The cuddliest cat at the shelter of Online Commentaries & Diversions:
• Review:Body Literature reviews The Last VispoAnthology: Visual Poetry 1998-2008 edited by Nico Vassilakis & Crag Hill. Stephan Delbos writes "The Last Vispo Anthology is strange. It is also challenging, eclectic, confounding, erudite, punchy, and, by turns, beautiful. . .overall there is an elegiac note to this anthology, which extends from the title to the feeling, put forth by several of the essays, that visual poetry is facing a turning point.. .visual poetry is the bastard hermaphrodite of arts and letters. In a good way."
• Review:David Fournol looks at The Cavalier Mr. Thompson by Rich Tommaso, a rough translation states, "Exemplified by its beautiful design and the use of only two colors gives the book a slightly dated, authentic look. . . Describing and illustrating people's lives is a major talent of Rich Tommaso's. It is a process that has already been perfected in another of his works. . ."
• Review:Los Angeles I'm Yours gets Barack Hussein Obama by Steven Weissman in a big way. Kyle Fitzpatrick says, "The novel follows a gangly Barack Hussein Obama who is a constant prankster and has absolutely no manners. . . It’s a dark world and Obama is the smarmy asshole king. . . It’s a great pre-election graphic novel with some great, dark laughs."
• Review:Comic Book Resources and Tim Callahan looks at two books from the 'W' section of his library.Barack Hussein Obama by Steven Weissman "seems part of a larger movement (from IDW's Artist's Editions to years of Kramers Ergot) to signify the artwork as the end result rather than as a means of producing an end result. . . And Weissman's work demands ingestion and interpretation rather than declaration. Oh, it's good, too, if that has any meaning after all that abstraction." On Wallace Wood's Came the Dawn from the EC Library, Callahan posits, "This is a serious-looking, important comic, for serious-minded, important people. This isn't some lascivious spectacle. Heck, there's only one female on the cover, and she's facing away from us. No one is carrying around any chopped-off heads or limbs. There's no blood anywhere. No shrieking to be seen."
• Plug: Chris Mautner of Robot 6 looks through our next season catalog. The Endby Anders Nilson, I tend to consider this book. . . to be his best work to date, an absolutely shattering and deeply moving account of dealing with loss and grief." On The Cabbie Vol. 2by Marti, Mautner mentions, "Oh man, I seriously love me some Cabbie. I don’t think the first volume exactly sold like hotcakes, but I’m glad to see their continuing on with Marti’s ultra-dark Chester Gould homage." In reference toStorm P.: A Century of Laughter: "Kim Thompson is going to school us all in the world of Eurocomics or die trying. I, for one, am always eager to learn, however. This coffee-table book features the work of Danish gag cartoonist Robert Storm Petersen, whose work is reminiscent of O. Soglow and other New York cartoonists from the same era."
• Plug:Boing Boing covers a few of their favorite books. Mark Frauenfelder enjoyed flipping through Weird Horrors and Daring Adventuresby Joe Kubert, edited by Bill Schelly. "Best known for Sgt. Rock,Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." In regards to the Is That All There Is? by Joose Swarte Frauenfelder admits, "I prefer his work over Hergé's (don't shoot me). This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure."
• Review: Jason Sacks of Comics Bulletin interviews Justin Hall, editor of No Straight Lines, on queer comics, teaching comics and preserving history. Hall says, "I think in general the queer comics underground is – if you could categorize it with anything, there is a directness and honesty to the work – a real rawness that's quite impressive. I think that comes out of the feminist underground comics: Wimmen’s Comix, Tits and Clits, etc."
• Review:Gay Comics List talks about No Straight Lines, edited by Justin Hall. Francois Peneaud says, "Hall wisely chose to follow a (more or less) chronological path instead of anything fancier, but that doesn’t mean he has nothing interesting to say, far from it. The tension between specialized comics (by which I mean comics made by and for a specific group of people) and mainstream audience, the evolution from the urgent need for visibility to the creation of complexified issues and characters, all these and more are covered in a few pages."
