The first snowflake of Online Commentaries & Diversions:
• Review:Publishers Weekly enjoys Naked Cartoonists, edited by Gary Groth. "The litmus test for any collective work based on the idea of one page per artist is whether the whole is greater than the sum of the individual parts. . . [Naked Cartoonists] no trouble achieving that goal. . . Dan Piraro (Bizarro) deserves kudos for his strategically-located likeness of Garfield . . ."
• Review:Print Magazine (issue 66.3 June 2012) gingerly flips through the pages of Naked Cartoonists. "Does your Sunday morning routine consis of reading The Wizard of Id and thinking, Gosh, I wish it had more nudity? Then Fantagraphics Books has just the thing for you." While out-and-about obscenity is rare, "there are moments of genuine creepiness, as when Jeff Keane, heir to The Family Circus, drops trou along side his fictional self, Jeffy."
• Review: Speaking of nudish things, Slate takes the time to slog through Prison Pit 4 by Johnny Ryan. Noah Bertlasky states, "For those who find filthy, blotchy tactile ink clots, überviolence, or body horror even remotely appealing, you need to buy this and its predecessors immediately."
• Review (audio): The boys on the block (Comics Books are Burning in Hell) review violent comics so naturally Blacklung by Chris Wright is included. The book affected the reviewers since it's "basically Chris Wright drawing terrifying shit" and Wright's drawing style falls in between "Old newspaper comics, like E.C. Segar's Popeye and Roy Crane's Wash Tubbs and Usagi Yojimbo [by Stan Sakai]."
• Review:New York Journal of Books looks at Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks. Mark Squirek writes, "What he was really doing was showing us the absurdity of human behavior. . . This is a book that can be enjoyed by everyone from six to eighty. . . This is classic art and storytelling from a master of the form. Carl Barks ranks right up there with Jack Kirby and Will Eisner. If you love the frustrated, quacking, crazed Donald from the cartoons of the forties, you have to read A Christmas for Shacktown."
• Review:The Christian Science Monitor unwraps Charlie Brown's Christmas Stocking by Charles M. Schulz. Rich Clablaugh takes another sip of cider and says, "The design of the book is marvelous, thick off-white stock printed in two colors – red and green of course. . .Charlie Brown's Christmas Stocking is sure to bring a warm smile to readers young and old. A yearly reading of this little gem can in itself become a new tradition for the Christmas season."
• Review:Westfield Blog looks at archival prints from Fantagraphics. Roger Ash recounts, "Popeye, Pogo, Charlie Brown, Mickey Mouse, and many other classic comic strip characters live on at Fantagraphics in outstanding collections. If you aren't reading any of these, you should be."
• Review:Forbidden Planet International writes about Rich Tommaso's graphic novel, The Cavalier Mr. Thompson. "What the Cavalier does very well is encompass the zeitgeist of an era and people vividly. . . or the most part you’re happy to be led through the rooms and ravines, over train tracks and down corridors as a gentle narration of tales from times gone by ensconces you comfortingly," says Zainab.
• Review: Glen Weldon writes a large article in the New York Times Book Review on our newest anthology on queer comics. "With No Straight Lines [editor Justin Hall] has produced a useful, combative and frequently moving chronicle of a culture in perpetual transition; to read it is to watch as an insular demimonde transforms itself, in painful fits and joyful starts, and steps out into a wider monde."
• Review:Graphixia looks at Jacques Tardi's It Was the War of the Trenches. Scott Marsden states, "Seeing Tardi’s portrayal of the horrors of trench warfare and his vision of the random senselessness and brutality that accompanies it reminds us to reflect on our (mis)conceptions of history, drawing attention to the fractal realities that are embedded in events that have been experienced internationally. . . it feels far closer to reality than the propagandized historical materials offered by the typical academic publishing industry. . ."
• Review: Rob Clough reposts his review of our Hotwire anthology, this time on High Low. "A book for those who read Ghost World or American Splendor and [want] to know where to go next."
• Review:Chris Ware is profiled on the NY Review of Books on Jimmy Corrigan through Building Stories.
