• Awards: Congratulations to Steve Brodner, nominated for a National Cartoonist Society Division Award (a.k.a. the Reubens) for Advertising Illustration (as reported by The Comics Reporter)
• List/Review: Shannon Smith of File Under Other names Michael Kupperman a favorite cartoonist of 2009 and comments briefly on Mome Vol. 13: "Open letter to comics publishers: If you put Josh Simmons in your book I will buy or steal a copy." (Good news Shannon: be on the lookout for Vol. 19. But please don't steal it.)
• Review: "West Coast Blues is a cracking good crime comic, not really noir but definitely a tale of bad people doing bad things to each other. It's also, oddly enough, very wryly humorous, in a way we don't often see in crime comics here in the States. ... Tardi's art is quite stellar, as well. He's amazingly detailed, but he doesn't pull any tricks on the reader — his work is very straight forward. ...Tardi matches Manchette with panels that demand a great deal of attention - this is a visual feast as well as a literary one." – Greg Burgas, Comic Book Resources
• How long has Kaz had these animated Underworld strips up at mylittlefunny.com? Am I late to the game? They're super well done — animation, music and voice talent, all spot on (link via Tony Millionaire)
In the spirit of "show don't tell" (and making my workday ever more complicated), I've decided to break the "Things to see" category (comprising artwork and other visual goodies from the Fantagraphics roster of artists) from our Daily OCD posts out into their own posts, with images. Links will take you to original sources where full/larger images can be seen. These posts may not be daily depending on what's out there — for now they may be somewhat irregular until I figure out a good rhythm. Enough of my yammerin'...
A nice short Online Commentary & Diversions update:
• List:Comicdom continues their Top 100 of the 00s with Chris Ware's Acme Novelty Library at #3: "Whatever the format, or content of the story, each issue of Acme Novelty Library is a special 'objet d'art,' which is part of the vision of an author who redefined what can be considered 'comics' and provided us new ways of storytelling." (from Google translation)
• Review: "The list of excellent graphic novels released in 2009 seems to grow with every other book read, and [You'll Never Know, Book 1: A Good and Decent Man]... stands out even in its crowded field. Carol Tyler really makes a name for herself with this 'graphic memoir,' as the cover calls it, demonstrating an incredible grasp of storytelling structure and a layering of personal and historical incident into a complex, cohesive whole that illuminates her own life along with her subject's. It's an impressive achievement, and as the first volume of a projected trilogy, it's indicative of the quality to come." – Matthew J. Brady
2010 will mark the fifth year of our anthology MOME and we've got some good stuff lined up for the next few issues. We just sent MOME 18 (Spring 2010) to the printer and are already prepping MOME 19 (Summer 2010), and I thought I'd share the covers to both.
The MOME 18 cover is by Nate Neal, who delivers "The Neurotic Nexus of Creation," a 15-page explication of the creative process that calls to mind his "Reality Comics Quartet" from MOME 12. The MOME 19 cover is by Josh Simmons, and the issue will feature the first part of his psychedelic extravaganza "The White Rhinoceros," written by co-conspirator The Partridge In a Pear Tree.
I don't want to give up too much about either issue, but MOME 18 also includes the first new comic in several years by Dave Cooper, the MOME debuts of Tim Lane, Ivan Brun, Joe Daly, and Jon Adams, as well as returning stalwarts Lilli Carré, Ben Jones, Frank Santoro, Jon Vermilyea, Nicolas Mahler, Ted Stearn, Renée French, Conor O'Keefe, Derek Van Gieson, and T. Edward Bak.
MOME 19 will have some very exciting surprises, including an all-new, 12-page story by some guy named Gilbert Hernandez, as well as returning regulars such as Dash Shaw, Tom Kaczynski, and Olivier Schrauwen. Plus, an amazing 21-page debut by Seattle cartoonist DJ Bryant, riffing on an old horror comic by Steve Ditko.
I recently calculated that with MOME 18, we have now published over 2000 pages of comics in the series over the last four and half years (2109, to be exact). By our count, this may be a record for an English-language alternative comics anthology (and no, I'm not counting Dark Horse Presents).
UPDATE: Olivier Schrauwen has a preview page up from his 25-page story for MOME 19 here. This guy is amazing.
• Lists: The Comics Reporter asked its readers to "Name Five Comics You Enjoyed This Year" — spot the Fantagraphics releases in the results
• Gift Guide/List/Plug: At Comic Book Resources, Kelly Thompson's "Awesome Women in Comics Holiday Gift List 2009" includes Ghost World by Daniel Clowes: "This tale of smart alternative teens just never gets old... Enid and Becky are both incredibly savvy teens that I think women can both relate and aspire to."