• Review: Editor Kim Thompson speaks to World Literature Today about translating Nicholas Mahler's Angelman and other books in the Fantagraphics library. "Humor is far more difficult to translate than anything else. If you translate a dramatic sequence and your words or rhythm aren’t quite right, it still can work."
• Review:Page 45 enjoys Special Exits by Joyce Farmer. "No punches are pulled, this is life, specifically the twilight years and subsequent demise of elderly parents, told with such honesty, candour and compassion that I actually find myself welling up again as I'm typing this. . . SPECIAL EXITS becomes a testament to the human spirit and the value of a positive outlook on life, especially in one's latter years when faced with failing health," says Jonathan.
• Review:The Comics Reporter enjoys Buz Sawyer Vol. 2: Sultry's Tigerby Roy Crane. Tom Spurgeon says, "To get the obvious out of the way, this book has some almost impossibly beautiful cartooning in it. Even for someone like me that finds the basic visual approach of Buz Sawyer less thrilling than the more rugged, crude cartooning of Crane's Wash Tubbs work, there are several panels of stop and whistle variety."
The blackest ink in the pot of Online Commentaries & Diversions:
• Review:AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciverrenders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."
• Review:Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."
• Review:Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency. . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"
•Review:La Tempestad on Barack Hussein Obamaby Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."
• Review:MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."
• Review:The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."
• Review:The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."
• Review:Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."
• Review:The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."
• Review:BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."
• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.
• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."
• Commentary:SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . . Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."
• Commentary:Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."
• Commentary:Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."
• Interview:The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes.
• Review:Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."
• Review:Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."
• Review:AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."
•Interview:The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."
And don't miss these excellent panels, featuring our great Fantagraphics artists:
Saturday, October 13th
• 2:45 PM // Queer Cartoonists Panel: LGBT comics, with a storied history of over four decades, have never been more vibrant. A true renaissance of queer stories is taking place, as they begin to take their rightful place in the comics world and fans increasingly demand more material that speaks to them and represents the genuine diversity in which we all live. It's all happening at the ninth annual APE Queer Cartoonists Panel, with talented, fabulous, and uppity panelists Tara Madison Avery (Dirtheads, Gooch), Tony Breed (Finn and Charlie Are Hitched), Dylan Edwards (Transposes), Steve MacIsaac (Shirtlifter), and Leia Weathington (The Legend of Bold Riley), with moderator Justin Hall (No Straight Lines, Glamazonia). On top of all that, at the end of the panel the recipient of the Prism Comics Queer Press Grant 2012 will be announced.
• 4:45 PM //Using Childhood Experiences to Create Adult Stories: The experiences from our youth are often those that have the biggest impact on the adults we grow up to be, but how do we share those stories with others? Miriam Libicki (jobnik!), Jim Woodring (Jim, Weathercraft), Kraig Rasmussen (monkeygong.com), and Derek Kirk Kim (Tune, Same Difference) explain how they molded their childhood memories into stories aimed at adults. Moderated by the Cartoon Art Museum's Andrew Farago.
• 5:45 PM // Spotlight on the Hernandez Brothers: 30 Years of Love and Rockets: The creators of the acclaimed Love and Rockets discuss the trials, tribulations, and joy that go into writing and drawing a series for over 30 years! Jaime, GilbertandMario Hernandez, talk to Andrew Farago (Cartoon Art Museum) about their three decades on one of comics' most popular and acclaimed indie series.
Sunday, October 14th
• 2:30 PM // "Gigantes" Walk Among Us!: Almost 100 years of cartooning takes the stage as APE special guests Jaime, GilbertandMario Hernandez of Love and Rockets fame join legendary MAD cartoonist Sergio Aragonés to discuss how their Latino/Hispanic experiences contributed to their amazing comic art. Join moderator Ricardo Padilla (Latino Comics Expo) as we celebrate these unique creators of this American artform.