Now that the mess of Halloween is swept under the rug and Thanksgiving is over or has turned into subcutaneous fat around your middle-section, we can get back to what is really important: egg nog and books to buy for your loved ones be they the birthday-celebrating Sagittarius or Capricorn in your life or for an annual wintertime holiday. Many of our books have been featured on holiday gift guides and we even have thematic releases coming out just in time for the holidays. So peruse while you finish up your holiday shopping lists. (And remember our CYBER MONDAY sale is going on RIGHT NOW for 30% off 2012 titles and more)
For the monster in you and that book to connect generations of family members, look no further than SPACEHAWK by Basil Wolverton. Cory Doctorow of Boing Boing believes "what you read it for is the character design, that amazing Wolverton grotesque that is as unmistakable as it is unforgettable. I mean to say, this guy could really draw monsters [in this] weighty tome that almost strobes with awesome."
For the completist and nostalgic fan, Publishers Weekly gift guide highlights the first three volumes of Krazy & Ignatz: Complete Sunday Strips 1916-1924 by George Herriman (for a whopping $95). PW states "One of the most admired and influential comic strips of all time, Krazy & Ignatz is collected in Krazy & Ignatz: Complete Sunday Strips 1916–1924, which contains the first nine years of George Herriman’s masterpiece into one (of three) handsome tomes."
For more strip and comic book archival collections Tom Spurgeon of The Comics Reporter suggests Walt Kelly's Pogo Vol. 1-2 Box Set. "I love the early Pogo work best of all the Pogo work, and these volumes are attractive in a way that's extremely difficult to guarantee with a post-World War 2 offering. They were cramming the strips into papers by then, making tear sheets and originals an even greater premium than is usual." A little history with your recommendation.
Speaking of historyPublishers Weekly calls it a 'good yarn,' but The Hypo by Noah Van Sciver is also for 'that person who loved the film Lincoln' as Comic Book Resources puts it. "This is an angle of Lincoln that rarely gets seen, and Van Sciver's strong plotting and detailed artwork make this an engaging and easily accessible read to any reader."
In the mood for more biographies or memoirs? Publishers Weeklysuggests No Straight Lines: Four Decades of Queer Comics, edited by Justin Hall. The NY TIMES also featured this "sampling of comic books and comic strips featuring gay, lesbian, bisexual and transgender themes and characters has strong language and sexual situations, but a lot of laughs too. It is a wonderful toe dip into the genre," states George Gene Gustines.
"For the person who reads John Hodgman" cartoonist, quippest and sharpest tack on the internet block Michael Kupperman is the man for you. Rob McMonigal at Panel Patter continues, "He's the author of my favorite book of 2011, Mark Twain's Autobiography 1910-2010, as well as the Tales Designed to Thrizzle anthology series. His work features outrageous satire . . . sending Twain off on wacky hijinks with Albert Einstein. Nothing is sacred and everything is skewered by Kupperman, who is a perfect fit for the lovers of Daily Show-like comedy.
For the person who enjoys process over narrative the "punk icon Gary Panter’s angular world of neon brutalism" Dal Tokyo is the perfect gift for the 'Visual Splendor', says Publishers Weekly.
Tom Spurgeon of The Comics Reporter recommends comics for people WHO ALREADY LIKE THEM. #1 on his list is anything by The Hernandez Brothers. "They made some of the very best comics the year that Love and Rockets began; they made some of the very best comics this year." Start from the beginning with Gilbert's Palomar Series in the book Heartbreak Soup or with Jaime's Locas Series starting with Maggie the Mechanic. Is your loved one a huge fan? Get the latest book, Love and Rockets: New Stories #5.
But wait! (There's more) We also have blue spruce trimmed books for your holiday and year-long enjoyment. First up is the perfect stocking stuffer Charlie Brown's Christmas Stocking, this adorable little package collects two of Charles M. Schulz's best "extras" from the 1960s: two Christmas-themed stories written and drawn for national magazines are FINALLY collected in book form. The Comics Reporter says, "There aren't a whole lot of Charles Schulz-related items that have yet to be published; this holiday-related book is one of the few hold-outs." Charlie Brown's Christmas Stocking was also featured on The LA Times Gifts for Under $25 "Charlie, Snoopy, Lucy, Linus, Schroeder, Frieda, Violet, Shermy and Sally all make appearances, and the book also includes a pocket-sized biography of Schulz." Created in the classic square style of Charlie Brown small book collections, this book is sure to warm your hearts without the need of a glowing fire or mug of mulled cider.
Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks is the third book in our Carl Barks Library which chronologically prints stories from this master. "A Christmas for Shacktown" is a rare 32-pager that stays within the confines of Duckburg, featuring a storyline in which the Duck family works hard to raise money to throw a Christmas party for the poor children of the city’s slums (depicted by Barks with surprisingly Dickensian grittiness). The Comics Reporter's Tom Spurgeon states, "I used to love the unabashed sentimentalism that saturates a story like this one, at least in the initial pages."
The rest of the book is also full of GOLD and not necessarily snow-covered. 240 pages in full-color glory make this a must-have no matter what the season. Featured on The LA Times Gifts for Under $50 "Fantagraphics has been reprinting Carl Barks’ classic Donald Duck and Uncle Scrooge work, and this third volume focuses on Barks’ peak period in the early 1950s."
Finally, the second book of Ernie Bushmiller's famous strip Nancy is out for pre-order. Nancy Likes Christmas: Complete Dailies 1946-1948 is three more punny years of the fabulous life of an odd looking little girl. Order through us and you'll receive an FBI mini comic to throw in that stocking over the fireplace (be it real or the Netflix fireplace) as well. Spurgeon again, "it sounds good. I'm pro-Nancy and everything." It's kinda like being pro-education. We all agree it's a good thang.
The most feathered pom-pom of Online Commentaries & Diversions:
• Interview: Steven Weissman is a popular man with his presurrealidential comic, Barack Hussein Obama. Comic Book Resources and Alex Dueben interviews Weissman on the evolution of a comic and re-engaging your audience.
• Interview:Comics Alliance's J. Caleb Mozzocco interviews Steven Weissman on Barack Hussein Obama. "The Barack Hussein Obama that ultimately emerges from the book is a pretty regular guy trapped in a comic strip, struggling to be all things to all people," states Mozzocco.
• Review:Jim Woodring's sneak peek at his sketchbooks that eventually became Problematic was up on BoingBoing before the video went 'kaput,' now there is Jim inking like a badass with a nib. You can still see sample pages here for Problematic. Video made and featuring the hands of Marketing Director, Mike Baehr, coming soon!
• Plug: Comics Reporter comments on a few of our releases from this week. In reference to The Cartoon Utopia, Tom Spurgeon states, "Ron Regé Jr. is one of those special cartoonists where I buy everything he does without asking questions first. On the strength of this latest collection, with which I'm only about halfway done, Lilli Carré may join that group of cartoonists much sooner than I thought possible. . . " with her collection of stories in Heads or Tails.
• Interview: Andrew Wheeler of Comics Alliance interviews Justin Hall, editor of No Straight Lines. "It's also a testament to how good those early creators were. Howard Cruse, Trina Robbins, Roberta Gregory, they're some of the best cartoonists in the business and they were doing work of surprising sophistication from the very beginning."
The cuddliest cat at the shelter of Online Commentaries & Diversions:
• Review:Body Literature reviews The Last VispoAnthology: Visual Poetry 1998-2008 edited by Nico Vassilakis & Crag Hill. Stephan Delbos writes "The Last Vispo Anthology is strange. It is also challenging, eclectic, confounding, erudite, punchy, and, by turns, beautiful. . .overall there is an elegiac note to this anthology, which extends from the title to the feeling, put forth by several of the essays, that visual poetry is facing a turning point.. .visual poetry is the bastard hermaphrodite of arts and letters. In a good way."
• Review:David Fournol looks at The Cavalier Mr. Thompson by Rich Tommaso, a rough translation states, "Exemplified by its beautiful design and the use of only two colors gives the book a slightly dated, authentic look. . . Describing and illustrating people's lives is a major talent of Rich Tommaso's. It is a process that has already been perfected in another of his works. . ."
• Review:Los Angeles I'm Yours gets Barack Hussein Obama by Steven Weissman in a big way. Kyle Fitzpatrick says, "The novel follows a gangly Barack Hussein Obama who is a constant prankster and has absolutely no manners. . . It’s a dark world and Obama is the smarmy asshole king. . . It’s a great pre-election graphic novel with some great, dark laughs."
• Review:Comic Book Resources and Tim Callahan looks at two books from the 'W' section of his library.Barack Hussein Obama by Steven Weissman "seems part of a larger movement (from IDW's Artist's Editions to years of Kramers Ergot) to signify the artwork as the end result rather than as a means of producing an end result. . . And Weissman's work demands ingestion and interpretation rather than declaration. Oh, it's good, too, if that has any meaning after all that abstraction." On Wallace Wood's Came the Dawn from the EC Library, Callahan posits, "This is a serious-looking, important comic, for serious-minded, important people. This isn't some lascivious spectacle. Heck, there's only one female on the cover, and she's facing away from us. No one is carrying around any chopped-off heads or limbs. There's no blood anywhere. No shrieking to be seen."
