The cuddliest cat at the shelter of Online Commentaries & Diversions:
• Review:Body Literature reviews The Last VispoAnthology: Visual Poetry 1998-2008 edited by Nico Vassilakis & Crag Hill. Stephan Delbos writes "The Last Vispo Anthology is strange. It is also challenging, eclectic, confounding, erudite, punchy, and, by turns, beautiful. . .overall there is an elegiac note to this anthology, which extends from the title to the feeling, put forth by several of the essays, that visual poetry is facing a turning point.. .visual poetry is the bastard hermaphrodite of arts and letters. In a good way."
• Review:David Fournol looks at The Cavalier Mr. Thompson by Rich Tommaso, a rough translation states, "Exemplified by its beautiful design and the use of only two colors gives the book a slightly dated, authentic look. . . Describing and illustrating people's lives is a major talent of Rich Tommaso's. It is a process that has already been perfected in another of his works. . ."
• Review:Los Angeles I'm Yours gets Barack Hussein Obama by Steven Weissman in a big way. Kyle Fitzpatrick says, "The novel follows a gangly Barack Hussein Obama who is a constant prankster and has absolutely no manners. . . It’s a dark world and Obama is the smarmy asshole king. . . It’s a great pre-election graphic novel with some great, dark laughs."
• Review:Comic Book Resources and Tim Callahan looks at two books from the 'W' section of his library.Barack Hussein Obama by Steven Weissman "seems part of a larger movement (from IDW's Artist's Editions to years of Kramers Ergot) to signify the artwork as the end result rather than as a means of producing an end result. . . And Weissman's work demands ingestion and interpretation rather than declaration. Oh, it's good, too, if that has any meaning after all that abstraction." On Wallace Wood's Came the Dawn from the EC Library, Callahan posits, "This is a serious-looking, important comic, for serious-minded, important people. This isn't some lascivious spectacle. Heck, there's only one female on the cover, and she's facing away from us. No one is carrying around any chopped-off heads or limbs. There's no blood anywhere. No shrieking to be seen."
• Plug: Chris Mautner of Robot 6 looks through our next season catalog. The Endby Anders Nilson, I tend to consider this book. . . to be his best work to date, an absolutely shattering and deeply moving account of dealing with loss and grief." On The Cabbie Vol. 2by Marti, Mautner mentions, "Oh man, I seriously love me some Cabbie. I don’t think the first volume exactly sold like hotcakes, but I’m glad to see their continuing on with Marti’s ultra-dark Chester Gould homage." In reference toStorm P.: A Century of Laughter: "Kim Thompson is going to school us all in the world of Eurocomics or die trying. I, for one, am always eager to learn, however. This coffee-table book features the work of Danish gag cartoonist Robert Storm Petersen, whose work is reminiscent of O. Soglow and other New York cartoonists from the same era."
• Plug:Boing Boing covers a few of their favorite books. Mark Frauenfelder enjoyed flipping through Weird Horrors and Daring Adventuresby Joe Kubert, edited by Bill Schelly. "Best known for Sgt. Rock,Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." In regards to the Is That All There Is? by Joose Swarte Frauenfelder admits, "I prefer his work over Hergé's (don't shoot me). This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure."
• Review: Jason Sacks of Comics Bulletin interviews Justin Hall, editor of No Straight Lines, on queer comics, teaching comics and preserving history. Hall says, "I think in general the queer comics underground is – if you could categorize it with anything, there is a directness and honesty to the work – a real rawness that's quite impressive. I think that comes out of the feminist underground comics: Wimmen’s Comix, Tits and Clits, etc."
• Review:Gay Comics List talks about No Straight Lines, edited by Justin Hall. Francois Peneaud says, "Hall wisely chose to follow a (more or less) chronological path instead of anything fancier, but that doesn’t mean he has nothing interesting to say, far from it. The tension between specialized comics (by which I mean comics made by and for a specific group of people) and mainstream audience, the evolution from the urgent need for visibility to the creation of complexified issues and characters, all these and more are covered in a few pages."
• Review: Editor Kim Thompson speaks to World Literature Today about translating Nicholas Mahler's Angelman and other books in the Fantagraphics library. "Humor is far more difficult to translate than anything else. If you translate a dramatic sequence and your words or rhythm aren’t quite right, it still can work."
• Review:Page 45 enjoys Special Exits by Joyce Farmer. "No punches are pulled, this is life, specifically the twilight years and subsequent demise of elderly parents, told with such honesty, candour and compassion that I actually find myself welling up again as I'm typing this. . . SPECIAL EXITS becomes a testament to the human spirit and the value of a positive outlook on life, especially in one's latter years when faced with failing health," says Jonathan.
• Review:The Comics Reporter enjoys Buz Sawyer Vol. 2: Sultry's Tigerby Roy Crane. Tom Spurgeon says, "To get the obvious out of the way, this book has some almost impossibly beautiful cartooning in it. Even for someone like me that finds the basic visual approach of Buz Sawyer less thrilling than the more rugged, crude cartooning of Crane's Wash Tubbs work, there are several panels of stop and whistle variety."
This weekend in sunny ol' San Diego cartoonist Joyce Farmer is a guest and panelist at the San Diego Comic Fest, Friday - Sunday, October 19th-21st.
On Friday, October 19th from 4:00-5:00 pm head over for the panel called "An hour with Joyce Farmer." As one of the first woman underground artists, Joyce will sit down with her friend and underground cartoonist, Mary Fleener, to discuss her career, her upcoming plans and, most all, Special Exits, her “graphic memoir” based upon her own experience caring for her father and stepmother in their final years.
