• Review/Interview: Marc Campbell of Dangerous Minds calls Everything Is an Afterthought: The Life and Writings of Paul Nelson "music book of the year," saying "the thing I really appreciate in reading Paul’s writings is you get to a place where even if you disagree with him you want to really explore why. He challenges you, not outrightly, but through the sheer force of his own enthusiasm and the particulars of why he digs what he digs. That’s what great rock writers do - they send you to the music. Of all the books I’ve read this year, Everything Is an Afterthought is the one that has meant the most to me." Campbell also talks to the book's author/editor, Kevin Avery: "You could tell it was important for him to accurately convey how he heard the work he was writing about; how it made him feel. At the same time, there was often the suggestion that whatever he wrote about was in some way part of his own story. Though it was never overt. There was an ongoing mystery to it."
• Review: "It's fascinating to see the great intentions of good people of liberal Oregon run aground on the slick and complicated story on the ground... Duin and Wheeler spend much of [Oil and Water] showing the kind of cultural imperialism or Liberal Guilt that the Oregonians feel when trying to help their brethren from the South, and the resentment that the Southerners feel back at them. ...Shannon Wheeler's calm, quiet and almost abstract images capture the story in a way that allows the story to stray from straight reportage to a quieter meditation on the events that happen.... The story lives in the present and the past, both itself and something more." – Jason Sacks, Comics Bulletin
• Review: "The Extraordinary Adventures of Adele Blanc-Sec are extraordinary indeed.... The amazing Jacques Tardi creates a fully realized world in the two stories contained in this book, stories in which strange, almost mythological, creatures live right next to the Eiffel Tower, famous French cemeteries and the Louvre.... Tardi delivers an ending to the second half of this book that is thoroughly shocking. Adele and her friends aren't Doctor Who and his companions, gallivanting across space and time and always emerging unscathed. The adventures that occur in this book are real and terrible in their consequences. They may seem a bit outlandish... but they are real in a way that feels oddly intense for American readers." – Jason Sacks, Comics Bulletin
• Review: "This isn't your father's Mickey Mouse (it's more likely your great-grandfather's), and it's a shame we don't see him this way as much anymore. Floyd Gottfredson is one of the most talented artist/gag writers in comics history and it is wonderful to see his talent recognized in a medium and a manner so deserving of preservation. This giant-sized book is only mildly unwieldy, but it is the perfect size to replicate and do justice to every single panel of such a singularly perfect work.... Mickey Mouse is one of the most important and revered characters in pop culture, and no other creator has written him so human, so interestingly, so uniquely fun and vibrant as Floyd Gottfredson has. The cover price is too little to ask, as the stories in this book are a treasury of the highs sequential art can hit." – Rafael Gaitan, Comics Bulletin
• Review: "The Hidden is ridiculously good, silly fun... A great big orgy of schlocky gore and cartoon deaths, the plot is every old horror film rolled into one glorious genre cliché... and Richard Sala’s absurd humour bleeds through the lot like red ink on a crisp white collar.... As ever, the true joy here is seeing Sala in brilliant colour. Layer upon layer of masterfully applied paint creates every shadow, shade and unlikely bright pajama in the cartoon horror. Undead eyes stare from blue and green sunken sockets, blood splashes across the page in spurts of dark crimson. It is, to hammer it home with a bloody mallet, an absolute demented joy." – Hayley Campbell, The Comics Journal
• Interview (Translated): Gerardo Vilches of The Watcher and the Tower says of Joyce Farmer's Special Exits, which was just published in Spain by Astiberri, "I read this comic a few months ago and I think it is not only one of the comics of the year but the last decade" translates Alex Dueben's December 2010 Comic Book Resources interview with Farmer into Spanish, adding "I also wanted to do my bit to raise awareness of an awesome comic I hope has the impact it deserves."