• Plug: Chris Mautner of Robot 6 looks through our next season catalog. The Endby Anders Nilson, I tend to consider this book. . . to be his best work to date, an absolutely shattering and deeply moving account of dealing with loss and grief." On The Cabbie Vol. 2by Marti, Mautner mentions, "Oh man, I seriously love me some Cabbie. I don’t think the first volume exactly sold like hotcakes, but I’m glad to see their continuing on with Marti’s ultra-dark Chester Gould homage." In reference toStorm P.: A Century of Laughter: "Kim Thompson is going to school us all in the world of Eurocomics or die trying. I, for one, am always eager to learn, however. This coffee-table book features the work of Danish gag cartoonist Robert Storm Petersen, whose work is reminiscent of O. Soglow and other New York cartoonists from the same era."
• Plug:Boing Boing covers a few of their favorite books. Mark Frauenfelder enjoyed flipping through Weird Horrors and Daring Adventuresby Joe Kubert, edited by Bill Schelly. "Best known for Sgt. Rock,Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." In regards to the Is That All There Is? by Joose Swarte Frauenfelder admits, "I prefer his work over Hergé's (don't shoot me). This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure."
• Review: Jason Sacks of Comics Bulletin interviews Justin Hall, editor of No Straight Lines, on queer comics, teaching comics and preserving history. Hall says, "I think in general the queer comics underground is – if you could categorize it with anything, there is a directness and honesty to the work – a real rawness that's quite impressive. I think that comes out of the feminist underground comics: Wimmen’s Comix, Tits and Clits, etc."
• Review:Gay Comics List talks about No Straight Lines, edited by Justin Hall. Francois Peneaud says, "Hall wisely chose to follow a (more or less) chronological path instead of anything fancier, but that doesn’t mean he has nothing interesting to say, far from it. The tension between specialized comics (by which I mean comics made by and for a specific group of people) and mainstream audience, the evolution from the urgent need for visibility to the creation of complexified issues and characters, all these and more are covered in a few pages."
• Review: Editor Kim Thompson speaks to World Literature Today about translating Nicholas Mahler's Angelman and other books in the Fantagraphics library. "Humor is far more difficult to translate than anything else. If you translate a dramatic sequence and your words or rhythm aren’t quite right, it still can work."
• Review:Page 45 enjoys Special Exits by Joyce Farmer. "No punches are pulled, this is life, specifically the twilight years and subsequent demise of elderly parents, told with such honesty, candour and compassion that I actually find myself welling up again as I'm typing this. . . SPECIAL EXITS becomes a testament to the human spirit and the value of a positive outlook on life, especially in one's latter years when faced with failing health," says Jonathan.
• Review:The Comics Reporter enjoys Buz Sawyer Vol. 2: Sultry's Tigerby Roy Crane. Tom Spurgeon says, "To get the obvious out of the way, this book has some almost impossibly beautiful cartooning in it. Even for someone like me that finds the basic visual approach of Buz Sawyer less thrilling than the more rugged, crude cartooning of Crane's Wash Tubbs work, there are several panels of stop and whistle variety."
The blackest ink in the pot of Online Commentaries & Diversions:
• Review:AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciverrenders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."
• Review:Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."
• Review:Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency. . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"
•Review:La Tempestad on Barack Hussein Obamaby Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."
• Review:MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."
• Review:The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."
• Review:The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."
• Review:Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."
• Review:The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."
• Review:BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."
• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.
• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."
• Commentary:SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . . Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."
• Commentary:Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."
• Commentary:Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."
• Interview:The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes.
• Review:Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."
• Review:Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."
• Review:AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."
•Interview:The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."
And don't miss these excellent panels, featuring our great Fantagraphics artists:
Saturday, October 13th
• 2:45 PM // Queer Cartoonists Panel: LGBT comics, with a storied history of over four decades, have never been more vibrant. A true renaissance of queer stories is taking place, as they begin to take their rightful place in the comics world and fans increasingly demand more material that speaks to them and represents the genuine diversity in which we all live. It's all happening at the ninth annual APE Queer Cartoonists Panel, with talented, fabulous, and uppity panelists Tara Madison Avery (Dirtheads, Gooch), Tony Breed (Finn and Charlie Are Hitched), Dylan Edwards (Transposes), Steve MacIsaac (Shirtlifter), and Leia Weathington (The Legend of Bold Riley), with moderator Justin Hall (No Straight Lines, Glamazonia). On top of all that, at the end of the panel the recipient of the Prism Comics Queer Press Grant 2012 will be announced.