• 3:45 PM // Spotlight on Jim Woodring: APE special guest Jim Woodring, the creator of the wordless Frank comics, waxes eloquent about his influences, motivations, and career experiences in "Please Stand By," a 45-minute narrated slide and video presentation followed by a 15-minute Q&A session. Topics include Woodring's animation studio work with Jack Kirby and Gil Kane, and the cartoon that irreversibly changed his life. If you have ever wondered what drives his enigmatic work, this is your chance to get the inside dope.
Marketing Director Mike Baehr and I can't wait to see you! Just swing by our usual spot at APE, tables 112-115! (Right by our good friends Jim Blanchard and J.R. Williams at table 116!)
The furtherest-traveled Bethesda-sent postcard of Online Commentaries & Diversions:
• Review:NPR's Glen Weldon looks at The Hypo by Noah Van Sciver. "Although The Hypo is painstakingly researched, the book is no dry accretion of biographical detail. That's because Van Sciver approach's is so deeply, palpably personal, even idiosyncratic. . . Inspiring? No. But achingly familiar, relatably human and — most of all — profoundly real."
• Interview:Comic Book Resources and Ryan Ingram pulled Noah Van Sciver aside to talk about The Hypo. Van Sciver says, "My reason for spending so much time working on The Hypo was an honest to god interest in the subject of depression and the struggles Lincoln was going through at that time. Probably nobody else would have done this book."
• Review:We Got Reviews looks at Noah Van Sciver's The Hypo. Chad Parenteau closes it beautifully states," In The Hypo, Van Sciver proves in these pages that you can bring an almost mythic figure of the past to modern day terms while still making that figure heroic."
• Plug:Large-Hearted Boy got his mitts on The Hypo by Noah Van Sciver: "I've been looking forward to this book for what feels like two years now. . . It's a side of Lincoln rarely revealed, beautifully illustrated, and wonderfully told."
• Commentary: Rob Clough of the Comics Journal and High-Low made sure to organize some Noah Van Sciver within the Library of Congress mini-comic collection: "Everything's coming up Noah these days, with an Ignatz nomination for The Death of Elijah Lovejoy and the release of his Abraham Lincoln book The Hypo from Fantagraphics." Clough also comments on Jaime and Gilbert's Ignatz awards, "I dubbed Jaime Hernandez the King of SPX after he took home three extremely well-deserved Ignatz awards. After getting shafted by the other major comics awards shows, it was great to see him relishing this moment."
• Commentary: Tom Spurgeon says a bunch of nice stuff about the Hernandez Brothers, Noah Van Sciver on the Comics Reporter. "Los Bros had a steady line of admirers at the show, which was really encouraging to me. They had good solo panels, too -- Frank Santoro talked to Jaime and got him to choke up a bit, and Sean T. Collins talked to Gilbert and applied to that conversation the benefit of reading the holy shit out of all of Gilbert's work sometime in the last year. . . I enjoyed that Abraham Lincoln book of [Noah's]."
• Commentary:The Beat loves on all creators, great and small including the Hernandez Brothers
• Plug (video): Junot Diaz talks about the Hernandez Brothers in Vol. 1 Brooklyn.
• Commentary (audio): The podcasts Hideous Energy attends not only SPX but the Politics and Prose signing for the Hernandez Brothers . The hosts have a frighteningly good time at SPX despite the trials and tribulations of their hotel room at Red Roof Inn.
• Review: The School Library Journal dissects The Adventures of Venus by Gilbert Hernandez and includes some questions to ask when using it in an English or literature class: ". . . while certainly young readers should appreciate many aspects of the book, some of its content may land as so idiosyncratic (albeit playfully so) as to inaccessible. And that’s actually a good thing."
