The annual Stumptown Comics Awards nominees have been announced. Here on out, it's a down-and-dirty voting contest so we have a few recommendation on who you should vote for (Spoiler: our books) and the fact you should ask your mom and her intense network of friends.
Noah Van Sciver is up for Best Cartoonist for The Hypo. His emotionally charged drawing style added depth and charimsa to the beleaguered story of Abraham Lincoln long before he was a president.
Lilli Carré is up for two awards for Best Colorist and Publication Design for Heads or Tails. Carré recently was a Lynd Ward Prize honoree for 2013 for the same book. Filled to the brim with sweet, whimsical short stories that leave you shivering, this one-woman book of tales delivers for either side of the coin.
Since Fantagraphics and comiXology shook hands that fateful weekend last summer, the hits just keep a-galloping through the gate. Here are the books we have kickin' around in our digital stable ready to be rode hard, combed down and fed oats (in the form of your high-star ratings).
Here's a run-down of the digital comics we currently have available to read on your tablets, iPads, eReaders, myPads, ThinkTouches and more. Click on titles to be taken to their page at comiXology.
Memoirs of the artist's misspent youth. Raunchy, hilarious, and often violent as hell, an unsentimentally nostalgic trip to half a century ago — the anti- Happy Days, set to a true rock ’n’ roll beat. - See more at: http://www.fantagraphics.com/index.php?keyword=cruisin%27+with+the+hound&search_type=titles&Search=Search&Itemid=62&option=com_virtuemart&page=shop.browse#sthash.zYJMZj3B.dpuf7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook.
Note that most of these books are available at your local comic book store or our website in print form but we know you have to save that shelf space. Every Wednesday we have 1-2 new digital releases, sometimes same-day releases as the book. Buy a book for yourself or someone you love today.
The first peak of sun of Online Commentaries & Diversions:
• Review: Noah Berlatsky on Slate reviews 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "That feared and desired encounter is in part the collision of comics and art—but it's also, and emphatically, the intermingling of queer and straight…7 Miles a Second still represents a road largely avoided…even if 7 Miles a Second never went mainstream, this new edition remains a stirring reminder that everything pushed to the side isn't gone."
• Review:Full Page Bleed and Tom Murphy read 7 Miles a Second by David Wojnarowicz, James Romberger, and Marguerite Van Cook. "Like David Wojnarowicz's vision of himself, this is a volume that has an impossible amount of energy and emotion packed into its slim dimensions. It's a blistering book that, having been revived by Fantagraphics in the format it deserves, should now take its rightful place in the comics/graphic memoir canon."
• Review: The North Adams Transcript blog reviewed Delphine by Richard Sala. "Prince Charming’s journey is creepy and jarring, and the trappings of the likes of the Grimm Brothers take on a heightened presentation that becomes more personal than you would ever expect them to be," John Seven.
• Plug:The D&Q bookstore is ready to read prose book The Grammar of Rock by Alexander Theroux. Jade writes, "Cliché lyrics, diva meltdowns, and inarticulate diction are all up for close examination in Theroux’s comprehensive exploration of language in pop, rock, jazz, folk, soul, and yes, even rap (Ghostface Killah!)."
• Plug:LAMBDA announces nominees for awards and includes Justin Hall's No Straight Lines. Lambda Literary Awards celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing for books published in 2012. More information here!
• Review:The Savage Critic looks at Gilbert Hernandez's Love from the Shadows. "It’s the work of a comics master tearing into the stained brown paper parcel of his unconscious, and finding a piping hot slurry composed of decades of pop culture detritus."
• Plug:The Daily Optimist shows off a few panels of Nancy Likes Christmas by Ernie Bushmiller. Dan Wagstaff writes, "I do have a strange and peculiar love of Ernie Bushmiller’s ‘Nancy’ comic strips… Fantagraphics are doing a great job of collecting them properly into books (designed by Jacob Covey)."
• Plug: Tom Heintjes on Cartoonician gives a short and concise history of Fritzi Ritz aka Aunt Fritzi from Ernie Bushmiller's Nancy. She was the star of her own strip before that created by Larry Whittington. "A young cartoonist named Ernie Bushmiller took the reins and went with his strength: the simple gags that would forever earn both the scorn and admiration of millions of comics fans."
• Interview: The Comics Reporter and Tom Spurgeon interviews Publisher Gary Groth: "I can look at most books and come up with a pretty accurate estimate as to how it will sell. Occasionally I'm wrong."
• Plug: Fantagraphics fan and friend, JT Dockery has a fundraising campaign/pre-order for his Despair book which features art from Chris Wright and Julia Gfrörer. I hope they are on a ship.
• Plug: Sam Costello at Full Stop lists The End of the Fucking World by Charles Forsman as one of the most anticipated books of 2013. "While there’s certainly violence and horror here, Forsman handles the subject as a character study, not a lurid glorification, making James sympathetic and his deeds all the more monstrous."