• 4:45 PM //Using Childhood Experiences to Create Adult Stories: The experiences from our youth are often those that have the biggest impact on the adults we grow up to be, but how do we share those stories with others? Miriam Libicki (jobnik!), Jim Woodring (Jim, Weathercraft), Kraig Rasmussen (monkeygong.com), and Derek Kirk Kim (Tune, Same Difference) explain how they molded their childhood memories into stories aimed at adults. Moderated by the Cartoon Art Museum's Andrew Farago.
• 5:45 PM // Spotlight on the Hernandez Brothers: 30 Years of Love and Rockets: The creators of the acclaimed Love and Rockets discuss the trials, tribulations, and joy that go into writing and drawing a series for over 30 years! Jaime, GilbertandMario Hernandez, talk to Andrew Farago (Cartoon Art Museum) about their three decades on one of comics' most popular and acclaimed indie series.
Sunday, October 14th
• 2:30 PM // "Gigantes" Walk Among Us!: Almost 100 years of cartooning takes the stage as APE special guests Jaime, GilbertandMario Hernandez of Love and Rockets fame join legendary MAD cartoonist Sergio Aragonés to discuss how their Latino/Hispanic experiences contributed to their amazing comic art. Join moderator Ricardo Padilla (Latino Comics Expo) as we celebrate these unique creators of this American artform.
• 3:45 PM // Spotlight on Jim Woodring: APE special guest Jim Woodring, the creator of the wordless Frank comics, waxes eloquent about his influences, motivations, and career experiences in "Please Stand By," a 45-minute narrated slide and video presentation followed by a 15-minute Q&A session. Topics include Woodring's animation studio work with Jack Kirby and Gil Kane, and the cartoon that irreversibly changed his life. If you have ever wondered what drives his enigmatic work, this is your chance to get the inside dope.
Marketing Director Mike Baehr and I can't wait to see you! Just swing by our usual spot at APE, tables 112-115! (Right by our good friends Jim Blanchard and J.R. Williams at table 116!)
The furtherest-traveled Bethesda-sent postcard of Online Commentaries & Diversions:
• Review:NPR's Glen Weldon looks at The Hypo by Noah Van Sciver. "Although The Hypo is painstakingly researched, the book is no dry accretion of biographical detail. That's because Van Sciver approach's is so deeply, palpably personal, even idiosyncratic. . . Inspiring? No. But achingly familiar, relatably human and — most of all — profoundly real."
• Interview:Comic Book Resources and Ryan Ingram pulled Noah Van Sciver aside to talk about The Hypo. Van Sciver says, "My reason for spending so much time working on The Hypo was an honest to god interest in the subject of depression and the struggles Lincoln was going through at that time. Probably nobody else would have done this book."
• Review:We Got Reviews looks at Noah Van Sciver's The Hypo. Chad Parenteau closes it beautifully states," In The Hypo, Van Sciver proves in these pages that you can bring an almost mythic figure of the past to modern day terms while still making that figure heroic."
• Plug:Large-Hearted Boy got his mitts on The Hypo by Noah Van Sciver: "I've been looking forward to this book for what feels like two years now. . . It's a side of Lincoln rarely revealed, beautifully illustrated, and wonderfully told."
• Commentary: Rob Clough of the Comics Journal and High-Low made sure to organize some Noah Van Sciver within the Library of Congress mini-comic collection: "Everything's coming up Noah these days, with an Ignatz nomination for The Death of Elijah Lovejoy and the release of his Abraham Lincoln book The Hypo from Fantagraphics." Clough also comments on Jaime and Gilbert's Ignatz awards, "I dubbed Jaime Hernandez the King of SPX after he took home three extremely well-deserved Ignatz awards. After getting shafted by the other major comics awards shows, it was great to see him relishing this moment."