• Review: "David B.'s newest, The Armed Garden and Other Stories, finds the creator turning his gifts to the world of historical legend. The subject may be different but the artist's mysterious and melancholy style saturates every panel; what's more, the three graphic novellas collected in The Armed Garden provide him with plenty of opportunities to draw the epic battle scenes he so loves.... The Armed Garden and Other Stories is the witty, finely executed work of an artist uniquely capable of capturing both the fervid ecstasy of belief and the dull, heartsick ache left behind once it cools." – Glen Weldon, NPR.org
• Review: "In Mark Twain's Autobiography 1910-2010, Adult Swim contributor and comics creator Michael Kupperman (Snake 'n' Bacon) reworks [Hal] Holbrook's Twain as a Zelig-like immortal cruising through a century of life after his 1910 death.... Some of the tales are hilarious koans of absurdist comedy — Twain as the unknown fourth astronaut on the Apollo 11 mission is fabulous. Although it sometimes has the feel of a Saturday Night Live skit stretched into a feature film — perfect in small doses but unsustainable over a longer haul — the premise is too good to abandon." –Andy Lewis, The Hollywood Reporter (reviewing the book in tandem with Holbrook's memoir Harold: The Boy Who Became Mark Twain)
• Review: "Kupperman is a comedic genius. Filled with deliberately odd syntax, wizards, snarky dialog, vampires, outer space adventures, car UFO chasing, and nearly every significant event of the past one hundred years Mark Twain’sAutobiography [1910-2010] is easily the funniest thing that I have read in a very, very long time. Come to think of it, I don’t think I have ever read anything funnier. Nearly every page had me rolling. It wasn’t just a chuckle or even a hearty guffaw, either. It was maniacal hysterical, snorting, crying, temporarily not breathing, and contorting my body into uncomfortable shapes type of laughing. It’s that goddamn funny. So funny, in fact, that I would be entirely satisfied if Kupperman went ahead and decided to write the biographies of everyone else, ever." – Zack Kruse, A Little Nonsense
• Review: "Love And Rockets: New Stories Vol. 4 contains the conclusion to the recent run of 'The Love Bunglers' stories — again with a heartbreaking digression into the past.... This is incandescent work. At this point, Jaime Hernandez draws comics better than maybe anyone's ever drawn comics. The story is beautifully paced, there are at least two stop and stare sequences in there..., the characters are warm and human and funny, one of the subplots addresses with significant insight and potency Jaime's long-time fascination with the power of memory in providing life with meaning and the ending made me choke up both as a moment with resonance across decades of comics but also for the thematic twist it provides on something we've seen in the last few appearances of Jaime's best character... I don't know that it's something you can pick up out of the blue, but my God, what a remarkable comic. I'm so grateful to have read it." – Tom Spurgeon, The Comics Reporter
• Review: "Congress of the Animals might be my least favorite Woodring book, but it’s still overall strong and compelling. I love the fact that Woodring has made a huge, fundamental change to the world of Frank, and that in doing so it still feels like an old familiar friend. I’m not sure just anyone could have pulled this off so late in the game, but with Woodring it feels like a natural extension of everything we’ve seen up until now. There’s no other comics quite like Woodring’s out there, and I’m forever thankful that we get these amazing, disturbing, wonderful creations from him. After all, a 'merely good' comic from Woodring is still better than most other comics out there." – Greg McElhatton, Read About Comics
• Interview: If you read one interview with Johnny Ryan, make it Jesse Pearson's epic, revealing talk with Johnny at The Comics Journal: "When I was first doing book one of Prison Pit, I felt like even though it was about monster men and fighting and all that shit, it was revealing more about myself than any of my earlier works. I removed a lot of that aggressive humor that was working as my armor."
• Interview:Panel Bound's Matthew Manarino talks to Freeway creator Mark Kalesniko: "I like doing comics, as you saw in Freeway, I like doing some comics with detail, I like to go in and show people a world and paint it and draw it. With Freeway I can take you to downtown Los Angeles and really give you a tour.... With Freeway and even Mail Order Bride I wanted to give you something where it’s not a crude drawing but give you a layout so you really feel like you're there. There is also a joy with that kind of work were you can come back to it over and over again and always find something new." (Mark's advice for submitting work to publishers is great, by the way.)
• Feature: In "Graphic Medicine" at Comics Forum, M.K. Czerwiek (RN) spotlights Joyce Farmer's Special Exits in an article on comics dealing with hospice care issues
Natalia Hernandez, more adorable than three Zooey Deschanels, next to one of her daddy's comics.
Speaking of whom... Partying like it's 1982 (San Diego Comic-Con premiere of Love and Rockets #1, if you'll recall).
It's always sad to see older cartoonists who have become so jaded they can't muster up any enthusiasm when meeting their fans.
Mark Kalesniko, happy to be finally off the FREEWAY (notice clever integration of book title into caption). Also visible, right to left, paying customer, Conrad Groth, Mike Baehr, Eric Buckler, Gilbert Hernandez.
"Well, hello there, do you come here often?" Frank Stack hits on Joyce Farmer by (almost literally) showing her his etchings.
The nominees for the 2011 Ignatz Awards were announced today and we're happy to share that our artists and publications received 5 nominations in 4 categories! We're celebrating in our usual way, by offering them to you our customers for 25% off for a limited time! Winners will be announced on Saturday, September 10 at SPX. And our nominees are...