• Review: Michael May reviews Mr. Twee Deedle by Johnny Gruelle on School Library Journal. In reference to Good Comics for Kids, "There’s plenty for children to enjoy in the collection, but parents and educators will be even more rewarded. Not only by the history and context that Marschall provides, but by the sheer sweetness and transportive beauty of the illustrations as well. Each of the full-page, full-color strips is something not only to linger over, but to revisit often."
• Review: The Weekly Crisis looks at West Coast Blues by Jacques Tardi. "The narrative is almost a ‘dark twin’ of Hitchcock’s North by Northwest as George is forced to adapt and go on the run as the forces arrayed against him close in."
• Plug:Jessica Abel posted some cool ideas on visual scripting and laying out your ideas she learned from Alison Bechdel.
No Straight Lines: Four Decades of Queer Comics was announced as a finalist for the Lambda Literary Awards in the LGBT Anthology category. Edited by Justin Hall, No Straight Lines showcases major names such as Alison Bechdel, Howard Cruse, and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have dabbled in LGBT artooning, like legendary NYC artist David Wojnarowicz (whose work has now been reprinted in 7 Miles a Second)and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.
Tony Valenzuela writes in the press release: Now in their twenty-fifth year, the Lambda Literary Awards celebrate achievement in lesbian, gay, bisexual, and transgender (LGBT) writing for books published in 2012. Winners will be announced during a ceremony on Monday evening, June 3, 2013, at The Great Hall at Cooper Union,7 East 7th Street, New York City 10003. Details on the annual after-party location are forthcoming. For more information and to buy tickets, click here.
The newest office of Online Commentaries & Diversions:
• Review: Glen Weldon from NPR Books pontificates on the wondrous LGBT-centric graphic novels and reviewed Moto Hagio's The Heart of Thomas "…whenever the emotions roiling just under her narrative's surface threaten to overtake her characters, Hagio's otherwise exacting and detailed art goes expressively feathery at the edges, like a ghost vanishing softly into the ether."
• Review:Fantasy Book Review reviews The Heart of Thomas by Moto Hagio. "This is not an uplifting tale until at the end, but it is a very well drawn period manga that gives glimpses of what boys that age would have felt being in such an enclosed place. There is a sense of Oscar Wilde about the whole school, but that depends on your impression of the piece," writes Sandra Scholes.
• Review: Glen Weldon from NPR Books pontificates on the wondrous LGBT-centric graphic novels and reviewed Wandering Son Vol. 1 by Shimura Takako. "Takako presents their stories with admirable sensitivity and restraint.…"
• Review: Glen Weldon from NPR Books pontificates on the wondrous LGBT-centric graphic novels and reviewed No Straight Lines edited by Justin Hall. "From Stonewall and the AIDS crisis to the terrifying specter of domesticity, this clear-eyed, unsentimental collection demonstrates the extent to which, for LGBT people, the personal and the political have always bled together."
• Review:Comics Bulletin looks at The Cartoon Utopia by Ron Regé Jr. "With this book, Ron Regé has emerged as comics' answer to Walt Whitman.…Thankfully, Regé's overarching concept -- that a vivid and transcendent comic book experience is within our grasp, if we're willing -- is not a hard one to understand at all." says R.J. Ryan.
• Review:Grovel and Andy Shaw look at The Cavalier Mr. Thompson by Rich Tommaso. "The story is wonderfully told. It has the feel of a classic movie, something from a bygone era…complete with the usual cast of chancers, crooks and have-a-go heroes.…It’s a thoroughly enjoyable book, with a stunning backdrop and a deeply believable and interesting cast."
• Plug:Alan Wood asks R. Crumb about Bill Griffith. Crumb stated, "He's about the only guy in America who's doing a readable, interesting daily comic strip for daily newspapers. He' s the only one left, as far as I know. I don't know of any others."
• Review: Dutch magazine Knack Focus recently ran a review of George Herriman 's work. Kim Thompson read it, translated it in his synapse-heavy polyglottal mind and said this: "Here's a nice five-star review (in Dutch) of the gorgeous new French edition of KRAZY KAT, created from the Fantagraphics edition. The article is mostly a pocket summary of KRAZY, although it does point out that Herriman's unique approach to language have made the strip virtually untranslatable (forcing European readers to fall back on the English language versions)... until, at least for francophones, now."
The most intricate house sigil of Online Commentaries & Diversions:
• Review:The LA Times enjoys their reading of7 Miles a Secondby David Wojnarowicz, James Romberger and Marguerite Van Cook. "Part of the power of Wojnarowicz’s work is that he dealt with such concepts accessibly; he didn’t have time to waste. It was the source of his restless imagination, his willingness to experiment with unexpected forms," writes David L. Ulin.
• Plug:NY1 (New York 1) and Don Kois talk about 7 Miles a SecondDavid Wojnarowicz, James Romberger and Marguerite Van Cook. "…this graphic novel is an amazing document of the gaudy, dangerous world of clients and johns and artists and thugs downtown in the 1980s."