• Commentary: Tom Spurgeon says a bunch of nice stuff about the Hernandez Brothers, Noah Van Sciver on the Comics Reporter. "Los Bros had a steady line of admirers at the show, which was really encouraging to me. They had good solo panels, too -- Frank Santoro talked to Jaime and got him to choke up a bit, and Sean T. Collins talked to Gilbert and applied to that conversation the benefit of reading the holy shit out of all of Gilbert's work sometime in the last year. . . I enjoyed that Abraham Lincoln book of [Noah's]."
• Commentary:The Beat loves on all creators, great and small including the Hernandez Brothers
• Plug (video): Junot Diaz talks about the Hernandez Brothers in Vol. 1 Brooklyn.
• Commentary (audio): The podcasts Hideous Energy attends not only SPX but the Politics and Prose signing for the Hernandez Brothers . The hosts have a frighteningly good time at SPX despite the trials and tribulations of their hotel room at Red Roof Inn.
• Review: The School Library Journal dissects The Adventures of Venus by Gilbert Hernandez and includes some questions to ask when using it in an English or literature class: ". . . while certainly young readers should appreciate many aspects of the book, some of its content may land as so idiosyncratic (albeit playfully so) as to inaccessible. And that’s actually a good thing."
• Review:The Chicago Reader enjoys Lilli Carré's Heads or Tails. Noah Bertlasky compares,"Eschewing the autobiographical meaning-through-trauma tradition of Maus, the pop art goofiness of Fort Thunder, or the sex and drug spewing of underground artists like R. Crumb, Carré specializes in surreal narratives and exquisite design.. . . Reading this, it's easy to forget there was ever a time comics were viewed as separate from art."
• Plug: Alex Pardee of Juxtapoz picks Johnny Ryan as his dude du jour and demands you read Prison Pit #4 and all previous volumes."I'm pretty sure the words 'Johnny Ryan' mean 'Fuck You' in Elvish or Klingon. . . Lucky for us, Johnny Ryan doesn't give a Russell Brand about pissing anyone off. . . amassing a huge cult following based solely around brilliantly conveyed hemorrhoid jokes, hitler bashing, and 'shit-fucking-shit'. . ."
• Plug: Claire Donnor of comiXology focuses on No Straight Lines, edited by Justin Hall. "Besides offering an exciting array of new and rare talent, this volume presents a very refreshing change from the familiar straight male fantasizing that has traditionally dominated the indie and underground scenes."
• Review:The North Adams Transcript reviews Mattotti and Zentner's The Crackle of the Frost. John Seven writes, "What the words cannot portray, the images do, the real psychological landscape that Samuel's confused analysis grapples with, and a testament to the power that can be born of the collusion between the literary and the illustrative in the best examples of graphic storytelling."
• Review: Carter Scholz returns to The Comics Journal to pen a review of Dal Tokyoby Gary Panter, "So think of it as a comic strip, a periodic commitment. A blog before and after its time, a day book spanning three pitiless decades. Each strip of the first series is time-stamped, by hand, to the minute, testimony to Panter’s living and working and recording in the here-and-now of it."
• Interview: Max Robinson of City Paper interviews Dan Clowes and about the continuing success of Ghost World: "I’m heartened that it seems to live on. It’s about teenage girls from another world, really; [they] don’t text, don’t have cell phones, don’t have computers. It’s really about the olden days and yet it seems like the whole new readership of teenagers seems to take to it every year."
• Review:Pop Matters talks about Daniel Clowes. Features editor Josh Indar says, "This is why I love Dan Clowes. He’s the only comic artist I’ve read who can do this to me, to pull me so completely into his world that, just as the old lady said, I start seeing reality through the lens of his work."
• Review: Nick Gazin's Comic Book Love-In #72 on Vice includes Jacques Tardi's New York Mon Amour. "Many of the comics they're publishing have never been translated into English before so it is a big, big deal that they are providing this service to all American lovers of comics. . . The art's great and it captures what New York in the early 80s was."
• Interview:Print Mag interviews the indeliable Roger Langridge on comics, acting and life. It's worth reading yourself for the gorgeous panels full of exquisite details. Langridge says, "It's a fascinating world, theater."
• Interview: Chris Auman of Reglar Wiglar interviews Ed Piskor on his previous book and upcoming Hip Hop Family Tree. "I grew up surrounded by hip hop. I feel like the fact that I even learned to draw was shaped by a hip hop mentality."