Sunday, October 21st starts off with a bang with a panel on Underground Comix from 10:00-11:00 amwith Joyce, Mary, Jackie Estrada and more. "From San Francisco to San Diego: the panel of underground cartoonists from back in the day will discuss such topics as the connection between the undergrounds and San Diego (and Comic-Con); how the undergrounds got started; what made them such a distinct break from the past; their connection to the San Francisco psychedelic scene, rock and drugs; and the difficulty of selling them to people under 18."
Joyce Farmer will have some copies of Special Exits at both panels if you want one personally signed! Enjoy the show.
The book might not be out until October but you can peruse the table of contents of The Best American Comics 2012, edited by Françoise Mouly, now!
Created by series editors, Jessica Abel and Matt Madden, this year's Best American Comics honors many Fantagraphics authors. Not only is there a Gary Panter cover but the inclusion of Jimbo, Joyce Farmer's Special Exits, Jim Woodring's Congress of the Animals, Jaime Hernandez's Love Bunglers from Love and Rockets, Michael Kupperman as well as Charles Burns, Blab's Nora Krug, Hotwire's David Sandlin, Jordan Crane, Jonathan Bennett, Renee French, David Collier and Chris Ware.
Hey, remember that exhibit I told you about last month? The one curated by our own Eisner Award-winning graphic novelist, artist and editor, Paul Karasik? Over at the Northern Illinois Unversity Art Museum in DeKalb, IL? Yes, “Graphic Novel Realism: Backstage at the Comics,” that's the one!
• DeKalb, IL: The Northern Illinois Unversity Art Museum debuts the exhibition “Graphic Novel Realism: Backstage at the Comics,” curated by our own Eisner Award-winning graphic novelist, artist and editor, Paul Karasik, and featuring work from Joyce Farmer, Jaime Hernandez, Mark Newgarden and Megan Montague Cash, as well as Jason Lutes, Seth and James Sturm. (more info)
• Seattle, WA: The idiosyncratic work of cartoonist Lynda Barry, a Seattle native, is the subject of a new book by Portland author Susan E. Kirtley. Lynda Barry: Girlhood Through the Looking Glass is the first comprehensive critique of this influential American artist. Kirtley will discuss her book with Real Comet Press publisher Cathy Hillenbrand, who published Barry’s first four books, at 6:00 PM at Fantagraphics Bookstore & Gallery. An informal reception and book signing will follow the discussion. (more info)
• Chicago, IL: Join Zak Sally, along with John Porcellino and Dale Flattum, at Johalla Projects for the opening reception of "Physical Evidence," a show of their comics, printmaking, zines and more. (more info)
• New York City, NY: Comic New York: A Symposium kicks off at Columbia University, with a wealth of panels, including one with our own Bill Griffith! Stay tuned to the FLOG for more information about this event, coming soon!
Sunday, March 25th
• New York City, NY: Comic New York: A Symposium wraps up at Columbia University, and among the busy schedule of panels today is one with both Al Jaffee and Miss Lasko-Gross! Stay tuned to the FLOG for more information about this event, coming soon!
Monday, March 26th
• Northridge, CA: Gilbert, Jaime, & Mario Hernandez will be speaking to Professor Charles Hatfield's class on Monday, March 26th at the California State University, Northridge (in greater Los Angeles). This event is open to the public, not just students! (more info)
The Northern Illinois Unversity Art Museum in DeKalb, IL is keepin' it real this Spring with the exhibition “Graphic Novel Realism: Backstage at the Comics,” curated by our own Eisner Award-winning graphic novelist, artist and editor, Paul Karasik!
The exhibit runs from Tuesday, March 20th through Friday, May 25th and features the work of Joyce Farmer, Jaime Hernandez, Mark Newgarden and Megan Montague Cash, as well as Jason Lutes, Seth and James Sturm.
Paul states, “These seven artists are united by a rigorous working process utilizing a variety of source materials that ground their comics in the real world, no matter how fantastic their tales.”
DeKalb residents are in luck, as there is a wealth of lectures, workshops, and panels happening on campus throughout the run of the show, including a screening of the film Ghost World on April 25th.
“Graphic Novel Realism: Backstage at the Comics” can be found on the west-end first floor of Altgeld Hall. Exhibitions and lectures are free; donations are appreciated.
• Leuven, Belgium: It's your last chance to check out the amazing Charles Burns exhibit at the Museum M Leuven, featuring more than 200 works, including original comic pages from Black Hole, as well as sketches and illustrations for magazines and books, his photographs. Can't make it to Belgium before Tuesday? See below or click here to watch video of Mr. Burns himself walking through the exhibit! (more info)
Thursday, March 15th
• Los Angeles, CA: Join Joyce Farmer at the Los Angeles Public Library for the panel "From the Outside Looking In: Writers Finding Their Place in Los Angeles." Los Angeles Times book critic David L. Ulin will be moderating the discussion with Joyce and fellow L.A.-based writers Bernard Cooper, Lynell George, Marisela Norte, and Michael Tolkin. (more info)
And she'll be discussing the reasons why on Thursday, March 15th at the Los Angeles Public Library as part of the panel "From the Outside Looking In: Writers Finding Their Place in Los Angeles."
Los Angeles Times book critic David L. Ulin will be moderating the discussion with Joyce and fellow L.A.-based writers Bernard Cooper, Lynell George, Marisela Norte, and Michael Tolkin. What does living in that city offer writers and book artists? What are the freedoms and the challenges of being outside the traditions and trends of literature?
These questions and more will be pondered beginning at 7:00 PM in the Mark Taper Auditorium of the Los Angeles Public Library [ 630 W. Fifth Street ].