• Interview: Nick Hanover of Comics Bulletin interviews Tom Kaczynski on Beta Testing the Apocalypse. Kacyznski writes, "All these stories started to feel like they were linked and eventually things like the noise stories and the themes of sound started to kind of inject themselves into the rest of the material…I'm interested in utopias, and utopian societies. And a lot of what Communism is is essentially an attempted utopia that failed. "
• Review:Art Rocker and Wee Claire look at Delphine by Richard Sala. "Delphine is arguably Richard Sala's darkest tale to date and a brilliant gateway for those new to his whimsical storytelling style…There are comparisons to Snow White dotted throughout the story but Sala's indie-goth execution tinged with a 70s horror atmosphere make for a much more interesting tale."
• Review:The Toronto Star reads and reviews our books like Heads or Tails by Lilli Carré. "Carré’s work, fittingly titled Heads or Tails, probes choice, ambivalence and fate; in her stories, there’s a flip side to everything, rendered in full and brilliant colour,"says Laura Kane.
• Review: Noah Bertlatsky on the Hooded Utilitarian looks at the art of Lilli Carré comics from Heads or Tails through the gendered lens of Bart Beaty. "If art is both hyperbolic masculine swagger and small-scale feminized detail, though, for Carré the form that mediates between the two is something that looks a lot like comics."
• Interview (partial): Dan Nadel of The Comics Journal posts part of the interview of Jacqes Tardi by Kim Thompson from TCJ 302.
• Plug: "It's astonishing to me that The Comics Journal will have outlasted Wizard, Hero Illustrated and CBG, but I'm happy for that fact," says former TCJ editor, Tom Spurgeon. TCJ 302 was co-edited by Kristy Valenti and Mike Dean.
• Review:Mort Meskin gets the full hello-how-are-ya when his collections are reviewed, edited by Steven Brower. "Out of the Shadows was such an enjoyable find that when it ended we were hungry for more of Meskin’s work." So Scoop turns to From Shadow to Light, "Meskin is so skilled in portraying body language that he doesn’t need a face to tell us know exactly what someone is thinking…a thorough and very detailed look at a man’s life, his family and the work he valued."
• Plug:Kotaku and Evan Narcisse get teary-eyed over Peanuts Every Sunday by Charles M. Schulz. "The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it's really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz's iconic comics strips so timeless."
• Interview:MTV Geek interviews Charles Forsman about The End of the Fucking Worldand life. Forsman answersEddie Wright's question, "I do love sparse cartooning. Like Schulz which I think comes through in mine a bit. I've heard people descibe this stuff as "Peanuts" all grown-up and violent."
• Review:Nerds of a Feather look at Ed Piskor's Hip Hop Family Tree, to be printed later this year. Philippe Duhart gives it a rare 10 out of 10, "…those familiar with the genre can attest, it's difficult to separate the music from other elements of the "culture" -- b-boying, graffiti, lingo, style. Piskor demonstrates an affectionate respect for the interrelations between these phenomenon, telling a story of a culture, rather than a musical genre."
• Review: Anime News Network reviews and givest The Heart of Thomas by Moto Hagio an 'A-'. Rebecca Silverman writes, "The Heart of Thomas may be the grandmother of the boys' love genre, but it would be shortsighted to simply classify it as such…Heartfelt and dreamlike, it is a window into the lives of those affected by the sudden death of one of their own."
• Review:The Toronto Star reads and reviews our books like The Cartoon Utopia by Ron Regé, Jr. The Cartoon Utopia "is visionary, but also unmistakably influenced by ’70s psychedelia… the thrilling, one-of-a-kind art will stretch your imagination and, at the very least, make you believe in the power of comics to explore the impossible," writes Laura Kane.
• Review:The Toronto Star reads and reviews our books like Came the Dawn by Wallace Wood and Corpse on the Imjin! by Harvey Kurtzman. Laura Kane writes, "In dark shadows, bold lines and intense close-ups, [Wallace Wood] perfectly illustrates the stories — which ran the gamut from B-horror to confronting social issues such as racism, anti-Semitism and sexism." As for Corpse on the Imjin!, "In these violent, blood-spattered pages, [Kurtzman] lays bare the devastation of war."
• Review/Commentary: Eddie Campbell on The Comics Journal compares and contrasts recent reviews of the EC Comics being reprinted at Fantagraphics and how critics struggle and feel the need to analyze comics at literature. Distilling the article to a mere quote is abhorrent so we tried but please read it. "If comics are any kind of art at all, it’s the art of ordinary people. With regard to Kurtzman’s war comics, don’t forget that the artists on those books were nearer to the real thing than you and I will ever be."
• Review: Elliot Bay Books reviews No Straight Lines, edited by Justin Hall. Dave Wheeler writes, "Impossible to be even close to a complete collection of the genre, No Straight Lines instead seeks to trace the parallel trajectories toward visibility for both comics and LGBTQ identities…these are the stories of real people, or they are people transfigured by folklore."