• Review:The Chicago Reader enjoys Lilli Carré's Heads or Tails. Noah Bertlasky compares,"Eschewing the autobiographical meaning-through-trauma tradition of Maus, the pop art goofiness of Fort Thunder, or the sex and drug spewing of underground artists like R. Crumb, Carré specializes in surreal narratives and exquisite design.. . . Reading this, it's easy to forget there was ever a time comics were viewed as separate from art."
• Plug: Alex Pardee of Juxtapoz picks Johnny Ryan as his dude du jour and demands you read Prison Pit #4 and all previous volumes."I'm pretty sure the words 'Johnny Ryan' mean 'Fuck You' in Elvish or Klingon. . . Lucky for us, Johnny Ryan doesn't give a Russell Brand about pissing anyone off. . . amassing a huge cult following based solely around brilliantly conveyed hemorrhoid jokes, hitler bashing, and 'shit-fucking-shit'. . ."
• Plug: Claire Donnor of comiXology focuses on No Straight Lines, edited by Justin Hall. "Besides offering an exciting array of new and rare talent, this volume presents a very refreshing change from the familiar straight male fantasizing that has traditionally dominated the indie and underground scenes."
• Review:The North Adams Transcript reviews Mattotti and Zentner's The Crackle of the Frost. John Seven writes, "What the words cannot portray, the images do, the real psychological landscape that Samuel's confused analysis grapples with, and a testament to the power that can be born of the collusion between the literary and the illustrative in the best examples of graphic storytelling."
• Review: Carter Scholz returns to The Comics Journal to pen a review of Dal Tokyoby Gary Panter, "So think of it as a comic strip, a periodic commitment. A blog before and after its time, a day book spanning three pitiless decades. Each strip of the first series is time-stamped, by hand, to the minute, testimony to Panter’s living and working and recording in the here-and-now of it."
• Interview: Max Robinson of City Paper interviews Dan Clowes and about the continuing success of Ghost World: "I’m heartened that it seems to live on. It’s about teenage girls from another world, really; [they] don’t text, don’t have cell phones, don’t have computers. It’s really about the olden days and yet it seems like the whole new readership of teenagers seems to take to it every year."
• Review:Pop Matters talks about Daniel Clowes. Features editor Josh Indar says, "This is why I love Dan Clowes. He’s the only comic artist I’ve read who can do this to me, to pull me so completely into his world that, just as the old lady said, I start seeing reality through the lens of his work."
• Review: Nick Gazin's Comic Book Love-In #72 on Vice includes Jacques Tardi's New York Mon Amour. "Many of the comics they're publishing have never been translated into English before so it is a big, big deal that they are providing this service to all American lovers of comics. . . The art's great and it captures what New York in the early 80s was."
• Interview:Print Mag interviews the indeliable Roger Langridge on comics, acting and life. It's worth reading yourself for the gorgeous panels full of exquisite details. Langridge says, "It's a fascinating world, theater."
• Interview: Chris Auman of Reglar Wiglar interviews Ed Piskor on his previous book and upcoming Hip Hop Family Tree. "I grew up surrounded by hip hop. I feel like the fact that I even learned to draw was shaped by a hip hop mentality."
Occasionally a finger on the camera slips and reporters or other publishers accidentally take a picture of the people working on publishing the books, rather than our wide array of talented artists and authors. Here are some nice things people said about us and some semi-nice photos of Gary, Kim, Eric, Jacq and Jen: Tom Spurgeon at Comics Reporter, Chris Mautner on Robot 6 and Comic Book Resources, artist Nick Abadzis, Charles Brownstein at CBLDF, Heidi MacDonald at The BEAT.
Today is New Comics Day so we are releasing No Straight Lines: Four Decades of Queer Comics via comiXology! Edited by cartoonist, teacher and historian Justin Hall, this first definitive collection of queer comics gathers the world's greatest LGBT comics under one cover. These smart, funny, and profound works provide an uncensored window into the last four decades of queer culture.
No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine’s 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have flirted with the world of LGBTQ comics, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.
