automatically] say yes to the Bob Dylan or John & Yoko tracks, because they get those requests all day. Years ago, Pat went to Bob Dylan's office and got those guys to approve it. The same thing with Yoko. . ."
• Plug: Speaking of 2013, Johanna Draper Carlson of Comics Worth Reading can't wait for Pretty in Ink: American Women Cartoonists by Trina Robbins to come out!
The first* glass of spiked eggnog of Online Commentaries & Diversions:
• Review: Metroland'sSimcoe reviews Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks and The Complete Peanuts: 1985 to 1986 by Charles M. Schulz. Glenn Perrett states, "Reading Carl Bark's "Donald Duck" stories from 60 years ago was entertaining. The animation and colours are excellent and sections such as "Story Notes" [etc.] . . . complement the wonderful comics making this book a nice addition to any library." And "The Complete Peanuts: 1985 to 1986 are sure to make the holidays more entertaining and makes a nice gift and keepsake."
• Review: Noel Murray of The AV Club continues the Christmas coverage with Schulz's Charlie Brown's Christmas Stocking which "is mainly meant to serve as a nice little accessory to holiday decorations, to be brought out every December with the ornaments and Andy Williams records. For that reason, it’s hard to humbug it…" With Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks, Murray notes "These stories—nearly all published in the early ’50s—are mostly non-Christmas-y, but the title tale is a sweet one. . . For those who do want a surefire present for the comics buff in their lives."
• Review: School Library Journal goes over some of the favorite holiday graphic novels of 2012 like Charlie Brown's Christmas Stocking by Charles Schulz. J. Caleb Mozzocco states "It’s beautifully designed, a breezy, five-minute read, and about the size of a Christmas card, making it a pretty great gift. And, this being Schulz’s Peanuts, it’s the sort of gift you’ll never grow out of." As for Carl Barks' holiday and title story in Walt Disney's Donald Duck: "A Christmas for Shacktown", "It’s one of about 20 of the top-notch comics in the book, which range from one-page gags to the sort of sprawling adventures Barks was best-known for."
• Review: Noel Murray of The AV Club takes a peak at Heads or Tails by Lilli Carré. "Carré loves to constrict her characters, because she knows that limiting their options won’t necessarily limit their imaginations. . . her comics work often has the feel of avant-garde cinema, as she weds surreal images to everyday situations to enchant audiences and spark ideas. . . "
• Review: Christopher Borrelli of The Chicago Tribune writes a loooong article on Lilli Carré and her new book Heads or Tails "that best captures the range, humor and vague sense of ennui she's made her name on. . . "
• Review: Noel Murray of The AV Club enjoys Tom Kacynski's Beta Testing the Apocalypse. "Kaczynski’s comics are frequently nightmarish, starting from a slightly askew place and then tipping further into darkness. . . But while his stories have characters and plots—often with haunting endings—they’re more like essays than conventional narratives."
• Review: Noel Murray of The AV Club finished the You'll Never Know series with Book 3: A Soldier's Heart by Carol Tyler. "This is Tyler’s magnum opus: her thoughts on art, work, relationships, music, war, and anything else that came to her mind while she was piecing together her dad’s story."
• Plug:About.com fills in the blanks of their Christmas Sex Book List by adding our most recent titles. On No Straight Lines: Four Decades of Queer Comics edited by Justin Hall, Cory Silverberg slyly states "given the diversity of artists working today it's not a definitive collection, but it's sexy and joyful and difficult in parts, and definitely one to own." Meanwhile, Naked Cartoonists (edited by Gary Groth) contains "a number of stand outs among this overwhelmingly white, male collection of artists. And I imagine this could be a perfect gift for the right kind of comic nerd."
• Review: Danel Olson of the Weird Fiction Volume 3 writes on Richard Sala and The Hidden . "Sala has become one of my favorite American sequential artists because of his subtle tributes and expansions to four of the most memorable twentieth century American cartoonists - Charles Addams, Edward Gorey, Gahan Wilson, and Basil Wolverton. . . Forbidding and weird seem like weak adjectives for Sala's The Hidden, and I urge you to open it. . . Give a standing order to Fantagraphics for any noirishly weird fictions forthcoming from Sala."
• Review: Chris Estey of KEXP reviews the Bill Griffith collection called Bill Griffith: Lost and Found - Comics 1969-2003. Chris Estey writes that it is "a luxurious and generous Fantagraphics big book collection of his non-Zippy work, is required reading for those who may have missed his parodies and punk rock operas in the past, or want them all bound together. It’s also for those like me who were never really that much into Zippy in the first place."
• Plug: Dave Segal recants the events immediately following his Stranger article on Listen, Whitey!by Pat Thomason the Stranger Slog. White supremacists got all sorts of angry at this history book and the white dude who wrote it.
• Plug: One step forward, two steps back. The Adele Blanc-Sec movie is inching along towards distribution in America. Johanna Draper Carlson gets the scoop on DVDs Worth Reading on Jacques Tardi's graphic novel adaptation.
• Plug:Negromancer reviews the film adaptation of Art School Confidentialdirected by Terry Zwigoff based on the comics of Daniel Clowes. "While Art School Confidential comes across as a satire of art schools, the faculty, and students, it is also a love story and youth relationship drama. It works well as all three."
*let's be real, it's like our tenth glass of that local dairy's eggnog
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