• Plug: Greg Akers of the Memphis Flyer enjoyed reading Love and Rockets: New Stories #4 by Jaime Hernandez and Gilbert Hernandez. "Jaime breaks me every time. The conclusion to "The Love Bunglers" is an all-time great. Tears in my eyes, destroyed emotionally."
• Plug: Joost Swarte sings the blues at Angouleme, thanks to Paul Karasik.
• Review:SequArt looks at Black Hole by Charles Burns. Faith Brody Patane point out "…it’s a story that’s meant to be devoured with intent to possibly make you have freaky nightmares. Black Hole is one of those stories that lingers long after you read it…This group of teens is far from Riverdale and far more desperate."
Happy New Year's! Here's to a great year of books and the next year and the year after that. We salute you and thank you for your friendship and purchases. Some of you sent in photos reading books from this year (and a few past ones).
The last peanut of a day of Online Commentaries & Diversions aka the news you missed while present shopping, latke eating and flying:
• Review: The Comics Journal and Rucker crack the two books focusing on Malcom McNeill and William S. Burrough's artistic collaboration, Observed While Falling (the memoir) and The Lost Art of Ah Pook is Here. (the art book) "The art is awesome, the memoir is engaging. . .Ah Pook is in a characteristic style of Burroughs’s middle period. He mixes a true-adventure story with bitter anti-establishment scenarios, gay sexual fantasies, science-fictional visualizations of chimerical mutants, and apocalyptic visions of a biological plague. . .The results are staggering—the best pictures of dicks that I’ve ever seen. . . ."
On the memoir "One of the pleasures of McNeill’s memoir, Observed While Falling, is reading about hear about his conversations with Burroughs. Old Bill laid down some tasty aphorisms. . . Ah Pook is a word/image virus. Study these new books and enjoy the disease."
• Interview:Jaime and Gilbert Hernandez of Love and Rockets are interviewed by Tim Hodler, Dan Nadel and Frank Santoro on The Comics Journal. Jaime talks about becoming more popular cartoonists, "So Gilbert and I kind of set up our own ground where we go. We go, you love Raw? Raw’s East Coast? Love and Rockets is West Coast. And they go, 'So West Coast is primitive and old-fashioned?' Fine. It’s not art school."
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On the Love and Rockets Library Collection, by Gilbert and Jaime Hernandez Andy Khouri states, “This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order."
• Review: Douglas Wolk reviews Harvey Kurtzman’s EC stories in Corpse on the Imjin! for the New York Times. "Kurtzman’s writing could be bombastic — nearly all of these stories’ titles end in exclamation points — but, as the United States became mired in the Korean War, his reeling disgust at the horrors of war (and his thick, slashing brush strokes) made for shockingly bold rhetoric."
•Review:The Atlantic lists Mark Twain's Autobiography 1910-2010 by Michael Kupperman as one of The Best Books I Read This Year. Chris Heller says "Kupperman’s brilliance isn’t just in his humor, though. Mark Twain’s Autobiography is meant to be read in small doses, no more than half a dozen pages at a time. Trust me: You don’t want to gorge on a book that’s this weirdly amusing. But after a peek into Kupperman’s hysterically twisted mind, you’ll keep wanting to go back for more."
• Review:Comics Bulletin releases its 2012 Best Graphic Novel List and The Hypo by Noah Van Sciver makes it. "Van Sciver's toolkit includes the pens and pins of pathos and pain, self-doubt and angst, as much as it contains determination and fortitude. The Lincoln of The Hypo transcends his time, place, and even (or maybe especially) his name. . . It stands as a true example of the capabilities of this medium to deliver stories in a truly visceral manner," writes Daniel Elkin.
• Review:Unshelved comics review The Hypo by Noah Van Sciver. Gene Ambaum writes,"The mood of Lincoln’s life in Springfield, Illinois, is well-expressed via the rough-hewn, cross-hatched skies, floorboards, and backgrounds."
• Review: Tim Callahan has nothing but love for Spacehawkby Basil Wolverton on Comic Book Resources. He states, "Wolverton's world is a weird and ugly and beautifully innocently horrible charmingly delightful one, and it has more in common with the absurd genre riffs from something like Pendleton Ward's Adventure Time or Jesse Moynihan's Forming or Tom Gauld's Goliath than it does the bland superhero melodrama of 'Marvel Mystery Comics'."
• Review:Comics Bulletin's Favorite Reprints Books of 2012 include Gary Panter's Dal Tokyo and our Carl Barks reprints. In reference to Carl Barks' Uncle Scrooge and Donald Duck, "I would not hesitate to say that Fantagraphics’ reprints of Barks’ Duck comics may very well be the best collection series that any comic company is doing today! . . Each story is funny, smart and just plain fun and Fantagraphics treat each and every panel on the page with care and detail," states Nick Boisson. Jason Sacks writes "[Dal Tokyo is] a freaking godsend from the reprint editors at Fantagraphics because it unearthed an amazing, surreal, brilliant lost classic that's like an artifact from some amazing parallel dimension.. . Readers are asked to bring our perceptions to these pages, to bring our intelligence and passion and appreciation for abstraction and love for everything that feels different and yet the same as everyday life."