• Review: "The bewildering events of this fourth volume [of Delphine] race towards a stunning conclusion, one that is quietly horrifying, yet terrifying in its sadness. ... The fourth book is a must for those who have read earlier issues, but it will make the uninitiated really want Delphine." – Leroy Douresseaux, Comic Book Bin
• Review: "Fortunately for today’s readers, Blazing Combat — nearly impossible to find for over a generation — is now conveniently available and immaculately produced in hardcover from Fantagraphics. Anybody who wants to read great great comics, war stories, or a superb tutorial in short form comics writing and unsurpassed comics illustration needs to read this one." – Michael C. Lorah, Newsarama
• Review: "It was, frankly, a nostalgic blast of fresh air to be able to read a graphic novel of Peter [Bagge]’s again, even if this is a series of unconnected pieces instead of a coherent narrative. ... Anybody who read Hate back in the day already knows to pick [Everybody Is Stupid Except for Me] up just because it’s Peter, and for you kids today who never read Hate, this is a good place to start with the guy." – Kevin Bramer, Optical Sloth
• Plug: "This is an uber-cool title by Jacques Tardi and Jean-Patrick Manchette... you can add this graphic novel West Coast Blues to the list of greats by this total fab (and late) French author." – Book Soup Blog
• Profile: Possibly apropos of the above-mentioned nomination, French blog Beware looks at the work of Daniel Clowes in an article titled "Cynisme et Comic Books" (autotranslation)
• Plugs: Robot 6's Chris Mautner and guest columnist Charles Hatfield are both reading The Comics Journal #300; the former says "regardless of what kind of comics reader you are, there's something in here you're going to want to read," while the latter says "in good Journal fashion, [it] contains a lot to chew on and some stuff that I emphatically disagree with. It’s a great issue that leaves me with both a nostalgic wistfulness... and a keen desire to write about comics into the unforeseeable future!"
• Review: "[Pim & Francie]'s spine calls its contents 'artifacts and bone fragments,' as if they're what's left for a forensic scientist to identify after a brutal murderer has had his way with them; Columbia obsessively returns to images of 'bloody bloody killers.' ... Many of the pieces are just one or two drawings, as if they've been reduced to the moment when an idyllic piece of entertainment goes hideously awry. But they're also showcases for Columbia's self-frustrating mastery: his absolute command of the idiom of lush, old-fashioned cartooning, and the unshakable eeriness of his visions of horror." – Publishers Weekly
• Review: "With [Pim & Francie], Al Columbia has created not only one of the more unsettling works of horror in the medium of comics, but it also happens to be one of the greatest myth-making objects... Whether Columbia planned more complete stories for any of the efforts collected here is an interesting question, but for my money he has instead come up with dozens of nightmarish scenarios that have a greater cumulative effect by skipping set-ups or endings. The ending, one suspects, is always going to be a variation of horrific death and dismemberment." – Christopher Allen, Comic Book Galaxy
• List: At Robot 6, Sean T. Collins's top 6 "deeply creepy 'alt-horror' cartoonists" includes Renee French ("her frequently deformed (more like unformed) characters and hazy, dreamlike, soft-focus pencils recall [David] Lynch's unnerving debut Eraserhead with its dust-mote cinematography and mewling infant thing"), Hans Rickheit ("It just so happens that his 'normal' is grotesque and harrowing to the rest of us"), Al Columbia ("It's as though a team of expert [animation] craftsmen became trapped in their office sometime during the Depression and were forgotten about for decades, reduced to inbreeding, feeding on their own dead, and making human sacrifices to the mimeograph machine, and when the authorities finally stumbled across their charnel-house lair, this stuff is what they were working on in the darkness") and Josh Simmons ("one of a very few comics creators still capable of shocking... doing serious, dangerous work")
• Review: "West Coast Blues is a brilliant story, and Manchette was a phenomenal writer of the modern world, putting others to shame at times. Just that simple, really. This is a book that can’t be reduced to familiar genre markers." – Brian Lindenmuth, BSCreview
• Review: "Bruce Paley tells his tale with no frills and no holds barred. ... The book is at times quite funny and other times terribly depressing, but it is never dull and I found it hard to put down. Carol Swain’s artwork fits the mood of the book well. It’s fairly simple but it hits all the right notes and evokes the right emotions. I was completely unfamiliar with her work prior to this book, but I’ll keep an eye out for her in the future. ... I found this book to be incredibly compelling in its own laid back sort of way. ... There’s no shortage of books out there about the 1960’s and ‘70s, but this one felt a lot more personal than most. Paley’s words mingled with Swain’s artwork so perfectly that you almost felt like the guy was sitting across the table from you, sharing a beer or two and swapping stories. If you’re interested in that era or you just like a good autobiography, I’d give Giraffes in my Hair: A Rock 'n' Roll Life a shot." – Chad Derdowski, Mania.com
Your daily dose of Online Commentary & Diversions:
• Review: "Maybe it’s because blood and brain matter look somewhat more disturbing in the chunky, primitive black and white favored by famed French cartoonist Tardi, but there’s something particularly creepy about his adaptation of the late Manchette’s crime novel [West Coast Blues] that wouldn’t have been well served by color. ... Manchette’s plot is pure pulp, with a driving engine for a plot and a Lee Marvin-like inclination toward swift and unreflective action. Tardi’s art delivers the action with admirable punch and attitude to spare." – Publishers Weekly
• Review: "Rock Candy is a wonderful book. [Femke] Hiemstra's work is a tribute to folk tales and surreal nightmares.It could not be better portrayed than how designer Jacob Covey of Fantagraphics has done it.This compact book, in style with Hiemstra's art, depicts her imaginative work in a playful way.Sketches, examples and inspirations then give a look behind the scenes how Hiemstra's childhood dreams and nightmares are established.An absolute must!" – Cadoc.nl (translated from Dutch)
• Plugs: At Robot 6, Sean T. Collins runs down his SPX haul, including a bunch of our Ignatz Series titles
• (Wild) Things to see: Vice magazine has a series of strips they commissioned to tie in with the Where the Wild Things Are movie by some of our favorite cartoonists selected by Johnny Ryan; Josh Simmons contributed this strip and reveals a different one that was rejected (for PG-13 gore)