". . . with No Straight Lines , the most definitive collection of queer comics to date, [Justin] Hall and Fantagraphics have made the voluminous but largely hidden history of LBGT (lesbian, bi-sexual, gay, transgender) comics finally visible as well." -Shannon O'Leary, Publishers Weekly
"I like my queer comic anthologies like I like my women. Handy AND beautiful. . .What No Straight Lines really achieves is putting all of these influential comics in one place. Together, they contextualize each other and the LGBTQ scene at the same time." -Sarah Hansen, Autostraddle
On Friday, September 21st and Saturday, September 22nd, there will be live readings and a Q&A, artwork projections, and even musical guests, all gathered to showcase underground comics in the Bay Area! The fun starts at 5:00 PM on both days, so don't be late!
The humming un-tested electric fence of Online Commentaries & Diversions:
• Review:The Comics Journal reviews Dal Tokyo by Gary Panter. Joshua Glenn writes, "Panter’s draughtsmanship is fluid and permeable, it changes from week to week. . . Some installments are so crammed with detail and extraneous scribbles that the eye can’t possibly take it all in; others are stripped down, emptied out, haiku-like. In short, Dal Tokyo is absurd, unimaginable, and perfect."
• Interview: Jason Sacks from the Comics Bulletin caught up with Gary Panter at his Fantagraphics Bookstore signing this weekend and asked him some questions about Dal Tokyo: "I think that Dal Tokyo, because it's experimental, it's continually reminding you that it's being made. Whereas most comics they're trying to draw you into the illusion and keep you there. That's what comics are supposed to do and that's what popular comics do," Sacks points out.
• Review:North Adams Transcript looks and looks and looks again at Sexytime edited by Jacques Boyreau. John Seven laments, "The posters are the ephemera of an artifact called the porn theater that lurks in my ‘70s childhood. A place where sleaze was visible, but contained. . .If you can deal with it, "Sexytime" is a fun and often ridiculous reminder of a world that seemed so dangerous when many of us were kids, but is now gone."
• Review: Nick Gazin on Vice reviews Tales Designed to Thrizzle #8 by Michael Kupperman: "It really feels like something you would dream about, except it is loaded with guffaws. . . This whole comic is basically the best ideas you've never thought of. After reading it you'll be all, 'That is so clever, why didn't I think of it? AND THESE JOKES!' "
• Plug: Rob at Panel Patter goes over some of the books he's looking forward to at SPX this month. "The Hypo is the book I'm most looking forward to. The deep thinker Noah Van Sciver taking on deep thinker Abraham Lincoln at the lowest point in his life? SOLD." And Tales Designed to Thrizzle #8 "finishes up the quirky comic from new Panel Patter favorite Michael Kupperman. It's sure to be packed full of hysterical mashups and general insanity, based on pop culture and puns, both new and old."
• Review:Publishers Weekly reviews No Straight Lines again and is quite happy: ". . . who the volume is aimed at—the LGBT audience or a much wider one? Editor [Justin] Hall guns for the latter, but without softening the edges that define the genre, and he’s quite successful."
• Review: The SFCrowsNest reviews oldie-but-a-goodie The Hidden by Richard Sala. Aidan Fortune says, "The use of watercolours in the art gives it a children’s storybook feel that will stir up memories of reading horror stories underneath the covers by torchlight. Despite this warm look, ‘The Hidden’ is gripping, chilling and certainly not for children."
• Review:Dave's Strange World looks at Kevin Avery's Everything is an Afterthought, "Everything is an Afterthought is a loving tribute to a writer who deserved bigger and better success than his demons would allow. It’s clear from the testimonials and interviews given for this book how loved [Paul] Nelson was by his colleagues and friends."
The fully charged Online Commentaries & Diversions:
• Review:School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."
• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."
• Review:AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"
• Review: Nick Gazin at Vice looksSexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."
• Plug:Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.
• Review:San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.