• Review:School Library Journal files Walt Disney's Donald Duck: A Christmas for Shacktownby Carl Barks in the Dewey (Huey and Louey) decimal of their hearts. J. Caleb Mozzocco says "[It] features another 200 pages of master cartooning from 'The Good Duck Artist' in a nicely produced bookshelf- or backpack-ready hardcover edition. . . the Barks books are great comics for kids and adult fans of the medium."
• Review: Uncle Scrooge: Only a Poor Old Man makes the Best of or Our Favorite Books of 2012 list on the Village Voice. Alan Scherstuhlstates, “Sprightly, inventive, wise, and more exciting than 60-year-old-duck tales should be, Barks's work already stands at the top of any list of history's greatest comics. It should also rank high among stories, period.”
• Review:Brooklyn Based thinks Sexytime edited by Jacques Boyreau is for youand suggests books for reading and giving. "This book is a journey into the aesthetic of porn," states Jon Reiss.
• Interview: Alex Dueben interviews Lilli Carré on Comic Book Resources about comics and animation. "I loved designing and arranging the [Heads or Tails]. Figuring out which pieces to include and the best order for them took quite a while, since I wanted each story to speak to the one before and after it, and to have a good flow despite the shift in styles. It was like making a high-stakes mix tape."
• Review: North Adams Transcript and John Seven look at Heads or Tails by Lilli Carré. "The multi-faceted Lilli Carre -- author, illustrator, animator -- presents stories that are as gentle as they are cryptic, in which the darkness of her themes meld perfectly with the sweetness of her style. . .Carre’s short work is collected and celebrated, revealing a creator of power, easily on the level with lauded types like Chris Ware."
• Review:Hooded Utilitarian makes it through Josh Simmons' The Furry Trap (probably with all the lights on in the house). James Romberger writes it is “packed cover to cover with shudders that cannot be anticipated, that grow worse as they progressively become less clearly defined. The last narrative is the most frightening because it is a straightforwardly articulated bit of cinematography on paper that, as with the most effective of suspenseful creations, gains in impact from what is never shown, the reader’s mind having already been prepared by the foregoing tales to expect the worst.”
• Review:Comics Alliance features several of our box sets on their Holiday Gift Guide: Deluxe Editions. On The Complete Peanuts Collection box setsby Charles M Schulz. Andy Khouri writes, “Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf.”
• Review:School Library Journal looks at Charlie Brown’s Christmas Stocking by Charles M. Schulz. J. Caleb Mozzocco says, "Schulz’s Peanuts has always been unique in its ability to speak to audiences of adults and children simultaneously. . . Nice then to have a comic that can speak to kids, adults and the little kids the adults used to be all at the same time—even if only for a quick 40 pages or so."
• Review: HeroesOnline looks at The Complete Syndicated Pogo Vol. 2 "Bona Fide Balderdash" by Walt Kelly. “Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time. The artwork is stunning, the pacing is fast, the characters simply come alive on the page; the plot-lines are crazy and labyrinthine and above all hilarious . . . Fantagraphics does the Kelly oeuvre proud with beautiful production values and insightful introductory material,” states Andy Mansell.
• Review:Dungeon Quest 3 by Joe Daly is the Best ofYear 2012 on the Forbidden Planet International site.Clark Burscough writes, “Deceptively simple looking artwork contains hidden depths, and the mythology that Joe Daly is building up around these characters and their world is starting to get properly out there.. . And on top of that – it’s laugh out loud funny. I can’t go into precisely why, because it’s also laugh out loud filthy. Something for everyone in these books.”
• Interview:Comic Book Resources and Alex Dueben interview James Romberger on his collaboration of 7 Miles a Second (and Post York). On his love of New York-centric books, “It is strange that I'll get used to an aspect of the landscape, but so often, I will come out to find it gone and replaced with something completely different. Still, I also love that shifting quality and the multiculturalism of the city; it is my primary subject,” says Romberger.
• Review:Listen, Whitey!on NPR Music for its MUSIC compilation. Matt Sullivan, assistant to author Pat Thomas, talks to Michaelangeo Matos about the project to accompany the book. "There's no way that Sony or EMI were going to [automatically] say yes to the Bob Dylan or John & Yoko tracks, because they get those requests all day. Years ago, Pat went to Bob Dylan's office and got those guys to approve it. The same thing with Yoko. . ."
• Plug: Speaking of 2013, Johanna Draper Carlson of Comics Worth Reading can't wait for Pretty in Ink: American Women Cartoonists by Trina Robbins to come out!