Occasionally a finger on the camera slips and reporters or other publishers accidentally take a picture of the people working on publishing the books, rather than our wide array of talented artists and authors. Here are some nice things people said about us and some semi-nice photos of Gary, Kim, Eric, Jacq and Jen: Tom Spurgeon at Comics Reporter, Chris Mautner on Robot 6 and Comic Book Resources, artist Nick Abadzis, Charles Brownstein at CBLDF, Heidi MacDonald at The BEAT.
Today is New Comics Day so we are releasing No Straight Lines: Four Decades of Queer Comics via comiXology! Edited by cartoonist, teacher and historian Justin Hall, this first definitive collection of queer comics gathers the world's greatest LGBT comics under one cover. These smart, funny, and profound works provide an uncensored window into the last four decades of queer culture.
No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine’s 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, crossover creators who have flirted with the world of LGBTQ comics, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.
". . . with No Straight Lines , the most definitive collection of queer comics to date, [Justin] Hall and Fantagraphics have made the voluminous but largely hidden history of LBGT (lesbian, bi-sexual, gay, transgender) comics finally visible as well." -Shannon O'Leary, Publishers Weekly
"I like my queer comic anthologies like I like my women. Handy AND beautiful. . .What No Straight Lines really achieves is putting all of these influential comics in one place. Together, they contextualize each other and the LGBTQ scene at the same time." -Sarah Hansen, Autostraddle
On Friday, September 21st and Saturday, September 22nd, there will be live readings and a Q&A, artwork projections, and even musical guests, all gathered to showcase underground comics in the Bay Area! The fun starts at 5:00 PM on both days, so don't be late!
The humming un-tested electric fence of Online Commentaries & Diversions:
• Review:The Comics Journal reviews Dal Tokyo by Gary Panter. Joshua Glenn writes, "Panter’s draughtsmanship is fluid and permeable, it changes from week to week. . . Some installments are so crammed with detail and extraneous scribbles that the eye can’t possibly take it all in; others are stripped down, emptied out, haiku-like. In short, Dal Tokyo is absurd, unimaginable, and perfect."
• Interview: Jason Sacks from the Comics Bulletin caught up with Gary Panter at his Fantagraphics Bookstore signing this weekend and asked him some questions about Dal Tokyo: "I think that Dal Tokyo, because it's experimental, it's continually reminding you that it's being made. Whereas most comics they're trying to draw you into the illusion and keep you there. That's what comics are supposed to do and that's what popular comics do," Sacks points out.
• Review:North Adams Transcript looks and looks and looks again at Sexytime edited by Jacques Boyreau. John Seven laments, "The posters are the ephemera of an artifact called the porn theater that lurks in my ‘70s childhood. A place where sleaze was visible, but contained. . .If you can deal with it, "Sexytime" is a fun and often ridiculous reminder of a world that seemed so dangerous when many of us were kids, but is now gone."
• Review: Nick Gazin on Vice reviews Tales Designed to Thrizzle #8 by Michael Kupperman: "It really feels like something you would dream about, except it is loaded with guffaws. . . This whole comic is basically the best ideas you've never thought of. After reading it you'll be all, 'That is so clever, why didn't I think of it? AND THESE JOKES!' "
• Plug: Rob at Panel Patter goes over some of the books he's looking forward to at SPX this month. "The Hypo is the book I'm most looking forward to. The deep thinker Noah Van Sciver taking on deep thinker Abraham Lincoln at the lowest point in his life? SOLD." And Tales Designed to Thrizzle #8 "finishes up the quirky comic from new Panel Patter favorite Michael Kupperman. It's sure to be packed full of hysterical mashups and general insanity, based on pop culture and puns, both new and old."
• Review:Publishers Weekly reviews No Straight Lines again and is quite happy: ". . . who the volume is aimed at—the LGBT audience or a much wider one? Editor [Justin] Hall guns for the latter, but without softening the edges that define the genre, and he’s quite successful."
• Review: The SFCrowsNest reviews oldie-but-a-goodie The Hidden by Richard Sala. Aidan Fortune says, "The use of watercolours in the art gives it a children’s storybook feel that will stir up memories of reading horror stories underneath the covers by torchlight. Despite this warm look, ‘The Hidden’ is gripping, chilling and certainly not for children."
• Review:Dave's Strange World looks at Kevin Avery's Everything is an Afterthought, "Everything is an Afterthought is a loving tribute to a writer who deserved bigger and better success than his demons would allow. It’s clear from the testimonials and interviews given for this book how loved [Paul] Nelson was by his colleagues and friends."