• Review:Chicago Tribune likes the premise of the Significant Objectseditedby Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."
• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lungbefore it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."
• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."
• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!
• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."
The fresh-popped Online Commentaries & Diversions:
• Review:Publishers Weekly discusses The Hypo by Noah Van Sciver, "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . .This characterization of Lincoln is thoroughly human and identifiable, tracking a shadowy but formative period in the very uneven life of a man who shows little signs of becoming known as one of the greatest Americans. A thoroughly engaging graphic novel that seamlessly balances investigation and imagination." Wow!
• Plug: Noah Van Sciver's diary comics are showing up at The Comics Journal. Enjoy Day #1, Day #2 and Day #3.
• Plug:Comics Alliance JUMPED at the chance to be the first to comment on Naked Cartoonists. Senior writer Chris Sims comments, "Have you ever wanted to see Dilbert creatorScottAdams naked? Yeah, we haven't either, but apparently [Gary Groth] thought that was a good idea . . . joining artists like Will Eisner, For Better Or For Worsecreator Lynn Johnston, Jeff Smith (feel free to make your own Bone joke here) and . . . legendary MAD artist Sergio Aragones."
• Review:The Mary Sue names Moto Hagio's A Drunken Dream and Other Stories one of the 10 Feminist Manga to Read, that is licensed in the USA. Kellie Foxx-Gonzalez says,"Hagio is not only a storyteller, she is undoubtedly a feminist author, using her manga to explore gender, power, and women’s issues. If extended metaphors in manga as an avenue to explore philosophical questions is as appealing to you as it is to me, please, don’t hesitate to pick up this anthology."
• Commentary: Shannon O'Leary of Publishers Weekly says,". . . with No Straight Lines , the most definitive collection of queer comics to date, [Justin] Hall and Fantagraphics have made the voluminous but largely hidden history of LBGT (lesbian, bi-sexual, gay, transgender) comics finally visible as well."
• Review:The Awl and Kim O'Connor talk about autobio comics and include such underground greats like Aline Kominsky Crumb, Carol Tyler in addition to Chris Ware and Joe Sacco. While on the subject of Aline: "An important part of her project was to promote self-loathing as normal and even funny in an era when to do so was extremely unfashionable." O'Connor touched on the rawness of Chris Ware's work,"there's this sense of playful geometry that's deeply satisfying, even if it sometimes gives you the impression the artist's memory palace looks a lot like the Container Store. But the central delight in reading Jimmy Corrigan, as in all of Ware's work, is how it's painfully awkward and incredibly cool at the same time."
• Review: Rob Clough on the High-Low reviews Jim Woodring's Congress of the Animals: ". . . is interesting because it's much more linear a narrative than most of his comics.. . .Unlike the typical Frank story, there's a greater sense of urgency to Frank's wanderings, as he encounters many temptations and pitfalls along his journey to a destination unknown to even him."
• Review:The Critcal Mob released their short list of summer reads and a few Fantagraphics titles made the cut. Paul Guie looks at Flannery O'Connor: The Cartoons: "O'Connor's artwork is frequently abstract and raw-looking. . .Nevertheless, her cartoons are always pleasing to look at thanks to the author's strong sense of composition. Panels are rarely cluttered by unnecessary lines, and O'Connor frequently frames her characters with an eye toward visual balance." Peanuts latest volume is also on Guie's radar: ". . . these later comics remain consistently witty and entertaining, and reflect Schulz's continued mastery of comedic timing within a four-panel layout.. . .Consistently subtle yet always timely, after 30 years, Schulz still had a winning formula on his hands." Last but not least, Guie takes Buddy Does Seattle to the beach,"Bagge's artwork [takes] the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos."
• Commentary: Best Cover EVER on Forbidden Planet according to Richard: "The absolute iconic image. The raw power. Jaime’s incredible use of black in his art. The faces of the crowd. The stagediver (in heels) who’s just left the stage. But most of all, it’s the best comic cover ever because I swear that I’ve never looked at this cover and NOT heard the music they’re playing." The next best thing for Richard? Buying the new shirt featuring the cover of Issue 24.