The first* glass of spiked eggnog of Online Commentaries & Diversions:
• Review: Metroland'sSimcoe reviews Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks and The Complete Peanuts: 1985 to 1986 by Charles M. Schulz. Glenn Perrett states, "Reading Carl Bark's "Donald Duck" stories from 60 years ago was entertaining. The animation and colours are excellent and sections such as "Story Notes" [etc.] . . . complement the wonderful comics making this book a nice addition to any library." And "The Complete Peanuts: 1985 to 1986 are sure to make the holidays more entertaining and makes a nice gift and keepsake."
• Review: Noel Murray of The AV Club continues the Christmas coverage with Schulz's Charlie Brown's Christmas Stocking which "is mainly meant to serve as a nice little accessory to holiday decorations, to be brought out every December with the ornaments and Andy Williams records. For that reason, it’s hard to humbug it…" With Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks, Murray notes "These stories—nearly all published in the early ’50s—are mostly non-Christmas-y, but the title tale is a sweet one. . . For those who do want a surefire present for the comics buff in their lives."
• Review: School Library Journal goes over some of the favorite holiday graphic novels of 2012 like Charlie Brown's Christmas Stocking by Charles Schulz. J. Caleb Mozzocco states "It’s beautifully designed, a breezy, five-minute read, and about the size of a Christmas card, making it a pretty great gift. And, this being Schulz’s Peanuts, it’s the sort of gift you’ll never grow out of." As for Carl Barks' holiday and title story in Walt Disney's Donald Duck: "A Christmas for Shacktown", "It’s one of about 20 of the top-notch comics in the book, which range from one-page gags to the sort of sprawling adventures Barks was best-known for."
• Review: Noel Murray of The AV Club takes a peak at Heads or Tails by Lilli Carré. "Carré loves to constrict her characters, because she knows that limiting their options won’t necessarily limit their imaginations. . . her comics work often has the feel of avant-garde cinema, as she weds surreal images to everyday situations to enchant audiences and spark ideas. . . "
• Review: Christopher Borrelli of The Chicago Tribune writes a loooong article on Lilli Carré and her new book Heads or Tails "that best captures the range, humor and vague sense of ennui she's made her name on. . . "
• Review: Noel Murray of The AV Club enjoys Tom Kacynski's Beta Testing the Apocalypse. "Kaczynski’s comics are frequently nightmarish, starting from a slightly askew place and then tipping further into darkness. . . But while his stories have characters and plots—often with haunting endings—they’re more like essays than conventional narratives."
• Review: Noel Murray of The AV Club finished the You'll Never Know series with Book 3: A Soldier's Heart by Carol Tyler. "This is Tyler’s magnum opus: her thoughts on art, work, relationships, music, war, and anything else that came to her mind while she was piecing together her dad’s story."
• Plug:About.com fills in the blanks of their Christmas Sex Book List by adding our most recent titles. On No Straight Lines: Four Decades of Queer Comics edited by Justin Hall, Cory Silverberg slyly states "given the diversity of artists working today it's not a definitive collection, but it's sexy and joyful and difficult in parts, and definitely one to own." Meanwhile, Naked Cartoonists (edited by Gary Groth) contains "a number of stand outs among this overwhelmingly white, male collection of artists. And I imagine this could be a perfect gift for the right kind of comic nerd."
• Review: Danel Olson of the Weird Fiction Volume 3 writes on Richard Sala and The Hidden . "Sala has become one of my favorite American sequential artists because of his subtle tributes and expansions to four of the most memorable twentieth century American cartoonists - Charles Addams, Edward Gorey, Gahan Wilson, and Basil Wolverton. . . Forbidding and weird seem like weak adjectives for Sala's The Hidden, and I urge you to open it. . . Give a standing order to Fantagraphics for any noirishly weird fictions forthcoming from Sala."
• Review: Chris Estey of KEXP reviews the Bill Griffith collection called Bill Griffith: Lost and Found - Comics 1969-2003. Chris Estey writes that it is "a luxurious and generous Fantagraphics big book collection of his non-Zippy work, is required reading for those who may have missed his parodies and punk rock operas in the past, or want them all bound together. It’s also for those like me who were never really that much into Zippy in the first place."
• Plug: Dave Segal recants the events immediately following his Stranger article on Listen, Whitey!by Pat Thomason the Stranger Slog. White supremacists got all sorts of angry at this history book and the white dude who wrote it.
• Plug: One step forward, two steps back. The Adele Blanc-Sec movie is inching along towards distribution in America. Johanna Draper Carlson gets the scoop on DVDs Worth Reading on Jacques Tardi's graphic novel adaptation.
• Plug:Negromancer reviews the film adaptation of Art School Confidentialdirected by Terry Zwigoff based on the comics of Daniel Clowes. "While Art School Confidential comes across as a satire of art schools, the faculty, and students, it is also a love story and youth relationship drama. It works well as all three."