• Profile: At GALO Magazine, Emily Crawford Misztal talks to Nate Neal and looks at his debut graphic novel The Sanctuary: "While the language and the ways of the characters in the book will be unfamiliar to readers, the motives that drive them are as old and familiar as the sun. Neal sees the ancient setting as a way to get at the core of what it means to be human—in any era. 'It is a chance for me to examine human behavior on a more universal level,' Neal said. 'Sex, power, revenge, the primal stuff, is underneath everything that we do. There’s more covering over what we do now. With the cavemen, I can strip everything away and get right down to it.'"
• Feature: Rob Lammle of mental_floss posts an entertaining list of "10 Peanuts Characters You've Probaby Forgotten" — devotees of our The Complete Peanuts series will be familiar with some of them, and some of them give hints as to what to expect in future volumes!
• Analysis: At Taking Its Time, Jeff Hayes writes on the use of Jacques Tardi's It Was the War of the Trenches in an academic setting, specifically the high school English classroom: "In using a text like It Was the War of the Trenches, democratic education is being practiced. It is not just because of how the book is constructed visually; we must look at it also as an artifact of importance in presenting how another culture views historical events-how those events may or may not have affected the lives of others we do not think of in the rush of war and the aftermaths that follow as we choose what is important in history and what is not."
• List: To the surprise of few, The Hooded Utilitarian's International Best Comics Poll tops out with Charles M. Schulz's Peanuts in the #1 spot. HU editor Noah Berlatsky writes, "If you like charming, Peanuts is charming, and if you like dark, it’s dark, but it isn’t just charming, or just dark, or even just charming and dark. There are countless ways to like Peanuts, which is no doubt why it — deservedly, inevitably — tops this poll."
• Review: "The squeaky-voiced character from the animated shorts was especially bold in his daily newspaper comic strip [Walt Disney's Mickey Mouse]. Its memorable continuities were largely the responsibility of one man: Floyd Gottfredson. ...Gottfredson and his collaborators crafted two-fisted tales that remain entertaining, thrilling and funny up to 80 years on.... This inaugural issue in a planned Gottfredson library is a handsome hardback, prepared with the same care as Fantagraphics's archive of Charles Schulz's Peanuts." – Owen Heittman, The Australian
• Review: "Sibyl-Anne vs. Ratticus is a wonderful time and read!... The writing and art are grade A for this, and I cannot recommend it enough. It does have a feeling much like Peyo’s Smurfs, but I prefer Macherot’s Sibyl-Anne over it. His story telling is a bit more better put together, and action scenes are more exciting (if one has to compare to something, that is). Plus Sibyl-Anne is just cute.... Sibyl-Anne vs. Ratticus has something every comic lover can enjoy." – Drew McCabe, ComicAttack.net
• Review: "Knowing me, if I wait until I’ve finished all 624 pages of [The Comics Journal #301], I’ll never get around to reviewing it, so I figured I’d just do it in parts. After a solid Introduction by Editor-in-Chief Gary Groth, in which he extols Crumb’s virtues as a cartoonist, and explains the reason Genesis deserved TCJ’s lengthiest critical symposium ever (the reason is that Groth thinks the book deserves it), we get a long and surprisingly warm and easygoing chat between Groth and Crumb. Neither has ever come off this…normal." – Christopher Allen, Trouble with Comics
• Review: "The harmony of words and illustration strengthen Kelso’s voice as a narrator of stories that appeal to women of all ages.... This collection of short stories is a fantastic starting point for those of you who still view comics as Marvel/DC, or as ‘kiddie’ entertainment. (Shame!!) While playing with fantasy elements we all loved reading as little kids, Kelso incorporates today’s real life issues — STDs, pregnancy, being broke, infidelity — into her comics. Raw, yet refined, Queen of the Black Black is an enjoyable, meaty read that left me pumped to experiment with my own comics style." – Erina Davidson, Bust
• Review: "The book itself is stunning.... Fantagraphics is well-known for their quality book projects and this may be one of their best yet.... The Mickey Mouse strip itself is a hoot — especially in these early days. Mickey’s a feisty little guy in the strips, more so than in most of his animated appearances. He frequently packs heat (gasp!), knows all kinds of dirty tricks, and isn’t afraid to get into some real fisticuffs.... Even if you don’t care much for Mickey or the whole Disney mouse machine, this book should be on your bookshelf just for the slice of 1930s Depression-era Americana and the amazing joy of Mickey’s flinty 'can-do' attitude.... Watch for this wonderful series to do very well in various comics awards next year. This is important stuff." – K.C. Carlson, Comics Worth Reading
• Review: "There's still an agreeable edge to the series at this point [The Complete Peanuts 1979-1980] — Peppermint Patty's resigned acceptance to a life of D-minuses is really kind of savage — but Charles Schulz was relaxed enough to enjoy a few in-jokes and celebrity shout-outs to the likes of Bill Mauldin and various tennis stars.... Each time that Schulz started one of his longer, weirder stories..., readers will find themselves wondering how in the world he resolved it. He succeeded every single time." – Grant Goggans, The Hipster Dad's Bookshelf (via Spurge)
• Review: "Like crisps, chocolate and bad puns; once you get the taste of Robert Crumb on your palate, it’s almost impossible to shift the craving for more. Here’s another re-released edition [Vol. 13] from the superb and multi-award winning Complete Crumb Comics series that will tickle the bad-taste-buds of discerning comics cognoscenti and is bound to make a whole new generation of fans among the cool kids..." – Win Wiacek, Now Read This!