• Plug:Comics Alliance and Caleb Goellner collect the most recent Adventure Time covers. James Hindle PLAYS an homage to Jaime Hernandez's distinctive cover. Check it out!
• Review:io9 recently created a list of the 10 Comic Characters Cooler than Batman. Jaime Hernandez's Maggie (the Mechanic) and Jacques Tardi's Adele Blanc-Sec topped the list. "Maggie is a survivor, who never stops kicking ass even she's dealing with depression and heartbreak." says Charlie Jane Anders and in reference to Adele Blanc-Sec:"She's a writer in pre-World War I Paris, which automatically makes her cool. . . She's not afraid to shoot guns, drink the hard stuff, or smoke like a man. She spent World War I in cryogenic suspension and then rocked the 1920s."
• Plug:The Last Vispo's editor Nico Vassilakis recently curated an online group of visual artists called Ten Turkish Visual Poets at Trickhouse.
• Interview: The powerful and deft Friedman brothers were interviewed about Any Similarity to Persons Living or Dead is Purely Coincidental by William Michael Smith of the Houston Press. Josh Alan Friedman talks about his brother's artwork,"Originally [Drew Friedman] worked with stippling technique, using a rapidograph pen. Bent over a desk like a watchmaker, doing thousands of dots. A technique made famous by 'Sunday in the Park with Georges' Seurat, but strictly shunned by art schools in the 20th century."
• Plug: Ron Regé, Jr. is up to something sneaky! At We Can Do It.
The sweetest smelling Online Commentaries & Diversions:
•Review: Partially and fully-reviewed on Em & Lo and SUNfiltered respectively is new book Significant Objects by Joshua Glenn and Rob Walker. Em and Lo said, "The book also organizes the stories and objects into groups that will be more familiar to thrift-store shoppers, based on the items’ original intended use: novelty items, figurines, kitsch, toys, etc."
•Review:Detroit News takes a look at No Straight Lines, edited by Justin Hall. Eric Henrickson wrote, "If 'No Straight Lines: Four Decades of Queer Comics' isn’t the definitive look at the world of GLBT comics, it surely must come darn close. . . I knew there was a lot out there, but I was surprised at the depth of the genre — in sheer quantity and in quality. It’s also a great volume for comics historians."
•Review:Wandering Son, Volume 3 by Shimura Takako is reviewed on Experiments in Manga. Librarian Ash Brown says, "Shimura deals with her characters and with identity, particularly gender identity, with a tremendous amount of sensitivity. Wandering Son is one of the few comics that I have had the opportunity to read that has accomplished this as a fictional work rather than as a memoir." But that isn't all Wandering Son is about: "The fact that the characters aren't characters per se but actual individuals is one of Wandering Son's greatest strengths. Ultimately, the story isn't about the 'issues' surrounding personal identity so much as it is about the people themselves."
•Review: Hillary Brown of Paste Magazine examines Flannery O'Conner: The Cartoons, edited by Kelly Gerald. "Fantagraphics has done us a service of scholarship in publishing these early linocuts, executed for O’Connor’s high school and college newspapers, and the essay by editor Kelly Gerald that follows their reproduction makes some interesting connections to her later literary works, but most of them don’t stand on their own."
•Commentary:Drew Friedman visited MAD Magazine almost 40 years ago and wrote a little about his trip, picked up by Boing Boing.
•Plug: The MOST OCD-happy site of Hernandez Brothers mentions, Love & Maggie, lists the newest mentions of the month.
•Review:Pornokitsch goes WAY back to a sold-out Jules Feiffer illustrated novel, Harry, the Rat with Women. Jared says,"Everything is there and familiar, but somehow drawn and thin and somewhat ethereal; delicate but distorted." Now you know to get it when at Half-Price books!