*let's be real, it's like our tenth glass of that local dairy's eggnog
The most symmetrical cake slice of Online Commentaries & Diversions:
• Review:Publishers Weekly occasionally lets smart and famous people recommend books. Jeopardy Master Ken Jennings "skipped the obvious Marjane Satrapi and Alison Bechdel entries in favor of this lesser-known three-volume masterpiece, about Tyler’s complicated relationship with her distant dad, a World War II vet. With her playful, fluid brush line and busy patchwork of watercolor woodgrain, Tyler’s art looks like the past feels." Carol Tyler's complete series You'll Never Know is available.
• Review:Booklist Online cooks up a review from some Pogo (The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash"). Ian Chipman writes, "[Walt Kelly's] hallmarks of deft wordplay, daft swamp critters, and poisonously sharp sociopolitical satire are in full blossom here. The highlight is the 1952 election season that saw Pogo’s first and entirely reluctant presidential run and the birth of the “I Go Pogo” slogan. Mimicking “I Like Ike. . . A must for all collections of comic-strip history."
• Plug:Forces of Geek throws out some good gift recommendations for kidslike Walt Disney's Uncle Scrooge "Only a Poor Old Man"by Carl Barks. "Comic books have always been an excellent gateway into reading, and when it comes to smart, imaginative and engaging, you don't have to go much further than Carl Barks. . . What better way to introduce your own Huey, Dewey or Louie to comics?"
• Review:Paste Magazines's 10 Best Collections of 2012 include two Fantagraphics titles. Hillary Brown loved Young Romance, by Joe Simon and Jack Kirby edited by Michel Gagné who "painstakingly restored them (without making them look exactly new, thus giving the book the feel of a vintage compilation that just happens to be in amazing shape). . . Simon and Kirby tried to bring as much excitement to primarily psychological and interpersonal goings-on as to punching and flying." And this might be the last year anything by Carl Barks is on the list, "We’ll just grant it permanent honorary status as the best of the best, like when John Larroquette removed himself from Emmy consideration after winning four straight for Night Court. . . [Walt Disney's Donald Duck "A Christmas for Shacktown] once again proves Barks to be one of the finest draftsmen and storytellers we’ve ever had." Well put, Garrett Martin.
• Plug:The Scotsman lists some of the Best of 2012 as told by the best scotsman. Withered Hand's singer/songwriter Dan Willson has eyes only for Ron Rege, Jr. and states, "[The] Cartoon Utopia , his magnum opus, is quite a head-trip. Thousands of very dense little drawings and words resemble a psychedelic illuminated manuscript peppered with themes of spiritual redemption and good versus evil. It’s a very unusual and beautiful work."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. On Ron Rege Jr.'s The Cartoon Utopia , "The first esoteric text of the new century. The harbinger of the New Aeon. This book will be a staple of Esoteric Lore for millennia to come."
• Plug:Boing Boing makes my job easy by providing the Best Damn Comics of 2012. Compiled by Brian Heater, a lot of creative people offered up their favorite books of the year. Nick Abadzis thinks Kolor Klimax (edited by Matthias Wivel), "feels startling and vital to me and features a wide variety of styles, each as absorbing as all the others contained within these pages. I don't think I've enjoyed an anthology as much as this one in years."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown on Barack Hussein Obama, "Steven Weissman does stuff with actual analog comic materials that most dudes can't even do with photoshop." Jeffrey Brown chimes in on BHO, "Strange, funny and beautiful. Weissman reinvents his comics with the kind of book I wish I would make." Will Dinksi agrees, "Barack Hussein Obama is pretty much my favorite book of the year. . . I get a better appreciation for Weissman's craft in the printed collection where it can feel like you're actually looking at the finished artwork." Mari Naomi says,"I just love what this book is. If I didn't know better, I wouldn't even recognize this as Weissman. And I like that."
• Review:Paris Review checks out The Last Vispo, edited by Nico Vassilakis and Crag Hill. Nicole Rudick states,"it makes sense that in visual form poetry would elicit a kind of motion, an unfolding over the space of a page, and that even its sound would be voiced as a series of discoveries. Movement disrupts the continuity of a sentence, a phrase, a word. And language, unsettled, is unbound."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Box Brown continues to wax poetic on Josh Simmons' The Furry Trap, "Funny, even as it makes your hair stand on end and your skin start to crawl... Horror comics that gash their way below the surface."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Shaenon K. Garrity says that The Heart of Thomas by Moto Hagio "is a book I've been awaiting for over ten years, and it exceeds my expectations."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Nate Powell on Interiorae by Gabriella Giandelli, is "just what I look for in a narrative: patient, dreamy, full of seemingly endless layers of shadow, slowly revealing the sweetness inside the rotten, all within the confines of a single high-rise apartment building, surrounded by snow and static."
• Review:Slate finds themselves choosing Heads or Tails, going for broke. Dan Kois says, "Lilli Carré’s short stories are dreamy, unlikely, and unsettling. What transforms the stories from nightmares to fables is Carré’s artwork, which varies with each story. . ."