• Scene/Plug:Comic Book Resources' Sonia Harris shares a charming Hernandez Bros. anecdote from Comic-Con and plugs the new Love and Rockets: "I won’t spoil it for you, but I can tell you that it is even better than the 3 that have come before it (and they were fantastic.) Seriously, Love and Rockets is just getting better and better."
Well, well, we've got some real humble artists here at Fantagraphics!
This past weekend at the San Diego Comic-Con, Inkpot Awards were received by our artists Joyce Farmer, Frank Stack, and editor Bill Schelly! But no one brought their award back to the booth! So, instead you get this absolutely charming photo of Joyce and Frank.
Okay, we can't offer you the ninety-minute wait in ninety-degree weather outside the convention center, the greasy ten-dollar pizzas, the terrifying crush of Saturday afternoon attendees here to get an autograph from a Battlestar: Galactica co-star, or the sight of costumed attendees who apparently only chose the Flash costume because their more appropriate pick, Jabba the Hutt, was out. But what we can do is this!
SORRY YOU WON'T GET THE EARLY BOOKS?
The following books will have their world premiere in San Diego. If you order them directly from us we will have them sent to you directly from our main U.S. distributor's warehouse where they land on their journey from overseas in August, which means you will be getting your copy a few days before even the first of our distributors get them. (Note: U.S. orders only. Rush shipping not available — choose Media Mail from the shipping options to avoid being overcharged.) To this list we will even add The Armed Garden, The Cabbie, and Walt Disney's Mickey Mouse by Floyd Gottfredson Volume 2, three books that for various reasons will miss San Diego and thus you will really be the first customers to get!
You can preview many of those books right now here on our website, and the rest of them shortly after our web guy comes back from San Diego! Just hit those links above and you'll see links to download PDF excerpts, and stay tuned for our usual photo and video previews.
Part of everyone's San Diego experience is to ask the Fantagraphics moguls penetrating questions such as "Where the hell is Pogo?" and "Why don't you publish XXXX??" and "Which Jacques Tardi album should I buy first?" For this weekend only, if you have a question for Gary Groth, Kim Thompson, or Eric Reynolds, add your question to your order and whoever you're addressing will personally answer it!
SORRY YOU CAN'T TAKE ADVANTAGE OF DESPERATION SALES?
On the last day of the convention, as Gary, Kim, and Eric survey the piles of unsold books and "God, do we have to lug all these back home?" panic sets in, suddenly fantastic sales deals begin to materialize faster than you can say "HOW MUCH for that Box Set?" Therefore we are not only offering 20% OFF EVERYTHING on our website — use coupon code FANTACON11 at checkout — but a whopping 50% OFF ALL our biggest and heaviest books (see them all here — note that items are discounted 40%, which works out to 50% when the coupon discount is applied) during the convention and beyond, from Thursday, July 21 (that's today!) through Monday, July 25 — and you won't even have to lug them home or pay all those extra baggage fees! We'll send them to you!
Fantagraphics is puttin' the "comics" back in Comic-Con as we head to San Diego this week with a slew of scintillating signings, almost two-dozen dynamite debuts, and a collection of comics sure to please any comics fan... and fill those enormous free tote bags they give away at the door.
Friday, July 22nd: • 10:30-11:30 Comics Arts Conference Session #5: Critical Approaches to Comics: An Introduction to Theories and Methods— Matthew J. Smith and Randy Duncan with panelist, Andrei Molotiu. [Room 26AB] • 1:00-2:00 Comics Arts Conference Session #6: Wordless Comicswith Andrei Molotiu. [Room 26AB] • 12:00-1:00 CBLDF Master Session 3: Jaime Hernandez [Room 30CDE] • 1:00-2:00 Publishing Queer: Producing LGBT Comics and Graphic Novels with moderator Justin Hall [Room 9] • 1:00-2:30 The Golden Age of the Fanzine moderated by Bill Schelly. [Room 24ABC] • 10:30-11:30 Cartoon Network Comedy: Regular Show/The Problem Solverz and More! The Problem Solverz talent includes Ben Jones, John Pham, and Jon Vermilyea. [Room 6A]