• Review:Page 45 looks at Heads or Tails by Lilli Carré. "The art reminds me a little of Lynda Barry and the flow of the pages reminded me a little of Walt Holcombe. . .I recently recommended this book to a customer who named their favourite film as Amelie (good choice!) precisely because it has that feeling of whimsy about it."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Jeremy Tinder on Heads or Tails by Lilli Carré, "A nice encapsulation of many of the ways Lilli has been pushing herself both narratively and stylistically over the last few years. If only there was a way to squeeze her animation in there too." Will Dinksi comments on Heads or Tails by Lilli Carré, "Beautiful artwork. Thoughtfully paced. "Of The Essence" is one of the best comic book short stories I've ever read."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Robert Kirby on No Straight Lines edited by Justin Hall, "Long overdue, this beautifully-produced, sharply edited retrospective may usher in a new era of respect and recognition for a long-neglected realm of the alt-comics world."
• Review:Nate's Broadcast enjoyed The Hypo by Noah Van Sciver in addition to the recent film, Lincoln, and book America Aflame. "Van Sciver’s contribution to the Lincoln mythology is perfect for those who like their heroes a little troubled and messy, but good at their core- not a bad way to interpret the American ideal."
• Plug: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Will Dinski continues with The Hypo. "[Noah] Van Sciver is pretty prolific, but this is his best work to date. The line art just drips with anguish." Brian Heater thinks it "puts the cartoonist's brimming angst to a different use entirely, in a book that does precisely what a good piece of historical non-fiction should: finding a fascinating way to tell a story we were convinced we already knew."
• Review: Blacklung by Chris Wright is whittled on by Tucker Stone at TCJ. It's called "the big, trippy brother to Drew Weing’s Segar influenced Set To Sea. . . . [and] Gore saturates this comic. . . Brutality for its own sake is the point of some entertaining movies, no reason it can’t be the point of some entertaining comics as well."
• Review: On Filth and Fabulations, Jeppe Mulich states that Chris Wright's "[Blacklung is] not a work of splatter punk or mindless gore, but rather an engaging, breathless, and humorous tale of the dregs of the sea, including a colorful assortment of pirates and madmen, quite clearly drawing inspiration from both Melville, Stevenson and Peckinpah."
• Review: Paste Magazine reviews Charlie Brown's Christmas Stocking by Charles M. Schulz. "Seeing this work isolated and expanded only reinforces the sheer timelessness and brilliance inherent; Schulz was a master of mood and line in equal measure. . . it’s some of the finest nostalgia porn you can put under the tree," quips Sean Edgar.
•Review:Pheonix New Times unwraps their present early and Jason P. Woodbury interviews Nat Gertler on Charlie Brown's Christmas Stocking by Charles M Schulz. "[Schulz] had done a Christmas book, Christmas is Together-Time, using red and green," Gertler says, explaining the minimal color palette. "We wanted to keep that simplicity and Christmas-sense in there." The stable of Schulz characters transcend fads and time because as Gertler points out "It's not the way kids talk, but they way they feel is the way that kids feel."
• Plug:Drawn blog tops off another the Best of 2012 list with some Ernie Bushmiller. John Martz points out, "Nancy seems to be a love-it-or-leave-it strip, and I am firmly in the Love It camp. . . Often surreal, and always impeccably drawn, there is nothing quite like it. . . these books are a virtual masterclass in cartooning."
• Review: From Boing Boing's list of the Best Damn Comics of 2012, compiled by Brian Heater. Tom Kaczynski on Ernie Bushmiller's Nancy is Happy, "The minimalism of the art, the quirky humor, the amazing consistency, it all started with these strips."
• Review: Getting ready for the hardback release of Delphine by Richard Sala, Carrie Cuinn of SF Portal reviews the tale complete with "dark duotone inking style, little dialogue, and gothic, shadowy, art. . . Overall I think that Sala’s retelling of that well-known love story is affectingly tragic. . . It is, in a word, creepy."
• Review: If MTV Geek knows about The End of the Fucking World then the secret is out: Charles Forsman is amazing! "[It] pulls you in like no other comic this year. Stunning in its simplicity and brave in its subject matter. Charles Forsman is a future force. . . [it] is like stumbling onto the ultimate secret in comic books, but based on how great TEOTFW is, it won't be much a secret longer."
• Review: Ashley over at Bibliophibien looks at Wandering Son series by Shimura Takako, "While the story is focused on transgender topics, I think that this is a wonderfully moving coming-of-age story and captures the complexities of sexual identity, friendships, and family that teens face."
• Review: Rick Klaw at SF Site enjoys the glossy glory of Action! Mystery! Thrills!, edited by Greg Sadowski. "As in his previous volumes. . . Sadowski supplies copious end notes and annotations. Though this time, the information additionally reads as an entertaining history of early comics. . . Sadowski once again delivers an essential book for anyone with an interest in comics history."
• Plug: John McMurtrie of SF Gate (San Francisco Gate) lists Listen, Whitey! by Pat Thomas as one of the Music Books to Buy of 2012.